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Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape -
Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum Trust
Photograph
Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Chiltern Athenaeum Trust
Photograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Melbourne Athenaeum Archives
Theatre Program, Journey's End (play) by R.C. Sherriff performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 30 January 1979, 1979
A play about front-line warfare on the Western Front written by a soldier who served in the front line in France for over a year. Sherriff became an insurance agent who wrote plays to raise money for his rowing club. He wrote a novel and the he turned to the new art form, the talking film, becoming Hollywood's highest-paid script-writer. His credits include screenplays for: The Invisible Man; Lady Hamilton; Goodbye Mr Chips; The Dam Busters; Odd Man Out; Quartet and Mrs Miniver. The play was directed by Mick Rodger; The Director of the MTC was John Sumner with Assistant Director Ray Lawler.Paper program; coloured cover; 16 p. includes articles about the play and the actors.the university of melbourne, melbourne theatre company, journey's end, r c sherriff, athenaeum theatre, john stanton, mick rodger, ray lawler -
Clunes Museum
Photograph
MRS. YONNE BOTTOMLY IS THE GRAND DAUGHTER OF THE LATE MRS. MATILDA PAULL.ORIGINAL PHOTOGRAPH OF HOUSE IN BAILEY STREET, CLUNES. NEXT DOOR TO ST THOMAS AQUINAS CHURCH, BOUGHT AND REFURBISHED BY MR. ALEX PAULL, FOLLOWING HIS RETURN FROM W.A. GOLDFIELDS IN 1900. HOUSE PREVIOUSLY OWNED BY MR. JIM BRYANT CLUNES. MINE MANAGER NEW LOTHAIR. 6MC.PHOTO OF THE OLD PAULL HOUSE IN BAILEY STREET, CLUNES. NOW OWNED BY MR. R. WILLIAMSON - NEAR TOWN HALLlocal history, photography, photographs, buildings -
Clunes Museum
Photograph
ORIGINAL PHOTOGRAPH OWNED BY MR. MICHAEL KIERCE.PHOTOCOPY OF MILL DANCE - NEW HALL 3/6/1920. POSSIBLE FIRE BRIGADE HALL?local history, photography, photographs, events and celebrations, mill dance -
Clunes Museum
Document - DOCUMENTS
MRS. HARRISON'S LETTER TOGETHER WITH PAGE 225 FROM "HISTORY OF BALLARAT" WAS INCLUDED WITH THE SILVER CUP AND MINER'S RIGHT. PAGE 225 REFERS TO NEW NORTH CLUNES COMPANY. SILVER CUP REG. NO. 575. MINER'S RIGHT REG. NO. 589..1 & .2PHOTOCOPY OF LETTER SEND TO MR. FENTON FROM MRS. HARRISON REGARDING SILVER CUP, AND MINER'S RIGHT. .3 PAGE 225 FROM "HISTORY OF BALLARAT" .4 EXTRACT FROM LETTER OF C H J WALKER. 1910local history, document, letter, mining, cotchett -
Clunes Museum
Award - SILVER CUP, 1869/70
SILVER CUP PRESENTED TO MR. WALTER COTCHETT IN RECOGNITION OF SERVICE, BY THE NEW CLUNES MINING COY. IN MARCH 1914.SILVER GOBLET PRESENTED TO MINE MANAGER FOR SERVICETHIS CUP TOGETHER WITH PURSE OF SOVEREIGNS TO MR. WALTER COTCHETT MANAGER OF THE NEW NORTH CLUNES QUARTZ MINING COY. BY THE SHAREHOLDERS IN RECOGNITION OF MANY YEARS OF FAITHFUL SERVICE MARCH 1914.local history, trophies and awards, mining -
Clunes Museum
Certificate, CIRCA 1876
MR. JOHN LEWIS WAS MANAGER OF NEW NORTH CLUNES MINE FROM 1866 - 1876.PHOTOCOPY CERTIFICATE FROM BOROUGH OF CLUNES. AN AWARD PRESENTED TO MR. JOHN LEWIS, MANAGER OF NEW NORTH CLUNES MINE IN 1876. SIGNED BY MAYOR OF CLUNES AND COUNCILLORS.local history, document, certificates, mining -
Clunes Museum
Book, JAMES NISBET & CO BERNERS ST LONDON, HYMNS OF FAITH AND HOPE
SMALL BLUE COVERED HYMN BOOK. HYMNS OF FAITH AND HOPE PRESENTED TO MRS OATS WITH MR HUVITS & US COMPLIMENTS WISHING YOU A HAPPY NEW YEAR JANUARY 1.1892.local history, books, religious, hymn books -
Clunes Museum
Programme - CONCERT & LECTURE PROGRAMME, MASON FIRTH & McCUTCHEON PTY. LTD. PRINTERS, MELBOURNE, CONCERT AND LECTURE IN CLUNES TOWN HALL
CONCERT AND LECTURE CELEBRATING THE SURRENDER OF AUSTRIA NOV. 4TH 1918. SPECIAL PROGRAMME RENDERED BY NEW EDISON DIAMOND DISC, OPERATED BY EDISON SHOP 265 COLLINS STREET, MELBOURNE. MR. F. CUTTLE AND LANTERNIST MR. WADMAN SMITH, ITEMS BY MISS MAY HULL, MISS CHAMPION, MR. F.W. WEICHARDT, MRS. GREEN, MISS DUNSTAN, MR. EBERHARDORIGINAL PROGRAMME YELLOW PROGRAMME ADVERTISING CONCERT AND LECTURE IN CLUNES TOWN HALL 21ST NOVEMBER, 1918. PROCEEDS IN AID OF RED CROSS. CHAIRMAN HIS WORSHIP THE MAYOR CR. J PHILLIPS J.P. PROMOTER MRS. M.R.WEICHARDT. TWO PHOTOS OF SECTION FRASER STREET, CLUNES FROM NEWSAGENT, HARDENS BOOT PALACE, TOBACCONIST SHOPS AND CLUB HOTEL, THE NOW MUSEUM AND AUCTION ROOM? DON'T KNOWNillocal history, document, performing arts, events and celebrations -
Clunes Museum
Photograph
PRESENTLY OWNED BY MR. R. WILLIAMSON, BOUGHT AND REFURBISHED BY MR. ALEX PAUL IN 1900. PREVIOUSLY OWNED BY MR. JIM BRYANT, CLUNES MINE MANAGER OF NEW LOTHAIR MINE..1 BLACK AND WHITE PHOTOGRAPH OF THE FORMER NELSON RESIDENCE, 94 BAILEY STREET, CLUNES. SEE HISTORY PAMPHLET ENCLOSED IN FOLDER .2 BLACK AND WHITE COPY OF THE ABOVE PHOTOGRAPH PRINTED ON GLOSS PHOTOGRAPHIC PAPERlocal history, photography, photographs, buildings -
Stawell Historical Society Inc
Photograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Salvation Army Centenary Laverne & Baby OKeefe Family Bull & Mouth Hotel Larken Lindy Muller Reg Mathews & Muller Newton Slaughter Yards Silverband Falls Watchorn Painting Sharon McLeod Dave Morgan Mr & Mrs Stan Faravoni Seppelts Launch of New Wine Norm Sendoff Sheep Show 1984 Gun Club Trophies Treloar Accident Dunn Brothers Barkers Cages Suzanne Wilson & Harris Austin Baby Stawell Mall Laverne Baby St Pattrics School Alterations Adreanne Loraine Eric Dunn Grandfather Fraser Family four generations Phil Gray First Communion 1984 Gail McCann & Neil Haggert Monument Rugg Christine McLeod & Phillip Elliott Salvation Army Ladies Bowling Team 1984 Glen Jasper Family Goldfields Motel Lyn Smith & Peatt Sue Frencham & Ian Barham Gay Rahley & Robert Delley Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
National Wool Museum
Booklet, Feeding Sheep
Book about feeding sheep issued by the Graziers' Co-operative Shearing Co. Ltd. in conjunctin with the Graziers' Association of New South Wales and written by members of the Department of Animal Health (Grazcos).Book about feeding sheep.animal health, graziers' association of nsw graziers' co-operative shearing co. ltd grazcos co-operative limited, woods, mr george -
National Wool Museum
Book, Types of Australian & New Zealand Wools
Book listing types of Australian & New Zealand wools, mostly in table format. Produced by Henry B. Smith Limited.Book listing types of Australian & New Zealand wools.wool growing wool brokering, henry b. smith limited, smith, mr henry b. watson, mr alex w - watswool pty ltd, wool growing, wool brokering -
National Wool Museum
Tie
Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Grenville Made in England Pure New Woolwool marketing, australian wool corporation, gunn, sir william fong, mr colin -
National Wool Museum
Letter
Letter from L W Smith Pty Ltd to W R Lang 25th October, 1949, regarding a new scouring processRBSwool - research wool - testing, gordon institute of technology l w smith pty ltd, scouring, lang, dr w. roy strachan, mr norman - l w smith pty ltd, wool - research, wool - testing -
National Wool Museum
Letter
