Showing 6863 items
matching squares
-
Flagstaff Hill Maritime Museum and Village
Flange
Ref LA 3 32 256 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Small square brass Flange with four corner holes and one larger centre hole. Artefact Reg No LA/25. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, flange -
Flagstaff Hill Maritime Museum and Village
Flange
Ref LA 3 32 257 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Small square brass Flange with four corner holes and one larger centre hole. Artefact Reg No LA/26. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, flange -
City of Ballarat Libraries
Postcard - Card Box Photographs, Shoppee Square, Sturt Street
Shows Shoppee Square and Town Hall.ballarat, shoppee square, ballarat town hall, building, gardens -
Mont De Lancey
Jewellery, Circa 1950's
Clips worn with square necked frock.Combination silver and diamante brooch and dress clip.brooches, dress clips -
Queenscliffe Maritime Museum
Painting - Oil Painting, Dacre Smyth, 1. 'Queenscliffe' in open shed. 2. 1988 Tall Ships at Queenscliff; Leeuwin, Asgard
Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987.A barquentine or schooner barque is a sailing vessel with three or more masts; with a square rigged foremast and fore-and-aft rigged main, mizzen and any other masts. A brigantine is a two-masted sailing vessel with a fully square-rigged foremast and at least two sails on the main mast: a square topsail and a gaff sail mainsail (behind the mast). The main mast is the second and taller of the two masts.Oil painting in frame of the Leeuwin and Asgard tall ships in Queenscliff 1988.On front: Tall Ships at Queenscliff (LEEUWIN and ASGARD). Hand written on back: Tall Ships at Queenscliff; 'The sail training barquentine "Leeuwin" from West Australia and the Republic of Ireland brigantine "Asgard II" at anchor off Queenscliff prior to the "Arrival Convoy" in Melbourne of a number of the Tall Ships, all bound eventually for Sydney via Hobart for Australia's 1988 bicentenary. The Queenscliff pier with the old lifeboat shed and the Blacklight (Queenscliffe's High Light) alongside the old signal tower are also depicted. Port Phillip Heads in the disctance. By Dacre Smyth 29 Dec 1987'.leeuwin, barquentine, queenscliff, dacre smyth, brigantine -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH GRADE SIX NETBALL TEAM 1984
Slightly faded colour photograph of the Golden Square Primary School No. 1189, 1984 Netball Team. Two girls in the front are holding a ball between them. They are wearing yellow t-shirts with a square logo on it with Golden printed above and Square below. The names of the girls are:- Trudy Clayton, Simone Coghlan, Tracey Hulls, Rachelle Rayner, Jodi Mackay, Rhonda Gould (Coach) Kirsty Gould, Fiona Jackson, Lisa Kerwin and Esther Croft. Names are typed on paper stuck to a piece of foam core.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph grade six netball team 1984, trudy clayton, simone coghlan, tracey hulls, rachelle rayner, jodi mackay, rhonda gould (coach), kirsty gould, fiona jackson, lisa kerwin, esther croft -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 5, Noel Simons, 19/11/1962 12:00:00 AM
Set of 5 transparencies taken on 19/11/1962 on Kodak mounts. 1186.1 - Bendigo 21 bound for Golden Square at Charing Cross with The Beehive buildings and shops in Pall Mall in the background. Trams has an ad for Cohns drinks on front bumper, SEC Best for Cooking roof ad. and Mamouney's furniture roof ad. Two women passengers boarding. 