Part of collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of Cowes "Isle of Wight" Hotel showing entrance gate with 2 Ladies and 1 Gent.Isle of Wight Hotellocal history, photography, photographs, postcards, view cowes, phillip island, black & white postcard - copy, isle of wight, cowes

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. view from end of Cowes Pier looking back at the Isle of Wight Hotel. Large crowd of locals on pier, some sitting on Rail Trolley. Children in foreground Gwenda & Keith MacIlwraith.local history, photography, photographs, postcards, phillip island, black & white postcard copy, cowes pier, jetties, rail trolley, macilwraith children, isle of wight, cowes

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View from Cowes Pier looking towards French Island.Scene at Coweslocal history, photography, photographs, postcards, phillip island, black & white postcard copy, cowes pier, french island, jetties, cowes

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. view of Lovers Walk, Cowes. Family group on beach.H. Malouf Cowes "The Lovers Walk" Coweslocal history, photography, photographs, postcards, view of cowes, phillip island, black & white postcard copy, cowes beach, lover's walk, cowes

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of Phillip Island from San Remo Harbour. Jetty in background - Coal Jetty. Coal comes from Kilcunda by Rail.Phillip Island from San Remo Harbour.local history, photography, photographs, postcards, black & white postcard copy., newhaven, phillip island, san remo, jetties, coal jetty

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of San Remo Shore - showing buildings in background.San Remo Shore - 251local history, photography, photographs, postcards, black & white postcard copy

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of "Genista" steaming towards San Remo. Phillip Island on left. Old suspension bridge in background."Genista" off from San Remolocal history, photography, photographs, postcards, black & white postcard copy, san remo, suspension bridge, phillip island

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of San Remo from Newhaven showing Bergins HotelSan Remo from Newhaven - 249local history, photography, photographs, postcards, san remo, black & white postcard copy, bergins hotel

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of Cape Woolamai showing Eastern entrance and mutton birders & egg collectors just inside on Cape Woolamai.Eastern entrance to Western Port. Mutton bird eggers landing beach, just inside Cape Woolamailocal history, photography, photographs, postcards, black & white postcard copy, cape woolamai, eastern entrance, mutton bird egg collectors, phillip island

Wattle-bark stripping (bundling) at Roses Gap. The identity of the men is unknown.The photo shows two men kneeling in a clearing. They are both working on pieces of wattle bark and have piles of bark around them. There is thick bush behind the clearing.timber industries, wattlebark stripping, scenery, roses gap

The Beach & Catini Clock, St Kilda, Vic. The Rose Series Postcardblack and white postcard, good condition, unmounted1940-60

Associated with - Rose Series P4161 Buildings - The Mansions People - Hannigans/Hookey

Associated with - Rose Series P4159 Buildings - "Viaduct, Coliban River, Gardens"

Soldiers Memorial Stawell 1923 Rose Series Card P.4893.stawell ww1 ww2

Donated by Glenys Rose Volunteer FOBG Plant Propagation. Found in the Nursery.25 slides, including duplicates. Jeremy Wallace, Nursery Manager, appears in some of them. Demonstrating new method of keeping tree nursery stock to prevent roots curling. jeremy wallace, nursery manager, demonstration, roots curling, nursery

Two piece pink and white box with stylized butterfly on top and three sides of the lid. Label on one end of the lid reads, Berlei 1033, Full slip - long sleeve, stretch lace bodice, fashion - natural Qnty 2 16. 1. One piece of gold coloured net gathered in centre. Border of seeds scattered !8cm X 14 cms. 2. Wire decorative hair comb with gold lame ribbon attached to a band across top of comb. Twenty four wire teeth with loops at the tips, 15 cms X 7 cms. 3. Two sprays of plastic flowers in plastic bags, two white plastic flowers with two green plastic leaves 10 cms X 7 cms. 4. White fabric rose with green paper wrapped stem, 13 cms X 6 cms. 5. Coffee coloured fabric rose backed with four patterned fabric leaves - coffee coloured. Two green plastic tubes attached as stems. 16 cms X 9 cms. 6. Cream coloured fabric rose. Four petals of flocked fabric.Green paper wrapped stem. 16 cms X 9 cms. 7. Black fabric rose with four petals of flocked fabric.Three black fabric leaves. Black paper wrapped stem. 15 cms X 8 cms. 8. Pink fabric rose with six green fabric leaves attached to the back . 13 cms X 10 cms. (.Pale pink fabric rose backed with three green paper leaves, loops of pink ribbon, six small pink fabric flowers and two sprays of brown fern like leaves. 14 cms X 10 cms.ephemera, mementoes, box of flower brooches and pins

