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Clunes Museum
Certificate, J.W. PEARSON, 3 COLLINS STREET, MELBOURNE, 6.8.1868
MEMBER CARD CLUNES MORNING STAR. PRESENTED TO JULIA HEARN AS A MEMBER BAND OF HOPE.document, certificates, julia hearn, clunes morning star -
Clunes Museum
Postcard
A CHRISTMAS CARD (BOOKLET AIR FORCE) SEE IMAGE ON WORKSHEETAIR FORCE HEADQUARTERS MELBOURNElocal history, document, card, greeting card -
Clunes Museum
PHOTOGRAPH, TF Chuck & Son
Annie McIvor married Chris Fawcett Snr 22/9/1892 Given by Chris Durie whose mother was Rose Fawcett who lived at Powlett HillCopy of original photograph of Annie McIvor. Girl with long ringlets wearing a long sleeved dress with lace collar(from original) TF Chuck & Son/ Royal Arcade/ Melbourne/ Prize Medallists London Exhibition 1874local history, photography, photographs, annie mcivor -
Clunes Museum
Plan - ARCHITECTS PLANS, DARYL JACKSON REPORT PTY. LTD. 35 LITTLE BOURKE , MELBOURNE
SKETCH DESIGN REPORT - WESLEY AT CLUNESARCHITECTS PLAN WESLEY AT CLUNES. DARYL JACKSONlocal history, document, plans, education, schools, wesley -
Clunes Museum
POSTER
PROCLAMATION ISSUED BY THE COLONIAL SECRETARY'S OFFICE IN MELBOURNE IN 1854. Describes Lawlor as Height, 5 ft 1&/34 in, age 35 hair dark brown, whiskers dark brown, and shaved under the chin, no moustache, rather good looking, and is a well made man. His accomplice, Black described as Height over 6 feet, straight figure, slight build, bright red hair, worn in general rather long and brushed backwards, red and large whiskers, meeting under the chin, blue eyes, large thin nose, ruddy complexion and rather small mouth. Lawlor was wanted for treasonable seditious language and incite men to take up arms with a view to make war against our sovereign lady the Queen.TWO PHOTOCOPIES OF POSTER FOR TWO WANTED MEN - LAWLOR AND BLACK. WITH A REWARD OF 400 HUNDRED POUNDS LEADING TO THEIR ARRESTNILlawlor/black, wanted poster, lalor -
Clunes Museum
Document - CORRESPONDENCE, 18/02/1971
.1 CORRESPONDENCE FROM GOVERNMENT OF VICTORIA, MINSTRY OF TOURISM, A.C. ANDERSON, ACTING DIRECTOR OF TOURISM, TO MR. TOM EVANS M.P., PARLIAMENT HOUSE, MELBOURNE DATED 18TH FEBRUARY 1971 - RE - SUBSIDY FOR TOURISM BROCHURES FOR THE CENTRAL HIGHLANDS REGION OF VICTORIA, AUSTRALIA. .2 CORRESPONDENCE FROM PARLIAMENT OF VICTORIA, A.T. EVANS, M.L.A. TO MR. R. PRYOR, SHIRE SECRETARY, SHIRE OF TALBOT AND CLUNES, DATED 24TH FEBRUARY, 1971 RE - SUBSIDY FOR TOURISM BROCHURElocal history, government, state government, clunes tourism -
Clunes Museum
Programme - CONCERT & LECTURE PROGRAMME, MASON FIRTH & McCUTCHEON PTY. LTD. PRINTERS, MELBOURNE, CONCERT AND LECTURE IN CLUNES TOWN HALL
CONCERT AND LECTURE CELEBRATING THE SURRENDER OF AUSTRIA NOV. 4TH 1918. SPECIAL PROGRAMME RENDERED BY NEW EDISON DIAMOND DISC, OPERATED BY EDISON SHOP 265 COLLINS STREET, MELBOURNE. MR. F. CUTTLE AND LANTERNIST MR. WADMAN SMITH, ITEMS BY MISS MAY HULL, MISS CHAMPION, MR. F.W. WEICHARDT, MRS. GREEN, MISS DUNSTAN, MR. EBERHARDORIGINAL PROGRAMME YELLOW PROGRAMME ADVERTISING CONCERT AND LECTURE IN CLUNES TOWN HALL 21ST NOVEMBER, 1918. PROCEEDS IN AID OF RED CROSS. CHAIRMAN HIS WORSHIP THE MAYOR CR. J PHILLIPS J.P. PROMOTER MRS. M.R.WEICHARDT. TWO PHOTOS OF SECTION FRASER STREET, CLUNES FROM NEWSAGENT, HARDENS BOOT PALACE, TOBACCONIST SHOPS AND CLUB HOTEL, THE NOW MUSEUM AND AUCTION ROOM? DON'T KNOWNillocal history, document, performing arts, events and celebrations -
Clunes Museum
Magazine, EDGAR H. BAILLIE CAULFIELD, 29/12/1934
'THE LISTENER IN' WAS A MAGAZINE, PUBLISHED WEEKLYMAGAZINE - 'THE LISTENER IN', DECEMBER 1934/JANUARY 1935SEE OVERlocal history, book, magazine -
Clunes Museum
Book - REFERENCE BOOK, EDGAR H. BAILLIE, 185 BALACLAVA ROAD, CAULFIELD FOR UNITED PRESS, THE HOME BEAUTIFUL TATTING
INSTRUCTION BOOK USED BY MRS. W. HARRIS (FORMERLY ROSEMARY GORDON)THE HOME BEAUTIFUL TATTING BOOK INSTRUCTIONS FOR MORE THAN SIXTY DESIGNS BY NORMA BENPORATHROSEMARY GORDONbook, books - reference, tatting book, home beautiful -
Royal Brighton Yacht Club
Cup, Perpetual Challenge Cup
Perpetual Challenge Cup Donor: Presented by the first 10 owners Deed of Gift: Yes 3/8/1953 The first owners were J. A. Linacre, W. Jamison, A. E. Akhurst, C. H. Beyer, J. Stewart, W. Ross, G. Douglas, E. A. Franklin, O. H. Tuck and G. O’Connor. The trophy was originally intended for interclub competition, however it seems to have only been used in club racing at RBYC. First Winner: Sarawaki BJ8, 1935/36 jubilees, owners -