1186.2 - Bendigo 26 crossing Pall Mall from Mitchell St. bound for Eaglehawk with "Ezywalkin" shop in background. Tram has an SEC 'Electric Cooking' roof ad and a 'Streets Ice cream' ad on front dash. 1186.3 - Bendigo 7 arriving at the Charing Cross stop, bound for North Bendigo. Has a Huttons dash panel ad, a Castrol roof ad. Buildings as for 1186.1. Passengers waiting at the stop. 1186.4 - Bendigo 19 leaving Charing Cross for Golden Square with City Club Hotel alongside and other buildings as for 1186.1 in the background. Tram has Briquettes ad on front dash and SEC 'Electric Cooking' roof ad. 1186.5 - Bendigo 21in High St. at corner of Short St. heading for Charing Cross. Destination half way between Depot and Railway Station. Tram has ads for Cohns Drinks on dash panel, SEC 'Cook with Electricity' and a Sandhurst Milk roof ads.Information written on in black ink and date stamped in purple ink. 1186.1 - "No. 21 in Pall Mall at Charing Cross, Bendigo" 1186.2 - "No. 26 arriving at Alexandra Fountain, Charing Cross, Bendigo" 1186.3 - "No. 7 in Pall Mall at Charing Cross, Bendigo" 1186.4 - "No. 19 in High St., Bendigo, leaving Charing Cross for Golden Square" 1186.5 - "No. 21 in High St. Bendigo, at corner of Short St." tramways, trams, bendigo, charing cross, pall mall, high st., tram 7, tram 19, tram 21, tram 26 -
Ringwood and District Historical Society
Photographs, Construction and Completion of Target Square (Ringwood Square) 1981-82. Part 1 of 4 groups of photos (40 in total)
Catalogue card reads, "1981-1982. Preparation for, construction of, and completion of Target Square, now Ringwood Square. These pictures, 40 in number were taken by Mr. Lundy-Clark.". This group of 10 is Group 1 of 4. Records 2588-2590 contain the 4 groups. No further details are available on the individual photos at this time. -
Ringwood and District Historical Society
Photograph, Construction and Completion of Target Square (Ringwood Square) 1981-82. Part 1 of 4 groups of photos (40 in total)
Catalogue card reads, "1981-1982. Preparation for, construction of, and completion of Target Square, now Ringwood Square. These pictures, 40 in number were taken by Mr. Lundy-Clark.". This group of 10 is Group 1 of 4. Records 2588-2590 contain the 4 groups. No further details are available on the individual photos at this time -
Ringwood and District Historical Society
Photograph, Construction and Completion of Target Square (Ringwood Square) 1981-82. Part 1 of 4 groups of photos (40 in total)
Catalogue card reads, "1981-1982. Preparation for, construction of, and completion of Target Square, now Ringwood Square. These pictures, 40 in number were taken by Mr. Lundy-Clark.". This group of 10 is Group 1 of 4. Records 2588-2590 contain the 4 groups. No further details are available on the individual photos at this time -
Ringwood and District Historical Society
Photograph, Construction and Completion of Target Square (Ringwood Square) 1981-82. Part 1 of 4 groups of photos (40 in total)
Catalogue card reads, "1981-1982. Preparation for, construction of, and completion of Target Square, now Ringwood Square. These pictures, 40 in number were taken by Mr. Lundy-Clark.". This group of 10 is Group 1 of 4. Records 2588-2590 contain the 4 groups. No further details are available on the individual photos at this time -
Bendigo Historical Society Inc.
Ephemera - BENDIGO HOTEL COLLECTION: BELMONT HOTEL GAME CARDS
Fold up game card. On the cover ''With the compliments of A. Jackson's Belmont Hotel, Kennington, Bendigo'' Inside on the left column for the name of eight players on the right a blank square. How to play: each player selects a number, apply heat to back of square marked, result and winning number will appear. (two copies of the card)bendigo, hotel, belmont hotel -
Bendigo Historical Society Inc.
Textile - CUSHION COVER
Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE P.S. LAUREL ST. COLLECTION: COMMON SCHOOL NO 279
Laurel Street Golden Square collection - Black and white photograph of the Common School No 279 taken prior to the building of State School No 1189 on its present site in Laurel Street Golden Square. Group photograph of students and teachers in front of school, under glass in a timber frame with gold trim. Deframed 2022photograph, building, school -
Ballarat Tramway Museum
Functional object - Tramcar door square key, State Electricity Commission of Victoria - Ballarat office, Mid 1930's?
Used by tram crews to secure doors in the open or closed position and to open the used ticket box. Part of the items issued to each traffic crew or maintenance staff to access or lock tramcars.Would have been issued at the time to a driver or conductor with the cap or traffic number of 18Piece of chrome plated steel rod bent at 90 degrees and shaped at longer end to give a square shape for use in external doors on SECV Ballarat Trams - known as a square key. Was used to secure doors in both open and closed positions. Has been stamped 18 on one side at short end.18ballarat, tramcars, equipment, crews, doors, tramways -
National Wool Museum
Textile - Quilt, By Wagga Design, 2017
‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize -
Melbourne Tram Museum
Postcard, John Sands - Sandscene International, "Melbourne Town Hall and St Paul's", late 1970s
The photo shows the intersection of Collins and Swanston Streets looking south. It shows an early version of the City Square. In the photo is the Town Hall, the Gas & Fuel buildings, St Paul's Cathedral, and in the top left-hand corner an advertisement for "Qantas". Several trams are in the view plus the Tram Recovery Vehicle parked alongside the City Square on stand-by. See reference for the Square History - based on the paving, late 1970s,Yields information about the City Square,Colour postcard by Sandscene International, No. V36 with a serrated edge - No. JSC1219postcards, collins st, swanston st, city square, tramways, r10 vehicle, w2 class, trams, melbourne town hall -
Eltham District Historical Society Inc
Photograph, Bendigo Tramways No. 7 en route to Golden Square, January 1972, Jan 1972
Most likely High Street, Golden SquareDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, eaglehawk, george coop collection, golden square, high street, tram -
St Kilda Historical Society
Photograph, View of Esplanade, St Kilda, c. 1906
Esplanade and Alfred Square, Boer War memorialcolour postcard, unmounted, originalwritten on front: 'from Norma Martin(?), printed: View of Esplanade, St Kilda, post marked 1907 -
Creswick Campus Historical Collection - University of Melbourne
Ephemera
VSF Plaque SQUARE. Painted masonite board.Plaque -
Queenscliffe Maritime Museum
Print - Print of Benvenue
Passenger & emigrant square rigged sailing shipRealismColoured print of a drawing of the SS BENVENUE.Reverse: " nil "square rigged sailing ship drawing, ss benvenue, passenger ship, emigrant ship -
Queenscliffe Maritime Museum
Print - Print of SS BLUE JACKET
Passenger & emigrant square rigged sailing shipRealismOriginal print off the woodblock etching of the clipper ship SS Blue Jacket.Reverse: " see 1986-045.2 for a copy"passenger ship, emigrant ship, clipper ship ss blue jacket -
Queenscliffe Maritime Museum
Print - Print of SS CAROLINE, Photographer unknown, 1979
Passenger & emigrant square rigged sailing shipRealismPrint of a sepia print off a photograph of the SS CAROLINE.Reverse: " built 1821 03 1833 "passenger ship, emigrant ship -
Queenscliffe Maritime Museum
Print - Print of SS GRACE HARWAR, Photographer unknown
Passenger & emigrant square rigged sailing shipRealismSepia print of a photograph of the SS GRACE HARWAR.Reverse: " The second vessel to load wheat at the port of Geelong / wheat carried for [to] Europe until c1930 (?) "freight ship -
Orbost & District Historical Society
food cover, approx. 1940's
This handmade item represents an important pastime of Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping off flies and insects from food.Small square cream coloured hand crocheted sugar bowl cover. Word "sugar" is patterned into it. The beaded fringing is blue and white.food-cover handcrafts crochet -
Flagstaff Hill Maritime Museum and Village
Instrument - Sextant, Troughton & Simms, late 19th C. to 1922
This sextant is very similar to a 1915 Sextant design. A sextant is an astronomical instrument used in measuring angular distances especially the altitudes of sun, moon and starts at sea determining latitude and longitude.This sextant is an example of a 19th-century marine instrument used for finding location at sea. It was made by London scientific instrument maker Troughton and Simms, which originated in 1826 and continued until 1922.Sextant and its fitted square wooden box. The handle of the sextant is carved with a cross-hatched pattern. Made by Troughton and Simms, London.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sextant, navigational instrument, marine navigation, marine equipment, instrument, navigation, troughton and simms, london, scientific instrument -
Federation University Historical Collection
Unknown, Paper bags from Sutton's Music Store
Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886..1 various paper bags with black pictures and red writing .2 white paper bag with blue squares and white writingsuttons everything in sound, suttons, henry sutton, paper bags -
Lara RSL Sub Branch
Pre 2000 Lara R.S.L. photo album
The pictures in this album show Lara R.S.L. members and their families (past & present) observing the Remembrance day service.Many of the people shown in this album are no longer with us.Square shaped photo album, Burgundy in colour with brass corner brackets on front cover. Inside there are 288 plastic pockets for photographs.remembrance day service, lara r.s.l. photo albums. -
Federation University Historical Collection
Card - Coffee label, South American Coffee, e 16.98 coffee blend, 1998
Full colour printed card front, single colour black print reverse, promoting South American Coffee, 106 Chapel Street, Windsor (supplier of enclosed beans) as part of invitation to third year graduating show of graphic design students, 1998. The coffee beans were specially blended for the exhibition. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. 50mm square card featuring "e 16.98" coffee beans blended by South American Coffee, 106 Chapel Street, Windsor university of ballarat, federation university, graphic design, helmut stenzel -
Seaworks Maritime Museum
Doll
Japanese doll with traditional layered dress and red bow in black hair. Doll is standing upright, supported on black square base. Japanese writing on base of doll