British military saddle as used in WW1. The saddles were designed to have interchangeable parts, making them easy to repair.Military steel arch brown leather saddle. Tree is made of wood with thick blue felt pads and leather attachments. Neither is original. Various brass rings located on the saddle for attaching sundry equipment. Brown leather strap with silver coloured metal buckle attached to the rear right hand side of the tree. No stirrups, stirrup leathers or girth attached. The leather seat covers the frame of the saddle between the front and rear arches and is connected to them by khaki webbing and leather laces. Leather sweat flaps on each side. Leather straps and brass buckles on the front of each pad.Stamped on the front of the seat: '1916, 13'. Stamped on each sweat flap: '1916, 13'.military equipment, saddle, horse equipment, transport

Peaked uniform cap worn by members of the Luftwaffe Flak Group Pattern is NCO pattern dated 1939. Note refers to Waffenfabre which translates to Weapons Factory.Predominately black peaked hat. Top portion black felt with red edging and emblem of silver eagle carrying a Swaztika on front. Middle portion is black cotton material band, 5 cm wide with emblem of laurel wreath in silver and wings coming out each side. A blue, silver and red button in middle. Peak is black leather on outside and cream plastic on inside. Black buckled chin strap on bottom broken from stud on right side. Inside lined with orange material with brown leather lining on rim. Plastic clear diamnon label over label.Size " 56" Label "Landes. Lief. Gen d." "Randwerks" "Berlin No. 18 Lieferjahr 1939". (maybe) "Korschnet. H. Maizenwacher". german uniform, ww2, waffenfabre

Shows Mrs J. Brown, one of her four daughtrers and her two sons who died in World War One with their dog posing in front of fence of Headmaster's house, at Eltham State School, Dalton Street. Date circa 1902. The building still stands. Reproduced p66 of Pioneers & Painters Mrs Jane Elizabeth Brown (nee Staines) and three children of her large family who left the Headmaster's residence when John Brown (Headmaster 1889-1906) died (on the job) in 1906. John and Jane had ten children eight girls and two boys. Their two sons both died in the 1914-1918 War; George Stewart Brown (1885-1916) and John Leonard Brown (1887-1918). The young girl may be Elsie Maria Brown (1889-1917) which would date the photo around 1902. Wall Bros operated at St Kilda from around 1889 to 1903. John Brown died 23 Sept 1906 after a short severe illness at age 55 and is buried in Box Hill Cemetery (Evelyn Observer 28 Sep 1906 p2). The book "We did open a school in Little Eltham" incorrectly states his date of death as 16/12/1906. Title The Evelyn Observer. (1906, September 28). Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), p. 2 (MORNING.) Url http://nla.gov.au/nla.news-article61129880 Description It is with sincere regret we record the death of Mr. John Brown, State school teacher, Eltham, which sad event took place at his residence, "Pine Brae," on Sunday night last, 23rd inst. after a severe illness of some few weeks' duration. The deceased gentleman was highly respected, and always took a lively and active interest in promoting the progress and prosperity of the district, and his loss will be much felt, He was only 55 years of age, and leaves a wife and large family to mourn their loss, and much sympathy is felt for them. The remains of the deceased were interred in the Box Hill cemetery on Wednesday afternoon last. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Sepia photo B&W printSepia photo reverse: Miss Tonkinson Used Pioneers and Painters p66 Could be Miss Brown and part of her family who left the Headmaster's residence when John Brown (Headmaster 1889-1906) died (on the job) in 1906. Then 2 sons both died in the 1914-1918 War Between 1888 and prior to 1906. Also Wall Bros. St Kilda stamp B&W print: 66 and 9 7/16" x 5 5/8" deep (for publication on p66 of Pioneers & Painters)sepp, shire of eltham pioneers photograph collection, state school residence, eltham state school, state school no. 209, dalton street, eltham primary school, teacher residence, eltham, headmaster, houses, main road, pioneers and painters, school, school residence, schools, george stewart brown (1885-1916), elsie maria brown (1889-1917), john leonard brown (1887-1918), jane elizabeth brown (nee staines)

At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.)

Standing figurine of an obstetrician holding a baby. The figurine is made of felt, likely with a wire frame. The obstetrician is wearing full linen surgical attire, with white trousers, surgical gown, and surgical cap. The surgical gown has a large pocket at the front, containing a set or forceps. The obstetrician has black, curly hair, blue eyes and is wearing wire framed glasses. The baby is being held at head height, with ankles being held in the left and and the baby's upper legs being held in the right. The obstetrician's head is bent backwards as if the obstetrician is examining the baby's legs or ankles. The baby has curly pink hair.

Cartoon style drawing by Mullin depicting at left Trabert asking Seixas: 'NONE OF/ THOSE AUSSIES / AROUND HERE / ARE THERE?'. At right, upside down, a caricatured depiction of Rosewall and Hoad with caption: 'BACK FROM / DOWN UNDER,/ OUR VERY/ UNSUCCESSFUL /DAVIS CUP /TEAM IS NOW/ PLAYING IN / THE NAT'L / INDOOR / TOURNEY / AT THE 7TH / REGIMENT / ARMORY'. Also insc. in blue pencil: WT & SUN/SPORTS'. Also dated: '2-19-54'. Refers to Australia only loss of the Davis Cup during 1950s, being to the U.S. team. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felttennis

1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. “R.W” written in ink. Written in texta, inside leather band is: - “Atkinson 2794820”38 bn, post ww2, cmf, passchendaele barracks trust

Memos - carbon copy on quarto paper - from the Publicity Officer to the Chairman regarding a window display in Victoria House London, dated 4/10/19?9? (Year only typed as a 9). Refers to a letter from Sir Norman Martin. Suggests two large photos of the SW6 trams exterior and interior, and the possibility of a scale model by Meadmore Engineering where Peter Duckett works and notes that Mr. Bell gave him recently a controller. Has a reference to Mr. Bell. Mr Risson commenced work on 1/10/1949 though in correspondence with Paul Nicholson, he felt that 1949 would be correct.Initialled by Lewis Russell.trams, tramways, sw6 class, london, models

This hat is one worn by members of the Boy Scouts. Warrnambool today has two Boy Scout groups and Allansford has one. The Warrnambool Tooram group has halls at the corner of Banyan and Timor Streets and in Otway Road and the Warrnambool Norfolk group has its headquarters at the corner of Kepler Street and Raglan Parade. This hat is of interest as an example of the hat worn by scouts in Warrnambool in the 20th century. The same type of hat is still worn by Boy Scouts today. This is a khaki felt hat with a wide brim The crown is folded in 4 sections with four eyelets. There is a brown leather band around the crown and a silver-coloured buckle and two silver studs. The band is adjustable and a piece of string with a knot is used for adjusting the chin strap and for hanging the hat on a peg. The chin strap is made of plaited leather and the inside is slightly stained. The hat is slotted into a wooden frame made of varnished plyboard. The frame is U shaped with two straight sides. A smaller added section of plyboard has been placed on top of the frame and this has an opening at the top to allow the hat brim to slot into the frame. This frame appears to be home-made. scouting in warrnambool, history of warrnambool

Navy-black coloured peaked cap with red piping trim along peak. Red felt band encircles the band. Black patent leather chin strap is held in place with two gold buttons on either side, each depicting a crown above the map of Australia. Gold badge in centre depicts kangaroo in front of crossed rifles underneath a crown with oak leaves forming an arch eitehr side. Interior brim is green with black patent leather trim; brown leather sweatband with holes for air cirulation, tied at back with cream silk bow. Top of hat is covered with plastic layer, underneath which is the manufacturer’s label and a sticker for size.Sticker reads “6 7/8”, and manufacturer’s label reads “MELBOURNE 36 1218/EMERCO/REG TRADE MARK/THIS IS YOUR GUARANTEE FOR QUALITY/MADE IN AUSTRALIA”. Badge reads “DUTY FIRST/ROYAL AUSTRALIAN REGIMENT”.royal australian regiment, rar, army, uniform

Framed collection consisting of a large number of World War 1 era military badges and insignia from Australia, New Zealand, Britain and other countries. The collection features a set of three medals as the centrepiece which were awarded to an Australian serviceman, Acting Warrant Officer Alwin Stevens Nicholas, service number 4752 of the 3rd Australian General Hospital, Australian Medical Corp, A.I.F. The metal badges and insignia are mounted on a black felt cloth background over a wooden backing and housed in a wooden frame. There is no glass front to the frame. for more details about A S Nicholas refer: < https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=7998061 >none

Hughy Pippin. Refer 1502 medals, 1513.4 documents..1 Medallion, brass, star shaped with circular floral arrangement. Centre is shield with what appears to be "HP" with floral arrangement. Rear is engraved, top has small ring for a chain. .2 Small box, hinged, rectangular shape. Felt lined and held .1. .3 Colour patch, oval shaped, purple over red, 38th Btn AIF. .4 RSL membership badge, large version with 2 central figures. Stamped number on rear, 2 lugs on rear tor attaching to clothing. .5 badge, bronze, circular with crown atop and rising sun in centre. Underneath rising sun is a scroll with "Australian Military Forces" and underneath "AIF".1 "Presented to No 1895 Lance Corporal Hugh Pippin 38th Battalion AIF by the Euston Reception committee for returned soldiers 2.5.19" .4 "Returned Sailors & Soldiers Imperial League Australia 63256" .5 "Returned from Active Service 262541"numismatics-medallions, badges, uniforms-army, badges, containers-commercial, metalcraft-brassware, bronzeware, service clubs

The best example of a complete [ca.1900's] uniform of a Alfred Hospital Nursing Student uniformTrainee Nurses Uniform compiled from multiple donations. Mop hat made from organza and grosgrain ribbon,is a reproduction. The dress is a fine herringbone cotton fabric circa 1920. Apron with high round neck [circa 1920] starched cotton, has a repaired tear in the bib, hand darning to tears. Rust mark on right shoulder. 2 starched cuffs with rust marks. Belt starched cotton, Key chain [reproduction] with small metal scissors and 4 keys. Arm band cotton material with full red Maltese cross badge made of felted wool on cotton. The full red cross was worn after the final exam.

Jacket painting by Clifton Pugh. "Eltham Shire is a well known as a district in which a large number of painters, sculptors, potters, writers and other creative people, The early settlers were, for the most part, resourceful and far-sighted ; the present residents are no less so. Mention the name Eltham and many things spring to mind ; conservation ; the integration of architecture with the environment ; mud-brick buildings; Montsalvat - the list is endless. In 1971, the centenary of the Shire's birth, the Council felt that the publication of a history would fittingly mark more than a century of achievement.." - Dust jacket. Contents: The Beginning Kangaroo Ground Education at Kangaroo Ground The Days of Gold Queenstown Panton Hill The Pioneer Women Christmas Hills and Yarra Glen Eltham Education at Eltham and Research Kinglake Hurstbridge by Sheila Ferguson Montmorency and Lower Plenty The New Way of Life Old Identities Eltham in modern times Educationalists and Writers Earth building in Eltham Early Painters by Peter Glass Painters Today by Peter Glass Warrandyte painters and Potters by Peter Glass Wildlife Present day This book provides a comprehensive history of the former Shire of Eltham and its first one hundred years. Hardback Book with Dust Jacket - 144 p. : illus. (part col.) ; ISBN 0170019489 eltham, alan marshall, shire of eltham, clifton pugh

These boots belonged to Captain Charlie Rogers of the Australian Army who wore these and ceremonial regalia when he was part of the Guard of Honour during the visit of the Duke of Gloucester in 1934. The visit was part of Victoria’s centenary celebrations and the Duke officially opened the Melbourne Shrine of Remembrance. Rogers was a well-known Warrnambool identity in the 1930s, 40s and 50s as a horseman and an Army identity. He built a house in Birdwood Avenue, Warrnambool, in 1935 and was a long-serving Warrnambool Show official as a judge of equine events. Rogers died in 1961. These items are of great interest as examples of the boots worn by Army Lighthorse personnel in the 1930s. The mechanism for keeping the boots in good condition is of some technological interest. They are also of interest because they belonged to a well-known 20th century Warrnambool person. These are two knee-high brown leather boots with brown laces. The boots are slightly scuffed. Inside the boots are two pieces of red-striped canvas. The boots have wooden inserts to support the boots in storage. These wooden inserts, all varnished, are in four pieces - a solid foot shape to fit in the foot of the boots, two pieces shaped to fit the calf of the leg padded with green felt, one with slight indents at the top and the bottom and the other with a decided groove and the centre piece that has a hole cut out to fit the shape of the other two. This last piece has a wooden handle with a metal attachment. There is only one handle as it can be screwed out and fitted to either wooden insert. On the two wooden inserts ‘R ‘ for right and ‘L’ for left, marked twice on each insert.charles rogers, duke of gloucester, warrnambool

This case may have once attached to the belt of a soldier as a carry case for an artillery sight.Dark leather case constructed of two elongated semi-circle shapes, hand or machine stitched with a gusset. Edges trimmed in leather binding and rectangular lid held in place on one side by stitched leather hinge and fastened with metal buckle on other side. Reverse of the case has a leather loop held in place with stitching and 6 metal studs or rivets; a metal rectangular loop is stitched in place with fine wire twisted and attached to loop. Interior of case appears to be felted wool or fibre, cream in colour with small leather loop on right side, perhaps to hold a small accessory. Front of case is stamped with manufacturer's name; lid has remnants of a circular adhesive label.Manufacturer's stamp reads "FRANZ COBAL/BERLIN/1916"carry case, bag, accessory, acoutrement, world war one, military, uniform, world war i, first world war, the great war, germany, german, berlin, franz cobal, franz cobalt, artillery sight

This outfit was worn for competitive riding by Nancy Bland in 1930's.A woman's riding costume. It consists of a brown felt cap (2524.1); a long-sleeved, hand-made black lined coat made of serge with two black buttons and two pockets (2524.2); a cotton cloth badge with "MLC" inside an eight-pointed star pinned to the coat (2524.3); a gold tie clasp with a horse and rider jumping through a horseshoe (2524.4); a black silk tie (2524.6); a hand-made black and white herringbone patterned waistcoat, lined with blue striped silk material (2524.7); a pair of light brown jodhpur style riding breeches with patching on the inside of legs (2524.8); a pair of black leather calf high riding boots with leather soles (2524.9 and 2524.10).2524.6 - "LOWES" 2524.8 - "Rankine & Dorrs Melbourne ARMY STORES REG"equestrian horses jodhpurs outfit-riding bland-nancy

Original drawing by Mullin for cartoon entitled 'THEY NEVER COME BACK', for publication in New York World Telegram. Large central naturalistic portrait of Gonzales, surrounded by caricatured vignettes referencing Gonzales comback in 1964 after semi-retirement. Glass backing on frame reveals handwritten inscr's.: 'MULLIN FOR TUES', 'VIA WESTERN UNION MESSENGER/CHARGE ACC'T WILLARD MULLIN/27 COLONIAL DRIVE PLANDOME L.I./(516) MA 7-2555/ PLEASE RUSH/ TO / ENGRAVING ROOM / 5TH FLOOR / WORLD TELEGRAM / 125 BARCLAY ST. / N.Y.C.' and ' PLEASE/DO NOT/CRUSH'. Frame glazed with UV glass. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felt, Foamboardtennis

This hat is part of the uniform worn by all the Trained nurses (Sisters) of the Melbourne District Nursing Service, (MDNS), during the 1960s. The Sisters travelled around the inner and outer suburbs of Melbourne administering nursing care to patients in their homes. From its earliest years when Melbourne District Nursing Society (MDNS) began to wear uniforms the chosen colour was grey, though the style changed throughout the years as fashions changed from the late 1800s through to the 1970s. The Trained nurses firstly wore long grey frocks and a white cap with a long white tail hanging from the centre back. When bicycles were introduced the headgear changed to a white pith helmet adorned with a red Maltese cross in the centre front. This was held on with a veil going over the hat and tied under the chin. Over the years there were complaints that the veils became wet in the rain and they asked for a change of uniform, but this did not happen until 1921. The nurses complained their skirts became wet when riding their bicycles in the rain and asked, when raining, to be able to wear breeches and gaiters. This was granted provided they wore aprons when attending patients. It was not long before the uniform changed to a shorter length grey frock, red cardigan, grey coat and grey brimmed hat; later changed to a peaked grey hat. In 1966 MDNS were granted Royal patronage. Now as Royal District Nursing Service, RDNS, the uniform was redesigned and colour changed in 1971. By 1972 the Sisters were wearing the new winter uniform of a blue/grey skivvie under a V neck tunic style frock made of blue/grey herringbone winter material with the RDNS insignia on the upper left, and a beret of the same material. In summer the uniform became a royal blue V neck tunic style frock, with the RDNS insignia on the upper left, worn over a short sleeve white blouse. A royal blue peaked hat with the RDNS insignia in the centre front was worn at first and then only worn on official occasions. This uniform was worn until changed to a corporate style in the mid 1980s,A Melbourne District Nursing Service (MDNS) felt grey peaked hat, which has a deep crown and a flat top. Stitching comes from four corners of the crown at an angle to a grey band, which contains several rows of stitching, and surrounds the crown.. A stiff sloping grey brim, containing several rows of stitching, joins the band surrounding the crown, the rear of the brim is turned up and the front forms a peak. A cotton red Maltese cross is sewn to the centre front of the crown and band. A white with blue 'created by Effie Joy' label is attached to the inner hat band along with 'Size 22'. The crown is 9.5 cm deep and the brim is 5 cm deepmdns, melbourne district nursing service, mdns uniforms, rdns, royal district nursing service

Colour patch is probably 2/2nd Heavy Anti Aircraft Regiment.1. Jacket, wool. Colour sort of grey tinted khaki. Has 4 front pockets. Buttons are darkened AMF type - 4 on front. Epaulettes have darkened "AUSTRALIA" name badge on each collar have darkened Rising Sun Badges. Shoulders have a triangular shaped colour patch. Red and Blue triangle on grey felt triangle. Chest has a ribbon bar showing 4 service medals. 2. Trousers - wool - colour Khaki. 3. Hat - Khaki, slouch. WW1 style hat band. Darkened Rising Sun Badge- AMF. Service ribbons are; 39 - 45 star. Pacific Star. British War Medal. Australian Service medal.Trousers - in green texta - “21-95” in waistline.ww2, uniform, army, passchendaele barracks trust

1. Jacket, Khaki Woollen. Four pockets held shut with copper buttons. Four copper buttons on central front. Two Rising Sun Badges (darkened) on collars. Metal "Australia" badges on each epaulette. 38 Bn colour patch on right shoulder. 2. Trousers - Khaki Woollen. Fly held shut with 6 Bakelite buttons. No belt loops - buttons for braces. Trousers are cuffless. 3. Hat Khaki - fur felt. Light khaki puggaree. Copper A.C.M.F. badge. 4.& 5. Puttee, khaki Woollen. It has a 25mm wide tape at one end. It's length is 116 cm. The broad piece is 202 cm long. Width 10cm 1. Written inside, appears to be "L. Townsend". Stamped date of 1943 has '3' crossed out and '6' inserted.38 bn, aust, ww2, passchendaele barracks trust

This publication covers the mid 1900s and relates to a period where the majority of the Australian population was engrossed with the Queen of Australia, even though her Highness did not reside on this continent. The period covered was before the great immigration insurgence from Europe.The Labour Party's "White Australian" policy was a hinderance and a barrier towards the Asian and African prospective immigrants. The motto Queen and Country was still very ingrained in the rural population. This period in Australian domestic self reliance, brought about the growing strength and very active trade union movement and their staunch support for the Tariff protection against a growing swell of imported goods. This self reliance psyche was essentially a by product of World War II, and the isolation felt by the Australian People. The Queen (royalty) was the binding force holding the British Empire together which was emphasised with her popularity when touring Australia Queen Elizabeth's visited the MCG twice in 1954 1. to attend an assembly of ex-servicemen and women's organisations 2. to attend a Children's Display. She also visited Government House and visited Country Victoria on the Royal train from 24th Feb - 9th March.The Kiewa Valley and all the rural areas in the region were still very much tied to the "mother land" and trade between Britain and Australia was very strong. Trade with Asian manufacturers was minimal and needed the late 1900s to see both the trade and immigration barriers fall. This book was produced during a time when the majority of Australians looked more to England for trade and companionship. The agricultural trade with England and Europe was very high and the motto of the time was "Australia grows on the sheep's back". Late 1900's saw the motto "Australia grows on the miner's back" The Queen was still very popular then which was emphasised by the large crowds which greeted her on tour. Residents of Mt Beauty including Cubs, Brownies, Scouts and Guides travelled to Benalla to see the Queen. Clare Roper was a founding member of the KVHS and attended a garden party at Buckingham Palace representing the local CWA. She has purchased this book and therefore giving this a close historical significance connection, it has good provenance and interpretive capacity. This hard(blue coloured) covered book contains thirty six double sided pages. Both the first and last pages (inside cover included) has the royal crest of Australia (kangaroo and emu) balancing the individual six states crests ,united under the royal crown. The first six double pages, each portraying a coloured free hand sketches of various Australian scenery enclosing the Queen's day by day and State by State itinerary. There are 115 black and white photographs and 25 coloured photographs contained in this book.Third page has free hand penned signature "Clare Roper"1954 royal tour, queen elizabeth ii monarchy, british empire in the 1900s, god save the queen.

Worldwide, more than 100 million lambs are castrated, and their tails are docked each year. Numnuts is a technological innovation to improve animal welfare. It combines traditions with innovation. In the mid-1990s it was scientifically shown that the immense pain felt during castration and tail docking could be significantly reduced with the use of anaesthetic. For the next 15 years, the industry said the cost the welfare devices and development were too high. But todays ethical consumer has demanded that sheep have no more pain. Initiated in Glasgow in 2009, Numnuts took nearly a decade to develop. Here you can see five stages of development, from an early prototype to the Numnuts device farmers use today. Each phase of development took years of on-farm trails to achieve the final product. Today there is even NumOcaine, an approved local anaesthetic used by Numnuts. Using the simple elastrator ring and adding an anaesthetic injector, Numnuts delivers pain relief during tail docking and castration. In the world’s first rubber ring applicator with a pain relief delivery mechanism. Through innovation and consumer pressure the wool industry is going through a moment of rapid change.Four prototype numnuts tools made from white plastic and stainless steel, each in varying stages of production. FInalised version made with black, orange and clear plastics.8097.2 - Mk4 8097.3 - Numnuts Tool V7; 20 10 0 8097.4 - On label - Numnuts NumOcaine 100ml 65 proceeduressheep, tools, castration, innovation, docking

Worldwide, more than 100 million lambs are castrated, and their tails are docked each year. Numnuts is a technological innovation to improve animal welfare. It combines traditions with innovation. In the mid-1990s it was scientifically shown that the immense pain felt during castration and tail docking could be significantly reduced with the use of anaesthetic. For the next 15 years, the industry said the cost the welfare devices and development were too high. But todays ethical consumer has demanded that sheep have no more pain. Initiated in Glasgow in 2009, Numnuts took nearly a decade to develop. Here you can see five stages of development, from an early prototype to the Numnuts device farmers use today. Each phase of development took years of on-farm trails to achieve the final product. Today there is even NumOcaine, an approved local anaesthetic used by Numnuts. Using the simple elastrator ring and adding an anaesthetic injector, Numnuts delivers pain relief during tail docking and castration. In the world’s first rubber ring applicator with a pain relief delivery mechanism. Through innovation and consumer pressure the wool industry is going through a moment of rapid change.8098.1 - Numnuts tool made with stainless steel and black, orange and grey plastic. 8098.2 - Glass bottle with orange and grey plastic nozzle containing water for injection. 8098.3 - Yellow plastic case containing 12 stainless steel needles 8098.4 - 10 green plastic elastrator rings 8098.5 - Product cardboard box with the product image on the front8097.2 - on label - For animal treatment only WATER FOR INJECTION 100mL 8097.3 - On case - numnuts 12x Veterinary Hypodermic Needles On needdles - 18G 8097.5 - Numnuts targeted pain relief for tail docking and castrationnumnuts, tools, sheep, castration, docking

I have lived in Box Hill now City of Whitehorse since 1970 I have belonged to Box Hill Spinners and Weavers Inc. since 1990.During the 90s' Box Hill Spinners and Weavers participated in the Annual Sheep and Woolcraft Show, at that time held in the Melbourne Showground. As well as submitting individual entries we always entered the Group Competition, known as the '5 articles' the entry had to have 5 separate articles made by a group and displaying different woolcraft techniques . In 1997 our Box Hill entry focused on 'The Planets' featuring five capes. The red one representing Mars the red planet. It was woven. The dark cape represented Jupiter. It was also woven. the Neptune cape was felted in blue and greens. The Earth cape featured knitting and crochet. My contribution was the Venus cape featuring spinning from raw merino fleece and silk. Once completed this wool/silk yarn was fashioned using hairpin lace. I was adept at spinning by this time but knew nothing about the old technique of hairpin lace. Box Hill Spinners and Weavers won First Prize. Margaret Dimelow.Cream coloured cape spun from raw merino fleece and silk, technique is hairpin lacecostume, female