Black and white photograph of men in a group, some seated others standing and a dog with the man in the light jumper.Black and white photograph of eight men and one dog.toogood charles, pearce duncan spencer, crowther ted, harris fred, zerbe fred, pearce edward, and two unknown.

This photograph was taken in Clunes at 'Glendaruel'. Seated is Esther Coombs nee Whitehand and standing is Mary Martha Whitehand.coombes, daisy coombes, glendaruel, clunes, costume, persons, private dwelling, mary martha whitehand, esther coombes

Students seated outside on grass, dressed in costume. Please contact [email protected] to request access to this record.1960s, 1970s, purim

Members of the Bentleigh football team after presumably winning a premiership as the man seated in the front is holding a cup.Black and white photograph with four rows of men, and one child, grouped together in a traditional sporting photo. Most men are wearing the Bentleigh Football Club uniform but on either side of the third row there are men in street clothes, as are the two men sitting at the front.Black printed text on white round sticker adhered to reverse: 210 Handwritten in red ink on reverse: 72%bentleigh, football, team, sport

Captain Reid served as a Councillor of the Phillip Island and Woolamai Shire in 1875. He was the first Trustee and President, as well as being instrumental in establishing a school at Rhyll on block 13 about 1870. He died in 1891 at the age of 75. He was an early resident of Rhyll and 1st President of the Phillip Island Cemetery Trust HistoricalGlass negative with brown felt backing in wooden frame and gold border of man seated and two children on either side of him.Captain David Reid Retired sea captain New Street Brighton 1865 [ photo courtesy Miss S. Serpell ]captain david reid, rhyll, photograph, glass negative

Correspondence held by the library has John Denniston Wood (1829-1914), a barrister and politician, presenting the portrait to the Library Committee in 1867. Wood hopes that the painting will "hang there [in the Court] in like manner as the portraits of many of the sages of the law are held in the Courts at Guildhall". Wood also provides information about the painter, Mr Mosely "now deceased", but who was "selected by Sir WIlliam himself" to undertake the commission. Early accounts have the painting hanging in a prominent position in the 'old' Court house at La Trobe and Russell Streets; the portrait was moved down to the library in 1884, when the portraits of Barry, Stawell and Molesworth were also commissioned. Sir William a'Beckett was the first chief justice of the colony of Victoria, having previously had a busy career at the Sydney bar. The portrait is of historic signifcance because of its subject Sir William a'Beckett and its long association with the Court. A full length portrait of Sir William a'Beckett, seated and dressed in his judicial robes. With ornate gold frame with acorn motif.Plaque identifying subject : Sir William a'Beckett, Knight, resident judge of the Supreme Court of New South Wales for the district of Port Phillip from 1846 to 1852, First Chief Justice of the Supreme Court of Victoria from Jan.1852 to Feb 1857.judges, william a beckett, supreme court

This is a photograph of John Draffin and his family. John Draffin was for a time the Orbost Shire Secretary. John Draffin came to Australia as a child with his parents from the north of Ireland . He came to Orbost in 1894 and was Shire Secretary from then until 1910 He had four children: Andrina, Eva, George, Maggie, Sally and Nellie. "Mr Draffin was 67 years of age when he died. He had for many years been engaged in farming pursuits, and at one time held the position of champion plough- man of Victoria. In his younger days he used to make it his boast- that although he was a small man he could do as much work as a big one Some thirty odd years ago be took up land in South Gippsland, but in 1895 gave up farming, and was appointed secretary to the Orbost shire, a position which he held until he was compelled by failing health to resign." - from Snowy River Mail 1 August 1912.John Draffin was a prominent Orbost citizen involved in many community activities.A black / white studio photograph of a family - mother father and six children. The parents are seated with the youngest child, other children are standing.draffin-john orbost-shire-secretary

Item in the collection relating to Alexander Norman Cummin No 18, 38th Batt AIF. Refer 2535P for his service details.Black & white photo of large number of Australian Soldiers, 4 rows seated & standing. There is a large galvanised shed behind them. Front: Has a fine engraved number, E.8234 Rear: B Coy No 5 Platoon - B Coy 38th taken Larkhill 1916 Englandphotography-photographs, documents - postcards, military history - army

