Showing 1323 items
matching polish
-
Monbulk RSL Sub Branch
Book, WH Allen, Sunrise over hell, 1977
The experiences of a Polish Jewish couple during the Nazi occupationp.215.fictionThe experiences of a Polish Jewish couple during the Nazi occupationholocaust - fiction, jewish history 1939-1945 - fiction -
Monbulk RSL Sub Branch
Book, Readers Book Club, The long walk, 1958
Slavomir Rawicz was a young Polish cavalry officer. On 19th November 1939, he was arrested by the Russians and after brutal interrogation he was sentenced to 25 years in the Gulags. After a three month journey to Siberia in the depths of winter he escaped with six companions. This title tells the true story of his adventure, survival and escape.Ill, maps, p.285.non-fictionSlavomir Rawicz was a young Polish cavalry officer. On 19th November 1939, he was arrested by the Russians and after brutal interrogation he was sentenced to 25 years in the Gulags. After a three month journey to Siberia in the depths of winter he escaped with six companions. This title tells the true story of his adventure, survival and escape. political prisoners - soviet union - autobiography, prisons and prisoners - russia -
Monbulk RSL Sub Branch
Book, St Martins Press et al, A force more powerful : a century of nonviolent conflict, 2000
A Force More Powerful depicts how nonviolent sanctions - such as noncooperation, strikes, boycotts, and civil disobedience - can separate brutal regimes from their means of control. It reveals the inside stories of how ordinary people took extraordinary action to end oppression - including the Danes' valiant resistance to the Nazis, Solidarity's defeat of Polish communism, and civic action in Chile to remove a military dictator - and how nonviolent power continues to change the world today, from Burma to the Balkans.Index, notes, ill, maps, p.544.non-fictionA Force More Powerful depicts how nonviolent sanctions - such as noncooperation, strikes, boycotts, and civil disobedience - can separate brutal regimes from their means of control. It reveals the inside stories of how ordinary people took extraordinary action to end oppression - including the Danes' valiant resistance to the Nazis, Solidarity's defeat of Polish communism, and civic action in Chile to remove a military dictator - and how nonviolent power continues to change the world today, from Burma to the Balkans.non violence, social conflict -
National Vietnam Veterans Museum (NVVM)
Plaque, 1st Field Hospital
Black painted wooden plaque with a decal of a Gold Vampire. Words 1st Field Hospital 30th Anniversary Reunion 1968 - 19981st Field Hospital 30th Anniversary Reunion 1968 - 1998plaque, 1st australian field hospital -
National Vietnam Veterans Museum (NVVM)
Book, Lindsay, Patrick, The spirit of the Digger, then and now, 2003
In many ways the Digger is a study of contradictions: he doesn't crave war yet he will fight with unequalled ferocity: he hates spit and polish but will hold his discipline under the most trying conditions; he is tough yet compassionate; he hates his enemy until he surrenders, then he is generous in victory; he despises histrionics but will cry unashamedly at the loss of a mate...In many ways the Digger is a study of contradictions: he doesn't crave war yet he will fight with unequalled ferocity: he hates spit and polish but will hold his discipline under the most trying conditions; he is tough yet compassionate; he hates his enemy until he surrenders, then he is generous in victory; he despises histrionics but will cry unashamedly at the loss of a mate...mateship (australia), soldiers - australia -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, late 1930's or early 1940's
Yields information about Ballarat No. 18 which was decorated to celebrate the centenary of Sebastopol in 1964 and of the person shown polishing it.Black and white photograph of Ballarat 28 at the Gardens Loop, late 1930's or early 1940's. Note the location of the bumper bar, the folded steps and the provision of the locations for the pay as you enter signs. Photographer not known. trams, tramways, ballarat, gardens loop, secv, tram 28 -
Australian Multicultural Community Services
traditional Polish outfit
Apparel and fashion in Poland has been influenced by the resources available, climate, and also by the other cultures. There are German, Czech, Russian, Lithuanian, Romanian, Austrian and other influences in the traditional dress of each region. Because of these diverse influences, each region of Poland has its own local traditional dress. There are roughly 60 unique costumes attributed to the different areas in Poland.one of a few items of this kind which has survived to present dayswhite top, apron, colorful skirt, vest, garlandtraditional dress, outfit, poland -
Australian Multicultural Community Services
traditional Polish outfit
Apparel and fashion in Poland has been influenced by the resources available, climate, and also by the other cultures. There are German, Czech, Russian, Lithuanian, Romanian, Austrian and other influences in the traditional dress of each region. Because of these diverse influences, each region of Poland has its own local traditional dress. There are roughly 60 unique costumes attributed to the different areas in Poland.one of a few items of this kind which has survived to present dayswhite top, apron, colorful skirt, vest, garlandoutfit, poland -
