Dormia Stone Extractor with Set of instructions in French and English. This item is a tiny apparatus consisting of four wires that can be advanced through an endoscope into a body cavity or tube, manipulated to trap a calculus or other object, and withdrawn.

Camp 13 view of two compounds and the dividing fenceBlack and white photograph of (l - r) huts, fence, compound dividing fence and barb wire, entanged. A pole with search light. Another path, fence and huts and large hall, possibly to become there hall in Murchison.camp 13

The Yakka Company established a factory in Sunbury in Barkly Street between Brook and Stations Streets in the late 1950s. The Sunbury factory provided employment for the town's population which was increasing. It was established in Sunbury before the larger factory was built in Broadmeadows.A black and white photocopy of a photograph of the corrugated iron Yakka factory. The double doorway at the top of the ramp is flanked by 3 casement windows on one side and two on the other. There is a cyclone wire fence and gates across the front.yakka, corrugated iron, businesses, fences, barkly street, sunbury, george evans collection

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Heavy Steel Shackle made from 3cm round steel. 10cm internal depth and 3cm clearance. 3cm threaded bolt with square head. Short section of torn 1.5cm wire rope still attached

Four sided mouse trap with wooden base with four spring fittings at each corner that can be loaded simultaneously. A number of round holes have been bored into the wood to enable the wire to be passed through and fixed.Supreme Choker Safety Mouse Trap

Shearing handpiece inscribed "MUNRO / 4134/ MADE IN ENGLAND", "MUNRO/ PAT. APPLIED FOR/ OIL", "REGISTERED DESIGN". Munro manufacturers in Ballarat, created by George Munro c.1927. Handpeice manufactured in England by Burgon and Ball (Sheffield) for Austrlaian market. Handpiece contains Wolseley start spindle similar to Burgon, missing a 'bush' in tension nut.Metal, leather and plastic shearing handpiece inscribed "MUNRO / 4134/ MADE IN ENGLAND", "MUNRO/ PAT. APPLIED FOR/ OIL", "REGISTERED DESIGN". Plastic hand piece with leather casing attached with wire, covering swivel joint."MUNRO/ PAT. APPLIED FOR/ OIL" Munro 4134 made in england Registered designshearing

Curved Sword Japanese Katana WWII blade Wooden handle, leather covered. Brass cap on top of handle with 'Wire" like clip. Circular metal hilt. Pattern on hilt. Refer also 0101 Scabbard.Pattern on hilt.

Business flyers for products to improve homes and gardens. Brothers Frederick and Ernest Stillwell opened a hardware and general ironmongery in Hargreaves St Bendigo in 1895. They were later joined by Roy Stillwell. The shop further developed and advertised as selling furniture, home furnishings and HardwareThree flyers for Stilwell's, a local Hargreaves Street Bendigo business, for Fly wire doors, internal house blinds and lawn mowers, Postcard sized flyers for aspects of home improvements. Flyers dated around 1950s.stilwells, window furnishings, flyers

40 pages. 1st page clear plastic. 2nd page blue paper. back page white cardboard. pages 3-39 white paper. black ink. some colour. white wire binder. annual report, financial documents

Black and white photograph. Ground floor acing south towards Lonsdale street in what was the cafe and in 2015 is the Breacan office. Wires hang from roof. Wheelbarrow in middle of frame. Taken during restoration inspection.historic buildings, building construction, cultural structures and establishments

The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the 150th anniversary in 2007 of the establishment of the Mission to Seafarers in Australia. It acknowledges the work of the Mission and the men and women in Melbourne and the Victorian Ports offering the "hand of friendship to seafarers from all over the world".It also acknowledges the significant role of volunteers in supporting the work of the Missions. This letter is one of 3 letters held in the collection and received from Royal patrons. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, sesquicentenary, commemorations, princess anne, princess royal, letter, 2007

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime ArtRobert T. Miller, Mission to Seafarers Victoria CollectionContemporary framed in limed wood, mounted and glazed watercolour painting by R.T. MILLER in portrait format. Mat mount is white. Image features freighter with black hull at mooring in dockland setting; wire hanging systemInterpretation label adhered to back, includes photographic portrait of the artist Value on label Signature M4 in black markermarine painting, port melbourne, artwork, docklands, tug boat, robert thomas miller, robert t. miller, r.t. miller, artwork-paintings, tugboat

Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia

The Englishwoman's Domestic Magazine was issued monthly in the following years: 1852–1874; 1877; 1880–1890. Initially, it contained only nondescript black and white images. Aware of the growing interest in fashion, style and manners from the new middle classes, Samuel Beeton began to import tinted fashion plates directly from Jules David in Paris from 1860. Primary source for fashion design in the 1860sFramed fashion plate -'The Fashions … for the Englishwoman's Domestic Magazine'. Framed print of two women in 1860 costume. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, englishwoman's domestic magazine

A4 sheet dated 31/8/39, handwritten list of payments - kerosene, mercury, firewood, fuses for motors, wire rope, fittings for sand pump etc. On top of paper ' Monument Hill Consolidated Co.'business, mining, monument hill consolidated company

Review scramble of 76 Kittyhawk Squadron AITAPE.Black and white portrait photo of aircrew rushing to their planes in WW2. Suspect it is the 76 Kittyhawk Squadron at AITAPE in WW2. Encased in brown wooden frame and protected by glass. Paper backing with wire across top as hook.aitape, framed photo, 76 kittyhawk squadron

Original owner of book, Mr FREDERICK CARLETON. Please see Catalogue Number 142.7 for service history.Hard Cover book. Hardcover, cardboard with red coloured buckram, white print on front and spine. End papers - illustrated black and white photographs, front silhouette of barbed wire and soldiers. Back - soldiers on parade.Opposite Title page - newspaper cuttings from Bendigo Advertiser, Monday June 6, 1994 and Saturday July 2, 1994. Death notices or CARLETON Frederick Lloyd".book, battalions, ww2

Bruce SHELLARD enlisted initially as No V145106 then transferred to the 2nd AIF No VX133235 on 5.3.1943 age 44 years. He was discharged on 4.12.1945 with the rank of Major in HQ NT Force.Colour certificate with Australian & Union Jack flags at top. Members of the 3 services around edges. Brown wooden frame, green border & glass front. Black cardboard backing with gold wire hanging strap.Printed on certificate: “FOR DUTY NOBLY DONE. Borough of Daylesford. Presented to B Shellard. For services rendered for King & Country in the World War 1939 - 1945. Seventh June 1948 Bottom L: “Red seal”certificates, shire, daylesford

The former Sunbury Library was demolished and the empty site is ready for the construction of the new library. The existing building housed the George Evans Museum. A more modern Global Learning Centre is planned to be built on the site.A coloured photograph of a fenced site with a flat-roofed cream brick building adjacent to an area that has a been cleared in preparation for construction. A demolition sign is attached to the wire fence. Gum trees are growing in three background.libraries, global learning centre, sunbury, hume city council, macedon street, sunbury library

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Socks knitted by Vera Neale,1901 - 1990.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Mustard ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Tea cosy knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Peach child's jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows in Victoria and New South Wales.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

This award was given to Charlie Bradley upon the occassion of his 1000th wicket, by the Victorian Blind Cricket Association. It consists of a round cricket ball sized wire frame with black nylon tubing wrapped around it, and bottle tops to create sound.1 black nylon cricket ball with metal bellsrecreation, victorian blind cricket association, charlie bradley

Megger as the device was called, is in fact its brand name. It is a device that supplies a DC (direct current as per car batteries) voltage to enable testing of electrical apparatus. This particular device produces 250volts DC when the handle is turned vigorously. If an electrical device, such as a kettle or toaster, blew a fuse or tripped a circuit breaker, when switched on, then it must be checked electrically before any more use. Following the repair of the faulty item a megger would be used to check if either of the AC 240volt plugs leads were touching the metal case (earth). The output leads of the megger would be connected with one to the earth (metal case) and the other to each of the power connections in turn. A good megger reading of 50,000 ohms (resistance) would enable the device to be returned to service. A reading of zero ohms resistance would mean that it would again blow a fuse, and was therefore unsafe to use. In the electrical industry e.g. the former State Electricity Commission, a megger would be used to test lots of similar item in sequence. Because of the vigorous job of winding the handle, two persons were often used to save time. One would crank madly whilst the other shifted the leads. This particular megger is of a small voltage, but other meggers are bigger and have a few ranges of DC voltages able to be selected. The optimal megger for large Generating machines was motor driven megger. This was applied to the device being tested for a duration of approximately 30 minutes with reading of the resistance taken at regular intervals.All equipment belonging to the State Electricity Commission of Victoria was labelled with a metal plaque attached to it. The SECV constructed the Kiewa Hydro Electric Scheme in the Upper Kiewa Valley and on the Bogong High Plains. The scheme began in 1938 and finished in 1961 when this megger was used and also possibly later as the SECV remained to maintain and operate the Scheme. This megger is of significance in relation to the advancement of technology.A rectangular box in dark brown bakerlite casing. It has an agent's plaque fixed to the left of the face and on the right is the marker's recessed stamp. In the middle in a transparent window so the level of ohms can be read. The front also has two recessed fixing knobs in black. On one side is a crank handle with a knob that lifts up and is turned vigorously to create the voltage. The back has four recessed screws and four small leather pads. There is a hole on each side to insert wires. There are two copper insulated wires. The SECV Plaque states: State/Electricity Commission/of/Victoria/ Electrical Engineer's Section/ No.1747 The Agent's Plaque states: H. Rowe & Co. Pty Ltd/Melbourne & Sydney/Sole Agents/in Australia for/Evershed & Vignoles Ltd Maker's states: 500 volts/Megger/Regd Trade Mark/Made in England/Patent No/400728electrical meters, electrical equipment, fuses, safety, state electricity commission of victoria, mt beauty, bogong village