Photo of A 268 (Exhibition, route 111) in Bourke St before crossing Elizabeth St. Has the GPO in the background. Taken at Christmas, has many pedestrians in the view.Yields information about Melbourne trams late 1980s and shows A class trams in service in Bourke St.Colour photograph with paper parts on rear.melbourne, tramways, elizabeth st, bourke st, a class, tram 268, trams

Caption to photograph "2. From left: Misses K. Pullar, L. Harris and G. Crouch, from Burnley Horticultural School arriving with a display of flowers." (All 1934).k. pullar, l. harris, g. crouch, burnley horticultural college, flowers, exhibition, wild nature show

merri-bek public art collection

Booklet. 120 page soft cover booklet giving list of exhibit categories, incl. prize money for the 1973 Bendigo Agricultural Show. Published by the Bendigo Agricultural Show Society and printed by Cambridge Press, Bendigo. Show dates 25,26,27 October 1973. Total prize money $5000. President - J. T. Hamblin, Secretary - F. B. JenningsBendigo Show Societyevent, exhibition, bendigo show, prize money, j. t. hamblin, f. b. jennings

Certificate awarded to Burnley School of Horticulture for an Exhibit of Native Flowers staged at the Daffodil Show of the Society held on 3 & 4 September, 1937.First Class certificateSigned R. First, President, Annie Butler, Secretary, 3 & 4/9/37.exhibition, native flowers, daffodil show, annie butler, r. first

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.