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University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Athol Shmith Studio Illustrative Photograhy, Students Working in Vegetable Field, 1943
Black and white photograph. As for B91.144(2). No. 1083 Position E. Students working in the vegetable field. Photographer Athol Shmith, No 1083 Position C. Note by T.H. Kneen 26 February 1992, "June Bishop a second year student 1943." Also see B91.141, 143, 145, 146.female students, athol shmith studio, students working outside, june bishop, orchard, vegetable plots -
Clunes Museum
Photograph
Miss Florence Perry was at the centre of a strong and vibrant musical culture in Clunes which featured a brass band, a men's mouth organ band, an orchestra and church choirs. The success of Miss Perry's choirs in competitions was a source of pride in the town and a cause for celebration. After their success in Melbourne in 1906, the Juvenile Choir were greeted at the Railway Station on their return by the brass band and well wishers before attending an impromptu concert at the Town Hall. Miss Perry herself was born in Clunes in 1880 and worked as a music teacher in the town. Her father was the conductor of the Clunes Orchestra. Most social occasions, such as annual Balls, fundraisers and 21st birthdays, involved music played by local musicians Important artefact in the musical history of Clunes in the late 19th and early 20th centuries.WOODEN FRAMED BLACK AND WHITE PHOTOGRAPH OF THE CLUNES JUVENILE CHOIR 1906 - CHILDREN ARRANGED IN ROWS WITH THE CONDUCTRESS CENTRED IN THE PHOTO Clunes Juvenile Choir with their conductress, Miss Florence Perry. Taken by Chapel St. Prahran photographer; probably taken when Choir competed successfully in a Choral competition in Prahran.juvenile choir, clunes junior choir, miss florence perry -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1935
Black and white postcard showing an extensive portion of Whiter's Camp Park, taken from the elevated tankstand looking south to the main entrance. Lake and hummocks in distance. Cabin, tents and petrol bowser as well as a crowd of people in image and roof of rotunda directly under photographer. Lakes Entrance Victoriatourism, camping -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 1950s
Yields information about the appearance of one of Ballarat tramcars No. 25 during the mid 1950's and Gardens Loop.Black and white photograph of Ballarat No. 25 north bound in Wendouree Parade, Gardens Loop, 1950's with all the blinds drawn and destination of Victoria St. Shows the signage at the time at Gardens loop. No details of photographer. Original negative scanned at hi res and image updated 1/6/2020.tramways, trams, wendouree parade, gardens loop, tram 25 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 18/07/1962 12:00:00 AM
Tram 28 opposite Town Hall in Sturt St. travelling away from photographer towards Lydiard St. Has bogie car in background on opposite side of road. Tram fitted with SEC and Castrol ads. Town Hall has scaffolding on the outside of part of it. Taken on 18-7-62.'SEC Ballarat, No. 28 in Sturt St., 18-7-62' and on reverse side, 'W.Jack Photo' in blue ink.tramways, trams, sturt st, town hall, tram 28 -
Kew Historical Society Inc
Photograph - Richardson's Glass Manufacturers, J Ward Symons, 1927
One of a series of photographs and documents donated by Jean Woollard relating to her father, Wilfred Charles Woollard, (and to herself). Wilfred Charles Woollard (1892-1971) was the grandson of William Woollard (1834-1923) and Charlotte Woollard, nee Lott (1828-1902), early settlers in Kew. Wilfred's father and mother were Walter Herbert Woollard (1856-19) and Rosa Anna Woollard, nee Morgan, (1859-1936). Wilfred Woollard's siblings were Walter James Woollard (1882- ), and Arthur Reginald Woollard (1888-1973).Black and white photograph mounted on card of workers at Richardson's Glass. The formally posed portrait of the workers was taken out of doors with buildings in the background. Wilfred Charles Woollard is seated on the far right of the second row. All the workers assembled for the photo are men. The name of the photographer is printed on the lower right of the mount.Richardsons Glass / Wilfred Woollard d 1975 1927glass manufacturers, wilfred charles woollard, woollard family, jean woollard -
