A black and white photograph of men, one horse and four greyhounds in a white wooden frame with glass, at a meeting of the Plumpton Greyhound Races. George Evans (Micko) is pictured second from left; Frank Evans is on the horse and Bill Aitken is in the light coloured cardigan.sports and recreations, greyhound racing, dogs, whelan, kevin, evans, george, aitken, william, kelly, john, frank, plumpton road, diggers rest, plumpton greyhound races, george evans collection

A black and white photograph showing a small child sitting in a wooden box. There is a small black dog chained up and to the right of the picture. To the left of the photo is a large pile of wood stacked against a brick wall. Donald Hartley Rowe was born in 1876; married Mary Gibson in 1901 and died in Surrey Hills in 1958. In 1935 his daughter Winifred (1903-1985) married Phillip Sebastien Slavin (1907-1980), known as Paddy, who took over the business. He is first listed at 118 Union Road (no occupation noted) in the electoral roll of 1937 through until 1963. The bakehouse was at the rear – note the stack of wood required for breadmaking. The fence is along Stirling Crescent. The small boy is Alan Rowe. A black and white photograph showing a small child sitting in a wooden box. There is a small black dog chained up and to the right of the picture. To the left of the photo is a large pile of wood stacked against a brick wall.bakery, union road, surrey hills, (master) alan rowe, stirling crescent, (mr) donald hartley rowe, miss winifred rowe, mrs winifred slavin, (mr) phillip sebastien slavin

Refer to Dean Cat 4575PColoured photo . It shows a stained glass window in St Johns Church. The center of the window has a picture of Christ, with Tobruk Harbour in background. One aircraft can be seen in the frame. At the foot of JC are two soldiers wearing British patterned steel helmets. On top of the frame are the flags of Poland, UK, Australia and Czech. A white dove sur5mounts the lot. Words in the frame are: - To the Glory of God and to the Memory of Those Who Served in the Siege of Tobruk. Pray the Peace and Freedom they defended, be reflected in the light of the World.On Rear: Memorial windows of Rats of Tobruk in St. Johns Church in Forest Street Bendigo.photo, rats of tobruk, stained glass window

This image shows a view of a properties bordering a river in the vicinity of Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the water source pictured may feed into the bigger system that flows through Beechworth Gorge. A man wearing a hat, possibly the photographer, is silhouetted in the foreground of the picture. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, photographer, beechworth gorge, river, stream, water source, 1900s

This brass porthole frame was one of the ship's fittings recovered from the wreck of the sailing ship Falls of Halladale. "Falls of Halladale" (1886 to 1908) The Falls of Halladale was an iron-hulled, four-masted barque, used as a bulk carrier of general cargo. She left New York in August 1908 bound for Melbourne and Sydney. In her hold was general cargo consisting of roofing tiles, barbed wire, stoves, oil, benzene, and many other manufactured items. After three months at sea and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland on the 15th of November, 1908. The captain and 29 crew members survived, but her cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson's navigational error, not too technical failure of the Clyde-built ship. The Falls of Halladale was built in1886 by Russell & Co., at Greenock shipyards on the River Clyde, Scotland for Wright, Breakenridge & Co of Glasgow. She was one of several designs of the Falls Line of ships named after waterfalls in Scotland. The company was founded between 1870- 1873 as a partnership between Joseph Russell, Anderson Rodger, and William Todd Lithgow. During 1882-92 Russell & Co. standardised designs sped up their building process so much that they could build 271 ships during that time. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the 'windjammers' that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previously, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck in stormy conditions.This artefact is important as it is an example of the materials and design of late-19th century ship’s equipment. The object is also significant for its association with the historic sailing ship Falls of Halladale, wrecked in local waters in the early 20th century. The clipper ship Falls of Halladale shipwreck is of historical significance and is listed on the Victorian Heritage Register, No. S255. She was one of the last ships to sail the Trade Routes. She was one of the first vessels to have fore and aft lifting bridges. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act 1976. The vessel is an example of an International Cargo Ship's remains and represents aspects of Victoria’s shipping industry. Porthole frame and porthole, brass; the glass missing, recovered from the wreck of the Falls of Halladale. One screw dog intact. There are nine bolt holes in the frame. The frame has been restored.flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, falls of halladale, shipwreck, peterborough, 1908 shipwreck, russell & co., greenock, wright breakenridge & co. glasgow, clipper ship, porthole, porthole frame, ship’s fitting, brass porthole, reconditioned porthole

Wreath laying ceremony for Legacy widows at the Cenotaph at the Shrine of Remembrance in 1996. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The Service is followed by a church service and a luncheon. In 1996 it was at the Hyatt (see 00888). The photos show the a group marching to the Shrine, some carrying wreaths, including President Ray Ward and L/- David Cull. Then a group of widows posing for the camera, one is Mrytle Ingram who is pictured with Ray Ward in 00797. Some of the photos were featured in The Answer newsletter.A record of a ceremony at the Shrine.Colour photo x 2 of wreath laying at the Cenotaph and a group of widows.Printed on back

Shire of Eltham Art Collection, 'Beautiful Eltham' by Joh Ebeli showing Shillinglaw Cottage and Railway Trestle Bridge. Cross Ref: 00438 (print) and 01910 (neg)Colour positive film 120 6 x 9 formatFujichrome RDP 1 frame (No. 11)bridge, eltham, joh ebeli, paintings, panther place, railway, shillinglaw cottage, shire of eltham art collection, nillumbik art collection

Pesented to Councillor William Ford, by the Borough Council of St Kilda, 21st November 1866framed colour certificate in gilded folder

Black and White PhotographPlaque on front bottom left of frame.

An early 1800s B&W photographPlaque at front bottom centre of frame.

The First World War saw the widespread adoption of aerial photography to record vital tactical information, such as troop movements, gun emplacements and topography. Here an exploding ammunition dump near Bray in France is sending fireworks several thousand feet into the sky.In the top right of the frame there are some coordinates.bray, france, aerial view, ww1, world war 1, 1917

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

The vision and mission of the Royal Blind Society.1 A4 cream coloured page with maroon writingMaroon coloured frame around pageroyal blind society of new south wales, office equipment

Illustration. Taken and cut from a book. Black and White rectangle image on off white paper. Portland from Barton's Beach, looking north west. Panoramic view in background of Portland's town with original buildings. All Saints Catholic Church with spire recognisable. Pier in the Middle right with various structures and a docked ship with sails. Bottom left 3 people launching two canoes at the beach. Wattle Creek or Salt Creek with bridge structure on the middle left. Front: 'VIEW OF PORTLAND' - printed, bottom frame. Signature 2cm in from the left corner of the frame 'CALVERT. SS'portland, bartons beach, portland bay

James Chester Kerr Trewin (916-1965) was born in Orbost, Victoria, Australia and died there. Service Australian Army  Service Number VX5640. He enlisted on 23 Oct 1939  at Sale, VIC  He was discharged on 5 Aug 1943 with the rank o Lieutenant  He was in 2/7 AUSTRALIAN INFANTRY BATTALION.  This personal document gives an insight into the human element of World War 11 ensuring that those who were part of the Orbost community and played a vital role during this time are remembered.A rectangular laminated certificate which was given to James C. K. Trewin for contributing to Australia's effort in WW11. It is signed by John Howard-prime minister ; Peter McGauran - federal member and Bruce Scott-minister for veteran affairs.On rectangular picture of the Australian flag - Their Service Our Heritagecertificate trewin-james ww11

The Soldier was probably FRED CARLTON.Photo album, fabric cover, leather strap with rusted metallic locking, contains 36 photos from WWI era? with black backing card, semi transparent cover of pictures have faint spider / spider web embossed pattern. Photos are civilian scenes from Gaza & a few of Gaza War Cemetery.Each picture has short text describing the subject.books-albums, photography-photographs

Chimney or plumbing top/ flue. Irregular shape.Picture of Queen's head. "QUEENS HEAD/ SPECIAL FLAT"

Small Business card Miss Dorothy Harris. PianistBusiness CardMiss Dorothy Harris Pianiste by Wolfe's Picture Co.stawell

Used in the mid 20th century.A forged steel hatchet with an axe head, hammer head, nail puller and a lever hole. It has a short metal cased wooden handle with brass rivets. It was used as a trimming hatchet or axe in the mid 20th century. It is a 'Swordfish' brand, made in China.Inscribed with Swordfish brand Made in China with a picture of a swordfish. woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, hatchets, cleavers, tomahawks, wood

.Circular red and black Willow cake tin with Santa and a boy and girl with balloons depicted on the lid.Picture of Santa with a boy and a girl holding balloons on the lid.tins, cake containers, food .

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A compelling group of family portraits. Members of the family were to achieve important roles as managers, journalists and writers.Framed and gazed albumen silver print of Mr and Frederick Warner Mrs Noble in the garden of their home in Coburg (sic) with their three children. There are minor losses to the gesso and paint of the original frame. Later labels to rear include: "Mr Noble, Mrs Noble’. ‘Frederick, Winifred, Wilfred"noble family, charnwood (coburg), station street (coburg)