Showing 21586 items
matching no 12.
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Bendigo Historical Society Inc.
Slide - GARDEN 12 HOPE STREET, Jan1963
Slide. Garden 12 Hope Street. Tree & Grey bushy shrub at side of house.slide, bendigo, garden 12 hope street., garden 12 hope street. -
Bendigo Historical Society Inc.
Slide - GARDEN-12 HOPE STREET, Jan 1963
Slide. Garden-12 Hope Street. A spider having a bug meal on a green leaf.slide, bendigo, garden-12 hope street., garden-12 hope street. -
Greensborough Historical Society
Newspaper clipping, Award for a man of actions, 18/12/2013
Parade College graduate Lucas Zugaro earned the Victorian Curriculum and Assessment Board's 2013 VCE Leadership Award for his social justice work during his senior school years.News clipping, black text, colour image.Source written on fron: DV Leader 18/12/2013parade college, lucas zugaro -
Ringwood and District Historical Society
Photograph, March past Ringwood Clocktower in Dec 1967
Written on back of photograph, 'March past, 9/12/67'. -
Ringwood and District Historical Society
Photograph, Ringwood clocktower dedication Dec 1967
Written on back of photograph, 'Crowd at tower, 9/12/67'. -
Ringwood and District Historical Society
Photograph, V.I.P.s at Ringwood clocktower dedication Dec 1967
Written on back of photograph, 'V.I.P.s at tower, 8/12/67'. -
The Beechworth Burke Museum
Animal specimen - Grey Shrike-Thrush, Trustees of the Australian Museum, 1860-1880
The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica -
Wangaratta RSL Sub Branch
Shield, 30-12-1939
Probably donated by Commercial Club AlburyWooden shield with cast metal slouch hat (no rising sun badge) in the centre, attached with three screws. Beneath that, a brass badge of Australia. "Diggers Day Commercial Club Albury the 30-12-1939" slouch hat, shield, albury, commercial club, diggers day -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Magazine image of the model of the Cathedral of Brasilia, Brasília, Brazil. (Architect: Oscar Niemeyer.)I (Handwritten) / 9 (Handwritten) / Encircled 12 (Handwritten-Cancelled)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Colour slide in a mount. Commonwealth Offices, Spring Street, Melbourne. (Architect: Cynthia Teague of Commonwealth Dept of Works.)Made in Australia / 12 / JUN 67M6 / Encircled 33 (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Book, Daisy Ashford, The Young Visiters, 1957
Hardcover w/ Dust Jacket"Mandie Boyd, 25/12/59" inside front coverwalsh st library -
Stawell Historical Society Inc
Archive - Record Book, Employee Records 14/12/70 to 22/05/72
Employee Records from Norwellen Now closedCardboard oblong book stapled tape over spineEmployee Records 14/12/70 to 22/05/75 -
Montsalvat
Pendant Necklace, Adam and Eve
Silver rounded square pendant depicting a male and female to the right and left of a central fruit tree. The pendant has an attached barrel ring and cable chain with decorative S clasp with curlycues. Intersecting MS mark; two pin holes at 12 and 6. matcham skipper, pendant, necklace, silver, jewellery -
Montsalvat
Silver Amulet, Angel
Silver rounded square amulet depicting an angel.Intersecting MS mark; two pin holes at 12 and 6. matcham skipper, amulet, silver, jewellery, angel -
National Wool Museum
Memorandum, [Memo (1896) from Dennys Lascelles Austin & Co to H Lovell esq, Studbrook, Birregurra]
Memo (1896) from Dennys Lascelles Austin & Co to H Lovell esq, Studbrook, Birregurra12 Dec 1896/ H Lovell Esq/ Studbrook/ Birregurrapastoral industry - history wool brokering, armytage, g, birregurra, studbrook, pastoral industry - history, wool brokering -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Colour slide in a mount. Coastline, unknown locationMade in Australia / 16 / JUN 67M1 / Encircled 12 (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Harvey Court, Cambridge University, Cambridge, England, 1962. (Architect: Leslie Martin.)Made in Australia / 28 / AUG 64M / Encircled 12 (Handwritten)england, slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. CBS Building (left) (1961-4), New York, New York, USA. (Architect: Eero Saarinen.)Made in Australia / 12 / JUL 69M2 / Encircled 41 (Handwritten)new york, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Hayward Gallery (1968), South Bank, London, England . (Architects: Norman Engleback, Ron Herron, Warren Chalk and John Attenborough.)Made in Australia / 19 / MAY 69M2 / Encircled 12 (Handwritten)london, slide -
Hume City Civic Collection
Photograph, c1914 -1918
A photo of a soldier in World War 1 uniform.An unmounted black and white photograph of a soldier in World War 1 uniform - believed to be Mr. Jamisonon back: bottom RH corner in pencil: Jamison 12 Brworld war 1, soldiers, armed forces, uniforms, clothing and dress, jamison, - (mr), photographers, humphrey, t., george evans collection -
Kew Historical Society Inc
Photograph, Portrait of Winifred Noble, c.1910
One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew -
Orbost & District Historical Society
card, Late 19th century before 1890
A folded New Year's greeting card. It is decorated on all four sides. It has floral illustrations and greetings. The card is fringed with a fine burgundy coloured cotton thread and has a small purple tassel attached to the front page.Inside - "To Father from Maggie and Don -31-12-90"new-year-card greeting-card stationery -
Port Melbourne Historical & Preservation Society
Document - Advertising circular, Australasian Oil and Paint Company, Jan 1893
A circular from the Australasian Oil and Paint Company advertising its wares. Received by the Town Clerk in 1893Paint prices 6/- to 12/- Carbo Oil prices 3/-business and traders - paints/chemicals, industry, edward c crockford, town clerks -
Churchill Island Heritage Farm
Photograph of cleared land, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages. Black and white photograph of cleared land and young trees with white border.Catalogue number in pencil on reverse. "SG667/12"on reverse in pencilchurchill island, planting -
Hawthorn Historical Society
Drawing - Property Illustration, 12 Muir Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.12 MUIR ST, HAWTHORN Margaret Picken ~96 WOODARDS artist - margaret picken 1950- -
Melbourne Legacy
Slide, Legacy House in Market Street, 1957
A slide image of the old Legacy House in Market Street from 1957. It shows children and people gathered to go on an outing to the sea known for many years as Operation Float. It is taken from Collins Street looking down Market Street towards Flinders St. The entry to Legacy House is in the shadows to the left of the cream Matthew Lang building. Legacy rented the Market St premises for many years. It was part of the Western Market complex that was demolished and redeveloped in the early 1960s. Legacy held meetings and the girls classes on the second floor of the building but it was barely fit for purpose. In the 1940s a generous donation by an anonymous donor meant Legacy could purchase a building at 342 Swanston St, but due to several factors were never able to inhabit it. Finally it was sold in 1954 and Junior Legacy Melbourne purchased 289-299 Swanston Street Melbourne (previously called Red Cross House) in 1956 from the Commonwealth Government. As part of the conditions of the donation it was named in memory of David H Dureau. Renovations were needed to the 289-299 Swanston St building so this slide shows that Legacy were still in the Market St building in 1957 while they occurred. A record of the Market Street building that Legacy occupied for many years until 1956-7.Colour slide of Legacy House in Market Street from 1957.Slides has 'Operation Float 1957'. It is numbered '12' by the manufacturer.properties, market st, streetscape -
Ballarat Tramway Museum
Slide - 35mm slide/s, Theo Dunstan, Aug. 1971
35mm slide, square format mounted in a "Kodak " cardboard slide mount with Kodak logos and printing of the two SEC Ballarat crew standing in front of No. 31, prior to running out at the depot, tram has the destination of Victoria St. Possibly the last day of Victoria St - Taken 23/8/1971 - the last Sunday of full operations? Has date of "Sep 71" and "12" stamped onto the slide.tramways, trams, crews, ballarat, sec crews, personnel, depot, tram 31 -
Melbourne Legacy
Photograph, Highett Widows Committee, 30/10/1991
Two Legacy widows from the Highett Legacy Widows Club. On the left is Mary Brooks the vice president and Jean Wolstencroft the secretary. Keesing Photographers took a series of photos on the same day of various ladies and some were committee members at different clubs. Presumably there had a been a meeting at Legacy House of members from the many clubs (including Hampton, Highett, Caufield). It is assumed that the date was 1991 due to the reference number from the photographic studio 911030B-14 could mean 3 October 1991, along with 00646, 00648, 00649, 00650, 00651. Photos of the committee members of different Widows clubs were taken by a professional photographer.Black and white photo of two Legacy widows from the Highett Legacy Widows Club and a proof sheet 911030B.Label on the back from Keesing Photographic with Reference No: 911030B-12.widows, widows club, committee -
Kilmore Historical Society
Photograph, 11 and 13 Sydney Street
13 Sydney street was the site of J. Quinn bakery and the site of Breakells Bakery.20.5cm x 13cm black and white photograph of the Hey Dey Arcade which the main awning/gazebo of the complex is on the corner at 11 Sydney Street. Also to the right of the awning is the building which was Breakells Bakery. The shop at that premises in the photo is J.R. Menswear.Written on the back: 12/13 KOSR-245 560 63%bakers, bakery, bakers and bakeries -
Trafalgar Holden Museum
Tool - Sealing tool
boot makers sealing tool used during ca1900boot makers sealing tool used during leather marking as requiredmetal head with wooden handle with different size grooves on headGROOVES MARKED 8 AND 9 N KADERAW - PRAHAN - 12cobblers, sealing tool