Story of service at Vung Tau, Sept 1968 - March 1969.kevin graham, ammunition technical officer, photographic exhibition, behind the wire

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin

Coloured photo of Fr. K. Dillon in Eucharistic Chapel, St.John's Catholic Church, Mitcham.dillon, kevin joseph, fr., st. john's catholic church, mitcham

Coloured photo of Group at St. John's Church, Mitcham.|L - R (?) Marian & Audrey Bialecki, Syd Wright, Father Keith and Father Dillon.bialecki, marian, dillon, kevin joseph, fr., audrey, wright, syd., keith, fr, st. john's catholic church, mitcham

Black and white photograph and negative of Captain George Wingrave of the Rutherglen Fire BrigadeOn back of photo: "Captain George Wingrave"rutherglen fire brigade, george wingrave, fire brigade, agnes wakenshaw, agnes wingrave, donald wingrave, kevin wingrave, janet wingrave

Black and white photocopy on A4 paper of a photograph of a group of Australian soldiers.Accompanying sheets identify some of the men in the photosoldiers, mornament, douglas, alf joyce, stan jackson, mccaw, pritchard, chappelow, shilston, burnett, mcgrath, kevin newton, max feldtmann, petts, grainger, newbigan, john mansen, garoni, robins, jones, hocking, lawford, martell, mcnamara, ron freeburn, garry howarth, morton, tom lappin, frank o'keefe, bruce nam, don mercer, mccormack, pigram, ernie aitken, cooper, john denner, richins, horsinton, mcfadgen, reade, carters, wwii, world war 2, world war ii, ww2

ian bruce, garry hillman, ron james, brian baker, rod goode, peter watts, bill langford, ian whitmore, thess hannah, simone clay, elizabeth sarah, michael ambler, rod eeles, maureen mcmillan, kerry archbold, marilyn cook, jenny moore, robyn sharp, ian mccallum, barb dawe, bill kirk, mr geoff hocking, carol trenfield, tom rees, jill palmer, graham chibnall, allan poynton, daryl bennett, kevin o’hehir, andrew vanrooyen, john mcclure, peter fraser.

Colour photographs of Fitzroy Football Club's Last Melbourne Game.fitzroy football club, kevin murray

Parma House was bult by Italian born Fabrizio Crippa. It was restored from a burnt wreck to Villa Parma by Richard Rigby and Franchek. Walls were scraped back to the original, and burnt umber detailing added. Colour photographs of Villa Parma, Main Road, Heburn Springs.villa parma, fabrizio crippa, parma house, richard rigby, kevin flintoff, garden, hepburn springs

A graduation address given by Professor George Seddon, Dean of Faculty of Architecture and Planning, University of Melbourne in 1986. The speech compares urban planning and architecture in Melbourne and Boston. Seddon mentions Boyd positively as a former Melbourne University student and a key writer and thinker on Australian architecture and planning (pages 5&6).Typewritten, A4, 12 pages. Plus with compliments card from Seddon, noting to view pages 5 and 6.melbourne, boston, robin boyd, george seddon, kevin lynch, university of melbourne

photo/pictures, ballarat rsl, ballarat

Inscription on back of photograph suggests this might be taken in Western AustraliaBlack and white photograph of ambulance officer holding radio in front seat of ambulance