Purchased 1919

Purchased 1942

Gift of Miss Lucy Newell, 1972

Gift of Burnell Family in memory of John G. Burnell and his wife Adele, 1989

INFORMATION, JAMES HENRY GOLDSWORTHY SHOLL , BORNE JUNE 1836, CORNWALL,UK. MARRIED EMILY BENNETT BORN NOVEMBER 1835,CORNWALL ON FEBRUARY 1857. ARRIVED IN AUSTRALIA 1863. SCHOLL MASTER AT CLUNES.. CHILDREN BORN AT CLUNES WERE- LAURA1864,EDITH 1865, THELMA1867, ANNE1868, ARTHUR1870, BESSY1871, JULIA 1873, ALBERT18875, BERTHA 1877, LILY1880. PHOTO TAKEN APPROX.1879, HOLDING BERTHA ,[FROM LEFT] ALBERT, LAURA, ARTHUR, ANNE,. SCHOOL TEACHER'S HOUSE AT CLUNES.BLACK AND WHITE PHOTOCOPY OF PHOTOGRAPH OF THE FAMILY OF JAMES HENRY GOLDSWORTHY SHOLL TAKEN OUTSIDE THEIR HOUSElocal history, photography, photographs, sholl, james henry goldsworthy

MRS LAURA HUDSON LIVED TO 105 YEARS. SHE WAS PRESENT AT THE OPENING OF CLUNES DISTRICT HOSPITAL IN 1948 AND WAS PRESENTED WITH A POSY OF FLOWERS.BLACK AND WHITE PHOTOGRAPH OF MR. ARTHUR LEAN - SON IN LAW OF MRS. LAURA HUDSON, BOTH PICTURED OUTSIDE THE PORCH OF CLUNES DISTRICT HOSPITAL.TO MONICA WITH LOVE FROM MRS. HUDSON TAKEN SEPTEMBER 5TH. 1948local history, photography, photographs, early citizens.

.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .2 COPY OF ABOVE PRINTED ON PHOTOGRAPHIC PAPER TOWN CLERK & SURVEYOR, BARTSON, ARTHUR. FROM COLLAGE REG 822local history, photography, photograph, councillors

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

Helen A’Beckett Read is a traditional painter who did not start her career until later in life. Her art style in Nocturne can be described as contemporary impressionism, as the use of a tonal colour palette and the style of brushstrokes are impressionistic while the style of the landscape depiction is contemporary. While Helen A’Beckett Read is an accomplished artist in her own merit, she is also a member of the famous Boyd family being the daughter of Arthur Boyd and Emma Minnie A'Beckett.ContemporaryRural City of Wangaratta Council Collection. Purchased with funds from the Wangaratta Arts Council.A landscape oil painting of a night scene painted in the traditional style using shades of blue, brown, green and yellow.Obverse: Helen Read/ 1980/wangaratta art gallery, helen a'beckett read, the boyd family, landscape, painting

Gregory is from an artistic family who are well known for their maritime paintings, with his father being G. F. Gregory. Through his paintings, Gregory has left a valuable record of the maritime history in Australia.maritime artRural City of Wangaratta Collection. Gift of Transatlantic Steamship Company, Gothenburg.A maritime painting of a steamship in watercolour and gouache.Obverse: WANGARATTA/ Off Gabo/ A. V. Gregory (along bottom edge of painting) PRESENTED TO THE BOROUGH OF WANGARATTA/ BY THE CAPTAIN OF THE M V WANGARATTA/ OWNED BY TRANSATLANTIC STEAMSHIP CO LTD/ GOTHENBURG/ February 1946/ (inscription of plaque mounted to frame)wangaratta art gallery, maritime art, arthur victor gregory, wangaratta, gabo

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

From a family who had three generations that worked for Dennys Lascelles. Image depicts seven men in suits sitting and standing in front of a wall of wool. Believed to feature Arthur Ganly at back left side standing. Also features DPC Wilson seated, who would become Director of Dennys Lascelles.Green/grey cardboard backing with black and white photo attached. Photo depcits seven men in suits, four standing and three seated in front of a wall of wool. DPC Wilson, future Director of Dennys Lascelles is seated. Back of item has names written in pencil, but they are very difficult to make out.

From a family who had three generations that worked for Dennys Lascelles. This image depicts Arthur Ganly as a young man taking a break from painting the inside of one of the Dennys Lascelles wool store buildings. Ganly is third from the left with arms folded smoking a pipe.Grey cardboard backing with black and white attached. Photo depicts six men seemingly taking a break from painting. Five of the men are smoking pipes. The men are covered with paint drops and there are paint buckets on the ground in front of them. Many areas of spotting/foxing across backing and photo.

From a family who had three generations that worked for Dennys Lascelles. This is a staff photo from c1899 featuring Arthur Ganly in the back row, second form the right.Pale cardboard backing with black and white photo attached. Photo depicts men wearing suits and arranged in three rows as if for a staff photo. Could be the outside of the Dennys Lascelles wool store building. Heavy foxing/spotting all over backing and image. Pencil writing on the back that is difficult to make out.dennys lascelles, arthur ganly, employee, worker

Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.weaving, brodie, mr fred k. - gordon institute of technology, textile department farnworth, mr arthur j - australian wool board

Photograph shows members of the Bubb family cutting ironbark logs in the Anglesea forest for their sawmill. The sawmill was established after WW2 to provide work for his sons. The sons who worked at the mill were Arthur, Harold (aka Jimmy), and Robert all of whom are buried at Bellbrae cemetery. As well as providing timber for their own use, Bubbs' timber was used in many homes around the Anglesea and Bellbrae areas.The Bubb family was a prominent pioneer family in the Bellbrae district.Black and white photographbellbrae victoria pioneer families

People - "Francis, Lorna & Arthur" Buildings - Church

People - "Lim George, Margaret (Lipp), Arthur, Ada, Raymond, Herbert"

People - "Dodd, Mary (Nee Dawson), George Arthur, Frances Edna Amelia" Buildings - Weatherboard House?

People - "Blair, Queenie & Sylvia & Arthur Hamilton" Buildings - Garden

People - "Blair, Queenie, Sylvia, Arthur, Daisy, Mrs, Lewis, Lily" Buildings - "Garden, Outhouses"

People - "Hooppell, John Arthur; Mcrae, Jane" Buildings - Studio Portrait

People - "Hooppell, John Arthur And ? Son Albert" Buildings - Studio Portrait