An advertisement for Greensborough Historical Society's August 2016 meetingNews clipping, black text and colour image.greensborough historical society

Development on Main Street Greensborough (front), January 2016. Shows the changing streetscape of Main Street.Digital copy of colour photographmain street greensborough

Print on wooden backing. Commemorative. Orange circle, grey cross, Vietnam map green and red 201650th Anniversary Battle of Long Tancommemorative print, battle of long tan

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2018. This report in A5 format.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.55 page booklet, colour cover with logo and colour photos of golf club members. annual reports, financial reports

Hardcover w/ Dust JacketInserted invoice from "Hatchards Printed Matter" in London, dated 06/10/82walsh st library

QMC opening & lifeboat display.1987 OpeningNewspaper clipping re Opening of QMC 1987Reverse " Lewis Ferrier / official opening 1987-03-06 | copyright Geelong Advertiser "lifeboat 'queenscliffe', qmc opening

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: (illegible) / BEECHWORTH Reverse: BEECHWORTH / MARCUSE BEECHWORTH NOSTALGIA BW-06 / B10 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A new dining precinct opened at Greensborough Plaza in December 2016.News clipping, black text and colour image. greensborough plaza

Development on Main Street Greensborough (rear view), January 2016. Shows the changing streetscape of Main Street.Digital copy of colour photographmain street greensborough

Medical and Bank building, Main Street Greensborough July 2016.Digital copy of colour photographmain street greensborough

The grave of James Young Beale (died 06/07/1905), son of Anthony and Katherine Beale, St Helena Cemetery, Greensborough. This is a replacement headstone.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, james young beale

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2019. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.57 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2021. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.61 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2022. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.56 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

One hundred twenty five loose pages stapled together titled: Context, people, place, heritage. White Hills and East Bendigo Heritage Study 2016 Vol.2: Place and Precinct citations. Final Citations 12 February, 2016. Prepared for City of Greater Bendigo.bendigo, council, heritage study

3 photographs of soil testing conducted at Montmorency Station carpark on 11/06/2019. Investigation for possible duplication of train track or extension of car park. Digital copy of 3 colour photographmontmorency station, hurstbridge train line

Grave of George S Davis (died 30/06/1942) in Plot# Q19 Greensborough Cemetery. The Davis family lived in Britnell's Road, Briar Hill.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Links: 01859.01936 Digital copy of colour photograph of grave/headstone.george s davis, greensborough cemetery

3 handwritten letters dating from 06/01/1939 to 16/03/19391938. The letters are on Australian Federated Union of Enginemen letterhead.organisation, union, a.f.u.l.e

Newspaper clipping from The Age, 18/7/2016, written by Adam Carey, about the 6 month trial of traffic separation in Smith St using yellow "stamps" - which showed an improvement in tram running. Quotes Brendan Pauwells of VicRoads.trams, tramways, yarra trams, safety, smith st, traffic control

Sir Robert Menzies and his family lived in a number of houses in Kew. He was the local MHR for Kew and for many years Prime Minister of AustraliaTwo colour photographs, mounted in a single gilt frame of the exterior of 74 Charles Street, Kew. During the 1920s, the house was the home of [Sir] Robert and [Dame] Pattie Menzies. The framed photographs were donated by subsequent owners of the property.The annotations to the photographs read: "74 Charles Street Kew / Home of Sir Robert and Dame Pattie Menzies / Early 1920s / Presented by John and Mary Curtin / May 2016".sir robert menzies, dame pattie menzies, 74 charles street (kew)

White paper with 'in Flanders fields' poem printed in black ink, blue paper booklet describing the program of Wangaratta High School Anzac Day Service 1995 and a white A5 booklet with four colour photos of the siege of Tobruk memorabilia.WANGARATTA HIGH SCHOOL ANZAC DAY SERVICE WEDNESDAY 26 APRIL 1995 2016 2/24 Australian Infantry Battalion Wangaratta's own 75th anniversary of Siege of Tobruk 5 November 2016

This items was part of the Ivy Wilson Collection. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola. Ivy died on 17 November 1998 at Caulfield.Photograph of the Canadian actress Mary Pickford in a lace dress. Gift of Nola Jones, daughter of Ivy Wilson, 2016ivy wilson, mary pickford, theatre, silent movies, actress