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National Wool Museum
Depot Stencil
This stencil was used as a depot identification stamp for the transportation of wool bales. Wool bales marked with SUB DEPOT ABBASSIA EGYPT would have been transported to Egypt by sea.Wool bale export stencil - NO 2. SUB DEPOT ABBASSIA EGYPT BALE NO.NO 2. SUB DEPOT ABBASSIA EGYPT BALE NO.wool - transportation, wool sales, wool class, wool classers -
Port Melbourne Historical & Preservation Society
Photograph - Ted Rohan at 'Thirst Aid' kiosk, Station Pier, Port Melbourne, Lloyd Holmes, 1991
Photographed by volunteer Lloyd Holmes, who did copying as well as originals for the Vintage Port Worth Preserving oral history project 1989-1991. Used in 'They Can Carry Me Out'Black and white photograph of Ted Rohan behind souvenir counter of 'Thirst Aid' (western) kiosk, Station Pier, 1991On rear: 'Ted Rohan, "Thirst-Aid" (western) kiosk, Station Pier, 1991. Note pennants, kept in stock since the days of immigration and sea travel at request of ships' crews. Photo LLoyd Holmes (duplicate copy of Library's VP photo)'business and traders - kiosk, piers and wharves - station pier, lloyd holmes, edward j (ted) rohan, thirst-aid kiosk -
St Kilda Historical Society
Photograph, Cleve Gardens, c. 1915-1916
St Kilda, c. 1915-1916black and white photograph, unmountedCleve Gardens c/r Fitzroy St & Beaconsfield Pde. Handwritten on back Melbourne - Suburbs - St Kilda. The Cleve Reserve corner of Fitzroy Street and Beaconsfield Parade. St Kilda by the Sea p32 �Stamped National Library of Australia Canberra -
Flagstaff Hill Maritime Museum and Village
Instrument - Sextant, Troughton & Simms, late 19th C. to 1922
This sextant is very similar to a 1915 Sextant design. A sextant is an astronomical instrument used in measuring angular distances especially the altitudes of sun, moon and starts at sea determining latitude and longitude.This sextant is an example of a 19th-century marine instrument used for finding location at sea. It was made by London scientific instrument maker Troughton and Simms, which originated in 1826 and continued until 1922.Sextant and its fitted square wooden box. The handle of the sextant is carved with a cross-hatched pattern. Made by Troughton and Simms, London.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sextant, navigational instrument, marine navigation, marine equipment, instrument, navigation, troughton and simms, london, scientific instrument -
Bendigo Military Museum
Memorabilia - PHOTOGRAPH, c.WWII
Photo taken on Frederick Gardner DAVEY's sea journey to the UK. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white photo of a man standing on the stern of a ship.Handwritten in black ink on back: On the way overphotography, ships, naval -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, M/S "Mongabarra" in dry-dock at Eriksbergs, 1950
This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" in 1950. This photograph was reproduced and exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg in Eriksbergs dockyard, Gothenburg, Sweden. The ship is directly in the middle of the photograph taking from the very front of the ship in the dry-dock. There are several ladders lined up along the left-hand side of the ship beginning from the ships front. There are several wooden planks lying on the ground in front of the ship and walls either side of the ship.ship, sweden, mongabarra, allan quinn collection, allan quinn, gothenburg, drydock, shipyard, dockyard, eriksbergs, letters-from-abroad -
Magnet Galleries Melbourne Inc
Anzac Day, alban pearce-23.tif, April 25th 1919
A commemorative pamphlet from the troopship "Plassy" printed at sea by troops nearing a return to Australia, Anzac Day 1919 Private Alban Pearce of Bairnsdale collected the signatures of his shipmates. Paper with inscriptions/drawings.Contains signatures anzac day, world war i, ww1, australian imperial forces. alban pierce. -
National Wool Museum
Stencil - TACONY
This stencil was used as a location stamp for the transportation of wool bales. Tacony is a historic neighborhood in Northeast Philadelphia. Wool bales marked TACONY would have been transported to Tacony by sea.Wool bale stencil - TACONYTACONYwool - transportation, wool sales -
National Wool Museum
Stencil - PORT SAID
This stencil was used as a location stamp for the transportation of wool bales. Port Said is a city in Egypt. Wool bales marked PORT SAID would have been transported to Egypt by sea.Wool bale stencil - PORT SAIDPORT SAIDwool - transportation, wool sales -
National Wool Museum
Stencil - TEL-AVIV
This stencil was used as a location stamp for the transportation of wool bales. Tel-Aviv is a city in Israel. Wool bales marked TEL-AVIV would have been transported to Israel by sea.Wool bale export stencil - TEL-AVIVTEL-AVIVwool - transportation, wool sales -
National Wool Museum
Stencil - WELLINGTON
This stencil was used as a location stamp for the transportation of wool bales. Wellington is the capital of New Zealand. Wool bales marked WELLINGTON would have been transported to New Zealand by sea.Wool bale export stencil - WELLINGTONWELLINGTONwool - transportation, wool sales -
National Wool Museum
Stencil - LINCOLN
This stencil was used as a location stamp for the transportation of wool bales. Lincoln is a city in the English East Midlands. Wool bales marked LINCOLN would have been transported to England by sea.Wool bale export stencil - LINCOLNLINCOLNwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - BOMBAY
This stencil was used as a location stamp for the transportation of wool bales. Bombay, currently Mumbai, is a city in India. Wool bales marked BOMBAY would have been transported to India by sea.Wool bale export stencil - BOMBAYBOMBAYwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - HSIN KANG
This stencil was used as a location stamp for the transportation of wool bales. Hsin Kang is a port in China. Wool bales marked HSIN KANG would have been transported to China by sea.Wool bale export stencil - HSIN KANGHSIN KANGwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - NORFOLK
This stencil was used as a location stamp for the transportation of wool bales. Norfolk is a county in East Anglia in England. Wool bales marked NORFOLK would have been transported to England by sea.Wool bale export stencil - NORFOLKNORFOLKwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - ROUMANIA
This stencil was used as a location stamp for the transportation of wool bales. Roumania is the former English spelling of Romania. Wool bales marked ROUMANIA would have been transported to Romania by sea.Wool bale export stencil - ROUMANIA ROUMANIA wool - transportation, wool sales, wool class, wool classers -
Port Fairy Historical Society Museum and Archives
Photograph, SS Casino Saloon
The interior of the Saloon on the S.S.Casino showing the elaborate table arrangements and the swivel chairs that were bolted to the floor to allow passengers more comfort when the ship was moving through rough seas.Black and white photographs.s.casino, port fairy, ship, boat, sea, moyne river -
Bendigo Military Museum
Card - CARDS WW1, 1918
.1) This troop ship was the HMAS A18 Wiltshire which embarked from Sydney on 2.2.1928. This was ascertained by deciphering one of the hand written signatures who was in the 8th Reinforcements 39th Batt AIF..1) Card, folding, Souvenir Sports programme at sea Thursday 7th February 1918 at 2pm. Inside has events & is hand signed by many men. Rear has details of the planning committee. .2) Card folding, from Australian Comforts Fund Xmas & New Year 1918-19. Card shows 2 paintings & 2 images of weapons captured by Australians..2) “Greetings from Will”cards, souvenir, hmas, comforts fund -
Bendigo Military Museum
Badge - BADGE AND MEDALLION, 1) 145 onwards, .2) 1919
.1) Returned from Active service badge, this one relates to WW2 onwards..1) Badge, brass, top has crown over rising sun, wings and anchor under is a boomerang with "Returned from Active Service". Rear has 2 lugs and pin. Badge is number stamped. .2) Medallion, round, copper, front has the king, rear has depiction of a ship at sea, under is "For War Service Mercantile Marine 1914 - 1919". .1) “Property of C/Wealth Govt AF 20148”badges, medallions, service, mercantile -
Mission to Seafarers Victoria
Letter - Correspondence, Allan Charles Quinn, 1949
Quinn CollectionTwo and a half page letter written on two sheets of unlined buff-coloured paper (0810.a1-2) headed M.S.Fenris, Baltic Sea and dated 03.05.49. The blue-grey coloured envelope (0810.b) has a 7cm border of diagonal light blue and white stripes. There are two Norwegian stamps, one olive green and one orange, postmarked Stockholm.letters-from-abroad, quinn, 1949, m s fenris, germany, denmark -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish. Mounted on yellow matt with purple highlight and sage edging. Wooden and gold frame with glass glazingFront: Portland Pier 30/70 (lower left) A Gee 83 (lower right) (pencil) -
Flagstaff Hill Maritime Museum and Village
Postcard - Scenic, Warrnambool, Titan Bridge, Shelly Beach, Warrnambool, 1902-1929
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Titan Bridge, Warrnambool – The name Titan Bridge is likely to be a reference to the huge Titan crane that was used in the construction of the Breakwater in the late 19th century. Shelly Beach is a popular swimming area with the added attraction of rock pools to investigate and rock formations to climb. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Titan Bridge rock formation with figures on it suggests that the location was a popular place to visit. It captures a time when the rock formation was publically accessible. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows two figures, one seated and one standing, beside the sea on a rough rock beside a rock formation resembling a bridge. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “TITAN BRIDGE / SHELLY BEACH, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, shelly beach, titan bridge, titan, rock formation -
Bendigo Historical Society Inc.
Document - BENDIGO - THE HEART OF VICTORIA
Typed article titled Bendigo, The Heart of Victoria. Items mentioned are Location, Area of Bendigo, The People, Work Force, Industrial Base, natural Resources, Agriculture and Livestock, Minerals, Forests, Rail and Road, Sea and Air, Power and Water, Electricity, Natural Gas, Water, Sewerage, Industrial Land, Services, Community Services and Facilities, Educational Facilities, Hospitals, Culture and Tourism and Media.document, bendigo - the heart of victoria, city of bendigo, borough of eaglehawk, shire of huntly, shire of marong, shire of strathfieldsaye, bendigo development committee, department of agriculture, department of state development decentralization and tourism, state electricity commission, gas & fuel corporation of victoria, state rivers & water supply commission, bendigo sewerage authority, the bendigo college of advanced education, home and hospital for the aged, home for the blind, northern school of nursing, art gallery, historical society, dudley house, sun loong, central deborah gold mine, the vintage talking trams and transport museum, bcv8, the bendigo advertiser, golden city gazette, 3bo, 3cv, mr a j kelly -
Bendigo Historical Society Inc.
Document - CORONATION CIVIC SERVICE, BENDIGO 1953, 1953
Order of Service for Coronation Civic Service, Upper Rosalind Park, Bendigo, 2nd June 1953. $4 Page leaflet. Includes (on back page) a list of the organizations participating in the parade: Air Cadets, Australian Naval Cadet Corps, Boy Scouts and Cubs, Brownies, Girl Guides and Sea Rangers. Music provided by Band of the Northern Regiment, Bendigo Highland Pipe Band.place -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Untitled (Beach), c. 1975
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council -
Ararat Gallery TAMA
Functional object, Hama - yaki Tai, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The model for this package is from Fukuyama, Hiroshima Prefecture, is the sedge hat formerly worn by farmers and travellers. The package contains a whole baked tai (sea bream), a fish much relished in Japan, and it is said that the feudal lords of yesteryear often included tai in wrappings like this among their gifts to the shogun when they returned to the capital from their fiefs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Bendigo Historical Society Inc.
Book - ROBINSON CRUSOE
A red hard covered book titled 'The Life and Adventures of Robinson Crusoe'. Published by Cassell & Co London 428 pages. Includes many illustrations. First published 25th April 1719. Author Daniel Defoe inspired by the story of Alexander Selkirk, a Scottish Sailor who went to sea in 1704. Markings & Inscriptions: To Roy with Mr Stewarts best wishes Xmas 1899.Daniel Defoebook, human survival -
Flagstaff Hill Maritime Museum and Village
Award - Document, 21/1/1893
The name on the letterhead, “Canning Pierhead North” is the name of the Liverpool Pilot Authority, which was situated in 1883 at Cannon Pier on the River Mersey where ships entered to travel to Liverpool. The logo on the letterhead belongs to the Liverpool Shipwreck and Humane Society. The letter is addressed to “Mr Peter Carmody, Port Campbell, south coast of Australia”, and reads as follows: “January 21st 1893, Dear Sir, I have the pleasure to forward to you by post herewith a Silver Medal and a Certificate of Thanks, voted to you by the Committee of the Liverpool Shipwreck and Humane Society for your courage and humanity in going out into the surf to rescue the survivors of the crew of the barque “Newfield” which vessel was wrecked near Port Campbell on the 29th of August last. Be kind enough to send a few lines acknowledging receipt of the testimonials. I am Dear Sir, Yours Faithfully, Robert P. J. Simpson, Secretary.” The medal accompanying the letter is the Liverpool Shipwreck and Humane Society’s “Bramley-Moore medal for saving life at sea 1872”. The Society was formed in 1839. In 1872 Mr John Bramley-Moore donated £500 on condition that the medal have the specific inscription above on its reverse. The Bramley Morre medal was first awarded in 1874 and records show that since that time only one gold medal has been awarded, twenty-two silver medals and seventeen bronze medals, the last being in 1945. This Bromley-Moore medal was awarded to Peter Carmody for his bravery in saving lives on the Newfield shipwreck. The Newfield was a three-masted iron and steel barque, built in Dundee, Scotland, in 1889 by Alexander Stephen and Sons. It was owned by the Newfield Ship Company in 1890 and later that year It was registered in Liverpool to owners Brownells and Co. The Newfield left Sharpness, Scotland, on 28th May 1892 with a crew of 25 under the command of Captain George Scott and on 1st June left Liverpool. She was bound for Brisbane, Australia, with a cargo of 1850 tons of fine rock salt, the main export product of Sharpness. At about 9pm on 28th August 1892, in heavy weather, Captain Scott sighted, between heavy squalls, the Cape Otway light on the mainland of Victoria but, due to a navigational error (the ship’s chronometers were wrong), he assumed it to be the Cape Wickham light on King Island, some 40 miles south. He altered his course to the north, expecting to enter Bass Strait. The ship was now heading straight for the south west Victorian coast. At about 1:30am the Newfield ran aground on a reef about 100 yards from shore and one mile east of Curdie’s Inlet, Peterborough. The ship struck heavily three times before grounding on an inner shoal with 6 feet of water in the holds. Rough sea made the job of launching lifeboats very difficult. The first two lifeboats launched by the crew were smashed against the side of the ship and some men were crushed or swept away. The third lifeboat brought eight men to shore. It capsized when the crew tried to return it to the ship for further rescue The rescue was a difficult operation. The Port Campbell Rocket Crew arrived and fired four rocket lines, none of which connected with the ship. Peter Carmody, a local man, volunteered to swim about one mile off shore to the ship with a line to guide the fourth and final lifeboat safely to shore. He was assisted by James McKenzie and Gerard Irvine. Seventeen men survived the shipwreck but the captain and eight of his crew perished. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. The Marine Board inquiry found the wreck was caused by a "one man style of navigation" and that the Captain had not heeded the advice of his crew. According to Jack Loney ‘… when the drama was over . . the Newfield was deserted except for the Captain’s dog and two pigs.’ Peter Carmody was awarded the Bramley-Moore medal by the Liverpool Shipwreck and Humane Society for Saving Life at Ssea, which he received by mail on January 21st 1893. The medal and letter of congratulations were donated to Flagstaff Hill Maritime Museum by Peter Carmody’s grand-daughter Norma Bracken and her son Stuart Bracken on 25th May 2006. The Medal and Letter of Congratulations join other items in the Newfield collectionlFlagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreck. The Letter accompanying the Medal for Bravery awarded to Peter Carmody is significant because the attempt to save lives is associated with the shipwreck Newfield.A copy of a letter from the Liverpool Shipwreck and Humane Society to Peter Carmody in reference to the bravery of Peter Carmody over the wreck of the "Newfield". The letter is divided into 2 columns and is written in longhand using black ink on both columns. There is a letterhead in the centre of the left hand page and a round logo printed or stamped on the top of left of the left hand page. The centre of the logo shows a design of a man kneeling on a floating part of a wreck. He is rescuing a child from the sea. On the top of the circle of the logo a design shows a long-legged hen cormorant with extended wings holding an olive branch in its beak. There is also the name of a city printed onto the page under the letterhead. The letter has been folded into half along its long side, then in half again along its long side then into thirds. The letter is dated January 21st 1893. “CANNING, PIERHEAD, NORTH” and “LIVERPOOL” are printed on the top left hand page. The logo “LIVERPOOL SHIPWRECK AND HUMANE SOCIETY” is printed or embossed on the paper.28 august 1892, bramley moore, carmody, certificate of thanks, curdie's river, flagstaff hill, flagstaff hill maritime museum, gerard irvine, james mckenzie, liverpool shipwreck and humane society, maritime museum, medal, newfield, nineteenth century, norma bracken, peter carmody, port campbell, rescue, robert simpson,, shipwreck, ship wreck, stuart bracken, victorian shipwrecks -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED WW1, Talma, c.1918
60893 Private Jim BURNS, 5th Battalion, Heathcote, Victoria. Reinforced 5th Battalion in England then went to Belgium. War ceased whilst at sea. Arrived England 14.11.1918. Discharged 25.9.1919.Black & white photo of a group of Soldiers attached to dark grey heavy cardboard.In front of group in handwritten white paint: "9th RFTS, C S GROUP"photographs, framed, 5th -
Mission to Seafarers Victoria
Decorative object - Vase, mid 20th Century
The caravel type ship with the cross represents the Santa Maria of Christopher Columbus. It is one of the symbols of the great sea explorers. A similar vase on sale on Ebay (April 2023) suggesting it was mass produced.One of the many decorative furnishings which date from the intense service periods of the Mission from the 1930s through to the 1960s. White painted ceramic vase on shallow circular foot with relief design of a stylised sailing ship (caravel) on one side. Original colour appears to have been green.The foremost sail of the ship bears a cross; small chip on rim.vase, ship, caravel, santa maria, sea exploration, great navigators