Demetri Cah, an young Italian migrant painted eighteen murals throughout the Glenara Motel while being employed by the proprietors Frank and Nancy CreaColour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows three fishing sail boats on calm waters.Reflections on the Lagoon of Venice (on back)motels, arts, rsl clubs

This pencil was found in 1946 by Mr Jim Pelling when an old wall was being pulled down in Warrnambool. This type of pen would have been used in the 19th century and apparently produced good legible writing and the lead point never wore out. No information is available on Jim Pelling or the location of the wall.Although this pencil has no known provenance it is of considerable interest because of its finding in an old wall in Warrnambool and because of its antiquarian value. It is a good example of a writing tool of the past and the ivory handle is of particular interest. This is a pencil with a handle made of ivory with a sharpened point of metallic lead screwed on the end of it. The end of the handle has an ornamental column shape. The lead at the end is slightly bent. Accompanying the pencil is an extract from a 1946 Warrnambool Standard detailing the finding of the pencil and some handwriting from a later date. The newspaper extract is pasted on to a piece of cardboard (a piece of a Rice Bubbles packet).In blue handwriting: ‘Extract from 1946 Warrnambool Standard’ and ‘Given to Warrnambool Historical Society by Mr J. Pelling 1970’jim pelling, metallic lead pencil, warrnambool history

Four beautiful artworks feature on this CD. An older woman with two lovely sculptures: one a mosaic wall using half teacups to create a 3D effect, some of which have plants in them, and a papier mache head on an elongated neck. A boy with a beautiful drawing of a person, and a dyed piece of material on a wall.22 digital images of clients and their fantastic artworksvision australia, recreation

Photograph shows a track through trees and retaining wall. This is Plenty Gorge with blackberries in foreground.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty gorge, blackberries

Crusher plant with walls and winch track right of centre to pull truck to hopper at top.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery

Handmade decorative wall hanging, possibly made in the late 19th or early 20th century.Pictures like this handmade example of 9th or 200th century craftwork were often used as decorative wall hangings in the home. Currently there is no connection of this work with people, places or historic events.A picture with a small black and white print of a country landscape and house mounted on embroidered and beaded yellow fabric.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, picture, embroidery, landscape scene, beading

Photograph shows a young lady sitting on the beach wall at Torquay in front of the bathing boxes.The beach boxes in the background were a feature of the beachfront until 1953.Black and white photographtorquay victoria, bathing boxes

Although the portrait of Graham is still in existence, the rest of the memorbilia on the wall is no longer in the hands of the Association. Members of the Old Colonists' Association in the Old Colonists' Hall. Front Row (left to Right): Messrs. S. Walker, J. T. Sleep, W. H. Stokeld, J. A. Blight (Trustees), R.U. Nicholls (Vice-President), Wm. Robertson (Vice-President). E. E. Llewellyn (Councillor). Mrs. R. Smith, Messrs, A. Sheppard, J. T. Clarke. Second Row: Messrs. J. Lamb, T. W. Scott, S. Walmsley, C. Robinson, G. R. Coutts, J. Lammin, A. W. Crowe, J. Don, W, G. Chalmers, J, Jones, C. Simpson, A. M. Palmer, H. Fields, W. Trahar, H. C. Handford. Third Row: Messrs. S. Walsh, A. Cant, J. Nicholls, J. Longstaff, A. Robertson, J. Welham, J. King, C. E. Wright, J. Pounder, C. R. Anderson, G. Merz, and D. M. Paterson. old colonists' hall, s. walker, j. t. sleep, w. h. stokeld,, j. a. blight, r.u. nicholls, william robertson, e. e. llewellyn, mrs. r. smith, a. sheppard, j. t. clarke, j. lamb, t. w. scott, s. walmsley, c. robinson, g. r. coutts, j. lammin, a. w. crowe, j. don, w. g. chalmers, j, jones, c. simpson, a. m. palmer, h. fields, w. trahar, h. c. handford, s. walsh, a. cant, j. nicholls, j. longstaff, a. robertson, j. welham, j. king, c. e. wright, j. pounder, c. r. anderson, g. merz, d. m. paterson

Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra

Letter to J.J. Stanistreet, Legal Manager, Monument Hill Gold Mining Co., Bendigo from Nell Gwynne Mines N.L., dated 26th September 1934. Letter in connection with our request for the allotment to us of a section of the Monument Hill battery site area for use in disposal of mullock from our Nell Gwynne shaft. Mentions raising wall of existing wall of dam. Plan of the locality attached. See 2205.846.bendigo, business, nell gwynne mines n.l.

Hardcover book made in 1975 made to keep original copies of “The Football Record”. This book contains all Football Records relating to Carlton games for the home and away season of 1975. Coach: John Nicholls Captain: Alex Jesaulenko Vice Captain: Robert Walls Leading goal scorer: Robert Walls - 59 goalsHardcover book, navy blue

The end of the stone wall is the border between 78 and 80 and the extension of the stonewall is distinctly visible todayBlack and white photographic printIlford paper stamped 8963 Originally located in a Filmpro King Size Prints processing envelope $3.01 Shire of Eltham 9/9/66 and noted as Calrossie Ave area and crossed out Eltham-Yarra Glen Road, Bridge Street to Elsa Court existing conditions mid 1967bible street, road construction, streets

The brick wall at McLeans Road Kinder has been brightened with a mural by artist Brett Cardwell.News clipping, black text, colour image.mcleans road kinder bundoora, brett cardwell, bundoora

Cleaner for the wall mounted teachers' chalkboards - an integral part of every schoolroom until the 21st century. Oblong chalkboard cleaner.education - primary schools, state school 1427 nott street, kangaroo

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant

Forgandenny church, Scotland where the Oliphant family worshipped. Crests can be seen on the church wall.forgandenny, perthshire, scotland, church, oliphant