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Queenscliffe Maritime Museum
Photograph, Photographer unknown, 1936
A black & white photograph of the eighteen foot (18'00") long fishing boat "Norman" at anchor and taken at Queenscliffe in 1936. On board is one lady, Elsie Ferrier and two children, Iris and Norman. Realism, historicalBlack & white photo of the eighteen foot (18'00") long fishing boat "Norman" at anchor and taken at Queenscliffe in 1936. On board is one lady, Elsie Ferrier and two children, Iris and Norman. On the reverse - 1936, 1936 Queenscliffe, 18'0" 'Norman', Elsie Ferrier, Norman Ferrier, Iris Ferrier, Boat now at Sorrento (1985), GIFT from Frank Ferrier.fishing boat, ferrier, 1936, queenscliffe -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. The photograph shows the roundabout at the corner of Murchison and Lyell Streets.murchison street, lyell street, marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. This photograph is taken of the view down Murchison Street from the roundabout on the corner of Murchison and Lyell Streets.murchison street, lyell street, marysville, victoria, photograph -
Ringwood and District Historical Society
Photograph/Postcard, Souvenir photograph - Murray Views No.13. Panorama of Ringwood, Vic
Black and white "Murray Views" souvenir photograph overlooking Ringwood towards Dandenong Ranges from Loughnan Hill, circa 1940s. -
Port of Echuca
Black and white photograph, Early 20th Century
P.S Decoy was built in Scotland and reassembled in 1878 in Melbourne. It steamed to Goolwa, arriving in July 1878. It was used on the Darling River, and as a South Australian tug. In 1905 it sailed to Fremantle W.A for use as an excursion vessel. It was towed back to work on the inland river trade on the Darling -Murray system in 1909. It is now a house boat at Mannum. It's owner is Dick Bromhead.( Ref; Parsons, Ron. "Ships of the inland Rivers. P. 65.)The P.S Decoy is significant because it worked as a passenger vessel as well as a transport vessel. It was built in Scotland and reassembled in Melbourne. It was built to use coal, but when it started work on the inland rivers system it was converted to wood fuel.A black and white copy of a photograph of the P.S Decoy tied up to a riverbank with a barge alongside . The banks are high and there are buildings on the top of the banks.On the boat is the word 'Decoy' written on the bow .p.s decoy, darling river, murray river, goolwa, mannum, passenger vessel, bromhead, dick -
Federation University Historical Collection
Photograph - Bicycle, Henry Sutton, Large Sepia photograph of cyclists by Henry Sutton
Henry Sutton was born at Ballarat on 03 September 1856. He taught Electricity and Magnetism at the Ballarat School of Mines between 1883 and 1887. Sutton was an incredible inventor. He died on 28 July 1912 at Brighton, Victoria.Large Sepia photograph of cyclists by Henry Sutton. The cyclists are all near Penny Farthing Bicycles in front of some pine treeshenry sutton, sepia photograph, cyclists, penny-farthing, cycling, bicycle -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Spirit of Portland, n.d
Glenelg Shire Council RecordsPhotograph of a racing car (green and white), no 46, "Spirit of Portland". Framed under glass in sage matt and black wooden frame.Front: (no inscriptions) Back: Gary Hayman, Picture Framer (label) -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Loading grain, n.d
Port of Portland Authority Archivesport of portland -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Grain storage, n.d
Port of Portland Authority Archivesport of portland -
Creswick Campus Historical Collection - University of Melbourne
Photograph - Photograph of Creswick Hospital and grounds, pre 1910
Black and white photograph of the Creswick Hospital grounds on Eastern Hill, Creswick Hospital in the distance.Photograph taken before 1910. Photographer unknown -
International House, The University of Melbourne
Photograph (Item) - Formal group photograph of International House tutors with Warden Sam Dimmick outside the Samuel Wadham wing
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Queenscliffe Maritime Museum
Photograph - Photo of the Lifeboat QUEENSCLIFFE under way at Fisherman's Pier, Photograph of lifeboat QUEENSCLIFFE, March 1936
The QUEENSCLIFFE lifeboatLifeboatsBlack & white photograph of the Lifeboat QUEENSCLIFFE under way at Fisherman's Pier, circa 1929-30 after the Lifeboat Shed was builtReverse - "QUEENSCLIFFE boatshed at the old Fisherman's Pier on the North end - Demolished pier about 1955 - before moved to new pier because of 'sanding' up & preventing clear launch (about 1947-49?) - on left is Ports & Harbour shed (on South arm of Fisherman's Pier - see 1986-184 - cabin to QUEENSCLIFFE added about 1935.community information, the queenscliffe lifeboat -
Buninyong & District Historical Society
Photograph - Photo of Original Photograph, John William Henry Austin, Photograph of Austin's Shoeing Forge and Coach factory, Learmonth St, c1899
historic, industryPhotograph of Austin's Shoeing Forge and Coach factory, Learmonth St. taken by John William Henry Austin, photographer of Durham Lead. on rear; "John Purcell Austin, Blacksmith, Buninyong, 1899. Took over from Caffrey. By 1906 Bourke had the forge. See p.34 Closed down 1938. JWH Austin Photographer, Durham Lead"john william henry austin, photographer, durham lead, austin shoeing forge, austin carriage factory -
Victorian Aboriginal Corporation for Languages
Periodical, Department of Planning and Community Development, Victorian Government Indigenous affairs report 2006-07, 2007
colour photographs, graphs, tablesgovernment policy, indigenous affairs, native title, literacy and numeracy, family violence, economic development, vcal -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Victorian Aboriginal Corporation for Languages
Book, Isobel White, The opal that turned into fire : and other stories from the Wangkumara, 1994
These stories are written versions of legends handed down through the oral tradition of Aboriginal storytellers from the Riverina of New South Wales and Victoria, coastal regions and other parts of Australia.Colour photographs, illustrations, mapswongaibon, kamilaroi, kirrea, dharawal, ualarai, gandangara, darkinjung, dhurga, ngemba, bandjalang, wiradjuri, muruwari, riverina, lake eyre, murray river -
Victorian Aboriginal Corporation for Languages
Book, Wondunna Aboriginal Corporation, Badtjala - English : English - Badtjala : word list, 1996
Informal publication, spiral bound, with word lists in alphabetical order in a series of categories.Colour photographs, word listsbadtjala, wondunna aboriginal corporation -
Victorian Aboriginal Corporation for Languages
Book, Koormundum Ida Bishop, Ngun? Koongurrukun? =? Speak Koongurrukun?, 2000
Gives Phonology, grammatical interpretations and lexicon. Provides complex detail of the above.Colour photographs, word listskoongurrukun?, fitzmaurice, daly river, muluk muluk -
Victorian Aboriginal Corporation for Languages
Book, A New Wiradjuri Dictionary, 2010
An English to Wiradjuri and Wiradjuri to English dictionary.Colour photographs, word listswiradjuri -
Victorian Aboriginal Corporation for Languages
Book, Stan Grant et al, Learning Wiradjuri : book 3 : extending language structures &? vocabulary, 2006
Text in Wiradjuri and English.Colour photographs, word listswiradjuri -
Victorian Aboriginal Corporation for Languages
Book, AJ Reid, Birds 5 : of South-eastern Australia : dry country, 1986
Colour photographs, illustrations, mapsbirds, south eastern australia, mallee -
Victorian Aboriginal Corporation for Languages
Book, Margaret G. Corrick et al, Wildflowers of Victoria and adjoining areas, 2000
Alphabetically listed, with detailed entries.Maps, colour photographs, glossarywildflowers, plants, victoria, mallee, grampians -
Victorian Aboriginal Corporation for Languages
Book, Leon Costermans, Native trees and shrubs of South-eastern Australia, 1998
Coloured photos and detailed line drawings are used to give a very clear description of the specific plants and details of their locations and environments.Colour photographs, illustrations, mapsplants, botany, nsw, victoria, south australia -
Victorian Aboriginal Corporation for Languages
Book, Leon Costermans, Trees of Victoria and adjoining areas, 1994
Format features leaf identification, map of location, seeds and bark etc., in black and white drawings.Colour photographs, illustrations, mapstrees, east gippsland, south coast nsw, mallee -
Victorian Aboriginal Corporation for Languages
Book, Marilyn Gray, Flora of Melbourne : a guide to the indigenous plants of the greater Melbourne area, 2001
Comprehensive book giving illustration of plants and very specific, detailed descriptions.Colour photographs, illustrations, mapsindigenous plants, werribee river, mount evelyn, sunbury, mount eliza, botany, plant associations, park regeneration, propagation, weeds -
Department of Health and Human Services
Photograph, This photograph is assumed to be the interior of the truck which is used as a Department of Health program School Dental Service. The picture shows two rooms, each with a dental chair & cabinets with drawers
This photograph is assumed to be the interior of the same truck shown in item 0006, which is marked Department of Health School Dental Service. The picture shows two rooms, each with a dental chair and cabinets with drawers. -
National Wool Museum
Photograph, Superfine Merino Ewe Photograph, 1935
Photograph of the Superfine Merino Ewe who was the Champion & Grand Champion at the Melbourne Sheep Show in 1935. The Sheep was bread and exhibited by Trustees Late Yalla-Y-Poora homstead located in Ararat, Victoria.Framed sepia photo of a Merino Ewe with handwritten description in footer of matte.Superfine Merino Ewe Champion & Grand Champion Melbourne Sheep Show 1935. The Sheep was bread and exhibited by Trustees Late Jno. Ware. Yalla-Y-Poora, Vicyalla-y-poora, merino sheep, melbourne sheep show -
Victorian Aboriginal Corporation for Languages
Kit, Western Australia Department of Education et al, Ways of being, ways of talk, 2002
Kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, videocassette, bookaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning -
Victorian Aboriginal Corporation for Languages
Book, Anne Robertson, Treasures of the State Library of New South Wales : the Australiana collections, 1988
Treasures from the State Library of New South Wales. The history of the David Scott Mitchell collection. Shows pictures of maps, furniture, prints, newspapers etc. from the very earliest of white settlement in Sydney.document reproductions, colour illustrations, b&w illustrations, b&w photographs, colour photographsdavid scott mitchell, mitchell library, sir william dixson, dixson library, special collections -
NMIT (Northern Melbourne Institute of TAFE)
Photograph: CTS 1950 Electrical Trades Building deputation
Black and white photograph of Collingwood Technical School deputation to the Minister of Education (the Honourable A. A. Inchbold) on 21 July 1950 re the Electrical Trades Building. Minister is on the left next to Mr. Alex Strang, Principal and Mr. George H. Thomas. Scott 36-37, and p67. Also see copy of names on reverse of photograph.collingwood technical school, electrical trades building, nmit