This dress is from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.Long black silk dress with long sleeves. It is hand-made - machine stitched. There is black beading around the neck and collar. The belt is also beaded. There are small black buttons on the belt and sleeves. It has a black underskirt.costum -female cameron

Lead and Rule Cutter for cutting lead spacers in preparing letterpress printing. Small steel machine on 3 feet bolted to a bench. Has handle and lever mechanism that acts as cutter/trimmer. S/N 28033.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lead cutter

This Satchel has a wallet carried by Sgt Robert J Oscroft who served with the 12th lighthorse on Gallipoli,was wounded and returned to the 12th lighthorse about 12 months later.Brown leather satchel with 2 buckels metal, and 2 complimentry leather straps with 5 holes each. Attatched at back 2 leather straps for belt. On flap is some stamped inscription. Satchel is machine sewn.Inscription on satchel flap/made by metal punch/ illedgable/world war one, gallipoli, money, webbing, leather satchel, buckles, belt, army issue, robert james oscroft, 12th light horse

Image shows Thomas Jewellers on LH side, Collins bookseller on RH side of arcade. Man in foreground working digging machine. On back 'Hargreaves St. Mall 11 a.m. looking north to Allans Walk'place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1892

Used by donor in family home.Portable electric singer sewing machine, rotating shuttle. There is a separate knee action control lever. Serial no. EG588844 .Black base with gold decoration. The wooden case top has 'Singer' on front. Motor K605945Singerdomestic items, sewing, textile machinery

Coloured photograph of Bob Gardner (WHS treasurer), Barbara Wells and Megan Cardamon (accreditation team) and Vicki Jones-Evans (WHS president) in July 2009. They are in the new stand-alone machine shed in the Schwerkolt grounds.wells, barbara, cardamon, megan, gardiner, bob, museum accreditation - 2009, vicki jones-evans

This skirt was probably worn of a daytime by a farmer's wife in the Timboon area early in the 20th Century.This long rust brown taffeta circular skirt is faded, worn and torn. It has 13 rows of machine stitching around bottom, 24cms from edge. It has an elastic waist and short zip at back of waist.clothing, women, needlecraft, skirt, early settlement, timboon

A remnant of pin-tucked cotton and crochet lace fabric, cut from another article, cylindrical in shape with machine stitching joining the edges. There are two bands of crochet lace fabric, the lower one with scalloped edging.favaloro, pin-tucks

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This silk and lace evening dress was made for Lily Clara Wishart (Mayoress of Kew 1906-7) by her niece, Mary Clara Cresswell (nee Skewes), who according to the donor, Lily's great niece, was a 'high class dressmaker'. It is one of two items in the Fashion Collection owned and by Clara Wishart.Long black fine lace evening dress buttoned to the waist at rear. The machine made lace on net fabric features a leaf pattern. Long black silk taffeta shift matching the lace evening dress.women's clothing, evening dresses, evening wear, australian fashion, lily clara wishart

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots

In the period 5-20 March 1988, ‘A’ Squadron 8th/13th Victorian Mounted Rifles participated in an exercise conducted at Puckapunyal by 4th Infantry Brigade (Reserve) codenamed ‘Fiery Cauldron’. Other units participating included 5th/6th Battalion and 8th/7th Battalion Royal Victorian Regiment, 4th/19th Prince of Wales’s Light Horse Regiment and 1st Armoured Regiment. The training focussed on armoured/infantry cooperation, in particular the use of armoured personnel carriers. Black and white photograph of three infantrymen in firing positions having just dismounted from M 113 ARmoured Personnel Carrier during Exercise " Fiery Cauldron " at Puckepunyal.Private mark Barling at M60 machine gun." Pte Mark Barling "

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The colours of this cloak refer to natural pink ochre and indigenous flowering plants on Wadawurrung Dja. The pink ochre is sourced by Deanne Gilson at Black Hill in Ballarat, Victoria. Men also made woven dilly bags to hold their possessions in. The basket making was an ongoing aspect of daily life for Wadawurrung people and often done in cooler months when the weather was too bad to go outside. Many women and family groups had their own style and techniques that were traded amongst other groups. Wadawurrung women had a particular stitch they used and incorporated elaborate symbols into the basket designs. Tammy Gilson’s weaving represents this stitch. This cloak pays homage to them and the changing seasons as they created, particularly the cooler months leading into the warmer season when several gum blossom flower. This cloak was worn once by artist Deanne Gilson at a formal opening at the Art Gallery of Ballarat in 2022. A Welcome to Country ceremony was performed while wearing it.Pink native flower in baskets motif on a pink background on outer cloak, pink and white diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). The black swan cloak refers to the black swan of Geelong and Ballarat were the swan has had its own fight to survive during the early colonial years where white swans were introduced by colonisers and the black swan fought back as they do not naturally get along. The wave pattern is taken from a traditional shield pattern held in the Melbourne Museum, South Eastern archive collection of shields. The wave refers to the water and travelling across water to fish, hunt and survive. This cloak is about survival, water, and the swan living on the water. It also refers to a contemporary dance of Kunuwarra the black swan, which was performed by a group Wadawurrung women (including artist Deanne Gilson) for Tanderrum (Melbourne – Naarm) in 2016. The dance is available to watch on youtube.Black swan, heart motif with water design on outer cloak, female figure and red native flower design on lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, first nations art, wadawurrung dja

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Deanne states that this is her favourite season and she loves painting the small orchids as they flower after the cold season begins to clear.Black cloak with pink and purple toned flower motif on outer cloak, purple and black diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia

Cream coloured, machine-stitched lawn garment with lace yoke bodice and short sleeves. Lace trim at neck and ends of sleeves. Pintucks near lower edge. Yoke has opening with small, concealed button.petticoats, night attire, children's clothing, textiles

Soldier on the right is Leslie ROBINS of King Street, Bendigo. He enlisted in Bendigo as Machine Gunner?Photo, black / white, head & shoulders portrait of two soldiers. They are dressed in two pocket jackets buttoned up to the neck, no head wear. Soldier on Left has Rising Sun badges on collar. Photo has been touched up. Mounted on white border then cardboard backing.photograph, bendigo

Handbook for the .303-IN Vickers Machine Gun and Tripod Mounting, Mark IV 1930 Supplement 2.Handbook used by Military Personnel in relation to the .303-IN Vickers Machine Gun and Tripod Mounting, Mark IV.A small oblong book buff in colour cardboard outer cover.On the front cover in pencil Capt W.A. Cronk 59 Bn. On the front cover in ink B.W. Pulver.machine gun, tripod mounting, mounting

Pulleys date back to Ancient Egypt circa 1800BC. it is a simple machine used to lift weights.Used by residents of the Kiewa Valley.Steel pulley. A pulley is a wheel on an axle or shaft enabling a taut cable or belt passing over the wheel to move and change direction, or transfer power between itself and a shaft.pulley, pulley machine

Second world war armament. Focusing on aircraft that utilized gun turrets, machine guns and cannons. world war two, world war two aircraft, aircraft, aircraft armament

Instruction sheet for mill floor operator, Table XIII Scouring Machine Auxiliary Details - continued.Other side of sheet.textile mills, collins bros mill pty ltd

Fine muslin appliqued onto machine made net is decorated by hand with needlerun embroidery stitchesCarrickmacross lace collar.

A very light and delicate lace for costume trimming. Probably hand made but could be machine made.Bobbin lace edging. Sample

Chemical lace. The design was machine embroidered onto a base fabric which was then chemically dissolved away.Collar with standing neck edge.

This external horn is part of an Edison Fireside Phonograph made in c.1909. The horn was attached to the machine when in use. The rings on the side of the horn allowed the horn to be suspended above the machine. The narrow opening on the horn was attached to the sound outlet on the machine and the conical shape of the horn amplified the sound. The horn was suspended to allow a clear sound. This was done by attaching the ring fitted to the outside of the horn to a chain or chord, which in turn was attached to a curved wire fitted to the phonograph machine. The phonograph machine was invented by Thomas Alva Edison in the late 19th century. Edison adapted the idea used when sending messages over a telegraph machine. He patented the phonograph in early 1878. The phonograph was able to record sound and play it back sound. This amazing invention opened up a whole new world of entertainments, where wax cylinders of pre-recorded sound could be purchased with a wide variety of music and played over and over. The first wax cylinders were white and used a combination of bees' wax and animal fax or tallow. By 1892 Edison was using 'brown wax' cylinders that ranged from cream through to dark brown. The Edison Phonograph Company was formed in 1887 to produce these machines. He sold the company in 1855 to the North American Phonograph Company but bought that company in 1890. He started the Edison Spring Motor factory in 1895 and then the National Phonograph Company in 1896. In 1910 the company became Thomas A. Edison Inc. In 1898 Edison produced the Edison Standard Phonograph, the first phonograph to carry his own trade mark. He began mass producing duplicate copies of his wax cylinders in 1901 using moulds instead of engraving the cylinders. The wax was black and harder than the brown wax. The ends of the cylinders were bevelled so that the title's label could be added. The last phonograph machine to use an external horn was produced in 1912 due to the much more robust records being invented. In 1913 Edison started producing the Edison Disc Phonograph. The company stopped trading in 1929. [NOTE: a phonograph machine plays cylinders, a gramophone plays records]This Edison external phonograph horn is significant for its connection to the c.1909 Edison Fireside phonograph model. The phonograph machine brought a new era of music into the homes of everyday people but was only popular for a few decades due to the growing popularity of records, which gave a much higher quality sound and were more robust.Phonograph horn; open horn, a conical shape with the lower part flaring out. The horn's shape on the opening half is octagonal, made from eight joined sheets of metal with a scalloped finish at the opening. The narrow end is hollow and ready to fit onto a phonograph outlet. There are two rings attached together on the side of the horn, perhaps for storing on a hook. The inner surface of the horn has remnants of deep red paint. This horn is from the Edison Fireside phonograph. (There is a mark on the outside of the horn where the Edison brand would be)flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, gramophone, phonograph, music player, entertainment, audio equipment, edison, thomas a edison, horn, phonograph horn, amplifier, audio, sound recording, sound playback, phonograph machine, external horn, edison phonograph company, wax cylinders, edison spring motor factory, national phonograph company, thomas a. edison inc, phonographic cylinder, sound reproduction

This machine uses a series of combs attached to bars that move with increasing speed away from a starting point. This draws-out and aligns the wool fibres to produce a gilled top. The gilling process is also used in other positions along the worsted production line. A gill box draws and combs the fibres prior to spinning. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Gill box. Green painted steel.Deutscher / Spinnereimaschinenbau / Ingolstadt / 1963deutscher spinnereimaschinenbau ingolstadt, gilling, gill box, textile industry, wool processing, factory, machine, mills, spinning, fibre, comb