Kew Historical Society Inc
Clothing - Black Polished Cotton Skirt, 1890s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian long black cotton skirt with a short pleated frill at the hemline. The skirt is lined with a thick brown cotton fabric. It is joined with steel hooks and eyes. The skirt is slightly longer at the back. The skirt was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, skirts, outerwear, micky ashton -
Federation University Art Collection
Offset print, 'Caligula' by Wieslaw Walkuski, 1996
Wieslaw WALKUSKI (1956- ) Born Poland This item is part of the Federation University Art Collection and was purchased in 1996 by the Art Acquisition Committee. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print theatre poster for the Albert Camus play 'Caligula'art, artwork, poster, wieslaw walkuski, polish poster, theatre poster, albert camus -
Federation University Art Collection
Work on paper - Offset print, Kwasniewski, Wojciech, 'Ptaki sa Wokol Nas' [Birds Are Around Us] by Wojciech Kwasniewski, 1990
This item is part of the Federation University Art Collection and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print exhibition poster.art, artwork, poster, wojciech kwasniewski, polish poster, bird -
Federation University Art Collection
Poster - Offset print, Art Expo - Los Angeles by Roman Kalarus, 1989
Roman KALARUS (1951- ) Born Poland Graduating from the Academy of Fine Arts in Cracow , Faculty of Graphic Arts in Katowice Roman greaduated in 1976 . Currently he is a professor at the Academy of Fine Arts in Katowice leads the Poster Studio.. This item is part of the Federation University Art Collection and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print exhibition posterart, artwork, poster, polish poster, roman kalarus -
Federation University Art Collection
Poster - Offset print, Marszalek, Grzegorz, 'Tulacze' by Grzegorz Marszalek, 1986
Grzegorz MARSZALEK (1946- ) Born Poland This item is part of the Federation University Art Collection, and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset press poster for James Joyce Tulaczeart, artwork, poster, james joyce tulacze, polish poster, grzegorz marszalek -
Federation University Art Collection
Poster - Offset print, Sadowski, Wikter, 'Laureaci IX Miedznarodowego Biennale Plakatu' by Wiktor Sadowski', 1986
Wiktor SADOWSKI (1956- ) Born Poland This item is part of the Federation University Art Collection, and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print poster for an exhibition at the Poster Museum Wilanow. The poster is the work of three artists, Grindler, Saito and Sadowski.art, artwork, poster, polish poster, wikto sadowski, grindler, saito -
Federation University Art Collection
Work on paper - Offset print, Sulecki, Tomasz, 'Idea I Forma w Plakacie Polskim' by Tomasz Sulecki, 1987
This item is part of the Federation University Art Collection, and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print posterart, artwork, poster, polish poster, tomasz sulecki -
Federation University Art Collection
Poster - Offset print, Szaybo, Roslaw, 'Opera Za Trzy' by Roslaw Szaybo, 1990
Roslaw SZAYBO (1933- ) Born Poland This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print poster made for Bertold Brecht's 'Threepenny Opera'.art, artwork, poster, roslaw szaybo, polish poster, three penny opera -
Vision Australia
Photograph - Image, Man polishing dust off a car
A man wipes dust from a car under repair, somewhere in Queensland.1 x faded B/W photograph3 (circled)vision qld, employment -
Federation University Art Collection
Work on paper - Offset print, 'Woyzeck' by Wieslaw Rosocha, 1992
Wieslaw ROSOCHA (1945- ) Born Poland Wieslaw Rosocha studied at the Academy of Fine Arts in Warsaw in Henryk Tomaszewski's studio. He is known for poster art, illustration, and graphic design. This item is part of the Federation University Art Collection and was purchased in 1996 by the Art Acquisition Committee. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print theatre poster for the Woyzeck by George Buchner.art, artwork, poster, polish poster, theatre poster, wieslaw rosocha, georg buchner, woyzeck -
Beechworth RSL Sub-Branch
Plaque - Plaque - Skill at Arms - Royal Australian Regiment, Skill at Arms, 2007
Presented to Private T.T. Crossman for his skills and marksmanship with the F88 AuSteyr rifle on 22 June 2007 A lacquered wooden plaque featuring a small model of the F88 Austeyr rifle on a red felt inlay above a gold plaque engraving. The left side features the Royal Australian Infantry Corps badge and the right side features the Royal Australian Regiment Badge. Engraving - SKILL AT ARMS / PTE T.T Crossman / 22 June 2007 / Royal Australian Infantry Corps badge - Engraving: ROYAL AUSTRALIAN INFANTRY CORPS / Royal Australian Regiment Badge - Engraving: ROYAL AUSTRALIAN REGIMENT /plaque, skill at arms -
Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Friends of Ballarat Botanical Gardens History Group
Slide - Colour transparency, Eastman Kodak, c. 1940
On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868.The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.Kodachrome slide depicting the gardens during the installation of the pedestals and busts of the first six prime ministers.Kodachromeballarat botanical gardens, trees, lawns, pathways, sculptures, busts, governors, prime ministers avenue, richard armstrong couch, federation, 1940, chestnut trees, horse chestnuts, bronze, granite, pedestals, alfred deakin, sir winston dugan, wallace anderson -
Friends of Ballarat Botanical Gardens History Group
Slide - Colour transparency, Eastman Kodak, c. 1940
On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868.The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.Kodachrome slide depicting a pathway and lawns where pedestals and busts of the first six prime ministers are lying on the ground to be installed. A man with hat, long winter coat is standing on the pathway.Kodachromeballarat botanical gardens, trees, men, pathways, lawns, sculptures, busts, prime ministers avenue, chestnut trees, granite, alfred deakin, federation, horse chestnuts, richard armstrong crouch, pedestals, governor, sir winston dugan, wallace anderson -
Friends of Ballarat Botanical Gardens History Group
Slide - Colour transparency, Eastman Kodak, c. 1940
On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868. Edmund Barton (1849 –1920) was an Australian politician and judge who served as the first Prime Minister of Australia, in office from 1901 to 1903. He was appointed prime minister on 1 January 1901, the day on which the new federal constitution came into effect. The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.3/4 view using flash of the bronze bust and granite pedestal of Prime Minister, Edmund Barton in the Prime Ministers Avenue. A vertical scratch line is visible on the right side.Kodachromeballarat botanical gardens, trees, lawns, pathways, sculptures, busts, governors, prime ministers avenue, richard armstrong couch, federation, 1940, chestnut trees, horse chestnuts, bronze, granite, pedestals, alfred deakin, edmund barton, wallace anderson, sir winston dugan -
Trafalgar Holden Museum
Container - Box
Used by Frank Miller to contain and display their boot blackening Ca 1900imported and sold by Holden and FrostWooden box with lid , inside of lid picture of Uncle SamFrank Millers Blackening Picture of Uncle Sambox, blackening, shoe polish -
Trafalgar Holden Museum
Functional object - Chamois
Used for the cleaning of glass or other high gloss surfaces Imported and sold by GMHPlain white pieces of Chamois leathernilchamois, polishing, cloth -
Moorabbin Air Museum
Book (item) - (SP) World Air Power Journal 33 Summer 1998
briefings: iran – embargoed air force, dassault mirage iiiea 25th anniversary, project eclipse (tow launched f-106), air power analysis update: chilean navy, thai navy, special mission gulfstreams feature, usmc sikosrsky ch-53 feature, focus aircraft: tupolev tu-22 ‘blinder’ and tu-22m ‘backfire’ (48 pages), lossiemouth strike wing – raf tornado maritime attack role, variant briefing: f-15 eagle, polish mig-29s photo feature, air power analysis: taiwan -
Moorabbin Air Museum
Book (item) - (SP) World Air Power Journal 32 Spring 1998
briefings: finnish air force weapons camp, moscow aerospace salon 1997, eagle’s talon ’97 – combined nato/polish air exercise, air power analysis update: lithuania, e-2 hawkeye feature, belgian air force photo feature, focus aircraft: second-generation harriers (54 pages), irish air corps photo feature, variant briefing: panavia tornado part 3 – operators, us navy warfighters photo feature, air power analysis: central america -
Wangaratta RSL Sub Branch
Medal - Medal in white box, Corporal Percy Kiely, c1977
The Tobruk Siege Medal is an unofficial award issued by the "Rats of Tobruk" Association in 1977 to troops who were in action during the Siege of Tobruk between April and December 1941. Medal issued posthumously to Corporal Percy Angus KIELY VX48300 Born 30/1/1906 at Wangaratta who served with 2/23 Battalion in the MIddle East and New Guinea. Percy died on 25/4/44 from a fractured skull and brain haemorrhage when struck by a falling limb of a tree on 21/4/44 at Whitfield. The Tobruk Siege Medal is an unofficial award issued by the "Rats of Tobruk" Association in 1977. The Tobruk Siege medal known as the T medal was issued to Australian, British, Indian, New Zealand and Polish troops who were in action during the Siege of Tobruk between April and December 1941. T shape medal in silver metal with cream coloured ribbon with red and light blue strip Tobruk Seige 1941tobruk, t medal, ww2, percy kiely, 2/23rd battalion -
Victorian Railway History Library
Book, Daddow, Vivian, The Puffing Pioneers - and Queensland's Railway Builders, 1975
INTRODUCTION Until well into the twentieth century, driver, fireman and guard — with a locomotive — set out on something resembling a safari. Tucker boxes crammed with food, a change of clothing, a roll of blankets, and armed with a sheaf of time-tables, they worked trains hither and thither not to return home for almost a week. But the passing of time, plus union pressure, brought an end to the need for "waltzing Matilda". Not only blankets but sheets, pillow slips, then later mosquito nets, along with other aids to civilized living, were provided by the Department in living quarters away from home. Few wives took kindly to the chore of selecting and preparing food and packing tucker boxes. Railwaymen seeking board and lodgings in a new depot could receive a set-back by being told "no tucker boxes packed". Until pooling of locomotives in depots became the order, a driver and fireman had "their own engine", and great was the competition between engine crews to display the best groomed horse. Much time might be spent outside rostered working hours cleaning their engine with kerosene and polishing with tallow and bath brick. So spotless and sparkling were some that a proud engineman would say a clean white handkerchief could be rubbed even over a hidden part. While miners talked of what made their day, farmers discussed crops and harvests, seamen their ships, and trainers and jockeys their horses, wherever steam men gathered, discussion soon turned to locomotives and the trains they hauled. Like jockeys with their mounts, iron horses with excellent traits were praised while those with annoying peculiarities were criticized and remedies suggested. Methods of firing to get best results from slow steaming locos were debated. Driver warned driver of weaknesses found in locomotives on recent "trips", spoke of developing defects calling for close attention — this one is "knocking Badly on one side", that one "priming badly (give her a good blow down before leaving the shed)", another with a "big end inclined to run hot", one with "a lot of slop in the boxes", one "getting down on the springs", or the sloth that was slow pulling on steep climbs to the chagrin of a driver striving to run on time. Things of no small concern when handling a locomotive on a train for a shift of maybe eight hours straight, or ten, even twelve, and on occasions longer. Foreknowledge of the particular loco allotted his train on the next job could fill the preceding hours for a driver or fireman with pleasant contentment, or with nagging trepidation and disgust……index, ill, p.217.non-fictionINTRODUCTION Until well into the twentieth century, driver, fireman and guard — with a locomotive — set out on something resembling a safari. Tucker boxes crammed with food, a change of clothing, a roll of blankets, and armed with a sheaf of time-tables, they worked trains hither and thither not to return home for almost a week. But the passing of time, plus union pressure, brought an end to the need for "waltzing Matilda". Not only blankets but sheets, pillow slips, then later mosquito nets, along with other aids to civilized living, were provided by the Department in living quarters away from home. Few wives took kindly to the chore of selecting and preparing food and packing tucker boxes. Railwaymen seeking board and lodgings in a new depot could receive a set-back by being told "no tucker boxes packed". Until pooling of locomotives in depots became the order, a driver and fireman had "their own engine", and great was the competition between engine crews to display the best groomed horse. Much time might be spent outside rostered working hours cleaning their engine with kerosene and polishing with tallow and bath brick. So spotless and sparkling were some that a proud engineman would say a clean white handkerchief could be rubbed even over a hidden part. While miners talked of what made their day, farmers discussed crops and harvests, seamen their ships, and trainers and jockeys their horses, wherever steam men gathered, discussion soon turned to locomotives and the trains they hauled. Like jockeys with their mounts, iron horses with excellent traits were praised while those with annoying peculiarities were criticized and remedies suggested. Methods of firing to get best results from slow steaming locos were debated. Driver warned driver of weaknesses found in locomotives on recent "trips", spoke of developing defects calling for close attention — this one is "knocking Badly on one side", that one "priming badly (give her a good blow down before leaving the shed)", another with a "big end inclined to run hot", one with "a lot of slop in the boxes", one "getting down on the springs", or the sloth that was slow pulling on steep climbs to the chagrin of a driver striving to run on time. Things of no small concern when handling a locomotive on a train for a shift of maybe eight hours straight, or ten, even twelve, and on occasions longer. Foreknowledge of the particular loco allotted his train on the next job could fill the preceding hours for a driver or fireman with pleasant contentment, or with nagging trepidation and disgust…… railroads -- queensland -- history, railroads -- australia -- queensland -- history. -
National Vietnam Veterans Museum (NVVM)
Book, Meyer, Peter, The Wall: A Day at the Vietnam Veterans Memorial, 1993
The Vietnam Veterans Memorial is much more that a chrevron-shaped wall of polished black granite, more that the sum of the 58,183 names engraved on its mirror-like surface. For tens of thouseands of Vietnam Veterans and their families it has become a place of healing, an altar of memory, a hallowed ground.The Vietnam Veterans Memorial is much more that a chrevron-shaped wall of polished black granite, more that the sum of the 58,183 names engraved on its mirror-like surface. For tens of thouseands of Vietnam Veterans and their families it has become a place of healing, an altar of memory, a hallowed ground.vietnam veterans memorial (washington, d.c. ) - pictorial works, war memorials - united states