Colour slide in a mount. House on Scotsburn Grove (see street sign), possibly in Toorak, Victoria, AustraliaMade in Australia / 9 (Handwritten) / Transitional (Handwritten) / 9 or 6 (Handwritten)slide, robin boyd

In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Suburban streetscene, probably Honolulu, Hawaii, USA (see street name ..kahi)Inscribed Made in Australia / 6 / AUG 71M1slide, robin boyd

Wedding veil worn by the donor in 1963White tulle veil attached to comb with cream satin bow sewn on to it. See Wedding Dress NA3477costume, female headwear

Pair of long black suede gloves with three buttons at wrist. See Supplementary for card relating to care.Dents 'D' gloves 7 Real Kid|Made in France.costume accessories, glove accessories

Mrs Darling visited Local History Room and loaned original photo for copying.'Koonwarra' was home of Hatfield Family. S.E. of Railway Crossing, Middleborough Road, Blackburn.|See ND294 ASP33darling, barbara (nee hatfield)

Black and white photo of well at rear of original Blackburn Post OfficPost Office|See also NP760post offices, blackburn post office

Used by donor in 'Blackburn - a picturesque history'Black & white photo of Gordon Crescent, Blackburn See page 38 0f Da Costa book.gordon crescent blackburn, history

Framed Black and White photo of Workers at Mitcham Reservoir, Lucknow Street. See also NP2468 in albumwathen, edward william, mitcham reservoir

Sepia photo of the 1899 wedding of Arthur Edwards and Martha Course at Forest Hill . See also ND5558edwards, arthur, martha, wedding

Edgar Edwardes Walker was the first manager of the Australia Tesselated Tile Factory. Then in 1922 he bought the company which he ran until he was 73 years old.Black and white photograph of Edgar Edwardes Walker in Pitt Street, Sydney in 1936 See also ND22walker, edgar edwardes, australian tesselated tile co. pty. ltd

Two scout scarves, light blue, red edging, belonging to Jack Marshall. See VSSH 100

Black and white photograph. Staff group standing and seated on chairs on the lawn. See paper catalogue for names.staff, burnley college, straff group

Ammeter for Vibrating reed electrometer, (see 2). Includes 12 envelopes containg spacers and 2 cables.

Used in S.C.M by an unknown minerStainless steel battery case, black lead to lamp fitting. See (SCM 0938) for printed manual.On front of lamp fitting " EDISON SAFETY LAMP MFD. BY THOMAS A. EDISON. INC. WEST ORANGE. N.J. UNITED STATES OF AMERICA" On top of battery case "EDISON" The side of the top of the battery case has "365" stamped on it showing that it was not the original top. The battery case has "M78". Side of battery has the "Thomas A Edison" seal. Below that reads "MODEL J CAP LAMP Approved Under Lighting Schedule Approval issued to THOMAS A EDISON CAUTION The battery and headpiece housings shall not be unlocked or opened by the lamp user."

Demonstrates aspects of the Ballarat Tramways fare system at the time of the one man trams, tokens which could be pre purchased by travellers and save time when boarding trams. See notes on file re these eg Reg Item 1801. Fare tokens - 2d - 21mm diameter - green celluloid - with "B.E.T." in large capitals on front centre of token and words "Ballarat Electric Tramways 1913" on circumference. On reverse in large font "2" and a small font "D" at top of the right - indicating token had a value of two pence. For details of use see Reg. Item 1794 and Reg. item 1801.1, 1802. For 2d tokens, see Reg. Item 1943.1 See Reg. Item 2514 for H.P. James notes on the token system and See Reg. Item 1794 Another copy from donation of Jan Truscott added 2-12-2018. trams, tramways, tickets, tokens, esco, one man trams

Yields information about a bogie tram use when they first came to Ballarat in 1945 and the Bridge St streetscape.Digital image from the Wal Jack Ballarat Album of Ballarat 22 outbound in Bridge St for Victoria St, Christmas Day, 25-12-1945, photo Wal Jack. Has Herbert Adams, Reed Chemist and CTA Hotel in the background, note no other vehicles in the photograph. Also an ad for Ballarat Bitter. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative Tex Morton died in 1983 and was a well known Country and Western performer. See Wikipedia and similar websites for more details.On rear in ink "SEC Ballarat #22 in Bridge St, Ballarat 25-12-1945". In top right hand corner is Wal Jack stamp with negative number "T88" written in.trams, tramways, bridge st, bogie trams, tram 22

Yields information about the appearance of No. 25 promoting Made in Australia week during 1956.Digital image from the Wal Jack Ballarat Album of a photograph of No. 25 at the Victoria St terminus, carrying banners for Made in Australia Week. Tram has a sheet with an Australian flag painted onto it, with holes made for the lights on the front of the tram, and three panels that have been fixed to the side of the tram. Tram has the destination of Gardens via Sturt St West. Photo by Wal Jack 18-5-1956 - see also Reg Item 5347. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No.25 done up with calico posters "Made in Australia" week, Victoria St terminus 18/5/56" and in top right hand corner, Wal Jack stamp with "T237" written in.trams, tramways, victoria st, advertisements, made in australia week, tram 25

Yields information about the tram operation in 1961 and the appearance of the trams during the application of the dash canopy lights.Digital image from the Wal Jack Ballarat Album of a photograph of No. 39 turning from Drummond St North into Sturt St (Mt Pleasant) and No. 42 turning into Drummond St North at Hospital Corner, 11-3-1961. Photo Wal Jack. No. 42 has a Vic Wendt Motors roof advert for the Peugeot 403 motor car. See image i2 for rear of photograph. See image i3a for hi res scan of print. See image i4 for hi res scan of negative .1 - part of the same photograph with most of 39 cropped out - poor image - see i3On rear of photograph in ink "SEC, Ballarat Loading No. 39 to Victoria St, No. 42 from Mt Pleasant, Sturt and Drummond Sts, Ballarat 11-3-61" and Wal Jack stamp in top right hand corner with number "T1260" written in. .1 - has 'BTPS Sales Department" stamp on rear.trams, tramways, hospital corner, sturt st, drummond st, tram 39, tram 42

Used by the donor in 'Blackburn - a picturesque history'Black & white photo of Blackburn State School, No 2923 (captioned). built in 1889. A brick building with a slate roof.|Photo taken in 1911 when enrolment was 174 pupils.|See page 75 0f De Costa Book.|See also NP10-11 and NA1850.blackburn state school, no. 2923, blackburn primary school

Yields information about SEC Ballarat tram No. 21 - one of a series of official photographs early 1950 or earlier and the appearance of the tram.Digital Image of SEC Ballarat No. 21 in the 1950 or earlier in the depot yard with the toilet block in the background. SEC Official photograph. See Reg Item 4568 for the CD. 4526.1 - - same photograph from the Wal jack Album - see i2 and i3 for front and rear details.trams, tramways, secv, ballarat, depot, tram 21

Has a strong association with a WW2 Ballarat Tram conductress.Digital Image of Thelma Hudson, as conductor/conductress No. 38, from an image provided by Brian Carr (mother in law). See Related documents. The 1943 List of Overs and Shorts for Fortnight ending 30 Oct. 1943 (See Reg Item, gives number as No. 46 at the time. trams, tramways, conductresses, conductors, world war i

Colour Photograph of Warren Doubleday oxy welding the advertising holes on No. 2 end of W4 671 at the depot on 5/1/1992 as part of its repainting. See page 8 of January 1992 Fares Please! On Fujichrome paper. See January 1992 Fares Please!w4 class, btm, modifications, tram 671

Photograph, Black and White, of X2 674 at Preston Workshops 1934? Print and photograph by Sutcliffe of 366 Bourke St. This tram was later renumbered to 680, see page 30 of Destination City 5th Edition. See Reg Item 3558 for another print within an album.In ink on the rear: "M&MTB SA 945, X2 674 1934(?), (Preston Workshops)" and the photographers stamp.trams, tramways, x2 class, tram 674

"BARAMBAH A37 HMAT" Australian Government / 1912 built as the "Hobart" a cargo steamship for/ the German-Australian line, Hamburg. In 1914 seized at Melbourne and refitted as a Troop transport, renamed "Barambah" and given the prefix A37. Remained in such capacity until 23 May 1918 then transferred to Commonwealth Government Line of Steamers fleet. In early 1925 sold to North German Lloyd, Bremen and renamed "Justin", until scrapped May 1935. The original photograph was by J.E. Barnes of Kew who was also known as the embarkation photographer ( see also Kew Historical Society entries on Vic Collections) This photograph of significance and interest as it is believed to be Port Melbourne in 1914 quite close to the Mission to Seamen at PM who may have had the mission facilities used by the crew of this ship. It shows: the nature of a small steamship used for troop movement 1914, also some of the family groups gathered to farewell loved ones departing for action during WW1. The engineers of the Barambah donated money to the Mission in 1917 (Jottings)Black and white landscape orientation photographic print of steam ship at dock with crowds of people waiting dockside. The print is housed in a plain black frame with glazing, mountboard support with composite board backing 4 removable clips and hanging system composite backing with angled freestanding foot.printed Label on back of print and handwritten label on back of frame: " BARAMBAH / A37 HMAT / Australian Government / 1912 built as the Hobart a cargo steamship for/ the German-Australian line, Hamburg...." (see also History and Significance this record for full details)s.s. hobart, s.s. justin, troop embarkation ww1, j.e. barnes, a37 hmat, s.s. barambah

Eastern Rosellas are multi-coloured medium-sized Australian parrots with distinctive white cheek patches. The Eastern Rosella is found throughout south-eastern Australia, from Queensland to Victoria, south-eastern South Australia, and eastern Tasmania. Despite their vibrant colours, Rosellas camouflage well into their surroundings when perching or when on the ground. The Eastern Rosella is found in open woodlands, grasslands, farmlands and remnant bushland. These birds are often found in urban habitats such as parks, gardens and golf courses. Early European settlers encountered the Eastern Rosella at Rose Hill, New South Wales, now Parramatta, and so they called it the Rosehill parakeet which became "Rosehiller", and eventually shortened to "rosella". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This mature Eastern Rosella has a red head and breast, with a light green belly and distinctive white cheeks. The back is yellow-green with black mottling, the yellow-green turning green then to blue across the wings. The tail feathers are blue/black, with a red base on the underside. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 79/ Rose-hill Parakeet / See catalogue, page 22 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, rosella, eastern rosella, rosehill parakeet, rose-hill parakeet

The white-throated Needletail is a migratory bird, breeding in Central Asia and southern Siberia, and wintering south in the Indian Subcontinent, Southeast Asia and Australia. This large swift is often mistaken in flight for a small predatory bird, but its long curved wings and white markings help to identify it. Needle-tailed Swifts get their name from the spined end of their tail, which is not forked as it is in the more common Swifts of the genus Apus. They build their nests in rock crevices in cliffs or hollow trees. These birds do not like to sit on the ground, spending spend most of their time in the air. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This white-throated Needletail is predominantly grey-brown in colour. The throat and under tail of he bird are dusky-white. This specimen has a white spot on the lower rim of each of its wings. The eyes are made from glass and the specimen has been styalised standing on a wooden mount.Label: 3a/ Spine-tailed Swift / See catalogue page 7.stormbird, taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, quail, migratory bird, white-throated needletail, needle-tailed swift, spine-tailed swift, hirundapus caudacutus

The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird