Softcoverwalsh st library

Hardcover with Dust JacketFirst page "Tony Radden / 45 Bell St, /Fitzroy / 413901"carpentry handbook, manual, walsh st library

This issue was devoted to Plants Indoor. The illustrations by Gordon Cullen, an British architect and urban designer in the Townscape movement."Robin Boyd" on top right cover corner in Patricia Boyd's handwritinggordon cullen, nikolaus pevsner, j.m. richards, walsh st library

Hardcover w/ Dust JacketStamped: Library of John Dowell Daviesjapan, society, civilization, walsh st library

Hardcover w/ Dust Jacket"32" inside front coveramerican literature, walsh st library

Hardcover w/ Dust Jacketbritish biography , walsh st library

Hardcover w/ Dust Jacketaustralian biography, politics, government, walsh st library

Hardcover w/Dust Jacketbritish biography, max aitken beaverbrook, publishers and publishing, walsh st library

Hardcover w/ Dust Jackethumour , walsh st library

Hardcover w/Dust Jacketeconomics, society, walsh st library

Softcover, Magazineaustralian architecture, walsh st library

Softcover, Magazineaustralian architecture, walsh st library

Journal of the Royal Australian Institute of ArchitectsPatricia Boydwalsh st library

Hardcover w/dust jacketwalsh st library

Hardcover w/ Dust JacketTo Rod , Love from Suzy Christmas 1968/inside front pagescience fiction, walsh st library

Hardcover"K R/A"fiction usa , walsh st library

Softcoveraustralian nature, walsh st library

Journal style notes with maps and illustrations of the journey of Major Mitchell.maps, b&w illustrations, colour illustrations, tablesthomas mitchell, australia felix, northern victoria, western victoria, local history, exploration

This monograph concerns Eastern Victoria and Southern New South Wales and reviews the ethnographic record available for the study area. A test case is made of one tribe within the study area which requires further research. Overall, the literature review and the case study demonstrate that the ability to undertake detailed reconstructions, as Clark and Barwick have done for the other regions, can be undertaken in Eastern Victoria and Southern New South Wales, and this model will form the basis of future research.maps, b&w illustrations, b&w photographs, document reproductions, tableswoiworung, bunurong, taungurong, ngurai-illam-wurung, bidawal, maap, norman tindale, diane barwick, aldo massola, eve fesl, ian david clark, george augustus robinson, reverend john bulmer, robert brough smyth, alfred william howitt, moieties, clan names

Arranged in family (type) groups with photos and detailed descriptions of each mammal.Maps, colour photographs, b&w photographs, graphsmammals, fauna, victoria

This photo was taken on a track outside one of the wards up at the Sunbury Asylum.Faded sepia photo of carriage drawn by 2 horses with 1 male standing near the horse's head and 1 adult male seated with 1 male child in carriage.Written across bottom under photo in blue biro: Superintendents Carriage. ASYLUM. SUNBURY ABOUT 1870dixon, c., transport, horse drawn vehicles, clothing and dress, sunbury asylum, hospital for the insane, mental health, photographers, george evans collection

Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar