Displayed in History House. Time capsule was interred in George V. Memorial, Memorial Triangle, Cliff Street. For history of object, see details in object file. Time capsule found to be roached during relocation works in the Memorial Triangle, Cliff Street in 1984.Glass jar with fragments of paper inside. Paper is in wads, with no evident ink on them. Fragments of yellow-stained glass also inside. Clay traces on jar. Paper is believed to be the signature paper interred in capsule on June 19th, 1911.Front: (no inscriptions)

Displayed in History House. Made by William Melrose McDonnell.Hand-painted glass frame.Front: (no inscriptions)

This Summer Mess Dress Jacket was made in 1990 there is no information to who is was issued.The Jacket would have been when attending formal mess events during summer. White Jacket with Sergeants Insignia.There are no inscriptions or markingssummer mess dress jacket, australian army, 1990

The decoration ribbons have belonged to a US Military Service Person.These decorations are the originals that have belonged to a US Military Service Person.Four Coloured Cloth Ribbons mounted for wearing on Uniform. The ribbons correspond to the Army Commendation Medal, Good Conduct Medal, Armed Forces Expeditionary Medal and Overseas Service Ribbon. The bronze clasp on the Good Conduct Medal indicates that the decoration has been awarded more than once.There are no inscriptions or markings. us military medal ribbons

Donated to Sir Reginald Ansett Transport Museum. Worn by former Ansett employee.Complements the collection of air flight crew attire.Navy blue cotton pull-on bucket hat with button in middle of crown. Hanging loop on brim. Navy blue cotton inside lining.No inscriptions. No markings.

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl crown. Black cotton exterior band supported by rigid internal rafia band. No interior lining. Has perforated leather sweat band. Rigid peak/visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Navy blue mounting.No inscriptions. No markings.

Ansett Australia Hostess / Stewardess hair accessoryAnsett Airlines Hostess hair scrunchie with elastic insert. White cotton with navy blue 4mm stripes & irregular-shaped navy 6mm spots. Finished with red piping. Overall width (unstretched) 15cmNo inscriptions or markings.ansett airlines of australia, hostess / stewardess, hair accessory, scruchie, navy blue, white, red piping

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Frank McClelland.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl crown. Black cotton exterior band supported by rigid internal rafia band. Acrylic interior lining. Has perforated leather sweat band. Rigid visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Navy blue mounting.No inscriptions. No markings.

Donated to Sir Reginald Ansett Transport Museum. Worn by former Ansett employee.Complements the collection of air flight crew attire.Navy blue cotton pull-on bucket hat with button in middle of crown. Hanging loop on brim. Navy blue cotton inside lining.No inscriptions. No markings.

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Complements the collection of air flight crew attire.Pilot's peaked cap. black cotton treated crown. black cotton exterior band supported by rigid internal rafia band. Acrylic interior lining. Has perforated leather sweat band. Rigid visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Black mounting. Gold strap above peak on frontNo inscriptions. No markings.peak cap, crown, black, cap badge

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Complements the collection of air flight crew attire.Pilot's peaked cap. Black wool treated crown. Black woollen exterior band supported by leather band. Acrylic interior lining. Has leather sweat band. Rigid black visor cotton fabric. Insignia features a golden bird in flight, with a depiction in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Black mounting. No inscriptions. No markings.peak cap, crown, black, cap badge

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Complements the collection of air flight crew attire.Pilot's peaked cap. black cotton treated crown. black cotton exterior band supported by rigid internal rafia band. Has perforated leather sweat band. Rigid visor covered by black cotton fabric. Insignia features a red and black bird in flight, with a depiction in black as background, beneath a royal crown, and surrounded by a golden wreath of feathers. Black mounting. Gold strap above peak on frontNo inscriptions. No markings.peak cap, crown, black, cap badge

In a frame Formal Medal Display Featuring: Three black and white Photograph of L/CPL Cocks in jungle greens. Signal Squadron cap badge Three Medal cluster Plaque with L/CPL Cocks detailsMedal Inscriptionsframed medals, photograph, badge, l/cpl cocks, 103 signal squadron, 1st australian task force

No inscriptions Not dated.decorative arts, furniture, table, side table, round table, wooden, woodwork, interior

black and white photograph adhered to cardboardInscription: IIC

Industrial Forge from Newport Railway WorkshopsIndustrial Forge is an excellent example of equipment used in the early 19th century through to the mid 20th century for industrial iron working. It directly links a fabrication method that is widely used across several of the other collection pieces.Large Industrial Forge made of cast metal and wrought ironNo markings or inscriptions puffing billy, industrial forge

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

This letter is from the wool brokers and stock agents Strachan, Murray & Shannon of Geelong to P.E. Hann of Kiata East. It concerns the sale of two bales of cross bred wool owned by Mr Hann. It is dated 3 March, 1925 and is signed by D.A. Milne, one of the directors of Strachan's.Letter, from Strachan, Murray and Shannon to PE. Hann, 1925.[multiple inscriptions]strachan, murray and shannon ltd, milne, mr d. a. - strachan, murray and shannon ltd hann, mr p. e.

Belonged to donor's mother-in-law, the late Mrs Doris Keene.Two silver plated thimbles used for sewingNo inscriptions or markingsdomestic items, sewing

Belonged to the donor's mother-in-law, the late Mrs.Doris Keene.Pair silver coloured metal coated book ends with curled decorative design. Green baize on base.No inscriptions or markingsdomestic items, ornaments / decorative

The collar stud belonged to Charles Clarence Victor Schwerkolt (1892-1964). It was worn with a detachable collar on special occassions throughout his life after his marriage in 1929. Charles was father of Rosalie Whalen (nee Schwerkolt).Charles Clarence Victor Schwerkolt handled Mary Schwerkolt's business affairs in order to re-claim Schwerkolt Cottage from Australian Government confiscation during World Wars 1 and 2.A plain nickle plated man's shirt collar studNo inscriptions or markings

A small metal silver coloured box with a fitted lid.no inscriptions or markings

William Taylor was one of the original white settlers in the area around modern day Keilor. He had a large amount of land and ran sheep in the area. Taylors Lake and Taylors Creek now bear his name. Figure of local historical significanceMarble bust on pedestalInscription on plinthwilliam taylor

The horseshoe was found during excavating the site for the development of GESAC, East Boundary Road, Bentleigh. Iron horseshoe, U-shaped, dark and corroded with concretion / accretion of rusty coloured debris over much of the surface.No legible inscriptions.