Showing 7697 items
matching pen-knife
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Orbost & District Historical Society
ink bottle, 1950's (?)
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A small, round, clear glass ink bottle. It has a screw thread at the top.15543 5ink-bottle glass-container stationery -
Orbost & District Historical Society
ink bottle, 1890's
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A cylindrical brown glazed ceramic ink bottle with the neck narrowing to a pouring lip.Below the pouring lip - ANGUS & CO INK COMMERCIALcontainer ink-bottle ceramic angus-&-co writing-materials -
Orbost & District Historical Society
ink bottle, 1920's
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A clear glass ink bottle with flat sloping shoulders.On the base- AGM F1173 Mbottle ink stationery personal-effects glass container -
Orbost & District Historical Society
bottle, Probably late 19th century
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.Small, squat, brown, salt-glazed ceramic inkwell with small opening at top. It has a short neck and a round squat body. This type of inkwell is also known as a penny ink well.container ink-bottle penny-inkwell stationery writing -
Orbost & District Historical Society
bottle
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used.A cylindrical brown glazed ceramic ink bottle with a neck narrowing to a pouring lip and cork. Label is blue.Front bottom - Commercial.bottle ink-bottle ceramic domestic writing-equipment stoneware -
Orbost & District Historical Society
ink bottle, first half 20th century
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A cylindrical brown glazed ceramic ink bottle with the neck narrowing to a pouring lip.Towards the bottom : WYATT MOTTS LANCELEY -
Wangaratta High School
WHS Inkwells, Circa 1916
One rectangular glass inkwell, one circular white ceramic inkwell, one round metal inkwell with hinged lid and holes for six pens, and two wooden nib pens. -
Maldon Vintage Machinery Museum Inc
Digital Plotter, Estimated 1980's
Early model A4 single pen computer controlled digital plotter. Cream coloured plastic outer case with clear tinted hinged plastic cover over pen compartment. On the back panel various inscription panels indicating it is a Hewlett Packard machine Model 7470A Serial No. 2210A 12562.drafting, computers, digital -
Bendigo Military Museum
Memorabilia - TRENCH ART WW2, 1939 - 1945
Classed as trench art.Cheese and butter knife made from a .303 calibre round with a blade attached at projectile end. Small engraving on both sides of the blade. Has been chrome planted. Trench art item.“MF W1 1942”trench art, memorabilia -
Frankston RSL Sub Branch
Kit, Cutlery
Standard Australian Army Vietnam era issue cutlery kit consisting of a knife, fork and spoon which are designed so that each item fits in a compact package. The items are retained by a spring clip. -
Orbost & District Historical Society
paling knife, c. 1890s to 1960s
Used in the timber industry for making split palings. The palings are shaped by hand with the bottom edge put onto the timber and a mallet hit onto the top of the blade. This pre-dates sawn palings. Associated with the timber and household building industry in the Orbost region.A rectangular flat iron blade attached to a wooden handle. The cutting edge of the knife is along the bottom (rather than the end as with an axe). The wooden handle appears to be made from a small tree branch.paling-knife splitting-timber -
Flagstaff Hill Maritime Museum and Village
Draw Knife
Draw knife wooden 2 handles with circular blade. Blade attached by rivets. Handles attached. One has wire wrapped around it. 880mm long Blade length 590mm Width 75mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Pocket Knife, Joseph Rodgers and Son
Pocket knife. Single edge folding blade with square cut end steel blade and frame with horn grips. Made by Joseph Rodgers and Son, Norfolk St, Sheffield, England. Model No 6.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pocket knife, joseph rodgers and son -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, cutlery
Electro Plated Silver cutlery. Part-set comprising of 2 teaspoons, 1 butter-knife and 1 sugar- tongs in an olive coloured cotton-sateen lined, embossed-paper covered box.EPNSkitchen equipment, cutlery, silverplate, early settlers, pioneers, moorabbin, bentleigh, cheltenham, market gardeners -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Kendrick, Baynard, Reservations For Death by Baynard Kendrick, 1958