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of John West seated wearing a single breasted suit with waistcoat and flower in buttonhole, holding walking stick in right hand.local history, photography, photographs, pioneer - john west, pioneers, john west, john jenner, bryant west

The people in the photo are: Mr & Mrs Gus Knight and Ray Knight (on the right). The names of the other three people are not known. The site of the house is where a later monument would stand (see inscription).Photo shows six people; three seated on a large log, two standing and one leaning on a tree stump; in front of a house."Mr & Mrs Gus Knight, Ray on right. -Where Monument will go. Ray just cut down tree - so it would not fall on house." written in biro on rear of photo. "Wannon" written in pencil on rear of photo.people, knight, buildings, tea rooms

Prior to the end of WW1 many members of the 4th Light Horse Regiment had been repatriated to Australia because of illness or wounds. These men were the originators of the Regimental Association. Some men are in uniform but most in civilian dress. This would suggest that they may have been discharged from the AIF.B&W photo (20.5 x 16 cm) of members and guests seated at dining tables. In black painted wooden frame.photo, 4th light horse, reunion

Black and white photograph of the opening of Anglers Hall showing the table settings and 87 men seated and standing around posing for the shotanglers hall, para road, briar hill, ceremonies

Photo of a Rambler Wireless Patrol car in 1965Rambler Classic with unidentified person in driver's seat. The front wheels are turned to the right. Registration number JNC-003. Circa 1966police vehicles; motor transport branch; motor transport section; wireless patrol; rambler classic car

John Gur with BMW 45 wearing uniform and standing outside a house. There is a helmet on the seat of the motorbike along with gloves. Circa 1964.police vehicles; motor transport branch; motor transport section; wireless patrol; motor cycle patrol; police motorcycles; bmw motorcycle; gur, john

Bill Gore in driver's seat of Ford, registration number SF-004, with his head leaning out of the window, circa 1950police vehicles; transport branch; wireless patrol; motor police branch; motor traffic section; ford car; gore, william

Ariel with rider seated on bike facing away from camera but looking back over his right shoulder. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; ariel motorcycle

Chairs wooden round back support & flat seat, turned legs in front and sloping legs at the rear, rectangular in shape. (4)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Port of Portland Authority archivesFront: (no inscriptions) Back: NO 1 (black ink on white label)port of portland archives, k s anderson, theo jarrett

Small portrait of a man seated on a chair. He is wearing a three piece suit and a bow tie. He also has a beard.David Wood, Corner of Bank & Clarendon Streets, Emerald Hill, Melbournephotograph, portrait, male, portrait of a man, david wood

sepia photograph, mounted oin green and cream board. Photo of football players, officials and children, seated on grass, trees in background.unknownorganization, club/society, football team

studio portrait, part thereof, female with seated child. Coloured by hand. RH side of photo cut off - person removed.unknownperson, family

Photograph: WW1 male soldier seated, wearing army uniform, gaiters, spurs, sergeant stripes. Written on front ' Mina Moors'Mina Moors, auditorium building, Collins Street, Melbourneorganization, military, male portrait, ww1, soldier, sergeant

Postcard: black and white card. Young man dressed in jacket, hat and goggles seated in cockpit of biplane. On bottom ' Gustav Hamel'aviation, civilian, gustav hamel, basil watson, gustav hamel, biplane

Postcard: black and white card - man dressed in suit, hat and scarf sitting on seat in biplane. On bottom ' F. Warren Merriam.'aviation, civilian, f. warren, basil watson, f. warren merriam.

This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo

Churchill Island Heritage Farm has a large photograph collection.Colour photograph of seated brass band with a conductor standing at the front. Taken from the rear of the ensemble and underneath the white and blue marquee. Catalogue number written on reverse in pencil churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. Photograph of four people seated at a conference table against vertical blinds forming part of the Museums Australia Victoria organisational meeting. MAV CONFERENCE ORGANISING MEETING/MUSEUMS AUSTRALIA (VICTORIA)/AUG 2016 [handwritten in pen on reverse] Catalogue number written on reverse in pencil.churchill island, photograph, mav, 2016

Rear of a bluestone building at Axedale. Painting or photo of horses attached to the wall. An implement, including an old tractor seat, is near the wall.Bill Hawkingregion, small towns, axedale