Kew Historical Society Inc
Photograph - The Weir family of Broken Hill, Sykes Studio, c.1914
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Edith Mary Weir (nee Betteridge) and her children, photographed by a photographer from the Sykes Studio in Broken Hill, c.1914. The children are (L-R) John Rigby Weir, Cecil Rigby Weir, Horace Rigby Weir, George Rigby Weir, and Edith jnr (Edie) Rigby Weir.Sykes Studio / Broken Hilljohn rigby weir, cecil rigby weir, horace rigby weir, george rigby weir, edith jnr (edie) rigby weir, edith mary weir (nee betteridge), weir collection, sykes studio -- broken hill -
Kew Historical Society Inc
Photograph - George Weir, G F Jenkinson, 09/06/1888
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Studio portrait of George Weir in cabinet card format. The photographer was G. F. Jenkinson of Areas Photo Company of Argyle Street, Broken Hill. An inscription on the rear of the photo identifies the date when the photo was taken: 9 June 1888. This was three years before his marriage to Edith Betteridge."9-6-88 / George Weir"george weir, broken hill, north broken hill mine -
Bendigo Historical Society Inc.
Photograph - STUDIO PHOTOGRAPH OF DE LACY EVANS
Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.With a card (for exhibition??) entitled '' The only known photograph of the enigmatical De Lacy Evans who for many years impersonated a man and was by occupation a gold miner''. Date 1877 (1880 crossed out). On the reverse side is the name N. White photographer Mitchell St Sandhurst, Opposite St. Paul's Tower.N W White, Mitchell St, Sandhurstperson, individual, male impersonater., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy -
Bacchus Marsh & District Historical Society
Photograph, George Dickie Bakery Main Street Bacchus Marsh 1883
George Dickie arrived in the Bacchus Marsh area around 1857. In 1863, he married Ellen Ross Anderson, and after five years of farming in Coimadai, they moved into Bacchus Marsh and established a business. In 1866 he bought the bakery business which had been established by James Boatwood and later conducted by William Watson. This business was in Main Street and is shown in this image during the time it was owned and operated by George Dickie. Ellen and George Dickie had seven children, two sons and five daughters. In his later years he changed the business into a general store and also engaged in grain dealing. He died in 1904 but the business was carried on by his sons until sold in March 1916 to a Charles Medling from Numurkah. The building was later demolished in 1927 to make way for four new shops.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The picture shows the business of George Dickie which was located in Main Street Bacchus Marsh. The building is a brick or stone structure with a verandah along the entire frontage of the building. Standing in front of the building is a group of adults and children. On the far left is a man wearing a dress coat and hat. He is possibly Mr. George Dickie the owner of this business. To his left are some younger and older children, and a woman, possibly Mrs DIckie. In the background in the doorway is a young boy with woman behind him. On the right of the picture on the street is a man standing alongside a horse and cart. Some advertising signs are leaning against the shop, footpath and verandah pillar. One of them says 'Chaff, Oats, Bran'. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bakeries, shops bacchus marsh, george dickie 1831-1904, dickie family bacchus marsh -
Kew Historical Society Inc
Photograph - Campsite near Bogong, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 34 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Bogong ****' and includes photos of landscapes, individuals, and built structures. This evocative, small black and white photo is of a campsite near Bogong in Victoria in the mid-1920s. Enclosed in an oval shape, which the photographer clearly used for what he considered his best images, the photograph includes pack and saddled horses and travellers."BOGONG [illegible]"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, bogong -
