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National Wool Museum
Stencil - CALCUTTA
This stencil was used as a location stamp for the transportation of wool bales. Calcutta is a city in India. Wool bales marked CALCUTTA would have been transported to India by sea.Wool bale export stencil - CALCUTTACALCUTTAwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - RIJEKA
This stencil was used as a location stamp for the transportation of wool bales. Rijeka is a city in Croatia. Wool bales marked RIJEKA would have been transported to Croatia by sea.Wool bale export stencil - RIJEKARIJEKAwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - SEVILLE
This stencil was used as a location stamp for the transportation of wool bales. Seville is a city in Spain. Wool bales marked SEVILLE would have been transported to Spain by sea.Wool bale export stencil - SEVILLESEVILLEwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - OSTEND
This stencil was used as a location stamp for the transportation of wool bales. Ostend is a city in Belgium. Wool bales marked OSTEND would have been transported to Belgium by sea.Wool bale export stencil - OSTENDOSTENDwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - BORDAUX
This stencil was used as a location stamp for the transportation of wool bales. Bordaux is a city in France. Wool bales marked BORDAUX would have been transported to France by sea.Wool bale export stencil - BORDAUXBORDAUXwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - TORONTO
This stencil was used as a location stamp for the transportation of wool bales. Toronto is a city in Canada. Wool bales marked TORONTO would have been transported to Canada by sea.Wool bale export stencil - TORONTOTORONTOwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - UXBRIDGE
This stencil was used as a location stamp for the transportation of wool bales. Uxbridge is a town in England. Wool bales marked UXBRIDGE would have been transported to England by sea.Wool bale export stencil - UXBRIDGEUXBRIDGEwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - MONTREAL
This stencil was used as a location stamp for the transportation of wool bales. Montreal is a city in Canada. Wool bales marked MONTREAL would have been transported to Canada by seaWool bale export stencil - MONTREALMONTREALwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - OSAKA
This stencil was used as a location stamp for the transportation of wool bales. Osaka is a city in Japan. Wool bales marked OSAKA would have been transported to Japan by sea.Wool bale export stencil - OSAKAOSAKAwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - AMSTERDAM
This stencil was used as a location stamp for the transportation of wool bales. Amsterdam is a capital of the Netherlands. Wool bales marked AMSTERDAM would have been transported to the Netherlands by sea.Wool bale export stencil - AMSTERDAM AMSTERDAM wool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - VALPARIASO
This stencil was used as a location stamp for the transportation of wool bales. Valpariaso is a city in Chile. Wool bales marked VALPARIASO would have been transported to Chile by sea.Wool bale export stencil - VALPARIASOVALPARIASOwool - transportation, wool sales, wool class, wool classers -
Melbourne Legacy
Photograph - Photo, Anzac Day, 199?
Photo of a man in uniform. It is presumed to be a Legatee on Anzac Day. Name is not known. Was found in an envelope marked "For Melbourne Legacy. Anzac Day Parade featuring Legacy Lads.'A record of Legatees marching on Anzac Day.Photo of a legatee in uniform on Anzac Day.anzac day, march -
Orbost & District Historical Society
handsaw, !930's
Donated by the Harry Cameron family, Harry's father, James Cameron, came to Bellagoogan on Majors Creek in 1882. Bellagoogan was on Majors Creek near Orbost and was the site of the first race course. Like many other at the time, the Camerons bred race horses.Harry died in 1964 aged 75.Hand saw with a skew-back, steel blade and a wooden handle. It has three metal saw pins and a medallion marked 'warranted superior'. There is a chip carved wheat sheaf decorating the front hand grip. This handsaw is probably a Disston Keystone K-4 Air MasterOn a metal disc around a keyhole is "Warranted Superior".tool timber-industry handsaw -
Bendigo Military Museum
Magazine - MAGAZINE - REGIMENTAL, "Gun Flash", March 1944
Common for units of the Armed Forces to have their own magazine and newspaper to be a source of news and gossip for the group.Regimental Magazine, cream white paper, 20 pages stapled together. Front page headed "Gun Flash" with "RAA" Insignia. Dated March 1944 and marked Vol 1, No.3. Content varies from Local news, Sport, Quizzes, Editorials, Poems etc.Dated March “44 and Vol 1, No. 3”royal aust artillery, gun flash, ww2 -
Warrnambool and District Historical Society Inc.
Documents, Sheet Music Back to Warrnambool Song, 1930
This is the original manuscript for the song ‘Back to Warrnambool’, composed for the ‘Back To’ celebrations in Warrnambool in 1930 and reprinted for the ‘Back To’ celebrations in 1934. The song, described as a ‘souvenir foxtrot’ was written by Reginald Stoneham, a professional musician who was engaged to write the song. Reginald Stoneham (1879-1942) was a composer who was Australia’s leading exponent of jazz and ragtime piano styles in the first decades of the 20th century. He composed many tunes for anniversaries and celebrations in country towns and cities in Victoria. The original ‘Back to Warrnambool’ music was given to Henri Worland, the Town Clerk of Warrnambool in 1930 and handed over to the Warrnambool and District Historical Society by Keith Arnel, the Town Clerk in 1973. Note that the original song was ‘Respectfully dedicated to the Pioneers of Warrnambool’. This dedication, for some reason, was not printed on the music issued in the ‘Back To’ programs of either 1930 or 1934. This is a significant item as the song ‘Back to Warrnambool’ has great historical significance as it was popular in Warrnambool in the 1930s and 40s and is still played and sung occasionally today. It is one of the two local songs about Warrnambool composed by Reginald Stoneham. The other is the Warrnambool Waltz Song. It is of interest to historians and researchers to have the original music.This is the original handwritten manuscript of the song, ‘Back to Warrnambool’. There are two pages of pre-ruled music score papers, filled in on both sides of the paper. The paper is marked ‘Boomerang Brand No2’. The musical notes and the words of the song are in black ink. The name of the song is outlined in red ink. The first page has the heading ‘Souvenir Foxtrot Song, Back to Warrnambool, Words and Music composed by Reginald Stoneham, 1930, Respectfully dedicated to the Pioneers of Warrnambool’. The last page has the signature of Reginald Stoneham. The first page has the signature of Henri Worland. warrnambool, reginald stoneham, back to warrnambool -
Warrnambool and District Historical Society Inc.
Programme, Gaspars Modern Printing Co, Greyhound Racing, 1975
This is a programme of a greyhound racing meeting held in Warrnambool in August 1975. The meeting was held in Botanic Park, in Botanic Road Warrnambool opposite the Warrnambool Botanic Gardens. Today greyhound racing meetings in Warrnambool are held in Koroit Street on a track in the Warrnambool Showgrounds and the Botanic Road site is now the location of a Catholic Primary School. This programme is retained as a memento of the 1970s when the Warrnambool Greyhound Racing Club meetings were held in a park in Botanic Road, Warrnambool. This is a soft cover booklet of 16 pages. The cover is yellow with black printing and an image in red of a greyhound and a map of Victoria. The programme has been stapled but the staples have been removed. The pages and front cover of the programme have been marked with black biro and red crayon.‘Warrnambool Botanic Park Greyhound Racing Thursday 21st August 1975’warrnambool greyhound racing, history of warrnambool -
Frankston RSL Sub Branch
Range Finder, E.R Watts & Son London Pty Ltd, Early 20th Century
This has a timber handle, the top is made of a brass 3 sided flat surface.This has "range in yards" marked on all 3 sides. It has a fixed glass attached to the side with an adjustable glass slide for accuracy. This also comes with complete with original wooden box with instuctions.Range Finder Cotton Type MK2, E.R Watts & Son.London No 642 engraved on front. -
Wycheproof & District Historical Society Inc.
Honour Roll, Not known, Roll of Honour 1914 - 1918 Dumosa and Towaninnie, 1919 (estimated)
This Honour Board listing of Fallen and Returned Servicemen contibutes to and is part of a National collection of memorials to honour our armed forces. This large 1914-1918 Honour Board was for many years at the back of the Dumosa and Towaninnie Hall stage.This is believed to be the only existing 1914-18 Honour Board Roll of Honour specifically for Dumosa and Towaninnie servicemen and women.Large First World War Honour Board of Dumosa and Towaninnie,(Wycheproof District). Top part is circular/arched and features appliques of raised grape vine with branches. The 46 military names are incribed in gold leaf in two columns. Nine Fallen locals are marked with a cross.Embossed in gold lettering on Honour Board: SHEPHERD.A./MORRISON.J/MORRISON.H./ HOSKING.F/WHITE.H./+FORRESTER.J./BOHAN.J./HOSKING.M./MCCALMAN.A./MCPHERSON.G./MCPHERSON.NURSE/MCPHERSON.A./BURNS. P./+,MCDONALD.G./WESTCOTT,C./TUCKER. F./CASSIDY.E./HOSKING.J.H./HARDING.T. /HARDING.G.M./ELLIS.C./+MCLEOD.W./ DASHWOOD.C./MURRAY.P./MCCORMICK.J./ WILSON.C./+ROWLEY.N./MILLER.W./JOHNSON,R./+O'BRIEN.R./PEARCE.S./+WEBBER.W.S./ BAXTER.J./MCPHEE.A./MCPHEE.W./HICKEY.J./ ALFRED.W./SHAW.C/+NALDER.J./HOWE.W./ ROOTS.C./+HULL.G./+HOGAN.M.world war one, army, 1914 1918, soldiers, a, nurse, wycheproof, fallen soldiers, dumosa, towaninnie, sevicemen, honour board, shepherd, j morrison, h morrison, f hosking, h white, jim, forrrester fallen, p bohan, v hosking, j bohan, j hosking, m bohan, a mccalman, g mcpherson, mcpherson, a mcpherson, p burns, g mcdonald fallen, c westcott, f tucker, e cassidy, j h, hosking, t harding, g m harding, c ellis, w mcleod, fallen, c dashwood, p murray, j mccormick, c wilson, n rowley fallen, w miller, r johnson, r o brien, s pearce, w s webber fallen, j baxter, a mcphee, j hickey, w alfred, c shaw, j nalder fallen, w howe, c roots, g hull, m hogan fallen -
Flagstaff Hill Maritime Museum and Village
Instrument - Mariner's astrolabe, Late 20th century
This representative example demonstrates a mariner’s astrolabe. Historical examples are rare. There are less than one hundred known to exist and most of these have been recovered from shipwrecks, many from Spanish and Portuguese vessels. An astrolabe is a measuring device once used to navigate the seas by observing the sun and stars to measure their altitude. The measurement of altitude could then be used to calculate the ship’s latitude but at that time in history there was no means of measuring longitude. The body of the navigational astrolabe was cast brass and much heavier, and less complicated than the variety used on land. The heavier weight and cut-away shape reduced the effect of the wind and waves when trying to use it at sea. A mariner’s astrolabe or ‘star finder’ is a simplified version than that used by Arabic astronomers to find the altitude of the sun and stars above the horizon, and time of the sunrise and sunset. It is a forerunner to the quadrant, octant and sextant and was popular for about 200 years over the 1500s and 1600s to find the latitude of a ship at sea. The user held the astrolabe at eye level and, usually with assistance, aligned the stars through the two small sights (pinnules), then read the altitude indicated by the pointer on the arm. It could also be used to sight the sun by holding it lower down, aiming it at the sun, and adjusting it until the sun shone through both pinnules. This astrolabe is an example used to demonstrate the mariner’s astrolabe, which was navigational tool of the 1500s and 1600s, in the time before longitude was able to be determined. It is a forerunner to modern navigation technology. Mariner’s astrolabe – a representative example. A gold painted, disc shaped object with cut outs and revolving arm in centre. The arm has two sights attached at right angles. The top has a ring attached. Measurements are marked in degrees in a circular scale around outer edge.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, navigation instrument, navigation tool, navigation, astrolabe, mariner’s astrolabe, measure latitude, measure altitude, arabic navigation, measuring device, star finder, astronomy, marine tool, marine instrument -
Bendigo Historical Society Inc.
Document - F. G. JONES COLLECTION: FREEMASONS CERTIFICATE, 1935
Document. Certificate presented to Frank George Jones by the United Grand Lodge of Ancient, Free and Accepted Masons of Victoria upon being received into Free Masonry. Printed in black on parchment paper with purple seal 7 showing Coat of Arms & Masons Symbols. Marked 83329.organization, club/society, freemasonry - lodge, f. g. jones collection, freemasons certificate -
Yarrawonga and Mulwala Pioneer Museum
Speedie Electric Blanket Transformer, Speedie, Laconia
Heavy box like shape made of cream coloured plastic and metal. Has knob front with H, Off,Med, Off, Lo marked also labelled Speedie Laconia. Electric cord with plug attached to back, also cord and small plug attachment for blanket.Speedie Laconia, on front. Plate on back V/AC/DCT12, Watts 55, Volts 24. Cat NoDCT12, Amp 4.4 AC only, Volts 12.5 -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD LICENCE, c1850s
Diggers & Mining. The gold licence. The Government Camp. Depicts diggers on the goldfield with one on the run. Some diggers avoided payment - and ''digger hunts'' were a feature of many fields. 'Joe! Joe!' marked on picture. Markings: 32 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Beechworth Honey Archive
Hand-Drawn Map Centred on Myrtleford by Frank Lebbell Frost [ca 1915-1918]
This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 8.Hand-drawn map centred on Myrtleford, Palmerston, Gapstead Road, the Ovens River and the Myrtleford-Wangaratta Road. Shows locations of flowering eucalypts. Scale is 1 mile to 1 inch. Drawn with black pen and grey lead on paper. Names of towns are marked in red pen. hand drawn, hand-drawn, map, myrtleford, palmerston, gapstead, ovens, beekeeping, frost, beechworth honey -
Maldon Vintage Machinery Museum Inc
Type Cabinet
Green Painted metal cabinet with rows of shelves for holding set type, Bill Head size. Rows are marked across the top with left-to-right letters E F G H. Strip of wood inserted down LHS numbered from top 1 - 25.trades printing -
Glenelg Shire Council Cultural Collection
Tool - Saddler's tool/ Leather working, n.d
T Dixon & Sons (Thomas) was an English company making leather tools. They began in 1843. Tools have been marked with T Dixon, Joseph Dixon at various times.Saddler's tool, curved iron rod, flat sides, shaped head, with small square bolt through it, attached to teardrop shaped wooden handle. 'T.DIXON' stamped on one side of rod.T Dixon stamped on the toolsaddler, tools, leather making, thomas dixon -
Women's Art Register
Book, Joan Kerr, Heritage. The National Women's Art Book, 1995
500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology -
Moorabbin Air Museum
Document (item) - F-111C Program Presentation, July 1972, Presentation Made to Mr. Fred Green, RAAF Secretary for Air, Air Vice-Marshal E. Hey, Air Member for Technical Services, Air Commodore N. R. McNamara, RAAF Air Attache, 18-19 July 1972
Front cover is marked with the name Hank Vinz in pencil. Seems to be a presentation designed to advertise the F-111C to the RAAF, and address their concerns about specific weaknesses/features of the design. -
National Wool Museum
Stencil - BINNUM
This stencil was used as a location stamp for the transportation of wool bales. Binnum is a locality in South Australia. Wool bales marked BINNUM would have been transported to or from Binnum.Wool bale export stencil - BINNUMBINNUMwool transportation, wool exchange, wool sales -
Moorabbin Air Museum
Functional Object - Sopwith Pup Propellor
Historical Details: . Description: marked as a 100HP Le Rhone Engine English type boss, this wooden propellor is believed to be from a WW1 Sopwith Pup aircraft. Level of Importance: s/n 5577 -
National Wool Museum
Stencil - LONDON
This stencil was used as a location stamp for the transportation of wool bales. London is a city in United Kingdom. Wool bales marked LONDON would have been transported to London by sea.Wool bale export stencil - LONDONLONDONwool sales, wool transportation, wool export