This badge was found in a garden in Arnold Street, Bendigo. Not clear if WW1 or WW2, more likely WW1.Brass Badge. It has some evidence of writing that was originally on it. Moulded onto the front is the Aust Coat of Arms. Around the circumference are the words "Volunteered for Active Service" "Issued by Department of Defence" Medically Unfit. The rear has two loops welded in.On rear "Badge 60369."aust dept defence, badge

See also Cat. 3146, 4451 and 4452.Brown cardboard cover. Black ink printing. Commonwealth coat of arms. In large print are the words "Special Clothing Ration Book" 1945-6 Discharged Service Personnel". It is serial Nr V45069. There are 40 tickets left inside the booklet.On front cover - restamped is "Coupons 160" Hand written R.E. COLE 39 Gingell Street Castlemaine There is a rectangular purple stamp on bottom right corner of coverclothing, rationing, service personnel

French songs of WW2. Part of the collection of Frederick Gardner Davey DFC No 410533 RAAF. Refer Cat No 3536P for his service details.Small paperback song booklet with two staples down the spine. The cover in colour depicts two caricatures of a sailor and a soldier sitting and playing a concertina, in the back ground is the French flag. 48 pages with 35 songs with words, music and illustrations.french songs, booklet

An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and crossed French and English flags with the words "united we stand".

Portland Sesquicentenary celebrations.White flag bering words "PORTLAND'S / 1834 1984 / 150TH ANNIVERSARY" around a central motif of a whale in a black triangle. Blue and green wavy lines fill in lower section of whale. Lettering in black. Wooden dowel attached to flag.Front: (see above description)portland 150th anniversary, 1984, 1834, flag

This card was presented to the Society by Mrs Irene Meek of Lake Bolac. The card is a Christmas/New year wish from Walter to Annie Hill and the Girlies while overseas in military combate in the First World War. It demonstrates the craftmanship of needlework and paper embossing at this time.White paper card with hand stitched pansies in purple, pink, blue, green and gold. The stitching is placed towards the centre forming an inner frame. The words Best Thoughts printed in gold on paper and placed between a layer of cotton material."With loving wishes to Annie Hill & dear girlies for a Merry Xmas & a Happy & Prosporous New Year with love from Walter. Hynes No 6 - Hynes (George & I still going strong) 30/10/16" Written in pencil across back of card.world war one, needlework, handcraft, embossing, post card, haberdashery, personal letter

Photo of the same carton box described at 11518.398 this time taken from the front the words ''Manufactured by Craig&seeley Products a division of aci Australia Ltd 21-35 Hope St. Brunswick Victoria Phone 3871122'' are also visible.Kodakbusiness, retail, gas and fuel

A Christmas card with a military theme. On the front is a red seal with the words 'The seal of friendship and kind remembrance' imbedded in it.' It also has in large printing in red 'Christmas Greetings.' Inside is a Christmas message. S.W. Savory Ltd. Bristol. Made in England.ephemera, mementoes, christmas cards, lydia chancellor, collection, christmas, festivities, celebrations, christmas cards, cards, ephemera

Document. Illuminated invitation with brown paper backing. Invitation rto Mr. T.R.Langdon to attend a ''Conversazione'' in the Exhibition Building in Melbourne on the 7th May 1901. Souvenir copy of the Invitation with coloured Illustrations. Several notes and words written in pencil on the back.document, memo, souvenir invitation

Coloured slide transparency. Image is of a bush area. There is some machinery set into the ground in the foreground and some water from either a river or dam can be seen to the right. The words, Ruedin's Euc Oil Condenser are handwritten across the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Coloured slide transparency. Image is of the entrance to a sanctuary. A wooden frame is across the entrance with the words Kaweka Sanctuary across the top of the frame. A donation box is underneath the frame and some signage is to the left. A pathway winds to the background and trees and scrub are also there.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

O-So-Lite self raising flour showbag. The bag is quite simple in design with the words O-So-Lite self-raising flour in blue on a white background. Both side of the bag are the same. There are four bags in different conditions.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities.

1, A newspaper cutting of a photograph of the Eaglehawk football team, Premiers 1901, the names of the players are also included. 2, A piece of paper with the words: Mrs. Taylor, 11 hall St. Eaglehawk. 3rd end top row, Barney Barnesperson, group, football team, eaglehawk football team, premiers 1901, mrs. taylor, 11 hall st. eaglehawk, barney barnes

Acriflavine was developed in 1912 by German Paul Erlich. It was an early antiseptic agent before the discovery of penicillin. It was also very effective. In recent years there has been a lot of research on acriflavine for its potential to fight "super bugs", as well as its potential to prevent contracting the common cold. This research is still underway.Amber glass, triangular bottle with black bakelite screw-top lid. Two sides of the bottle are dimpled and the words "NOT TO BE TAKEN" are moulded into the bottle. There is a white [discoloured] manufacturer's label with red printed text and black handwritten text. The bottle is empty.antibacterial, paul erlich, world war i, super bugs

A Film, DVD in case named "A" Field Battery RAA. Red & Blue colours with a shield with the words 'Semper Paratus' (US Coast Guard song). Year of the Road Runner & description of contents of Film, DVD which runs 40 minsfilm, dvd, field battery raa

A wooden shield with an insignia with a red lion with one paw on a shovel and pick on it in the centre. Above the lion is written Hobart. Under the lion there is a brown boomerang with two items crossed over the boomerang. Below these are the words Sic Fortis Hobartia Crevit.shield, hmas hobart, cerberus collection

Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat. The sculpture 'Alan marshall' has been classified as of regional significance by the National Trust of Australia. A realistic depiction (almost life size) of Alan Marshall cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. alan marshall, bronze, skipper, i can jump puddles, eltham library, novalist, ekphrasis2017, figure, public art

In 1914 the Williamstown Grammar School trustees transferred trust in the school grounds and donated the original school building to the Department of Education to establish a state government high school for Williamstown. This meant the dissolution of the Williamstown Grammar school board and the school's senior students either went on to other grammar schools around Melbourne or enrolled at Williamstown High School. Williamstown High School continues today and the original Williamstown Grammar School building is still in use in the school grounds at Pasco Street. This would have been the end of Williamstown Grammar if not for the highly respected young head of the junior school, Mabel Molland. At the Williamstown Grammar School Speech Night at the end of 1914, the Williamstown Chronicle (Saturday 26 December 1914) reports that management of the school has been taken over by Mabel Molland and that she addressed the assembly saying, 'acceding to the expressed wish of many, I decided to carry on the junior school, and wish to thank the parents for their hearty cooperation in my undertaking'. The reputation of Mabel Molland as a teacher of enormous ability and continuing support from the community would enable the school to survive through depression, war and troubled finances, to see the reinstatement of a school board in 1956, the reintroduction of secondary education in 1978 and a now thriving multi-campus independent P-12 school in Melbourne's west. This photograph is the earliest known image of Mabel Molland (standing in the the third row, second from the right) with her students. The group is pictured in the grounds of the Holy Trinity church hall on the corner of Aitken and Pasco Streets, Williamstown, which was home to the School from 1915 to 1956.Black and white reproduction image on photographic paper of students in four rows with trees in the background, a board in the front row with the words Strathmore/Grammar School/Williamstown. Mabel Molland stands at the right and her sister, Mavis Molland, stands at the left.holy trinity hall, strathmore grammar, whole school photograph

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Round metal button with green background. The Belgian flag is shown in the centre with words printed in white above and below it. It is likely that this button was sold to raise funds to support the Australian army who went to Belgium’s aid in the First World War.For Belgium For Honorfirst world war (1914-18), patriotic buttons, badges

Keyring released by Legacy in 2023 for the annual badge day. An example of merchandise released for fundraising in 2023.Keyring released in 2023 for the annual badge day appeal. It is made of silver coloured metal with white enamel circle around a bear face, the words 'Legacy since 2023'. It is with a white card with blue printing showing it's value is $5. legacy appeal, badge week, fundraising

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition financed through the Keith Wingrove Trust.Image with central figure of violinist with violin accompanied by a skeletal ghost of a cellist foregrounded with man and woman and national crest. Music bars to top and bottom of image encased in green abstractions and piano pegs and the words ex libris j. hellehate.Pencilled beneath image C3,C4 "Death and Girl" Millo 2018.australian bookplate design awards 2020, kieth wingrove trust

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Two medieval figures holding banners on bridge against castle. Trumpets to left and banners with words Ex Libris Unicornis on left banner and Trakai History Museum on right banner. triangular impress into bridge mid-lower centre of image.Trakai L-1 A/P T Alexaidrocha 2020.trakai history museum, keith wingrove memorial trust, australian bookplate design awards 2021, tatiana

Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner with the words. "To stop Car pull left hand cord ONCE" See Reg Item 2426 for another version in upper and lower case.trams, tramways, signs, tramcars, tramways, passenger signs

Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner with the words. "TO STOP CAR PULL LEFT HAND CORD ONCE' See Reg item 2935 for another version in upper and lower case.trams, tramways, signs, tramcars, tramways, passenger signs

Postcard - full colour - of City Circle tram, SW6 909, eastbound in Flinders St with the Flinders St Station in the background. Card has the words "Melbourne Australia". Divided back, published by Nu-color-Vue - 11ML138 and NCV 4986trams, tramways, city circle, flinders st, flinders st station, tram 909

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork