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Old Colonists' Association of Ballarat Inc.
Photograph - Photograph - Black and White, J.T. Farr
Mr. J. T. Farr died in September 1092,Portrait of J.T Farr, foundation member of the Old Colonists' Association of Ballarat. old colonists' association, ballarat, j.t. farr, medal -
Old Colonists' Association of Ballarat Inc.
Photograph - Image, Andrew Kofaod Michelson
Photographic portrait of Andrew Michelson, member of the Old Colonists Association of Ballarat.andrew michelson, old colonists' association of ballarat, old colonists' club -
Old Colonists' Association of Ballarat Inc.
Photograph - Image, James Bickett
James Bicket was a member of the Ballarat Mining Board and was a member of the Old Colonists' Association of Ballarat.Photographic portrait of James Bickett, member of the Old Colonists Association of Ballarat. james bickett, old colonists' association of ballarat, old colonists' club -
Old Colonists' Association of Ballarat Inc.
Photograph - Image, Clare Gervasoni, John Paul Murray Sculpture at the Entrance to the Old Colonists' Association Hall, 2018, Photograph taken 24/01/2018
Sculptural portrait of John Murray, President of the Old Colonists' Association, Ballarat.john murray, johm paul murray, old colonists' association ballarat, old colonists' hall, entrance, sculpture -
Mt Dandenong & District Historical Society Inc.
Photograph, Eric Haddrick 1917, 1917
Studio portrait of Eric Haddrick in WW1 uniform. Brother of Eunice Chapman.Mrs Dorey With best wishes from Eric Haddrick Sept 1917.eric haddrick, eunice chapman -
Mt Dandenong & District Historical Society Inc.
Photograph, Blanche and Jessie Gill 1924, 1924
Studio portrait of sisters Blanch and Jessie Gill, friends of the Dorey family.To dear Mrs Dorey with fond love Blanche & Jessie 1924. Gill's Very Dear friends of ours.blanche gill, jessie gill, dorey -
Kew Historical Society Inc
Photograph - Photograph [copy], John Hodgson, 1845-1852
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical SocietyA print of a portrait of John Hodgson, prominent early settler of Melbourne and of Kew.Niljohn hodgson, kew, dorothy rogers, studley park -
Kew Historical Society Inc
Book, Friends of Boroondara (Kew) Cemetery, Leaving their mark : a tribute to some of those who are memorialised in the Boroondara (Kew) Cemetery, est 1958, 2020
xii, 108 pages : illustrations, portraits ; 21 x 30 cmnon-fictionburials -- boroondara general cemetery, funerary monuments -- kew (vic), cemeteries -- victoria -- kew -- history, kew (vic.) -- biography -
Sunbury Family History and Heritage Society Inc.
Photograph
A sepia portrait photograph backed onto lighter brown board of a man. -
Sunbury Family History and Heritage Society Inc.
Photograph
A black and white portrait photograph showing a head and shoulders profile of a man. -
Surrey Hills Historical Society Collection
Photograph, Mr Joseph Sutton Crow
Biographical details: Born 1888, Nagambie; married Jessie Winifred Temby in 1910; died 27 Feb 1969 in Mont Albert. Mr Joseph Sutton Crow lived at ‘Strathmore’, 75 Victoria Crescent, Mont Albert from 1924-1952. In 1907 Sutton gained a Diploma of Music at the Marshall Hall Conservatorium (later the Melbourne University Conservatorium). He taught piano and organ and was organist and choir-master in several churches. From 1912-1948 he served in that capacity at the Auburn Methodist Church. In 1910 Sutton Crow was appointed Assistant Secretary at the Melbourne Conservatorium of Music. In 1939 he became Assistant Director and Librarian and from 1941-1945 was its Acting Director. He retired in 1945. Administrator under Sir Bernard Heinze he devoted much time to the development of the ‘Music in the Schools” programme. This led to tours of country centres taking leading musicians to give concerts in schools and for the public, introduced by a talk on musical appreciation. After retirement he organized concerts for the Council of Adult Education and in 1950, when he concluded his professional work, he was giving concerts twice annually in 144 country towns. From 1926-1939 Sutton was Manager of the Melbourne University Symphony Orchestra (which later became the Melbourne Symphony Orchestra). During some years he had been Concert Manager for local and visiting musicians such as Edward Goll, a Bohemian pianist who lived locally, John Amadio, a flautist and Sutton’s wife Jessie Temby, a soprano who sang professionally until she gave this up for family life. Donor was his daughter.A black and white portrait of a man wearing round tortoise-shell glasses.(mr) sutton crow, victoria crescent, surrey hills, melbourne university symphony orchestra, melbourne symphony orchestra, house names, (ms) jessie temby, 'strathmore' -
Surrey Hills Historical Society Collection
Photograph, Mr Charles Ansell Smith, c 1891
Charles Ansell Smith (c1861-1934) lived at 'Devon', 3 Vincent Street from at least 1910 but perhaps earlier until 1915. Baptised 23 April 1861 in Tintinhull, Somerset - son of William Maxwell & Louisa Claudina Smith (nee Ansell). His father was curate of the church at the time. Married Helen Malvira MacKenzie. Charles Ansell and Helen Malvina Smith’s children: 1. Kenneth Ansell – b 1892 d 3 May 1977 at Lancefield SERN 819 Enlisted AIF on 17/8/1914 giving his occupation as book seller Assigned to 8th Battalion, G company Enlisted 17 August 1914 Embarked A24 Benalla on 19 October 1914 Returned to Australia on 23 October 1918 Obituary describes him as eldest child of the late Charles Ansell & Helen M Smith of Surrey Hills and Lancefield. 2. Stanley Charles – b 1893 (Carlton) - lived Surrey Hills 3. Dorothy Louisa – b 1894 - 1988 4. Harold Maxwell Pasco – b 1897 Oakleigh SERN 3268 Educated Surrey Hills State School Religion Cof E Occupation: Clerk Served with 48th Infantry CMF, Kooyong Enlisted 23 July 1915 – parents living at Vincent Street at the time Assigned to 24th Battalion, 7th Reinforcement Embarked HMAT A73 Commonwealth on 26 November 1915 KIA 4 October 1917 at Passchendaele, Ypres No known grave. Parents at ‘Cloverdale’, Lancefield 5. Francis W D (Frank) – b 1898 – 1972 Obituary: Frank (FWD) Smith on Feb 14 (suddenly) Francis Wm Douglas Smith, son of Charles Ansell & Helen M (Surrey Hills & Lancefield) and brother of Kenneth (Lancefield), Dorothy (Mrs Cromwell), Harold (KIA) Roy & Stanley. 6. Roy MacKenzie – b 1901 – 1988 m Ruby Olive Laity in 1931 So, the children were all born before the family came to Surrey Hills but Vincent Street was where they grew up. Charles and Helen are buried in Box Hill Cemetery (CE-NS-1266)B&W head and shoulders portrait of a bearded man in formal attire. charles ansell smith, box hill cemetery, helen malvira mackenzie, helen malvira smith, harold maxwell smith, harold pasco maxwell smith, stanley charles smith, dorothy louisa smith, francis w d smith -
The Dunmoochin Foundation
Oil Painting, Lily Bright Light, 1984
Portrait of a female head with dark hair and large eyes on particle board. Signed and dated (U.r.c) 'Rankin 84'. david rankin, painting, portrait, female head -
The Dunmoochin Foundation
Oil Painting, Two Days to Go, 1984
Portrait of a heavily pregnant female nude with dark hair with a vase of flowers.Signed and dated lower right 'Clifton 19 May '82'. Inscribed on reverse in chalk 'No. S1'.cliftong pugh, painting, female nude, flowers -
National Wool Museum
Photograph, Loom, Unknown
Photograph of a Hutchinson, Hollingworth and Co. Limited Loom gears and mechanisms. Hutchinson, Hollingworth and Co. was an Oldham-based loom manufacturer estalished in 1860 by Messrs. John Hutchinson (c.1816-1888) of Cawthorne and James Hollingworth(c.1834-1895) of Holmfirth.Three black and white photographs in portrait format of a looms gear mechanisms.8052.1 - front on machine mid left quadrant - Hutchinson, Hollingworth and Co 8052.2 - front on machine mid left quadrant - Hutchinson, Hollingworth and Cotextile machinery, wool manufacture, wool, loom -
Federation University Art Collection
Painting - Artwork - Painting, 'Portrait of Chancellor Robert H.T. Smith, AM' by Pir Tareen, 2014, 2012
Emeritus Professor Robert H.T. Smith was the University of Ballarat's fourth Chancellor, (2005 - 2012). He became a member of the Order of Australia in 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed academic portrait of Federation University Chancellor Robert H.T. Smith.art, artwork, academic portrait, chancellor, pir tareen, tareen, academic regalia, robert h.t. smith, robert smith -
Port Fairy Historical Society Museum and Archives