Crime novel which includes a police dog, seeing eye dog and a blind detective.Hardcover book, 253 pages. Front cover of book has a colour image of two men and a dog. One of the men is Asian, the other man is blind. A knife is in the wall behind one of the men.fictionCrime novel which includes a police dog, seeing eye dog and a blind detective.baynard kendrick, detectives, dogs, fiction -
Bendigo Military Museum
Newspaper - NEWSPAPER CUTTING, C. 1970’s
Frank Kirkham, refer Cat No 3868. James Kirkham, refer Cat No 1281.Cutting in colour showing Frank Kirkham with a framed photo of North Beach ANZAC. Brought home by his father James Kirkham.In pen “25.4.1977”newspaper, anzac, north beach -
Greensborough Historical Society
Newspaper clipping, Author shares his treks, 31/12/2014
Briar Hill author Graham Patterson discusses his latest book "Coastal Guide to nature and history II: Mornington Peninsula, Western Port Bay, Phillip Island and French Island".Local authorNews clipping, black text, colour image.Date in pen.graham patterson, briar hill, authors -
Federation University Historical Collection
Document, John G Osborne, Secretary of New Zealand Brass Bands' Association, Frank Wright Reference from John G. Osborne of the New Zealand Brass Bands' Association, 1933, 31/7/1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This single sheet of typed paper has the printed header of the New Zealand Brass Bands' Association and is a letter of reference for Frank Wright signed by John G Osborne, the Secretary. The typing is purple.Signature in penfrank wright, john g osborne, new zealand brass bands' association, reference -
Federation University Historical Collection
Document, J R Foster, Queensland Band Association Reference for Frank Wright, 1933, 17/7/1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A single foolscap sheet of paper with a blue printed header and black typing. This reference for Frank Wright was signed by J.R. Foster the Secretary of the Queensland Band Association.A pen signaturefrank wright, j r foster, queensland band association, reference -
Melbourne Legacy
Letter - Document, letter, (H1), 1923
A letter that was sent to potential members of a new club being formed in Melbourne in September 1923. The text of the letter includes; 'The inaugural luncheon of the proposed Remembrance Club will be held at Anzac House at 1pm on Tuesday next 25th inst. You are urged to be present and the promoters would appreciate the presence of any ex-AIF friend you care to bring with you.' The Remembrance Club in Melbourne later became Legacy. The notation H1 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Hence the notation of being forwarded from Legatee Kemsley to Anderson in 1969.This is one of the first documents that pertain to the Remembrance Club - later becoming Legacy. File copy of a letter about the inaugural meeting of the Remembrance Club in Melbourne.Handwritten H1 in red pen. Signed 'JP Hiller'(?) in black ink. Notation added later 'To L/ AN Kemsley, from LK Anderson 25/6/1969' from when it was added to archive.history, remembrance club -
Orbost & District Historical Society
notebook, 1915
This notebook was owned by Penuel Richardson (nee Gilbert). Entries were made by the treasurer of the Orbost High School Sports Club, P. Gluth.This item is a contemporary record for a community organisation. The group no longer exists. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. The Gluth family was a prominent family of Marlo/Orbost in its early history.A small red covered stapled notebook used to record expenses of the Orbost High School Sports Club. Entries are hand-written. A small window has bee cut into the ront cover to reveal "P Gluth Tres."inside back cover hand-written in pen -"Pen Richardson".orbost-high-school-sports-club -
Greensborough Historical Society
Photograph, Jessie May Partington, 1930c
This is a studio portrait of Jessie May Partington (1911-1999), possibly in her 20s.Jessie May is a member of the Partington family, Greensborough pioneers.Sepia photograph on postcard depicting young woman (seated) in dark sleeveless dress with pearls.On back: "Auntie Tim" in blue pen and "Jessie" in black pen.jessie may partington, jessie angus, jessie scholes, partington family -
Melbourne Legacy
Photograph, Christmas Party 1974, 1974
A photo of Santa and Melbourne Legacy President Bill Braidie with children and gifts in one the residences (either Stanhope, Harelands or Blamey House - Kew) in 1974. Photo came from a folder marked Residences. Melbourne Legacy ran residences to take care of children whose deceased father had been a serviceman and the mother was unable to care for them herself or the child needed to be in city for education reasons. The first was Holmbush which started in 1942. Then Stanhope in 1945, these were for older children for education or vocational opportunities. There was a need for a toddler/younger child home so Blamey House was established in Beaumaris in 1947 for 3 to 9 year olds. Harelands was acquired in 1950. Then the property in Beaumaris was sold and the name Blamey House was transferred to Holmbush, at 1267 Burke Road Kew from 1956 to 1978. For much of the time from late 1950s to 1970s Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. Stanhope was closed in the late 1970s and when Blamey House (formerly Holmbush) was closed the name was again transferred, this time to Harelands from 1978 to 1981 when it was the last residence to be sold.A record of gifts for the children at the residences in 1974.Black and white photo of Junior Legatees with Santa and gifts at a residence in 1974.Handwritten 'P7 Legacy' in blue pen and '1974' in black penchristmas gifts, residences, bill braidie -
Kiewa Valley Historical Society
Bottle Ink, Circa early 1900's
This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis is a clear thick glass bottle with shoulders tapering up to the neck. The red stain on the cork stopper indicates that the bottle contained red ink.On one side is embossed "ANGUS & C0" and on the base "J 32" and below this "M" (the manufacturer's mark)dip pen ink, ink bottle, writing methods, nib. -
Kiewa Valley Historical Society
Bottle Swan Ink, Mabie Todd + Co (Aust) Pty Ltd Sydney, 1950's
This refillable ink bottle was extensively in use in the early 1900's, firstly with the nib pen and then with the fountain pen. Both these pens required to be refreshed with ink as they had no long term self storage capacity. The requirement, before the 1970's, for all legal documents, wills and heath certificates etc. forms had to be signed with penned ink and not biro(1950's onward). This caveat was to prevent forgeries (signatures) from ocurring. Hand writing experts can clearly distinguish forgeries because by using nibs, the "natural" and distinctive hand inflections whilst forming the signiture cannot be replicated by forgers.This item is significant to the Kiewa Valley because it details that even in the rural sector,(Kiewa Valley) the legal requirements of the day had to be adhered to. This was even at a time when in the rural areas a "man's word and handshake" was his bond", especially between neighbours or others in a small rural region. This however was not the case for Government Departments , banks and the hospital. To highlight certain words or paragraphs due to their importance, the red ink application was not only highly visible but also less likely to be tampered withThis empty bottle is cylindrical with curved "shoulders" tapering to a neck the size of a 20c coin. It has a white screw on lid bearing the name SWAN triple filtered INK. There is a paper label on the side of the bottle.SWAN TRIPLE FILTERED INK. 'SWAN' INK PERMANENT BLUE BLACK MABIE TODD & CO (AUST) PTY LTD SYDNEY CONTENTS 1 1/2 FLUID OZS.dip pen ink, ink bottle, writing methods, nib. -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel, C.K.M. (artist), S.S. Warrnambool, 1883
This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m. -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Pittosporum Phillyreoides, c. 1990
Unframed pen illustration of Pittosporum Phillyreiodes on white heavy paper.Front: 'C.E.W. Pittosporum Phillyreoides' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Melaleuca uncinata, c. 1990
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Melaleuca uncinata on heavy white paper.Front: 'C.E.W. Melaleuca uncinata' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Acacia rigens, n.d
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Acacia rigens on heavy white paperFront: 'C.E.W. Acacia rigens' -
Glenelg Shire Council Cultural Collection
Drawing - Botanical Illustration, Colin Woolcock, Phebalium bullatum, c. 1990
Returned to CEMA from Botany Dept., Latrobe University. It is believed they may have been used in a publication.Unframed pen illustration of Phebalium bullatum on heavy white paper.Front: 'C.E.W. Phebalium bullatum'