Black and white photograph. Ground floor acing south towards Lonsdale street in what was the cafe and in 2015 is the Breacan office. Wires hang from roof. Wheelbarrow in middle of frame. Taken during restoration inspection.historic buildings, building construction, cultural structures and establishments

The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the 150th anniversary in 2007 of the establishment of the Mission to Seafarers in Australia. It acknowledges the work of the Mission and the men and women in Melbourne and the Victorian Ports offering the "hand of friendship to seafarers from all over the world".It also acknowledges the significant role of volunteers in supporting the work of the Missions. This letter is one of 3 letters held in the collection and received from Royal patrons. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, sesquicentenary, commemorations, princess anne, princess royal, letter, 2007

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime ArtRobert T. Miller, Mission to Seafarers Victoria CollectionContemporary framed in limed wood, mounted and glazed watercolour painting by R.T. MILLER in portrait format. Mat mount is white. Image features freighter with black hull at mooring in dockland setting; wire hanging systemInterpretation label adhered to back, includes photographic portrait of the artist Value on label Signature M4 in black markermarine painting, port melbourne, artwork, docklands, tug boat, robert thomas miller, robert t. miller, r.t. miller, artwork-paintings, tugboat

Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia

The Englishwoman's Domestic Magazine was issued monthly in the following years: 1852–1874; 1877; 1880–1890. Initially, it contained only nondescript black and white images. Aware of the growing interest in fashion, style and manners from the new middle classes, Samuel Beeton began to import tinted fashion plates directly from Jules David in Paris from 1860. Primary source for fashion design in the 1860sFramed fashion plate -'The Fashions … for the Englishwoman's Domestic Magazine'. Framed print of two women in 1860 costume. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, englishwoman's domestic magazine

A4 sheet dated 31/8/39, handwritten list of payments - kerosene, mercury, firewood, fuses for motors, wire rope, fittings for sand pump etc. On top of paper ' Monument Hill Consolidated Co.'business, mining, monument hill consolidated company

Original owner of book, Mr FREDERICK CARLETON. Please see Catalogue Number 142.7 for service history.Hard Cover book. Hardcover, cardboard with red coloured buckram, white print on front and spine. End papers - illustrated black and white photographs, front silhouette of barbed wire and soldiers. Back - soldiers on parade.Opposite Title page - newspaper cuttings from Bendigo Advertiser, Monday June 6, 1994 and Saturday July 2, 1994. Death notices or CARLETON Frederick Lloyd".book, battalions, ww2

Review scramble of 76 Kittyhawk Squadron AITAPE.Black and white portrait photo of aircrew rushing to their planes in WW2. Suspect it is the 76 Kittyhawk Squadron at AITAPE in WW2. Encased in brown wooden frame and protected by glass. Paper backing with wire across top as hook.aitape, framed photo, 76 kittyhawk squadron

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Socks knitted by Vera Neale,1901 - 1990.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Mustard ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Peach child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

This award was given to Charlie Bradley upon the occassion of his 1000th wicket, by the Victorian Blind Cricket Association. It consists of a round cricket ball sized wire frame with black nylon tubing wrapped around it, and bottle tops to create sound.1 black nylon cricket ball with metal bellsrecreation, victorian blind cricket association, charlie bradley

Sunset from Big Hill looking Southwest. Fire Tower on right. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left with barb wire around the fence. Spectacular sky in the background.Colored photo of sunset looking southwest on Big Hill. Fire watch tower on right of photo. Communication Tower in the center. Stawell gold mine ventilation shaft on the left. Carol Anne Jonesstawell

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of two quilts used on bunk beds.Quilt knitted by Vera Neale in the 1950s.crochet handicrafts, neale, mrs vera, crochet, handicrafts

Closed wire gate at the entrance to the 150 acres ploughed paddock. Tractor GBL 963 with front loader, HAB with Roller, JCJ 100, JCJ 101, Res Track, Red tray truck with straw bales, Black International with bine on tray.Photo taken in yard on south side of house facing Ferris Rd gate with stubble paddock on the right sideagriculture

Megger as the device was called, is in fact its brand name. It is a device that supplies a DC (direct current as per car batteries) voltage to enable testing of electrical apparatus. This particular device produces 250volts DC when the handle is turned vigorously. If an electrical device, such as a kettle or toaster, blew a fuse or tripped a circuit breaker, when switched on, then it must be checked electrically before any more use. Following the repair of the faulty item a megger would be used to check if either of the AC 240volt plugs leads were touching the metal case (earth). The output leads of the megger would be connected with one to the earth (metal case) and the other to each of the power connections in turn. A good megger reading of 50,000 ohms (resistance) would enable the device to be returned to service. A reading of zero ohms resistance would mean that it would again blow a fuse, and was therefore unsafe to use. In the electrical industry e.g. the former State Electricity Commission, a megger would be used to test lots of similar item in sequence. Because of the vigorous job of winding the handle, two persons were often used to save time. One would crank madly whilst the other shifted the leads. This particular megger is of a small voltage, but other meggers are bigger and have a few ranges of DC voltages able to be selected. The optimal megger for large Generating machines was motor driven megger. This was applied to the device being tested for a duration of approximately 30 minutes with reading of the resistance taken at regular intervals.All equipment belonging to the State Electricity Commission of Victoria was labelled with a metal plaque attached to it. The SECV constructed the Kiewa Hydro Electric Scheme in the Upper Kiewa Valley and on the Bogong High Plains. The scheme began in 1938 and finished in 1961 when this megger was used and also possibly later as the SECV remained to maintain and operate the Scheme. This megger is of significance in relation to the advancement of technology.A rectangular box in dark brown bakerlite casing. It has an agent's plaque fixed to the left of the face and on the right is the marker's recessed stamp. In the middle in a transparent window so the level of ohms can be read. The front also has two recessed fixing knobs in black. On one side is a crank handle with a knob that lifts up and is turned vigorously to create the voltage. The back has four recessed screws and four small leather pads. There is a hole on each side to insert wires. There are two copper insulated wires. The SECV Plaque states: State/Electricity Commission/of/Victoria/ Electrical Engineer's Section/ No.1747 The Agent's Plaque states: H. Rowe & Co. Pty Ltd/Melbourne & Sydney/Sole Agents/in Australia for/Evershed & Vignoles Ltd Maker's states: 500 volts/Megger/Regd Trade Mark/Made in England/Patent No/400728electrical meters, electrical equipment, fuses, safety, state electricity commission of victoria, mt beauty, bogong village

Black and white photograph. Truck with elevated platform on back. Two men wearing overalls and helmets on platform Truck on tram lines in View Point with Armstrong Tyre Service in background. Support pole for wires. Two men and one woman on footpath in background. Inscriptions: in image - 'Armstrong Bendigo Motor Pty Ltd Tyre Service', 'Firestone', 'Firestone Tyres', No. place on truck 'V916/80' On Back 'S'. History of object: James Lerk 18.2.2000 'State Electricity Commission inspecting tram trolley wire, Charing Cross'.place, streetscape, charing cross

Tilley lamps were widely used from the early 20th century for camping, railway operations, military use, and household lighting in areas without electricity. They operate by pressurizing paraffin (kerosene) and using a mantle that glows when heated. These lamps were particularly popular in rural Australia, where they were essential for farm work, shearing sheds, and outback travel.This is a vintage Tilley paraffin (kerosene) pressure lamp, designed for portable lighting. The lamp consists of a brass fuel tank (base), a glass globe, a burner assembly, and a protective wire frame. The glass globe is clear and houses the burner and mantle. The burner unit is rusted, particularly the top vent cap, which has a semi-circular opening that appears worn. The lamp's wire frame extends above and around the glass globe, providing support and protection. The pump mechanism is visible on the fuel tank, used for pressurizing the fuel for operation.lamp, light, household item

Stem pessaries were instruments used for rectifying uterine displacement, either ante or retroversion. The pessary consisted of a stem and bulb or ball. The stem was introduced into the vagina, and the bulb rested against the cervix/uteri. An external wire frame could be attached to the bulb. The wire frame would be positioned to press on the pubis, thus keeping the pessary in position in utero. Although this pessary has been recorded as Peaslee's it is very similar in appearance to Thomas's galvanic stem pessaries. Stem pessaries were used in rectifying uterine displacement, either acute or retroversion. A pink tag was attached by string to one of the stems inscribed "Peaslee's/ Uterine/ Stem " "...?TID" on other side.Two Peaslee's intrauterine stem pessaries. Copper single stem pessaries with rounded top, stamped with the number seven on the top.intrauterine device, pessary

Milk was delivered by the "milk man" direct to the homes of consumers. Delivery to homes in Orbost and district and was made initially by horse and cart and later by truck. .The dairy industry in Orbost and the surrounding area has always been a major contributor to the milk supply of Victoria.A clear glass half-pint milk or cream bottle. Moulded in two halves, made to take either a cork or cardboard disc pressed into top with wire grip. The bottle was meant to be recycled and the glass is therefore quite thick. IMPERIAL HALF PINTglass-bottles commercial-milk-containers food dairy

This tin grease pot appears to have been hand soldered, possibly in one of the De Grandi cycle shops in Warrnambool. In 1897 Lou De Grandi started a partnership with Alf George in Warrnambool and a year or two later opened his own business at 68 Liebig Street and in 1905 moved to 84 Liebig Street. Lou De Grandi’s own Warrnambool cycle make was called the Champion and cycle sales and repairs were combined with an electroplating service. Another shop was opened in Fairy Street but this closed when a new shop was opened at the corner of Lava and Liebig Streets. In 1922 Lou’s son, Ern commenced his own cycle business in Timor Street and this shop later moved across the lane in the same street (1935). Ern retired in 1960 and his son Cyril continued on the business as a sports store catering for over 20 sports. This shop closed in 2011. This grease pot, rusted and primitive, is of interest as coming from the Ern De Grandi cycle and sports store in Timor Street, Warrnambool. The De Grandi family was connected with sports stores in Warrnambool for over 100 years. This is a metal pot or jug with a handle, a detached lid and a pouring lip. A thin piece of wire is attached to the sides and acts as a carrying handle. The pot is much rusted. It has a metal plaque on the side of the pot with details of the original owner.‘Over 100 yrs old from Ern. De Grandi bike shop’de grandi sports stores warrnambool, ernest de grandi, history of warrnambool

Certificates issued to returning soldiers in Bendigo Shire WW2Coloured certificate with Australian & Union Jack flags & 7 service members at top. Cream background featuring Pall Mall Bendigo. Tan wooden frame with glass front, white backing with wire hanging strap on back.Printed on certificate: “TO YOU WHO SERVED 1939 - 1945. THE CITIZENS OF BENDIGO EXPRESS DEEP THANKFULNESS To N J Oliver” Signed by: “Major & Town Clerk” Bottom R: “Red seal”certificate, shire, bendigo

This food safe is a mass-produced item made for domestic use by Willow Manufacturing in Australia fin the mid-20th century. Willow started a business in 1887 as a metalworking company based in Melbourne Australia, making tinned biscuit and tea canisters. In the First World War, the company began manufacturing armaments and essential packaging for the war effort. In the early 1920s, Willow produced domestic kitchen bakeware such as tin-plated canisters and baking pans labelled with the well-known Willow brand. Other items at this time include billies, boilers, basins and Coolgardie safes. In the late 1950s, the company ventured into plastics production. and in 1965, the name changed to Willow Ware Pty Ltd, to be more closely linked to its Willow brand. Willow Ware is still in business today.The Australian food safe is an example of domestic food storage and preservation in Australian homes from the mid-19th century and early 20th centuries. It is part of the evolution of food preservation methods leading up to our modern electric appliances. The maker, Willow, has a name associated with practical and reliable domestic products.Metal kitchen safe with two shelves, a hinged door and latch and a small swivel wire handle at the top. Painted light green. Airflow holes have been formed in each side panel. Made by Willow, Australia.Marked "Made in Australia" "Willow"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, food storage, food preservation, willow, willow manufacturing, willow australia, kitchen storage, food care, 19th century, 20th century, willow ware, domestic item, coolgardie meat safe, meat safe, food safe, coolgardie

Brickworks situated on large farming area. Built soon after his arrival on Phillip Island in 1868.Brickworks in rural setting. Slender tree trunks in foreground alongside river. Post and wire fence with slip-rail gate. Large brick building and pavilion-type sheds with canvas awnings. Wood piled up outside.local history, photography, photographs, slides, film, buildings, historic, brick works of robert anderson snr, at phillip island, black & white photograph, mrs emma anderson jacobs

Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye)