This Baby's long white Christening gown is made from fine muslin, with short sleeves and cut-work and pin tucked front panels The women of the early settler families were very skilled dressmakers and made the clothes for their families. The early settler families followed the religious rites of their Christian Church and this Baby's Christening gown shows the dressmaking skills of the pioneer women of Moorabbin Shire c1900 , A Baby's Christening gown of fine white muslin with cut-work and needlework on yoke, gathered skirt and short sleeves with a draw string waist and neck . The front panel has 5 sections of pin tucks and cut work . clothing, christening gown, methodist church, church of england, brighton, moorabbin, pioneers, dressmaking, lacework, cutwork, market gardeners, early settlers, craftwork , bentleigh, , moorabbin shire blackburn nance, dairy farms, fruit orchards

This commemorative plaque was made for the round, stained glass window titled “Christ showing the helmsman the way” that was originally installed at the St Nicholas Seamen’s Church in Williamstown. The window was donated as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen (re-named the Mission to Seafarers in the year 2000). The window was officially dedicated on December 14, 1947 by Geelong's Anglican Bishop, Rt. Rev. J.D. McKie. In the early months of 1948 this bronze plaque was also placed in the chapel above the altar. The Williamstown St Nicholas Seamen’s Church ceased operation in 1966. In 1979 the Victoria Missions to Seamen donated this round, stained glass window and the memorial plaque to Flagstaff Hill Maritime Village, along with many other items and furnishings. These items have been used to simulate the Williamstown Mission and Chapel as much as possible. THE MISSIONS TO SEAMEN The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This plaque is significant for its connection with the round Sanctuary window above the altar in the chapel at Flagstaff Hill. The window was originally installed at the chapel of the St Nicholas Seamen’s Church in Williamstown in 1947, and is listed on the Victorian War Heritage Inventory No. 196973 as an object of significance. The plaque is also significant for its recognition of the members of the Merchant Navy who lost their lives in service to our country during World War II. The plaque is important for its connection with the Williamstown Lightkeepers’ Auxiliary and Missions to Seamen, which were dedicated to supporting seafarers from all over the world. The funds the group raised helped to furnish the St Nicholas Seamen’s Church in Williamstown, including the Sanctuary window, pews, carpets and hangings. These items are now part of the St Nicholas Seamen's Church Williamstown Collection at Flagstaff Hill Maritime Village, Warrnambool. Plaque: rectangular brass commemorative plaque. Each corner has a round hole. Inscription impressed into the metal and filled in with black paint. It is now part of the Williamstown Missions to Seamen Collection. “IN MEMORY OF THE MEMBERS / OF THE MERCHANT NAVY WHO WERE LOST / IN THE SECOND WORLD WAR 1939-1945 / FAITHFUL UNTO DEATH / THE WINDOW ABOVE THE ALTAR / WAS ERECTED BY THE WILLIAMSTOWN / LIGHTKEEPERS AUXILIARY / 1947.”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, mission to seamen williamstown, st nicholas seaman’s church williamstown, missions to seamen victoria, mission to seafarers, lightkeepers auxiliary, ladies harbour light guild, 139 nelson place williamstown, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, e. s. & a. bank williamstown, christ directing a sailor, christ showing the helmsman the way, quartermaster’s hand on the wheel, stained glass window, church window, religious window, sanctuary window, memorial window, war memorial window, victorian war heritage inventory, victorian heritage database, merchant navy ww2, 1939-1945, anglican church, bishop mckie, flying angel club, williamstown lightkeepers' auxiliary, ladies' harbour lights guild, commemorative window, memorial plaque, merchant navy, ww ii

Small beige & grey box with a black oval sticker on the front. On it is printed in gold: Jewellers & Silversmiths White's Pall Mall, Bendigo. The sticker also has a gold border. The box contains 2 gold coloured medals with Off white 33mm ribbons, a silver medal and a small heart shaped cushion with a cross on the front and light blue edging and ribbon. The 2 gold coloured medals have 'Guard of Honour of the Most Blessed Sacrament' printed around the oval shaped edge. In the centre is a chalice? With IHS on it and at lower sides are 2 angels. On the back it has 'Stokes & Sons MXL?' The small, round silver medal has a man & boy on the front and on the back asking in case of accident to notify a priest. Made in Germany.Stokes & Sonscottage, miners, foster & wilson collection, religious medals

The photograph was taken in 1947 at Rousano, an area located close to the village of Exoghi, Ithaca during the Greek Orthodox Easter Sunday celebrations at which the roasting of lamb on the spit is a tradition. A black and white photograph of a group of people in an outdoor rural setting, gathered around three men who are sitting next to a spit upon which meat is being roasted over an open fire. The photograph is one of a pair which have been mounted on cream board and laminated. celebrations, easter

The local 'philharmonic orchestra/band' playing at a civic/national day function in the 1950s in Vathi, Ithaca. Music plays an important role in many aspects of life, both civic and social, on the island. During the summer months locals and tourists enjoy a variety of musical and cultural events.Founded in 1904, the Ithaki Philharmonic Orchestra is the oldest musical group on the island. The band is a private, non-profit entity and its goal is to offer free musical training to the young of the region and provide them with a broader musical education. The philharmonic orchestra performs concerts and participates in a range of educational, municipal, religious and national day events. A black & white photograph of a brass band of men dressed in dark uniforms and flat hats and women wearing dark skirts and white blouses. In the second row are males in civilian suits. The conductor is standing in the front on the extreme right hand side holding a baton.

Index, bibliography, p.556.non-fictionThis book discusses the various streams of pacifism thinking in Europe prior to 1914pacifism - history, pacifism - religious aspects

Index, notes, p.361.non-fictionDissent or Conform examines how churches reacted to, and were affected by, two world wars. Its underlying theme, however, is how the Church can be a creatively dissenting community, focusing on how easily the church can turn into a conforming community that only encourages the occurrence of uncreative dissenters, the ones who criticize the power without offering solutions and leading to a real change. -- Wilkinson opposes this trait of the church, especially given the impact that it has on society as a messenger of the gospel. To this end, the author depicts religious groups during three periods of time: English Nonconformity before and during WWI, pacifists and pacifiers between the two wars and Christianity during WWII, focusing on how church history interacts with the developments in history and society. -- This book is of particular interest to social and church historians of the 20th century, and to all interested in the history and ethics of war and pacifism. It will also appeal to those attracted by the interaction between church and society. religious dissenters - england - 20th century, pacifism - religious aspects

Document: St. Paul's Church, Bendigo 81st Festival Celebrations. 'Recital of Music' by Dorothy Neills-Stevens - violin, Ron Layton - Violin, Leslie Kerr - viola, Bill Johnstone - 'cello, Lindsay Maple - baritone, R.A. Anderson - organ. Sunday, November 13th, 1949 at 3 p.m. Retiring Collection.entertainment, music/religious

Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl

Travelers are among the most privileged people. Transcending frontiers religious, physical and political constitutes the ultimate learning curve. at best, we gain enlightenment; most get by without ever having more that a few mindful moments.vietnam war, 1961-1975 -- pictorial works, vietnam war (1961-1975), indochina -- history -- 1945- -- pictorial works.

Val Noone's careful and comprehensive study of the strands of conflict within the Catholic Church during the Vietnam War is compulsive reading.vietnamese conflict , 1961-1975 - religious aspects, catholic church - victoria - melbourne - government

These poetic and moving spiritual reflections, born of the author's experience as an American chaplain in Vietnam and build on the themes of the ambivalent nature of war and the universal elements in the lives of people, Vietnamese and Americans, who live, fight, suffer and die there.veterans - united states - religious life, chaplains, military - united states, vietnam war, 1961-1975 - poetry

Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Commemoration in London of the first anniversary of the landing at Gallipoli. On 25 April 1916, around 2,000 Australian and New Zealand soldiers marched through the streets of London to the Abbey. The service was held in the presence of King George V and Queen Mary.Two pages of paper, buff coloured with age, printed both sides, folded and stapled to make an 8 page document. The order of service is set out on pages 3-8.wwi, world war i, anzac, anzac day, gallipoli, aif

Program/order of service as determined by the Commonwealth of Australia for use in services throughout Australia on the first day of peace celebrations, Sunday 6 July 1919.Brown paper cover printed on the front in black. Inside, four cream coloured pages, created by a folded sheet of paper secured to the cover by a staple, are also printed in black.Handwritten annotations in red ink: on cover 'Clergy Only'; on internal pages, the names of participants who conducted the service.wwi, world war i, wwi peace celebrations, city of st kilda

Order of service and hymns for patriotic service held on Sunday May 9 (year unspecified but likely to be 1915). Featuring grand combined choir and held in St Kilda Town Hall.White coloured paper folded program printed in blackwwi, world war i, grand combined choir, st kilda

Service at St George's Church, East St Kilda, on 6 August 1911.Folded single sheet of white paper that has discoloured with age, printed in blue with Scottish Regiment insignia on the front.victorian scottish regiment, st george's presbyterian church st kilda

Program commemorating the church's 70 year history, and Armistice Day, in 1928. All Saints Anglican Church in East St Kilda is one of Melbourne's oldest Anglican churches. The foundation stone was laid on 8 November 1858 and the first service was held in the church on the 8 December 1861. The building which can seat up to 1400 people is said to be the largest Anglican parish church in the southern hemisphere. Two sheets of yellow paper, folded and bound with two staples and printed in blackall saints church, all saints anglican church st kilda

Program for a civic service of thanksgiving for the cessation of hostilities in the Second World War, arranged by the City of St Kilda in collaboration with the churches involved and held at the St Kilda Town Hall. The date is not specified.White paper, discoloured with age, printed in black on both sides and foldedcity of st kilda, wwii victory celebrations, arnold colman

Program for a civic service of thanksgiving for the cessation of hostilities in Europe in the Second World War, arranged by the City of St Kilda in collaboration with the churches involved and held at the St Kilda Town Hall. The date is not specified.Cream paper, printed in dark blue on both sides and foldedcity of st kilda, wwii victory celebrations, arnold colman

Order of service for the laying-up of colours of the 14th Battalion in St George's Presbyterian Church St Kilda (now St George's East St Kilda Uniting Church) on 10 December 1950White card, discoloured with age, printed in blue on both sides and folded in half2/14th army battalion, 2/14th army battalion association, st george's presbyterian church st kilda

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

Rev Charles Lane (1823 - 1910) Wesleyan Methodist minister. The Observer 15 January 1910, p.36: The Rev. Charles Lane, better known In South Australian Methodism as "Father" Lane, died at his residence, Dorset Cottage, Magill, on Saturday, at the advanced age of 88 years. The deceased clergyman attended the Methodist Conference in 1900 —the year of his jubilee as a minister--and was accorded a vote of congratulation. Mr. Lane was born in Dorset, and be associated himself with the Congregational Sunday school at an early age, and when 16 years old took a practical part in religious matters. Then he removed to another town and joined the Methodist Church. In 1855 a request for a number of energetic Christian workers came from Australia, and 10 were sent out in the ship Walmer Castle, among the number Mr. Lane. He was received into the Victoria ministry in the following year, and received his first - charge at Ballarat. He proved a successful preacher in the early days of the Victorian goldfields, and accomplished much valuable work. He was impressive in the pulpit, humorous on. the platform, and welcome everywhere. About 1878 he wag transferred to the South Australian Conference, and from that time until being placed on the supernumerary list in 1889. he laboured in all the most important circuits. He was President of the Wesley an Conference in 1886, and displayed conspicuous ability in fulfilling the important duties associated with that office. He had resided at Magill for 17 years, and up to the time of his death had evinced a deep interest in work to which he had devoted .the best years of his life. Sepia toned carte de visite: seated studio portrait of the Rev. Charles LaneRev Chas Lanerev charles lane, methodist, minister, south australia

A black and white photograph of Rupertswood mansion with four motor vehicles parked in front.religious festivals, rupertswood, salesian college, schools, mckay, h. v., clarke, william j. (sir), churches, house names, houses, motor vehicles, sunbury, george evans collection

Owned by Richard Evans who lived in Chiltern Valley and served in WW1Religious instruction in question and answer format132mmx 80mm, Ochre coloured, lightweight paper cover. Interior pages light coffee coloured, black print on the front of cover, insignia of lions, Greek style black ink border. Back cover contains a multiplication table.No.69029 Pte R Evans, 16 Reinforcements, G I G Vic Aus Imperial Forces Abroad British and Foreign Bible Society Bible House 241-243 Flinders Lane Melbourne 20.11.18chiltern, chiltern valley, richard evans, shorter catechism, religion