Letter from dated 28th June 1939, from R Waters, Massey Agricultural College, New Zealand to R R Pavia, Principal , Gordon Institute of Technology regarding printing of record cards for New Zealand sheep breeders.wool - research wool - testing sheep breeding - history world war ii, gordon institute of technology massey agricultural college (university of new zealand), lang, dr w. roy pavia, mr r r - gordon institute of technology waters, mr r., wool - research, wool - testing, sheep breeding - history, world war ii -
National Wool Museum
Card, Christmas, Albany Woollen Mills
Wishing you a Merry Xmas and a Bright and Happy New Year/ from/ The Directors, Management and Staff/ of / Albany Woollen Mills/ mAlbany and Freemantle Millstextile mills - management, alexander lau pty ltd albany woollen mills, lau, mr alexander - alexander lau pty ltd -
National Wool Museum
Photograph, Federal Mill: dyeing room c.1918-1920
James Murgatroyd worked in the textile industry in England, and in Victoria and New South WalesF Murgatroyd Federal Mill/ Dyeing Room/ c.1918-1920textile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, Federal Mill: Hattersley Loom
James Murgatroyd worked in the textile industry in England and in Victoria and New South WalesF Murgatroyd Federal Mill/ The Dobby - the top/ part of this machine/ of a Hattersley loom blow up of smaller one/ D155889textile machinery textile mills weaving mills textile mills, federal woollen mills ltd collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph
James Murgatroyd worked in the textile industry in England and in Victoria and New South WalesF Murgatroydtextile machinery textile mills weaving mills textile mills, federal woollen mills ltd collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph
James Murgatroyd worked in the textile industry in England and in Victoria and New South WalesF Murgatroydtextile machinery textile mills weaving mills textile mills, federal woollen mills ltd collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph, Federal Mill: Hattersley Loom
James Murgatroyd worked in the textile industry in England and in Victoria and New South Wales.The Murgatroyd CollectionHATTERSLEY LOOM/FEDERAL MILL - 1918/1920 FILM No10textile machinery textile mills weaving mills textile mills, federal woollen mills ltd collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills -
National Wool Museum
Photograph, Generators - Federal Mill c.1920
James Murgatroyd worked in textile mills in England, Geelong, Melbourne and New South Wales. His son Fred, as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionGENERATORS FEDERAL MIILL- c 1920 FILM No10textile machinery textile mills weaving mills textile mills - staff textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph
James Murgatroyd was a weavwer in England, Victoria and New South Wales. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd Collectiontextile machinery textile mills weaving mills textile mills - staff textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Letter, [Squatter]
Associated documents from Mr R Lloyd provide further informationL K Wigginssheep stations - management wool growing squatters, new zealand wool board, lloyd, mr robert, sheep stations - management, wool growing, squatters -
National Wool Museum
Game, Board, Squatter game: the Australasian version
... -and-the-bellarine-peninsula Associated letter from Mr R Lloyd provides ...Associated letter from Mr R Lloyd provides information about cover photographs. Launched 1981.Stock number 2907 HOLDSON/HOLDSONsheep stations - management wool growing squatters, thos holdsworth & sons ltd, lloyd, mr robert, new zealand, sheep stations - management, wool growing, squatters