Royal Brighton Yacht Club
Cup, Returned Soldiers’ Cup
Returned Soldiers’ Cup Donor: Deed of Gift: No There is an earlier returned soldiers trophy which is a World War I shell case which was awarded to commemorate the RBYC members who served in the first World War. The first trophy was awarded to the Jubilee yacht Rotanes BJ3, owned by A. E. Akhurst in 1935. For an unknown reason the current Returned Soldiers’ Cup was purchased and first awarded in season 1935/36. First Winner: Sylvia BJ2, W. Jamison 1935/36 jubilees -
Hawthorn Historical Society
Drawing - Property Illustration, 36 & 38 Connell Street, Hawthorn, 1989
... melbourne Property Illustration Drawing 36 & 38 Connell Street ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 36 & 38 Connell Street, Hawthorn by Margaret Picken.36 & 38 Connell St, Haw, Margret Picken '89. Woodards - Hawthorn.artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Denmark Hill Road, Hawthorn, 1996
... melbourne Property Illustration Drawing 36 Denmark Hill Road ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 36 Denmark Hill Road, Hawthorn by Margaret Picken.36 Denmark Hill Rd, Haw E, Margaret Picken '96. Woodards - C'well.artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Elgin Street, Hawthorn, 1995
... melbourne Property Illustration Drawing 36 Elgin Street, Hawthorn ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 36 Elgin Street, Hawthorn by Margaret Picken.36 Elgin Street, Hawthorn, Margaret Picken '95. Woodards - Hawthorn. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Station Street, Hawthorn East, 1993
... melbourne Property Illustration Drawing 36 Station Street, Hawthorn ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.36 STATION ST, HAWTHORN Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Urquhart Street, Hawthorn, 1993
... melbourne Property Illustration Drawing 36 Urquhart Street, Hawthorn ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.36 URQUHART ST HAW Marg Picken ~98 WOODARDSartist - margaret picken 1950- -
Melbourne Legacy
Journal - Newsletter, Legacy Newsletter 1965-1966, 1965 and 1966
Copies of newsletters to Legacy widows in 1960s. There were usually 5 editions per year (in 1965 February, April, July, October and November). Newsletters include a notice from the Senior Widows Club coordinator F R G Strickland and information about events and meetings. The editor was Mrs B E Shephard. There were so many widows that the meetings had to be held at the Melbourne Town Hall to accomodate the numbers. November's meeting was a picnic in the Botanical Gardens and January the widows met in Fitzroy Gardens. In November there were calls for nominations for the committee members for the following year. Committee comprised of a President, 2 Vice presidents, Hon. Secretary, Hon. Treasurer, Hon. Assistant Secretary and 14 members of the committee. The first edition in the new format was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The newsletter was priced at 1D a copy. Various pages of interest have been added to show different news items. Not all editions have been scanned.Brings to life the activities provided for the widows and the work of Melbourne Legacy in the 1960s.Black typed newsletter x 11 editions from 1965 and 1966. Edition number 31 to 41. No 31, 24 February 1965 No 32, 29 April 1965 No 33, 29 July 1965 No 34, 14 October 1965, 2 pages No 35, 25 November 1965 No 36, - MISSING No 37, 14 April 1966 No 38, 30 June 1966 No 39, - MISSING No 40, - MISSING No 41, 8 December 1966, supplement for nominating Senior Widows' Committee newsletter, activities -
Melbourne Legacy
Document - Speech, Miss Enez Domec-Carre, 1970
A narrative of Miss Enez Domec-Carre's work with Melbourne Legacy. Appears to be text of a speech made on her retirement which was on 31 December 1970. Enez was the supervisor of the girls classes held at Legacy House for 36 years. She organised many annual demonstrations and was held in high regard by Legacy. The library at Legacy House is named in her honour. See also a newspaper article at 00978 which outlines her achievements, a summary of her career at 00458 and 00129. She was a former Miss Victoria and was known for her physical education skills and for introducing grace and culture to Melbourne. In 1932 she joined Melbourne Legacy as assistant to Mrs Gilles (wife of a Legatee) later became the chief instructor of girls' physical education until she retired aged 65. In the post World War II baby boom the Legacy evening classes were attended by about 400 girls. She helped organise Legacy Widows and Legatee wives to sew the costumes for performances. Among her proudest moments was a display by 1000 Junior Legatees at the MCG during the 1954 visit of Queen Elizabeth II. As well her work for Legacy she ran physical education, ballroom dancing and debutante preparation classes.Description of the contribution to the work of Melbourne Legacy by Miss Carre with Girls' Classes and in other areas.Off-white photocopy of typed speech by W.V. Scott. 3 pages.Top right corner of page one "1970" handwritten in blue pen. "W.V. Scott" handwritten in blue pen following text on page three.girls' classes, annual demonstration, enez domec carre -
Melbourne Legacy
Document, Intermediate Legacy Club - Report presented at the Annual General Meeting ILC6
Annual reports of the Intermediate Legacy Club over several years. They include interesting information about the activities the ILC were involved in and some include some financial information. The ILC was self sufficient and did not receive funds from Legacy. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. A record of the activities of the ILC.White foolscap paper reports with black type x 5 reports from 1934 to 1955. 01631.1 1934-35, 7 pages 01631.2 1935-36, 5 pages 01631.3 1939, 6 pages includes financial summary and a copy of the newsletter 01631.4 1950, 6 pages includes financial summary 01631.5 1955, 7 pages includes financial summaryHandwritten in red pen ILC6 which was part of an early archive project numbering system.ilc, annual summary -
Melbourne Legacy
Document, 1962 Annual Report Pg 36 "Programme", 1962
This document was from a file of information about guest speakers (see also 00812-00822 and 00829-00837). Legatees met regularly and usually had guest speakers to entertain and inform on different subjects. The highlighted paragraph from the 1962 Annual Report mentions the low attendance of Legatees at the weekly luncheons. In part is says: "Programme Committee consists of a number of saddened and disillusioned Legatees. . . the Committee acquired what is considered were good speaker, speaking on interesting and topical subjects and so it reasoned that Legatees would flock to the Tuesday Luncheons. However the opposite was the case as, during the year, attendances fell away to around 80, despite a total of 511 Legatees now living in the metropolitan area."A record that the speakers at Legacy functions were from very different walks of life and the subects spoken on were many and varied. However not always were they well attended.Single sheet from an Annual Report with a paragraph "Programme" highlighted.speakers, committee -
Melbourne Legacy
Photograph - Photo, Pilgrimage to the Shrine 1996, 1996
Wreath laying ceremony for Legacy widows at the Cenotaph at the Shrine of Remembrance in 1996. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The Service is followed by a church service and a luncheon. In 1996 it was at the Hyatt (see 00888). The photos show the a group marching to the Shrine, some carrying wreaths, including President Ray Ward and L/- David Cull. Then a group of widows posing for the camera, one is Mrytle Ingram who is pictured with Ray Ward in 00797. Some of the photos were featured in The Answer newsletter.A record of a ceremony at the Shrine.Colour photo x 2 of wreath laying at the Cenotaph and a group of widows.Printed on back -
Melbourne Legacy
Magazine, Casualties : The offical magazine of the 2/3 C.C.S, 1942
A magazine published during World War Two for the troops. It contains black and white photos and articles about the war. It is 36 pages long. The 2/3 CCS is a casualty clearing station that worked in the middle east, in particular Beirut. Photos and articles from World War Two that would have been significant to the legatees as they were all returned servicemen.A magazine containing black and white articles, photos and drawing from World War Two. Maroon cover and 36 cream pages with black text. Issue No 4 September 1942. Handwritten on title page 'J__ Gillespie' in blue ink.soldiers, world war two -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Wooden framed photo finish, A Copley, Prince Pirate, 20 July 1936
Prince Pirate won the Association Handicap 2nd Div at Ascot on the 20 July 1936. Prince Pirate owned, trained and driven by O Marshall. One large black and white photograph in a black and gold frame. Top line: Ascot / 20/7/36 Second line: Association Handicap 2nd Div Third line: Won by Prince Pirate Fourth line: Owner Trainer & Driver O Marshall Bottom line: Distance 1 1/4 miles / Time 2 min 56 secs Bottom right corner: A Copley, Phone F1748 434a Flinders Street Near William St Melbournehorses, race, winner, driver, trainer, owner, a copley, ascot, o marshall, 1936, prince pirate, orme marshall -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Kinkora Road, Hawthorn, 1993
... melbourne Property Illustration Drawing 36 Kinkora Road, Hawthorn ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.36 KINKORA RD, HAWTHORN Margaret Picken ~92 WOODARDS - C'WELLartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 18/36 Anderson Road, Hawthorn East, 1994
... melbourne Property Illustration Drawing 18/36 Anderson Road ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 18/36 Anderson Street, Hawthorn East by Margaret Picken.18/36 Anderson Street, Haw E. Margaret Picken '94. Woodardsartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 36 Bowler Street, Hawthorn East, 1999
... melbourne Property Illustration Drawing 36 Bowler Street, Hawthorn ...'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 36 Bowler Street, Hawthorn by Margaret Picken.36 Bowler Street, Haw E, Margaret Picken '99. Woodards - Hawthorn.artist - margaret picken 1950- -
Friends of Moonee Ponds Creek
Ponderings 36, Autumn 2012
... melbourne Ponderings 36 Autumn 2012 ... -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, Sep. 1971
... of Ballarat No. 36, after closure of the Ballarat system in Melbourne ...Yields information through a photograph of Ballarat No. 36 in Melbourne for Tourism Week in September 1971and its use in Melbourne. Two black and white photographs of Ballarat No. 36, after closure of the Ballarat system in Melbourne, for Tourism Week, promoting Ballarat. .1 - St Kilda Road - Domain Junction area - St Kilda Road .2 - Domain Road - after using the crossover - with W6 953? alongside. See Reg item 3501 for photos of its transport to Melbourne, 3503 for colour postcard and 3432 for a newspaper clipping. Both photographs have been used for display purposes. Photographer unknown.tramways, trams, melbourne, tourism, mmtb, domain road, tram 36 -
Ballarat Tramway Museum
Manual, Bell Punch Co, "The Perfect System of Fare Collection and Control - The Automaticket Bell Punch System", c1935
Twelve page book printed on heavy light brown paper, stapled with an oversize folded card cover titled "The Perfect System of Fare Collection and Control - The Automaticket Bell Punch System". Describes the Automaticket system, has samples of traffic tickets pasted in the book, diagrams, drawings, gives details of the components and method of operation. Published by the Bell Punch Company of London early to mid 1930's. On top right hand corner in pencil "Mr Turner 17-11-36" and bottom of cover "Bell Punch (A/Sia) Limited" and on bottom of page 1 "Bell Punch (A/Sia) Limited / 340 Collins Street / F2218 Melbourne".trams, tramways, tickets, ticket machines, buses -
Ballarat Tramway Museum
Magazine, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "The Tramway Record Vol. 54, No. 11, March 1992", Mar. 1992
Forty Four page, with glossy white cover and plain white paper inside - "The Tramway Record Vol. 54, No. 11 March. 1992" - with title in green ink and Australian Tramway and Motor Omnibus Employees Association logo on the front cover. Printed by the Victorian branch of the union. Features on the front cover a photo (see image) of the W7 1032. Other items featured are "Tram Stories" written by Frank Puls (Ballarat), pages 29 - 30, about his activities with the Ballarat Tramway Preservation Society, his liking for trams, training, incidents. Features a photo of Frank standing adjacent to No. 13 in Wendouree Parade and a photo taken on Christmas Day 1991, with an Explorer Coach driver. On page 31 - 36 traffic returns and wage comparisons over the years provided by Norm Maddock of The Tramway Museum, Stanhope St. Malvern. Shows cost of living adjustments to wages.trams, tramways, unions, melbourne, ballarat, btps, atmoea