Amelia (Millie) Bennett was a daughter of Susan and William Garnsworthy Bennett. She married William Charles Allen in 1901.Black and white portrait of a middle aged woman wearing top with flowers at left lapel, and three strand pearl necklace, earrings."Mrs Allan Aunt Millie was Millie Bennett".millie (amelia) allan, millie (amelia) bennett

Part of Old Lintonian Collection ; No. 132.Tintype photograph of a woman with hair drawn back from face, wearing long sleeved gown with large white lace collar.mary wise, mary bell, old lintonian collection, mrs thomas mardling wise

A black and white photograph of a family group with asn elderly lady seated between a younger man and woman. They are seated on a lounge chair.family groups

The five women photographed are from L-R: Vicky Black nee Raftopoulos, Marigo Paizis, Effie Cominos nee Raftopoulos, Ioulia Raftopoulos nee Sikiotis and Aspasia Paxinos. Ioulia was the mother of Effie and the aunt of Vicki Black.A black and white photograph of five women standing in front of a house in a garden. The names of the woman in the photograph have been written on the back. sicotis

Opinion article questioning why Australian war nurses do not receive state funerals like soldiers who served do. Author of article and historian Melanie Oppenheimerhas has written a non-fiction book about a Australia WWI nurse titled 'Oceans of Love, Narrelle'. Photograph with article is of Vivian Bullwinkel.Newspaper clipping with a black and white photograph on the right of a smiling woman in military nurses uniform. Article has seven columns of text.war nurses, funerals, state funerals, melanie oppenheimer, vivian bullwinkel, vivian statham

Article calls attention to the experience of Wilma Jones [Oram Young] as a Japanese POW on Sumatra Island during WWII in relation to the Council of Ex-Servicewomen's Associations who were trying to gather funds to make a documentary of stories and experiences such as this before they are lost.Newspaper clipping with four columns of text, headed by a large black and white photograph of an elderly woman sitting at a table looking at documents'THE HERALD / 9 AUG 1989' [Blue ink inbetween lines of headline]japan, sumatra island, wilma jones [oram young], council of ex-servicewomen's associations, elizabeth lucas, catie hewins, returned nurses' association, wwii, world war two, wwll, ww2

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

This photograph shows an unidentified woman on horseback, somewhere in Victoria, early 1920s.Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1

This basket was hand-made by Mrs Tiny Solomon, an Aboriginal woman, in Orbost.This item is an example of an Indigenous style hand woven item of the very early 20th century. A shallow hand-woven grass basket. It has a flat bottom and a handle across the top.basket aboriginal weaving handcraft

number in album 03569.01, man and woman on left side of photoograph unknownColour photograph Officials Pam Moran, Keith Gidley, Murray Tanner, Bernie Ryan, front row Frank Vickery, Don Whiting two others at the opening of East Gippsland Bowls Association,bowls club, sports

This is part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. Thephoto is a close up of a young girl. She is wearing a broad brimmed straw hat and a flowery print dress with lace around the sleeves and a shawl lice cowl edged with lace. She is handing (or receiving) a flower to a woman, whose arm is the only part visible in the photo. The woman is wearing a bracelet with a heart shaped charm.events, parades

Photograph - postcard - black and white. This photo taken same day as previous (number 1332.11) photo. Portrait of one gentleman, dressed in jacket, cardigan and tie. One woman standing up (is it Lydia, if photo taken cira 1950, she would be 61yrs).The older woman sitting is 'mum', who's mum, maybe Mirum?person, family, pethard family, photograph. postcard. pethard family.

Coloured photograph of four soldiers in full uniform, three men and a woman, the woman is holding a flag, crowd of people standing in the background. On the back a sticker: Royal Australian Air Force, Crown Copyright, not to be reproduced without authority, CPE 1198K. 22-03-92. The name J. Dunbar 2 is also written on the back.military, airforce, raaf radar

B/W Portrait of a couple. Man Standing 3 Piece Suit with fob watch and Coursage. Hair Parted, short moustache. Arm Resting on Stand other arm behind Woman. woman Seated. Short curly hair. Formal Dress, holding a folded object. Potted Plant front Left Studio Portrait. john mason & annie campbell

Roma Mirchell was an Australian lawyer, judge and the 31st state governor of South Australia. She was the first Australian woman judge, and the first woman to be a Queen's Counsel, a chancellor of an Australian university and the Governor of an Australian state. She was also considered to be a pioneer of the Australian women's rights movement. Photograph of a statue of Roma Mitchellroma mitchell, governor, adelaide

A woman perches on the edge of a chair as she fingerspells on the palm to an older, deaf-blind woman who is seated. In the second picture, an older female pulls a thread taut as she sits in front of a long table. It is unknown where these images were taken, however assumed to be at Elanora.2 black and white photographs of elderly female residentselanora home (brighton), recreation, association for the blind

