Document dated December 13 1870 re the change of boundary between the Greensborough Road Board and the Eltham Road Boards severance of land East of the Diamond Creek boundary. Photocopy from Letters collection, Shire of Eltham. Folder 81 from Harry Gilham Collection 3 pageswingrove, herbert, alexander donaldson, john stevenson, roads

Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "Progress Rd looking east Eltham North from 184 to Lower Rd 1970"eltham north, progress road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, scenic crescent, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frameseltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction, ryans road

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 3 strips, 12 frames Also 30 x 25 cm black and white print of this image frameeltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 1 strips, 2 frameseltham north, progress road, road construction

Progress Road between Ryans Road and Lower Road, Eltham North; prior to realignment and construction, 1976Kodak Safety Film 120 format 6 x 6 cm black and white negative; 1 strips, 2 frameseltham north, progress road, road construction

Kim Tarpey was the Co-ordinator of the Eltham Group of Schools After School Learning Program, 1986-1989. The Eltham Group of Schools consisted of Eltham High, Dalton street Primary, Eltham North, Grove Street, Research and Sherbourne Primary. Kim was based at Eltham North and her position was partly funded by a small grant from Eltham Council and a small levy on the fees. The program offered music tuition, hire of instruments, art, pottery, drama, and a variety of other activities. It employed local musicians and artists.12 page booklet, 3 sheets of A4 photocopies double sided on coloured paper (1 orange and 2 cream), folded and stapledeltham east primary school, eltham high school, eltham network after school learning program, eltham north primary school, eltham primary school, research primary school, sherbourne primary school

Kim Tarpey was the Co-ordinator of the Eltham Group of Schools After School Learning Program, 1986-1989. The Eltham Group of Schools consisted of Eltham High, Dalton street Primary, Eltham North, Grove Street, Research and Sherbourne Primary. Kim was based at Eltham North and her position was partly funded by a small grant from Eltham Council and a small levy on the fees. The program offered music tuition, hire of instruments, art, pottery, drama, and a variety of other activities. It employed local musicians and artists.12 page booklet, 3 sheets of A4 photocopies double sided on coloured paper (1 blue and 2 cream), folded and stapledeltham east primary school, eltham high school, eltham network after school learning program, eltham north primary school, eltham primary school, research primary school, sherbourne primary school

Kim Tarpey was the Co-ordinator of the Eltham Group of Schools After School Learning Program, 1986-1989. The Eltham Group of Schools consisted of Eltham High, Dalton street Primary, Eltham North, Grove Street, Research and Sherbourne Primary. Kim was based at Eltham North and her position was partly funded by a small grant from Eltham Council and a small levy on the fees. The program offered music tuition, hire of instruments, art, pottery, drama, and a variety of other activities. It employed local musicians and artists.12 page booklet, 3 sheets of A4 photocopies double sided on coloured paper (1 red and 2 cream), folded and stapledeltham east primary school, eltham high school, eltham network after school learning program, eltham north primary school, eltham primary school, research primary school, sherbourne primary school

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road, streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road, streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Eltham District Historical Society heritage walk to follow the boundaries of the original Shillinglaw Farm in central Eltham, held Saturday, 4th November, 2017. The Shillinglaw Farm comprised Lot 90 of Holloway’s 1851 Little Eltham subdivision. It was originally 30 acres in area and situated east of the Diamond Creek and north of Henry Street.Born digital imageeltham war memorial, obelisk, war memorial buidings, war memorial hall

Eltham District Historical Society heritage walk to follow the boundaries of the original Shillinglaw Farm in central Eltham, held Saturday, 4th November, 2017. The Shillinglaw Farm comprised Lot 90 of Holloway’s 1851 Little Eltham subdivision. It was originally 30 acres in area and situated east of the Diamond Creek and north of Henry Street.Born digital imagecr. e.j. andrew, eltham war memorial, ernie andrew, war memorial buidings, war memorial garden, war memorial gates

Eltham District Historical Society heritage walk to follow the boundaries of the original Shillinglaw Farm in central Eltham, held Saturday, 4th November, 2017. The Shillinglaw Farm comprised Lot 90 of Holloway’s 1851 Little Eltham subdivision. It was originally 30 acres in area and situated east of the Diamond Creek and north of Henry Street.Born digital imagecr. e.j. andrew, eltham war memorial, ernie andrew, war memorial buidings, war memorial garden, war memorial gates

Stories of courage, inspiration and healing in the wake of the North East Victorian bush fires. Photographer Viv Mehés spent more than 3 years taking photographs and talking with local people about the 2009 firestorm and its legacy. Includes first-hand experiences of people affected by these fires — the stories here are their stories. - https://www.blacksaturdaymuseum.com/SpiritOfTheSpine.htm Includes map of area covered. black saturday, bushfire, victorian bushfires - 2009, viv mehes

"Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape

Construction of the new concrete bridge over the Diamond Creek on Main Road, Eltham, c.May 1926. Viewed from northern approach looking east, the access drive running off Antoinette Boulevard parallel to Main Road is visible as well as the power lines that used to run in front of Eltham Park (Eltham Lower Park). Also visible is a tree situated beside the roadway. It is believed this is the same tree that remains today as a dead tree trunk immediately adjacent to the road verge armco near the corner of Antoinette Boulevard. The original long suspension bridge over the Diamond Creek on Main Road at Eltham collapsed during flooding of the Diamond Creek on October 13 and 14, 1923. The original bridge was built around 1840 for the coach road when Cobb & Co.'s coach was the only conveyance between Eltham and Melbourne. Widespread damage was done in Melbourne and surrounding areas by floods resulting from the overflow of the Yarra at many points along its banks. A temporary bridge rigged up was severely damaged by the flooding of the creek and was closed to vehicular traffic in April 1924. A new concrete bridge was constructed to replace it and by May 1926 all the concrete piles and abutments had been completed. The bridge was finally completed and opened for traffic in September 1926, almost three years after it initially collapsed.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Photo print 9 x 12.5 cmshire of eltham pioneers photograph collection, eltham, bridge, diamond creek (creek), eltham south, main road bridge, wingrove park, antoinette boulevard, significant tree, cement mixer, bridge construction

Colour photographactivities, eltham east primary school, local history centre

Looking north-east from front of Eltham Courthouse. Mercer's Restaurant at left of photo, edge of Courthouse at right of photo.Colour photographactivities, local history centre, eltham east primary school

Colour photographactivities, eltham east primary school, local history centre

Colour photographeltham, streets, bolton street shops, porter street, walsh street

Colour photographeltham, streets, bolton street shops, porter street, walsh street

The Shire of Eltham was introducing a number of speed humps throughout the shire around this time period and took a photographic record of various new installations.Colour photographinfrastructure, airlie road, montmorency, speed humps, streets

The Shire of Eltham was introducing a number of speed humps throughout the shire around this time period and took a photographic record of various new installations.Colour photographinfrastructure, airlie road, montmorency, speed humps, streets