A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A copy of a black and white photograph on the Watts River near Fernshaw in Victoria.A copy of a black and white photograph on the Watts River near Fernshaw in Victoria taken by Fred Kruger. Fred Kruger (born Johan Friedrich Carl Kruger, 18 April 1831 – 15 February 1888) was a German-born photographer noted for his early photography of landscape and indigenous peoples in Victoria, Australia. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.fernshaw, watts river, victoria, fred kruger, photograph

A digital copy of a black and white photograph of two women of the Kirwan Family.A digital copy of a black and white photograph of two women of the Kirwan Family.kirwan family, marysville, victoria, australia

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1949.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1949.Fruit Salad Farm/ Marysville. '49marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1948.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1948.FRUIT SALAD FARM/ 1948marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1949.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1949.FRUIT SALAD FARM/ MARYSVILLE/ 1949marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1954.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1954.Rosalie - 1954/ Marysville Fruit Salad Farm Bridgemarysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1954.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1954.Fruit Salad Farm./ Marysville. 1954marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A black and white photograph taken at the Fruit Salad Farm in Marysville in 1958.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1958.Strawberry Farm - Marysville/ 1958 (Fruit Salad/ Farm)marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph

A digital copy of a black and white photograph of Greenlands guest house in Marysville.A digital copy of a black and white photograph of Greenlands guest house in Marysville.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, photograph

A copy of a black and white photograph of the Junction Hotel in Marysville taken in 1907.A copy of a black and white photograph of the Junction Hotel in Marysville taken in 1907.marysville, victoria, australia, junction hotel, carlisle guesthouse, william henry kirwan, harold james robert coney, martin cussen, bridget cussen, bridget kirwan, mary ann coney, butlers woods point directory, balliere's directory, james cussen, catherine cussen, catherine dooley, the temperence, kew asylum, ararat asylum, maria catherine chester, maria catherine kirwan, william chester, golden bower mine, cumberland, james richard coney

A digital copy of a black and white photograph of a member of the Kirwan Family in Marysville.A digital copy of a black and white photograph of a member of the Kirwan Family in Marysville.kirwan family, golden secret mine, cumberland, victoria, australia, marysville

A digital copy of a black and white photograph of the Dickinson Family from Marysville.A digital copy of a black and white photograph of the Dickinson Family from Marysville.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

A copy of a black and white photograph of an unknown group of people at The Marysville Chalet.A copy of a black and white photograph of an unknown group of people at The Marysville Chalet.Front - Aunty Flosie Nichols (nee Bennet.)/ (Mum's aunt-sister was Minnie Sully)/ Mum (Irene Day nee Sully) Dot/ Aunty Thelma (Sully mums sister in law, married/ Matthew Sully/ Barb.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph

A digital copy of a black and white photograph of the Marysville Chalet taken in winter.A digital copy of a black and white photograph of the Marysville Chalet taken in winter.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph

Albert Edward Corrie VX47191, 6th Div Postal Unit.1. Black & White Photograph - Cemetery, Memorial, Headstones. 2. Black & White Photograph - Truck on Road 3. Black & White Photograph - Sand Hils, vehicles and 3 men on road, 4. Black & White Photograph - 3 uniformed soldiers.1. War Cemetery Jerusalem. 2. On the road to the Dead Sea. 3. Some of the hills on the road to the Dead Sea. 4. Hec McKinnon, CAPRT Cohen, Kirk White.photographs, ww2, postal unit

This image is of a bullock team belonging to Mr. Camm at Rupertswood. There are two men in the dray and one man in a white coat walkingA black and white photograph of a bullock team belonging to Mr. Camm. There are two men in the dray and one man in a white coat walking.animals, livestock, men, bullocks, camm, - (mr), rupertswood, drays, george evans collection

Ray paid a visit to Stawell in 1988 & spent some time at the Society's rooms: som eof his anecdotes have been recorded on tape. Kept in room 3. Ray Died shortly after this visit World War 1 MembeyBlue Plastic Binder with black Spine, White Paper taped on cover with titleOn White Paper: Memoirs of Ray Membrey Membrey Family History Heal Family History Cat No 820 M/Box 4stawell

Photos of a function at Legacy House for the 60th Anniversary of Legacy in 1983. One photo shows President Ravencroft at the table reaching to shake hands with a legatee (possibly L/ Lyons from the label). Other names are not known. Some name badges are legible, including Bob Berwick, Jack Hanlon, Daryl Harvey, John Dennis, Karl Robertson and John Roberson. Was in a scrapbook of photos spanning 1983 to 1991.A record of a Legacy function to celebrate the 60th Anniversary.Black and white photo x 5 of Legatees at a dinner for Legacy's 60th Anniversary.White paper label handwritten in blue pen 'Legacy's 60th Birthday celebration. President Ravencroft (L/T Lyon). No Negs'.60th anniversary, legatee event

A black and white postcard of The Log Cabin in Marysville in Victoria.A black and white postcard of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victor'sthe log cabin, thomas henry branchflower, gerald branchflower, marysville, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, rose series postcard, rose stereograph co, p. 3496, postcard, souvenir

A black and white postcard of The Log Cabin in Marysville in Victoria.A black and white postcard of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victor'sthe log cabin, thomas henry branchflower, gerald branchflower, marysville, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, rose series postcard, rose stereograph co, p. 3496, postcard, souvenir

A black and white postcard of The Log Cabin in Marysville in Victoria. A black and white postcard of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Log Cabin/ 1954-55 MARY-LYN GUEST HOUSE/ BONES & FISKE, Prop. This is where we buy/ all our stuff./ Real modern insidethe log cabin, thomas henry branchflower, gerald branchflower, marysville, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, rose series postcard, rose stereograph co, p. 4573, postcard, souvenir

Rectangular purple and white unit colour patch badgeUnit Colour Patches are a method of identification used by the Australian Army used to indicate which unit a soldier belongs to.Rectangular shaped metal badge with white glazed enamel border containing purple centrebadge, unit colour patch

An early black and white photograph of Keppel Falls near Marysville in Victoria.An early black and white photograph of Keppel Falls near Marysville in Victoria. Keppel Falls is named after the Keppel Family who were early pioneers in Marysville and the district.POST CARD PLACE/ POSTAGE/ STAMP/ HEREkeppel falls, marysville, victoria, waterfall, postcard, souvenir, keppel family

Red felt pennant with painted lettering and a roundel depicting an early settlement by edge of a harbour with a sailing ship in it. Left edge is bound with white felt, and two red felt tags and sewn at top and bottom of white edging.Front: "CENTENARY / PORTLAND. CONN/ FIRST HOUSE IN PORTLAND, 1690" (in roundel). SEPT. 20TH, 1941 (white paint on centre of pennant).