Coloured photo of Australia Day celebrations in front of Nunawading Council chambers c1990. Large crane on rightaustralia day celebrations c1990, city of nunawading civic centre, festivals and celebrations

Black and white photograph of Clyde and Evelyn Sykes and members of their family taken at their 66th wedding anniversary celebrationgenealogy, clothing

Golden Square Methodist Church Centenary of the Church Building Celebrations Record of the Day's Anthems and organ recitalsreligion, history, lydia chancellor collection, church

Murray Comrie Collection. Order of Service for a special service and celebration for the Jubilee of the Presbyterian Church, Tarnagulla on Sunday May 4th, 1913.tarnagulla, churches, religion, presbyterian, community celebrations, jubilee, rev paton, girls mission band

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This is a black and white photograph of the Lostwithnal Church in CornwallWritten on the reverse side of the photograph in pencil is "Lostwithnal Church 1190 (1st part) Spire & Crown 13th Century "the glory of Cornwell", "frank wright lostwithnal church cornwell

This type of inkwell would have been used in public places such as banks, offices and on ships.Ink well, pewter, capstan design.Flat disc with ink well and pen/quill holders in centre, hinged lid to cover removable well.White ceramic ink well included. Base, well and lid are all decorated with concentric rings. Maker's stamp on base. Circa 19th century. Stamped into base "MADE IN ENGLAND" and another indentifyable symbol. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, ink well, pewter ink well, writing equipment, stationery accessory, communication

Yields information about the Ballarat centennial celebrations in 1938.Newspaper Clipping about Ballarat's 1938 Centenary celebrations, with photo of decorated tram (No. 23 ). Provides notes on the centennial celebrations. On rear of photo is item regarding "HMAS Ballarat" and John Gorton, late PM of Australia. From the Ballarat News the Way we were supplement?trams, tramways, ballarat, centenaries, decorated trams

Invitation card - inviting people to the centenary celebrations of Essendon Tram Depot, printed on white card with a photo of the opening of party for the Essendon Tramways, NMETL. Invite for Sunday 15/10/2015. Gives details, RSVP, times etc. Has the Centenary celebrations logo on the front.trams, tramways, yarra trams, nmetl, centenary, 100 years of electric trams, essendon depot

Used on a farm in the late 19th or early 20th century.A pair of brass horse hames with a missing chain link at the top. Each has a hook attached with a metal ring at the end. It has four rings. It would have been attached to a horse collar and used to to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces, which attach to the wagon or plough, of the harness are attached. The collar allows the horse to use its full strength when pulling. It was used in the late 19th or early 20th century.horses, horse accessories, harness, animal accessories, farm equipment, hames

Fob (or pocket) watches were developed in Europe in the 16th century and gained wide usage during the mid 18th century until World War 1 when the wristwatch was invented. These watches were designed to be carried in a small pocket and attached through the means of a 'fob' which could be a chain or made from a variety of materials such as leather. Their popularity peaked in the nineteenth century where they were an important part of middle and lower class society as well.This item is of social significance as fob / pocket watches were valued as an essential object in all levels of society. For some occupations, such as the railroads, it was a necessary tool of the job. Steel York Lever open face pocket / fob watch dated between 1940-1960. The dial has an inner pewter circle, outer minute divisions and a circular insert and hand to show the seconds. The numbers are finely edged with a black line and the hands are two coloured. The back of the watch is patterned with fine lines and three rectangle shapes. The words 'ANTIMAGNETIC' are on the front of the watch. Anti-magnetic watches began to be made at the beginning of the 20th century as mechanical watches were affected by magnetic fields. The 'lever' set on watches was a requirement for railroad watches. It required a two step process for the hands to be adjusted. The front dial of the watch has the words 'YORK LEVER', 'ANTIMAGNETIC' and 'MADE IN GERMANY'. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, fob watch, pocket watch, watch, horology, time keeper, york lever, anti-magnetic, made in germany

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men and women, some of whom are holding tennis racquets. This image possibly depicts members of a tennis club in Wales. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

