Ill, p.192.non-fictionA Vietnam Soldier K.I.A. and His True Love... is the unique true story of a Vietnam soldier who was killed in action on his first wedding anniversary. Based on the life of Pte C W Roost, the book tackles the horrors of war and in particular the loss of a loved one in the duty of service to his country. An exceptional love story written from a woman's perspective, this book puts a human face to the controversial war in Vietnam. At just 20 years of age Chris, like so many Australian young men, was conscripted into the army as a National Serviceman. After marrying his childhood sweetheart, Mary, Chris was posted to Vietnam in June 1968. This book follows Chris' adventures through training, marriage and war. It shares his thoughts through his precious letters to his family, and tells the incredible story of the impact of war on our young Aussies. Chris was killed in action on December 23rd 1968 - his first wedding anniversary. He lives on in this book. Collapse summary vietnam war 1961-1975 – personal recollections – australia, soldiers - australia - biography

Copy of an article from the Bendigo Advertiser Dec 3 - 1992 mentioning the closure of the Gravel Hill and Long Gully Primary Schools. The column about the Gravel Hill Primary School mentions that the Camp Hill School was the one that was going to close and then it was changed to close the Gravel Hill Primary School. The other article titled Sense of history stirs letter protest mentions the Long Gully Primary School fight to stay open. A photo accompanying the article shows a Long Gully student Marie Hooley writing a letter of protest. She is being assisted by former pupil Alan Crossley. Also mentioned is the school secretary, Aileen Ewart and former students Jack Davey, Jack and Christina (nee Sutton) Davey, George Ennor, Geoff Grenfell and the Jack Family. Article written by Nathan Dole.bendigo, history, long gully history group, the long gully history group - gravel hill primary school, rob flavell, education department, camp hill primary, don hayward, bendigo city council, chris stoltz, marie hooley, alan crossley, jeff kennett, aileen ewart, jack davey, jack and christina (nee sutton) davey, george ennor, geoff grenfell, jack family, nathan dole

Book titled Confronting Ageism - Towards a Society for all Ages. By Delys Sargeant, Chair, National Coordinating Committee (United Nations International Year of Older Persons) Australian Coalition 1999. La Trobe University, Bendigo. The Sixth Sir John Quick Bendigo Lecture 14 October 1999. Book has a purple tone front cover with an older lady and a young man with a skateboard walking along a path. The book mentions the attitudes to aging from various members of the community including health care workers, nurses and nursing teachers and doctors.bendigo, history, long gully history group, the long gully history group - confronting ageism - towards a society for all ages, delys sargeant, united nations international year of older persons, la trobe university, the sixth sir john quick bendigo lecture, kofi annan, institute of family studies, ageism & nursing practice in australia, john stevens, jan herbert, valerie braithwaite, robert lynd-stevenson, derek pigrak, paul coulthard, d g le couteur, a s bansal, d a price, university of queensland, victor minichiello, colette browning, rosalie aroni, loris alexander, deidre ones, prentice hall, beissner, luscz, palmore, chris phillipson, alan walker, john stevens, jan herbert, royal college of nursing, bradley fisher, constance peterson, lindsay gething, university of melbourne, social biology resources centre now the centre for social health, allen & unwin, john sargeant

Mary-Lou began exhibiting in the mid 1980s and over the years has been involved in producing unique pieces as well as developing a large range of domestic ware. In 1984, six months after graduating from a Bachelor of Fine Arts at Phillip Institute of Technology, Mary-Lou was invited to present a solo exhibition at Devise Gallery in South Melbourne. This objective, she says, compelled her to find a studio and was an incentive to focus on developing her ceramic practice independently.Mary-Lou Pittard holds close ties to the Shire of Nillumbik - living and working within Eltham. Her Eltham North Mudbrick Studio employed 5 assistants until recently when Mary-Lou and partner Chris Pittard have scaled down operations. They now produce everything themselves and find that this enables them to focus on producing unique, sculptural ceramic works. Mary-Lou is currently exploring the fine qualities of porcelain and combining these with her ongoing passion for decorative colour and form. 'Decorative Bowl' is a wheel-thrown/moulded bowl, oblong in shape and has been manipulated by hand. Narrow sections have been incised from the main body, perhaps a practical design feature for air circulation, and the rim has been altered to form a jagged edge. Bold colourful shapes decorate the interior of the bowl. They have been applied directly to the bisque surface and subsequently covered with a transparent glaze which protects them and enhances their permanency.mary-lou pittard, ceramic, chris pittard, eltham, nillumbik

Mary-Lou began exhibiting in the mid 1980s and over the years has been known for producing unique pieces of domestic ware influenced by food and traditional ceramic ware of the past.Food and tradition have always played a big part in Mary Lou’s ceramic work. 'Serving Platter' is rich in colour. The decorative designs are inspired by her surroundings in a style reminiscent of the past. Mary-Lou and husband Chris have a studio and gallery attached to their residential property in Eltham North which is open to the public. They also participate in the Nillumbik Artists Open Studios program. Oval platter with bold, stylised flowers glazed in reds, blues and yellows.mary-lou pittard, eltham, nillumbik, ceramic

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin