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Mission to Seafarers Victoria
Painting - Icon, Untitled, unknown
Large icon style painting of Jesus holding a Bible in his left hand, and doing the symbol of Incarnation with his thumb and ring finger of his right hand.icon, orthodox, russian, jesus, artwork-paintings -
Mission to Seafarers Victoria
Book, Jane Clark & Felicity Druce, Violet Teague, 2000
Catalogue of artworks by Australian female painter, Violet Teague.The Beagle Press, 1999.. Lge. 4to; pp. 128; frontispiece, 50 plates, bibliography; stiff illustrated wrapper, a fine copy. With contributions by Roger Butler, Anita Callaway, Jeanette Hoorn, Jacqueline Macnaughtan, Richard Neville, Juliet Peers, Kay Vernon and Liz Ward.non-fictionCatalogue of artworks by Australian female painter, Violet Teague.violet teague, windjammers, jane clark, felicity druce, artist, female artist, c.b. pedersen, carnarvon -
Mission to Seafarers Victoria
Article, Kerrie O'Brien, Want to peek inside Melbourne’s finest mansions and buildings? This is your chance, 30 June 2022
Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1917
This window along with the the second window in the reredos was donated by the Misses Forge in memory of their brother, James Leslie Forge, 33yo, who died on the 23 April 1917 while working on his orchard in Wingello, NSW. A Footscray local, he had donated the funds (100 pounds) for the reredos of the St Peter chapel.Arched windowsaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, 1917, ww1, memorial chapel, reredos, footscray, james leslie forge, edith forge, forge's store, gifts-1917 -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1917
This window along with the the second window in the reredos was donated by the Misses Forge in memory of their brother, James Leslie Forge, 33yo, who died on the 23 April 1917 while working on his orchard in Wingello, NSW. A Footscray local, he had donated the funds (100 pounds) for the reredos of the St Peter chapel.Arched windowsaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, 1917, ww1, memorial chapel, reredos, footscray, james leslie forge, ruby forge, forge's store, gifts-1917 -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1933
These two small symbolic windows (27 ½ x 6 ½ inches) are in the porch (or was it the baptistery?). Entitled Baptism it could also be termed Pilgrimage with the symbols of the shell and staff and refer to the travels of seafarers. When photographed in the 1990s the windows were in poor shape and in need of conservation to replace the full text in the baptismal window ‘Ecce …. Dei”; the shaft of light from the dove of the Holy Spirit was badly cracked.This window along with the second window in the baptistry was donated by an anonymous donour.Lancet windowaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, sailors, seamen, stained glass windows, win, memorial chapel, baptistry -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1933
This window along with the second window in the baptistry was donated by an anonymous donour.Lancet windowaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, sailors, seamen, stained glass windows, win, memorial chapel, baptistry -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, The Light of the World, 1926
This window, in memory of Alfred Gurney Goldsmith, was unveiled on 9 February 1927 by Archdeacon Hayman along with the brass tablet in the Mission's hall. (AR 1927). It was created by George H. Dancey from Brooks, Robinson & Co, at a cost of £57. Arched windowsaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, reverend alfred gurney goldsmith, kobe, william holman hunt, the light of the world, george dancey (1865-1922) -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, Hope, 1926
This window, in memory of Alice Sibthorpe Tracy, was unveiled on 31 October 1933 by the Right Reverend R. Stephen D.D. along with the brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (AR 1933). "A scheme has been set in operation to raise funds so that a memorial may be erected to Miss A. Sibthorpe Tracy, who has done so much for the Victoria Missions to Seamen. It has been decided that a companion window to that of "The Light of the World" will be placed in St. Peter's Chapel, the design being that of a figure of Hope with her hand on a ship's anchor. The window will show a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. Mrs J. W. Begg, of Stonehaven Avenue, East Malvern, S.E.5, is the honorary treasurer of the fund." (Article published in the Herald, 29 August 1933)Arched windows depicting the female figure of Hope with her hand on a ship's anchor in a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, alice sibthorpe tracy -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1935
This window, in memory of Ethel Godfrey, was unveiled in December 1935, by Archbishop Head. In June 1936 two other memorials were unveiled: brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (Jottings 1936). The funds were raised by the Mission.Arched windows depicting the female figure altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, ethel augusta godfrey 1861-1935 -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1935
This window, in memory of Captain Robert Sunter, was unveiled on the 14 February 1936 performed by Mr R. H. Martin, chief officer of the Manunda. The funds were raised by the crew of the ship Manunda. It was made after "In the anxious hours of waiting" by G M Langley, a print donated by the Godfrey sisters and also located in the St Peter chapel.Arched windows made after the print "In the anxious hours of waiting" depicting a sailor guided by the light held by Jesusaltar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, captain robert sunter, padre frank leslie oliver -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1947
This window, in memory of the crew of the ship Jervis Bay, was unveiled on the 14 December 1947 by Mrs Johnson, wife of the Bishop of Ballarat. As mentioned on the plaque below the window, it was a gift of the Ballarat branch of the HLG and the Lucas Girls from Ballarat. E Lucas & Co was a textile company in Ballarat. The "Lucas girls" are known Ballarat-wide for their commitment to philanthropic work during the period of the Great War. On the same occasion the mallet, used to launch the ship Manunda was donated to the Mission. (AR1947) Unfortunately it is lost. Arched windows altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, jervis bay, crew, lucas girls, ballarat branch, hlg -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, In memory of Karen Brady, 1947
"When Miss Karen Brady, typist of Westgarth St, Northcote, was knocked down by a motor-car at the corner of Heidelberg Road and Fenwick St, Clifton Hill, about midnight on Saturday (3 January 1942), her skull was fractured, and she died in St Vincent's Hospital 4 hours later. She was aged between 45 and 50. Miss Brady was for many years an enthusiastic worker for the Harbour Lights Guild for the Missions to Seamen. She worked there at the canteen many nights during the week, and assisted in many other ways at the mission. Mission officials said yesterday that Miss Brady had been a "splendid worker for the mission". (The Argus, Monday 5 January 1942, page 3) Karen Brady (1886-1942) daughter of Martin John Brady and Evelyn Whitmarsh This window in her memory, "a gift of friends among the seamen and workers of the Mission" was unveiled on the 14 December 1947 by Mrs Oliver, wife of Padre Oliver. Arched windows st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, karen brady, jesus, hlg, typist -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, William Aikman (1868-1959), In memory of William Digges Latouche Balden, 1947
William Digges Latouche Balden was an 18 year-old cadet on the Samarkund. He and three other crew members: William Archibald Jones, 35 (ship mate), Christopher Ewbank, 19 (third officer) and George P. Worsp, 45 (chief steward) died of oxygen starvation in the ballast tank of the ship on 20 August 1945 while in Geelong. Padre Oliver delivered a service in the St Peter chapel, on the 26th of August 1945, in the 4 men's memory. The window commissionned by his parents, was made by William Aikman (1868-1959), a reknown scottish stained-glass artist, and sent from England. Padre Oliver had met them during a voyage to England. It was unveiled on the 10 April 1949. This is the only imported window and according to Brownwyn Hughes the best quality one from all the opter windows.Arched windows depicting St Nicholas, patron Saint of Ships and Sailors, floating on the sea with a gallon shilling in the background. The small portrait of William Digges La Touche Balden, set within a laurel wreath in the window’s lower section.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, samarkand, william digges latouche balden, cadets, officers, geelong, deaths, victory ship, merchant navy, st nicholas, galleon, william aikman (1868-1959), christopher ewbank, george p. worsp, william archibald jones -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, In memory of Linda Reid Kerferd, 1958
Linda Reid Kerferd (born 1875) was a long time member of the Harbour Lights Guild. She died 23 July 1957. Daughter of George B. Kerferd and Ann Martindale.Arched windows depicting a nativityst peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, linda reid kerferd, hlg, harbour lights guild, nativity -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, In memory of Moira Bird Oliver, 1969
Moira Bird Oliver (nee Good) was a the wife of Padre Frank Leslie Oliver. They lived in the Mission for about 30 years.Arched windows depicting a woman kneeling in front of JesusIn Living Memory Of Moira Bird Oliver / Wife of Rev. Frank Leslie Oliver . Chaplain of this Mission for 30 Years / - Erected by Friends . Inspired by her Life and Service.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, hlg, harbour lights guild, moira bird oliver (nee good) -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Gerry Cummins & Jill Stehn Pty. Ltd, In memory of those who have gone down to the sea in ships, 1980-1981
In conjunction with the fraternal visits of Hearts of Oak and the Maritime Lodge (now defunct), joint chapel services have been held in the chapel of St. Peter at the Missions to Seaman in Flinders St over many years. In 1975, the two lodges jointly funded the donation of a window in the Mission's chapel. The window was also part commissioned by what was then the Kanimbla Association who loaned the artist a book called "Cry Havoc - HMAS Kanimbla, a postscript" of photographs which was very valuable and formed part of Gerry's research. Interestingly the Association wanted the Kanimbla depicted in its post WWII passenger liner livery not during WW2. Reverend G.B Muston consecrated the window with Reverend Reginald Bolt on Christmas Eve 1981.Arched windows depicting a yacht shilling in the ocean, in the background a ship liner, on top the freemasonry symbols.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, yachting, freemasonry, hmas kanimbla, hearts of oak lodge, gerry cummins, jill stehn, ss kanimbla, freemasons, sandringham yacht club, hms kanimbla, kanimbla association -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Dacre Smyth, Australian Navy Window, 2007
Commodore Dacre Smyth (1923-2008), designed the two memorial windows for the 106th Anniversary of the Australian Navy and coinciding with the 150th anniversary of the Missions to Seafarers in Melbourne. The windows were dedicated by Reverend Bishop Jeremy Ashton on the 1st of March 2007. A plaque was also erected under the windows.Arched windows depicting HMAS Australia 1 (1913-1924) , HMAS Cerberus (1870-1924), and a portrait of Admiral W.R. Creswell, Father of the Australian Navy.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, commodore dacre smyth (1923-2008), royal australian navy, ran, d-day landing, battle of the coral sea, william rooke creswell (1852-1933), hmas cerberus, hmas australia 1 -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Dacre Smyth, Australian Navy Window, 2007
Commodore Dacre Smyth (1923-2008), designed the two memorial windows for the 106th Anniversary of the Australian Navy and coinciding with the 150th anniversary of the Missions to Seafarers in Melbourne. The windows were dedicated by Reverend Bishop Jeremy Ashton on the 1st of March 2007. A plaque was also erected under the windows.Arched windows depicting HMAS Australia 11 (1928-1954) , HMAS Sydney 111 (1948-1975).st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, commodore dacre smyth (1923-2008), royal australian navy, ran, d-day landing, battle of the coral sea, william rooke creswell (1852-1933), hmas australia 2, hmas sydney 3 -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Tony Hall, Untitled, 1976
The window along with the plaque for Amy Brown were erected in 1976. The funds were raised in 1975 at the same time as the credence in memory of Alice (Micky Nicholls)Artisan's craftTony hallArched windows depicting a tug boat near a ship. In the foreground the Flying Angel flag with a reference to the BibleTHY WAY IS IN THE SEA AND THY PATH IS IN GREAT WATERS. Psalm 77:19st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, flying angel, tony hall, 1976, amy brown -
Mission to Seafarers Victoria
Photograph - Photograph, photocopy, Vogue Living, November 1987
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time. Vogue Living published an article about the artwork in the Dome. This is one of the few colour images of the artwork.Laminated A4 colour photograph published in Vogue Living in November 1987Vogue Living November 1987 135cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Mission to Seafarers Victoria
Drawing, Warren Fox, Our Mysterious Connection, 2019
Our connection to the sea is indescribable and anonymous to most. Describing it in words alone, does not it justice, hence I paint.Marine artSketch on paper in graphite depicting an ship officer in uniform, his body in the sea nearly to the shoulders. A black rectangle hidding his eyes.maritime art prize, anl maritime art prize, warren fox, 2019, officers, seafarers, artwork-paintings -
Mission to Seafarers Victoria
Print - Framed print, Francois Cogne, Sandridge from Hobson's Bay 1863, 1863
Busy port of Melbourne and Sandridge beachfront where the Bethel church was built on the Custom House land.Medium size framed print francois cogne (1829-1883), hobson's bay, sandridge, williamstown, bethel church, reverend kerr johnston, 1812-1887, customs house, artwork-paintings -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, In memory of Thelma Forster, 1946
Thelma Jessie Forster (1892-1945) was a member of the Ladies Harbour Lights Guild. Daughter of Henry William Forster and Jessie Graham Wheeler. On electoral Rolls she is registered as typist so it is likely she was typing the documents, newsletter or administrative documents for the Mission or the Guild.Arched windows st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, jesus, hlg, thelma forster, n. martin, b. martin, typist -
Glenelg Shire Council Cultural Collection
Artwork, other - Diorama, n.d
Unknown -
Glenelg Shire Council Cultural Collection
Artwork, other - Cigarette Card, 1927
No. 18 in a series of cigarette cards from Ogdens Tobacco Company series on whaling production. Full colour depiction of crew member manning a harpoon-gun mounted on deck of whaling ship. White border around card. Reverse has information relating to illustration on front.cigarette cards, tobacco, harpoon -
Glenelg Shire Council Cultural Collection
Artwork, other - Newspaper, Copy of the First Portland Guardian, published August 20th 1842, 1842
From Trove and Wikipedia: The Portland Guardian was a weekly newspaper published between 1842 and 1964 in the seaport town of Portland, Victoria, Australia. It was known as the Portland Guardian and Normanby General Advertiser from 1842 to 1876. It was founded by Thomas Wilkinson and James Swords, and was the second newspaper to be launched in country Victoria. It was eventually absorbed by local rival Portland Observer, with the final issue appearing on 26 March 1964.Newspaper page framed between 2 panes of glass in a wooden frame formed by 4 cross-bars of wood.portland guardian, newspaper, 1800s, 1842 -
Glenelg Shire Council Cultural Collection
Artwork, other - Tapestry, The Portland Fibre Group & Valerie Kirk et al, From the Land to the Sea, 1996-2004
Woven by The Portland Fibre Group, proposed for installation in the foyer of the Glenelg Shire Council Offices, opposite the entry to the Council Chambers.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms features two birds standing on grey platforms, either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of the shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale. -
Glenelg Shire Council Cultural Collection
Artwork, other - Reproduction of print - Pen and ink drawing of Kingsley House Portland Victoria, T.V. Lyons, Kingsley, 1980
Displayed at History House.Reproductive print of pen and ink drawing of a turreted two-storey house with bay windows, gabels, an open upper verandah and an enclosed lower verandah.Front: T.V. Lyons '80. (printed, lower left in image) Kingsley (printed, lower centre, in image)