A shaving scuttle and shaving mug were developed around the 19th century with the first patent for a shaving mug dating to 1867.[8] As hot water was not common in many households, one way to provide hot lather was to use a scuttle or mug. A traditional scuttle resembles a teapot with a wide spout where hot water is poured in, and this is where it differs from a shaving mug, which has no spout. Both shaving scuttles and mugs usually have a handle, but some have none. Shaving mugs often look like a standard mug, however, some also have a built in brush rest, so the brush does not sit in lather. Modern versions of the scuttle are in limited production, usually by independent potters working in small volumes.[9] At the top of the scuttle or mug is a soap holder. Traditionally, it was used with a hard block of shaving soap (rather than soft soap or cream) and therefore had drain holes at the bottom. Later scuttles and mugs do not include the holes, and thus can be used with creams and soft soaps. Some scuttles and mugs have concentric circles on the bottom, which retain some water thus helping to build lather.[9] In use, the shaving brush is dunked into the wide spout, allowing it to soak into the water and heat up. The soap is placed in the soap holder. When needed, one can take the brush and brush it against the soap, bringing up a layer of lather; excess water is drained back. This allows conservation of water and soap, whilst retaining enough heat to ensure a long shave. Source: www.wikipedia.org Local social historyOrnate white china mug with handle. Cup side to hold brush and saucer shaped top with 3 drainage holes. Gold painted decoration and flower garland of pink and yellow roses. Mother of pearl effect over sides.Made in Germanyshaving, item, china, mug, bathroom, men, personal, toiletry

Program, Bendigo Repertory Society presents ''Two Dozen Red Roses'' by Kenneth Horne.Girton Hall, Vine Street. Tuesday April 29th, Wednesday 30th, Thursday May 1st 1958. Programme One Shilling. Copyright 1953Bolton Bros.Pty. Ltd. Printers, Bendigo.program, theatre, bendigo repertory society

Document. Greeting Cards. Mauve? Coloured card with horizontal and vertical patterned lines. In the top left corner is a vase of pink roses with branches hanging down. Vase has gold dotted pattern hanging from the top and base.person, greeting cards, malone collection, malone collection, greeting cards

Certificate of Merit presented to Mr. A. Maher Junior of Sandhurst for collection of roses and pansies by the Bendigo Miners' Association Flower Show Eaglehawk October 22nd 1888. Printed on stiff card in red and blue with a border of Art Nouveau Designs.person, individual, a maher

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of lions and rose bushes above the letters SS in a knot design in burgundy on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

Pale pink nylon 1958 nightdress showing signs of pink roses and green leaves pattern that has been washed out. Gathered under the bust on to a band, frill on top and roulean straps. Gathered skirt of two layers.nilcostume, female underwear

Dawn Smith Collection. Black & White Photograph Queen's Gardens, Bendigo Souvenir Set c1929 The Rose Series Photo 10427. Statue of Queen Victoria, Soldier's Memorial Institute & Post Office Clock Tower. Still Image.bendigo, tourism, queen's gardens

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Knitting pattern book, 24pp. Cover printed in colour with a photo of a woman wearing a light yellow cardigan heavily embroidered with colour flowers. She is standing in front of a rose bush. Contains knitting patterns and photos of womens garments.PATONS / AND / BALDWINS' / No. 49 / "P&B" / BRAND / SPECIALTY / Knitting Book / "P&B" / BRAND / TEN ULTRA - SMART MODELS . . . SIXPENCEknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history, fashion, clothing

Newspaper cutting. Outside Pavilion entrance. Observors appear to be the general public, the 2 young women seated on the ground may be students. Pasted on inside cover of, "The Australian Rose Annual 1930, " on the outside of which is written, "George Russ."pavilion, general public, women, students, the australian rose annual, 1930, george russ, pruning demonstration, rose pruning

Believed to be looking east along Eltham Road towards Eltham from around the top of the hill near the present day Andrew Yandell Habitat Reserve. Eltham Road, Greensborough followed what is now St Helena Road from Main Road Greensborough running into Karingal Drive and Sherbourne Road finishing at Bridge Street, Eltham. It was renamed sometime between 1968 and 1970. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 13.9 cmEltham Road, Greensboroughpostcard, travel, rose stereograph company, glass plate negative, greensborough, cutting, eltham road, karingal drive, st helena road, peter and elizabeth pidgeon collection