Glen Eira Historical Society
Ephemera - Sargood Family
... Photographers ...This file contains three items about Sir Frederick T. Sargood: 1/Reprinted photo of the Honourable Lieut-Colonel Sir Frederick T. Sargood, photograph by Webb and Webb, undated. 2/Two copies of reprinted page from THE AUSTRALIAN dated 24/01/1903 of F. T. Sargood’s funeral cortege arriving at St Kilda Cemetery, along Dandenong Road. 3/Photocopied letter from F. T. Sargood's son to his New Zealand staff on the death of his father, dated 05/01/1903.sargood frederick thomas, webb and webb, photographers, dandenong road, st kilda cemetery, cemeteries, sargood percy rolfe, funerals -
Hume City Civic Collection
Photograph
... photographers ...A black and white photograph of the unusual rock formation known as the Organ Pipes National Park in Diggers Rest.organ pipes national park, diggers rest, parks and reserves, national parks, evans, kevan, photographers, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... photographers ...Mounted sepia coloured photograph of a male soldier, M. B. Gilchrist.Printed on front: The Swiss Studios - Melbourne Typed on white paper and stuck on front: M. B. Gilchrist Handwritten on back: M. B. Gilchristthe swiss studios, photographers, gilchrist, m. b., soldiers, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... photographers ...Mounted b/w photograph of soldier Charles Flintoff, standing at ease with both hands behind his back.Printed on front: Melba and Co. Melbourne Handwritten on back: Charles Flintoffmelba and company, photographers, flintoff, charles, soldiers, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... photographers ...A mounted sepia coloured photograph of soldier Bob Gregor standing at ease in front of English flag.Printed on front: Under Vice Regal Patronage, The Ainar Studio, 571 Burwood Road, Auburn, Vic. Typewritten on white paper: Bob Gregor Handwritten on back: Bob Gregorthe ainar studio, photographers, gregor, bob, soldiers, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c 1916
... photographers ...Mounted sepia photograph of soldier Harold BenzleyPrinted on front: ALICE MILLS, THE CENTREWAY, 261 COLLINS ST. MELB. Typewritten on white paper: Harold Benzley Handwritten on back: Harold Benzleymills, alice, benzley, harold, soldiers, armed forces, photographers, george evans collection -
Hume City Civic Collection
Photograph, c 1917
... photographers ...A sepia photograph of 3 soldiers and 4 ladies seated at a table with others standing behind.Stamped on back: FROM F.W.TOLRA / 79 GLEN EIRA ROAD / RIPPON LEAtolra, f. w., soldiers, uniforms, armed forces, clothing and dress, photographers, george evans collection -
Hume City Civic Collection
Photograph
... photographers ...A mounted b/w photograph of the opening of St. Andrew's Presbyterian Church, Sunbury showing the view towards the organ and pulpit.Printed on front: CHR CHRISTIANSEN Handwritten on back: Opening of Church / Eric Boardmanchristiansen, chris, boardman, eric, photographers, churches, st andrew's presbyterian church, george evans collection -
Hume City Civic Collection
Photograph
... photographers ...It is a photograph of an official in the Police Force of the late 19th century.Sepia photograph of a uniformed gentleman sitting beside a round table. The police helmet is resting on the table. The photo is mounted onto black cardboard with gold writingOn front: Walter Shaw / opposite Staff College / CAMBERLEY Handwritten on back: Clive Clarkpolice, uniforms, clark, clive, shaw, walter, photographers, george evans collection -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Nineteenth Century
Black & white studio portrait male aged approx 30 years. Head & shoulders turned up collar with neck tie. Handkerchief in coat pocket. Printed on Front. Charlemont Sydney & Melbourne. Reverse similar with addition, Vice Regal Photographers, The Royal Arcade Sydney, and at 114 Elizabeth Street Melbourne.Charlemont & Cophotograph, person, male -
Bendigo Historical Society Inc.
Photograph - BABY PORTRAIT
Black and white image: baby sitting, dressed in dark dress with white apron. On rear of image : 'Photographers miniature and portrair painters. Barlett Bros. View Place, Sandhurst. This picture can be enlarged to any size as a plain photograph or as a painting in oil, crayon or water color. Copies can always be had'Bartlett Bros., Sandhurstperson, individual, baby portrait, sandhurst, bendigo, barlett bros., photographer -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT, Ca 1900
sepia photograph on fawn board. Studio portrait of young woman standing beside chair. Young woman, long hair, leg of mutton sleeves. Holding book. Written on back of photo: Kate in black ink. Turnbull & Sons, Artistic Photographer, 10 Jamaica St, corner of Argyle Street, Glasgow.Turnbull & sons, Glasgow, Greenock, Kilmarnock and Belfastperson, individual, portrait female -
Bendigo Historical Society Inc.
Photograph - AULSEBROOK AND MARTIN COLLECTION: METROPOLITAN HOTEL, HARGREAVES AND BULL STREETS, INTERIOR
Colour photo: Metropolitan Hotel interior. Image shows people sitting at tables in the lounge of the Metropolitan hotel. Wooden bar, timber floor. Arched window in background of photo. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, metropolitan hotel, hargreaves street -
Bendigo Historical Society Inc.
Photograph - GIUDICE COLLECTION: MICHAEL GABRIEL GIUDICE
Large sepia head and shoulders photograph of Michael Gabriel giudice born Golden Square 13.10.1882 married Beatrice Annie Harvey 1.8.1907 Mayor Bendigo 1922-24 died Bendigo 8.12.1947, Photographer Vincent Kelly Bendigo, framer D G Coope & Son Bendigo, with a cardboard mount no frame.Vincent Kellyphotograph, person, giudice -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: LOOKING SOUTH AT EAGLEHAWK, c1875
Photograph. Harry Biggs Collection. 3 black & white photos looking south at Eaglehawk. Circa 1875. Photographer Caire. An overview of the City of Eaglehawk. Town Hall Hotel can be seen in the distance. The word Drapers is to the left. Trees are in the foreground. Eaglehawk State School is on the skyline (tall building with the bell tower).Caire.photograph, streetscape, eaglehawk, harry biggs collection, looking south at eaglehawk, eaglehawk state school, town hall hotel, eaglehawk town hall, eaglehawk post office -
Bendigo Historical Society Inc.
Photograph - PHOTO OF WATER WHEEL, 1900
Sepia Toned Photograph, gold sluicing on the Ovens River near Germantown) Showing a man standing on a water wheel looking over a water course flanked by trees & shrubbery with mountains in the background. Markings on rear Photo read 'N.J. Caire Landscape Photographer 4 Darling Street South Yarra Victoria'N.J. Cairephotograph, water wheel landscape, water wheel, mining -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Craig, early 1970's
Yields information about the use of the use of the Sebastopol line and the Grey St loop during the last days of the SEC operated system when a number of Special trams were operated.Black and White photograph of three bogie trams at the Grey St Crossing loop, Albert St Sebastopol. Has a lady passenger waiting at the stop. Tram 41 is running a Special to Sebastopol. Photographer in Albert St, probably just before closure. Photo by Charles Craig possibly early 1970's. trams, tramways, albert st, gray st, sebastopol, tram 41 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Craig, 1971
Has a strong association the closure of the Victoria St line and the special trams on the Saturday before. Yields information about the events.Black and white photographs of No. 11, inbound in Victoria St, at King St loop, showing Special. Photo most likely 21 or 22/8/1971 at the time of closure. Has many photographers n the view. Tram has a Twin Lakes sign. Photo by Charles Craig, probably August 1971.trams, tramways, victoria st, king st, closure, special trams, tram 11 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 1950s
Yields information about the appearance of one of Ballarat tramcars No. 30 during the mid 1950's and Gardens Loop.Black and white photograph of Ballarat No. 30 North bound in Wendouree Parade, Gardens Loop, 1950's with destination of Mt Pleasant. No details of photographer. Tram has a White horse whiskey ad on the front dash panel. Original negative scanned at hi res and image updated 1/6/2020.tramways, trams, wendouree parade, gardens loop, tram 30