This is a programme of a concert given by the pupils of the Frances Sinclair Dancing Academy in Warrnambool. The programme included orchestra and other musical items, dances, short skits or plays and solo singing. Most of the pupils of the dancing academy were young girls. The title of the concert, ‘Lyndoch Revue’, may indicate that the proceeds of the concert were given to the Lyndoch Aged Care Centre in Warrnambool. This programme is of interest because it is a good example of the type of concert given by pupils of a Warrnambool dancing academy in the mid 20th century. The donor of this item, Lynette Wright, nee Bristol, was a performer in the concert, one of the ‘petite ballerinas’. This is a buff-coloured sheet of paper folded in two to make four pages. The edges of the first and third pages have red decorative scroll work and the front cover has an image of a 19th century lady doing needlework. The lettering is in brown type. The edges of the first and third pages are torn. ‘Lyndoch Revue, Produced and Directed by Frances Sinclair’ frances sinclair, history of warrnambool

Buff coloured booklet titled Back to Mandurang Souvenir. Celebrations were held on 15th, 16th & 17th October, 1938. Celebrations consisted of Back to School and Roll Call and sports on the 15th, Back to Church and guest speakers on the 16th and on the 17th there was a Basket Picnic and Visiting Places of Interest.O.W. Seymour, Printer, Bendigo.ephemera, mementoes, back to mandurang, john jones collection - back to mandurang souvenir 1938, g kofoed, hon maj gen rankin, j kerr, j thomas, e kerr

The portrait was commissioned in 1884, near the end of Molesworth's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Chief Justice Stawell. Robert Molesworth, like his contemporaries, Stawell and Barry, went to Trinity College, Dublin, and practiced at the Irish Bar before migrating to Australia in 1852. Molesworth quickly gained a large practice at the Bar. In 1853 he was acting Chief Justice and he later served as Solicitor-General in the early Victorian colonial administrations. Molesworth was appointed to the bench in 1856. He primarily worked in the Equity area, but his main contribution to Colonial administration was as the Chief Judge of the Court of Mines, establishing the basis of mining law in Australia.The portrait of Molesworth is significant because of whom it portrays and is the only known portrait of Molesworth.Full length portrait in oils of Sir Robert Molesworth. He is seated at a desk and dressed in Judicial robes. The frame is of 20th century originSigned with monogram and dated 1885 lower left. Plaque identifies sitter as The Hon. Sir Robert Molesworth Judge of the Supreme Court. 1856-1886courts, molesworth robert, a beckett edward

Bendigo Advertiser ''The way we were'' from 1999. Oil anyone?: workers operate a eucy still in the Whipstick forest at the turn of the century.newspaper, bendigo advertiser, the way we were

Bendigo's Century a supplement to the Bendigo Advertiser volume three: 1920-1929. On the front a picture of the Duke and Duchess of York visit to Bendigo 1927.newspaper, bendigo advertiser, centenary supplements

Bendigo's century a supplement to the Bendigo Advertiser volume ten: 1990-1999. On the front a picture of a bag of crackers exploding during the Easter Parade.newspaper, bendigo advertiser, centenary supplements

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 16 / JUL 65Mcalifornia, slide, robin boyd

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Century Plaza Hotel under construction (opened 1966), Los Angeles, California, USA. (Architect: Minoru Yamasaki.)Made in Australia / 17 / ----- / Encircled 17 (Handwritten)slide, robin boyd

Newspaper cutting describing 18 Fellows street, Mitcham which was built in the early part of the century. Agent: Cody Real Estate. Photographfellows street, mitcham; no 18, auctions

Book: 'LADIES OF THE COURT: A CENTURY OF WOMEN AT WIMBLEDON'. Hardcover with dust jacket. First published 1984. Materials: Ink, Paper, Cardboard, Plastictennis

Sepia photograph, The Oak Farm Dairy premises with horse and milk carts on display along with employees. Probable date early 20th century.A M Pepper Photographer 113 Victoria Road Scarborohorse drawn vehicle, dairy, oak farm dairy, pattison, patterson