The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation

This slouch hat belonged to Royal Australian Air Force serviceman/woman Forsyth. Khaki-coloured slouch hat with folded cotton band with blue strip around brim; gold coloured badge depicting a wreath with crown atop and ornamental letters “RAAF”. Four plastic eyelets at crow of hat and signature fold on crown. Wide brim edged with brown coloured binding. A hook on the left crown and left brim attach together to lift one side of the hat. On interior, brown leather chinstrap with metal adjustable buckle ad black leather sweatband stitched in with zig-zag black stitching and secured by khaki silk bow at back. Bow attaches a card reading “58” in a circle. Sticker on interior centre in brown and metallic gold. Size sticker hidden underneath sweatband reads “58 7 1/8”Label on interior of cotton band reads “A.G.C.F./VIC 1989 [broad arrow]/SIZE. 58/8405-66.[crossed out 109-5392]033-5309”. Handwritten on interior brim “FORSYTH”. Size labels read “58” and “58 7 1/8”. Sticker reads “COMMANDO/WOOL SLOUCH HAT/MELBOURNE”uniform, royal australian air force, raaf, r.a.a.f., slouch hat, 1980s

Photograph of woman (Nell Herbert) standing in Main Street Greensborough circa 1925..Digital copy of black and white photograph.main street greensborough, nell herbert

A history of the Woman's Christian Temperance Union of Australia (WCTU) edited by Isabel McCorkindale.Hard cover book with blue binding and title printed in black. 149 p., black and white photographs.womans christian temperance union of australia, wctu, isabel mccorkindale

Photograph of a woman and baby on the steps of the house at 23 Mayfield Street Greensborough in 1947.Digital copy of black and white photograph.Address and date written on photograph.mayfield street

Michelle Payne was the first woman jockey to win the Melbourne Cup on 'Prince of Penzance'Protective helmet worn by Melbourne Cup winning jockey Michelle Payne.

The pattern book is believed to have been used by a Linton woman, but details are unknown.31-page booklet containing illustrated patterns for doilies published by Semco (manufacturers of crochet cotton). The booklet has a green and black cover, with pictures of two doilies. It is Semco pattern book no. 9, 5th edition. It is undated. 31 pages.crochet, doilies, pattern books

Needlework Illustrated is issue 196 and cost 1/-. it was published quarterly. Australian Home Journal is the May 1963 issue. Women’s magazines just after WWII played a “reflecting role,” including topics of readers’ interests as well as containing news items. Women’s employment rate had grown during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly home crafts. Articles as well as advertisements presented information on keeping the family healthy with guidelines for thrifty shopping and advice on how to look good through it all. Patterns and instructions were provided for women to create home articles and clothing. The main sources for kntting and needlework designs available to women were in journals, magazines and pattern books. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes. These are examples of women's magazines. They give practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests --------------------------------------------------------------------------------------------------------------------------------------------------------- Two magazines. 3097.1 contains patterns, instructions, advertisements and photographs. It has a coloured cover - a pink background, black print an drawings of a woman wearing a top embroidered with roses and examples of needlework. 3097.2 contains patterns, advertisements, correspondence, and stories. It has a coloured cover with a photograph of a woman wearing a knitted jumper and three sewing patterns.magazine- needlework-illustrated magazine-australian-home-journal

this is a photograph taken at the original jetty at Tabbara on the Brodribb River used by Samuel Richardson who established his mill in 1882. There was a constant demand for timber to supply the growing townships of Orbost , Marlo and surrounds. It was at this mill that the original paddle steamer Curlip was built. More information in "Curlip" by May Leatch. Helena Warrem (1871-1962) was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This photograph is a pictorial record of a typical family activity in the late 19th - early 20th century in the Orbost area, The clothing and manners are reflective of that time, This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a family group seated on a wooden jetty. There is a man on the right with a fishing rod. A man is standing next to woman holding a teapot and cup and saucer. On the left a woman is sitting and holding a baby on her knee. The rest are sitting or kneeling with a picnic cloth spread in front of them. There are bottles, jars, plates and cups on the cloth. on back - "The Warren Family Tabara Jetty"tabbara-jetty warren-family-orbost recreation-picnic

Black and white photo : image of young woman standing, leaning on tree stump. Woman is dressed in long dark skirt, buttoned jacket with frills on sleeves. Image is edged in black with gold line. On back of image: 'Bijou Portrait Parlors, View Place, Sandhurst ( negatives kept ).' Below the photo are the words Artist, Atkinson, Photo.Atkinsoncottage, miners, bendigo, sandhurst, atkinson

Black and white photo: young woman standing, leaning on sideboard, vase of roses on RH side of photo. Woman is dressed in dark long dress, buttoned down side, white lace collar. Image is edged in pink. On back of image : ' M. Bent, Photographer, Centre of Pall Mall, Sandhurst. Duplicates and enlarged copies on application.'Bent Photo, Pall Mall, Sandhurstperson, individual, female portrait, bendigo, sandhurst, female portrait