Photograph, Billing, Nathanial
Nathanial Billing was born in Brightwell Oxfordshire England on 5th May 1821. He emigrated to Australia on the ship 'Ballarat' in 1853 on arrival in Victoria he entered Government service and worked in the Warrnambool and Belfast districts until 1857. He then left the Public Service and commenced private practice. In 1850 Nathaniel and Henrietta Heybourne were married on July 17 at Hillingdon Parish, Middlesex, England. In Belfast Victoria he designed St Johns Church of England, the Bank of Australasia, and worked on St Patricks Catholic church from plans by English architect Hansom. He died on January 29 1910 in St Kilda, Victoria, Australia. Architect of 3 significant public buildings in Belfast/Port FairyBlack and white portrait of gentleman with black full beard and striped cravatpioneer, settler, portrait, people, architect, st johns church of england,, st patricks catholic church, bank of australasia, nathanial billing -
Port Fairy Historical Society Museum and Archives
Photograph, Chapman, Alexander
Chapman, AlexanderBlack and white Portrait of gentleman clean shaven with neat bow tie pioneer, settler, portrait, people, family -
Port Fairy Historical Society Museum and Archives
Photograph
John Baulch Appointed Mayor of Port Fairy,1923,1929, 1934, 1939, 1940, 1946, 1953Black and white portrait photograph of John Baulch wearing Mayoral robesbelfast, mayor, portrait, government, shire, council, municipal, local-government, john baulch -
Port Fairy Historical Society Museum and Archives
Photograph - Portrait photograph, Hill, Alexander George Mayor of Borough of Port Fairy 1944 1945 1962 1970
Alexander George Hill Mayor 1944 1945 1962 1970 His home and boot shop was in Sackville Street - first shop from the old Post office corner. Alex was very involved in the Port Fairy Football Club.Black & white portrait of Alexander Hill wearing mayoral robes and jabotmayor, government, shire, council, municipal, portrait, local government, football club -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Mrs G.A. Pethard Mayoress 1940 - 41, 1947 - 48, 1951 - 52, c 1945
Prior to the election of female Councillor's and Mayors, the Mayoress role as wife of the Mayor, was one of the few ways women could officially undertake civic duties. Mayoress's played an important role in civic life through charity work, even stepping in on occasions to undertake Mayoral duties. Mayoress Pethard was born Hilda Robina Leed in Eaglehawk in 1889 and died in 1966. Mrs Pethard travelled extensively with her husband throughout their time in Office. Framed, convex, oval photographic studio portrait. Hand coloured detail. vincent kelly, studio photography, hilda leed, tarax, city of greater bendigo portraits, city of bendigo, city of bendigo mayoress -
Queen's College
Medal, Centenary of Wesleyan Methodism medal, 1839
Medal issue to mark the centenary of Wesleyan Methodism in 1839. Charles Wesley (1707 - 1788) was the brother of John Wesley, the founder of Methodism.White metal medal with portrait of Charles Wesley on face, inscription on reverse.Face: "Charles Wesley M.A. Born Dec. 18 1708 Died Mar. 29 1788" Reverse: "Centenary of Wesleyan Methodism 1839 God buries his workmen, but carries on his work"wesleyan methodism, charles wesley, john wesley -
Bendigo Military Museum
Book - BOOK WW1, Shovelton & Storey, The All Australian Memorial, 1917
The All Australian Memorial (Victorian Edition) A Historical Record of National Effort During The Great War. Australians Roll of Honour 1914 - 1916, Heroes and Helpers.Hard cardboard cover, dark red buckram, gold print on front & spine. Australian Commonwealth Military Forces badge on front. 158 cut, gold page edges, beige pages. Black / white / sepia photos, drawings, maps & portraits. Many photos mounted on cardboard mounts. Fold out photos & maps. Flyleaf & end papers are dark brown. Dedication page.Dedication page contains a card & printed portrait photo & information on Allan SCHWENNESEN “SCHWENNESEN A W, L-Cpl D Coy; 5th Batt; s. of Henry and Harriet Schwennesen 13 Arthur-St; Bendigo b. at Petersburg, S.Aust Sept 30 1897; educ. Talbot SS; clerk; enl. Bendigo, April 25, 1915 War Service; Gallipoli (Landing Evacuation); France”book, memorial, all australian -
Bendigo Historical Society Inc.
Photograph - PETHARD COLLECTION: GROUP PORTRAIT
Photograph - Postcard. Portrait of 4 men, dressed in suits, white shirts and ties. The portrait is a small part of the Postcard, size of portrait 3 x 3.5. Written under the words For Correspondence ; To remind you of the day of Rev.H. Worrall appearing before the Bar at Parliament House. G. Postcard is addressed to 'Miss L.Pethard. Golden Square'.From 'STAR' Studios, Eastern Market, Melb.person, family, pethard family, photograph. postcard. pethard family. group portrait of 4 men. -
Ballarat Tramway Museum
Document - Photocopy, Phillip Adams, "Portrait of an artist scaling the heights", c1977
Photocopy - two A4 sheets of an article by Phillip Adams about artist Clifton Pugh, titled "Portrait of an artist scaling the heights", from a book "Unspeakable Adams: Forty Controversial and Popular Pieces", 1977. Looks at Pughs portrait work history with a tongue in cheek approach by the author about his portraits. Has a sketch by Spooner.trams, tramways, articles -
Bacchus Marsh & District Historical Society
Album, Jeremeas Family Album of Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll
In late 1883 the Melbourne based photographers Stevenson and McNicoll visited the Bacchus Marsh township and nearby districts. They are known to have been visiting the town in September 1883 and by November 1883 they were reported to have moved on to Myrniong and Ballan. During their visit they took numerous photographs. The images produced comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses and their owners and several broader views of streets. The photos were then offered for sale. Photography businesses also sold albums for purchasers to display their photos.A unique and comprehensive set of images of people and places in the Bacchus Marsh town and district at a particular period in time, September-November 1883. This album of "carte de visites" photographs presents a rare compilation of the work of the Stevenson and McNicoll photography business. This team of photographers are known to have made several visits to towns and districts in the rural areas of Victoria and southern New South Wales in the 1880s and this album represents a very rare example of their non-portrait photography. The album is an example of the Victorian middle-class fashion to display family photographs for themselves and their visitors. These albums were often very expensive and in themselves evidence of the affluence of the family. They were made possible by the popularisation of photography as a social medium and were a forerunner of the coffee-table book. Medium sized leather-bound album, brown, front cover engraved with gold tooling in a starburst pattern. Pages are gold-lined. The inside front and end covers are in pale blue silk embossed with a gold floral pattern. The metal locking clasp is broken. The front page has a floral wreath of roses and forget-me-nots and a dragon-fly. The word "Album" is in the centre of the wreath, printed in gold in Gothic print. There are nine pages with pockets for four 65mm x 105mm sized "carte de visites" style photographs. Several feature pages have a single pocket for a larger photograph, or double pockets, possibly designed for family portraits. These portrait pages are also decorated with floral wreaths and insects, reflecting the theme of the frontispiece page. The smaller photos in the album were taken by the Melbourne photographers Stevenson and McNicoll, There are 48 of these smaller images. The images were created around September 1883 when photographers for Stevenson and McNicoll are known to have visited Bacchus Marsh and district. The images comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses with their owners and several broader views of streets. References to various photos being created and being available for sale are mentioned in the Bacchus Marsh Express newspaper during September to November 1883. Each smaller photo has printed on the verso: Light & Truth. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to Stevenson & McNicoll, late Benson & McNicoll, Photographers. 108 Elizabeth Street, Melbourne.bacchus marsh vic. history, streetscapes, shops bacchus marsh vic., roads and streets bacchus marsh vic., stevenson and mcnicoll photographers, stevenson and mcnicoll 1883 photographs of bacchus marsh and district -
Kew Historical Society Inc
Photograph, Cr. J. Lewis Carnegie, Mayor [of Kew] 1908-9; 1924-5; 1934-5, 1908
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J. Lewis Carnegie, Mayor of Kew 1908-9; 1924-5; and 1934-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. J. Lewis Carnegie, Mayor [of Kew] 1908-9; 1924-5; 1934-5mayors of kew (vic), cr. j. lewis carnegie, kew (vic.) — municipal collection -
Ruyton Girls' School
Photograph - Photographic Portrait, Mrs Charlotte Anderson
Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s -
Supreme Court of Victoria Library
Portrait, John Schutt, Supreme Court Librarian, 1916/1917
This portrait was presented by the Victorian Bar to the Library in 1917 to commemorate Schutt’s fifty years as the Supreme Court Librarian. The portrait was presented at a ceremony presided over by Mr Mitchell KC who noted the “unanimity with which the members of the profession had adopted the suggestion that the eminent services of Mr Schutt should be recognised in this way.” Chief Justice Madden also spoke on this occasion and there were a number of judges and members of the legal profession present. John Schutt had been born in England in 1831 and migrated to Victoria as a young man, initially working as a school teacher he was appointed librarian, during Redmond Barry’s time in 1866. He started work in the Old Court in Russell street and would have supervised the move of the library to its new and greatly expanded premises in William Street in 1884. As well as secretary to the Library committee, he also acted as the Secretary of the Board of Examiners on occasion. After his death in 1919 in its obituary, the Williamstown Chronicle noted that Schutt was regarded as a Solon, an ancient greek law giver who gave wise advice. Away from the Court he was a councillor of many years standing in Williamstown, representing the Victoria Ward, what is now the suburb of Newport, it would appear Schutt street in Newport was named after him. His eldest son William Schutt was appointed a Supreme Court judge in 1919. The portrait of Schutt is a companion piece to the Sir Thomas a’Beckett picture painted shortly before the Schutt portrait and for the same client, they share the same frame design with gum leaf motif. This portrait was undertaken early in Meldrum’s career and before he had fully developed his theory of painting. Duncan Max Meldrum (1875-1955) was a controversial figure in his later years as he strongly opposed modernism and non-figurative art. His works are found in most of the state galleries, including a wide selection at the National Gallery of Victoria. This portrait is of interest for whom it portrays and as the work of a well known artistFull length portrait in oils of John Schutt. Schutt is standing up looking out the to the viewer. His hand rests on a small pile of books. He is dressed soberly in a three piece black suit. His white beard and hair all meticulously trimmed and realised. The props used in this painting provide the main colour as the background has become dark over the years. The books sit atop of a red and gold draped table. Behind Schutt is what appears to be a crimson velvet chair and he gives every appearence of having just arisen from the chair to engage with the viewer. The painting has an unusual light source at the foot of the painting with Schutt's legs providing shadows. Signed Meldrum lower right hand corner. Plaque inscription is John Schutt, Esq. Supreme Court Librarian -
Rutherglen RSL Sub-Branch
Memorabilia - Lilliput Roll of Honour 1914-1918, c. 1919
... portraits ...Framed collage of photographic portraits of soldiers, set in cardboard mount with hand-painted names of each soldier. Soldiers names are: Harry Withens W. Grail A. E. Robertson J. H. Nott George Robertson Herbert Eggleston W. J. Tanner C. R. Eggleston R. McPherson W. G. Parker Berkly Withers T. O'Connor Tom Shandon G. McEvoy Frank Gullifer N. Clarke J. W. Thompson A. McLauren G. F. (Gideon Francis) Dare A. E. Ellis A. W. Ellis J. B. Dixon C. Duffy J. Clarke A. Charles Dick Pond L. Robertson W. Dick J. Pond J. Pearce Clive Rivers R. B. Dixon A. Hill A. Smith M. Harrison W. Gale R. Fishburn R. ThompsonHand-painted heading reads: LILLIPUT ROLL OF HONOUR-1914-1918. Hand-painted footer reads: Substituted by the Residents of the Lilliput Districtportraits, soldiers, honour boards, wwi, great war, rutherglen, lilliput, world war one