Was worn by donor's husband's grandmotherFeather Accessory. Three feathers 13 cm long, dyed orange and set in the shape of a fan into a 5cm long matching orange plastic holder.costume accessories, hat accessories

Twenty four page colour knitting pattern book. The cover features two women and a man wearing coloured jumpers featuring geometric shapes.front: [printed] THOROBRED / We've fashioned the pleasure of knitting / KASHMIR / MOHAIR / DESIGNER SERIES / TWO / PRICE CODE Dthorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

BHS CollectionSmall metal handle in an S shape with a wooden shaped piece to turn it with. 5 mm hole in one end where it fits onto shaft.small handle

Trapezoidal shape, narrower at the top. Folded sheet metal housing with attached handle. The clapper is a folded strip of metal attached to a wire hanger, by a bolt.

Victorian Scottish Regiment Champion Guard Plaza Ballroom - St Kilda July 2nd 1931 O.G Guard, CAPT H.H.Wheeler M.M. Presented by J.T Sargent, ESQ. Manager Plaza BallroomThe trophy has both handles in tact. Vase like trophy shape with handles shaped like upside down hocket sticks/nike logo.Won By Victorian Scottish Regiment Champion Guard Plaza Ballroom - St Kilda July 2nd 1931 O.G Guard, CAPT H.H.Wheeler M.M. Presented by J.T Sargent, ESQ. Manager Plaza Ballroom5/6 rvr, victorian scottish regiment champion guard, victorian scottish regiment st kilda, july 2nd 1931, capt h.h.wheeler, presented by j.t sargent

This antique wooden cutlery tray was used to store every day cutlery such as knives, forks and spoons used by the family. It's practical use was for ease of storage and carrying.A handmade brown wooden cutlery tray with two separate compartments. The divider also serves as a handle as it has a curved open shape in the middle to lift it with.trays, cutlery trays, wooden trays, storage trays, cutlery, kitchenware

This small purse belonged to David and Alice Ellis, a young couple married in Dublin in 1855. It has been handed down in the Ellis family until it was donated, together with other personal effects, in 2004 by David and Alice’s granddaughter, daughter of David Ellis Junior. On 6th October 1855 newlyweds David and Alice Ellis set sail for Australia in the brand new Schomberg, considered the most perfect clipper ship. She was built as an emigrant ship in Aberdeen and set sail from Liverpool on her maiden voyage, bound for Melbourne, Australia. She was loaded with 430 passengers plus cargo that included iron rails and equipment intended for building the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. On 27th December 1855, only one day from her Melbourne destination, the Schomberg was grounded on a sand-spit on the Victorian coast near Peterborough. The passengers and crew were all safely rescued by a passing small steamer, the SS Queen, which traded between Melbourne and Warrnambool, and taken to Melbourne. The passengers had been told, when leaving the sinking Schomberg, that all they could take with them was a small basket or handbag. A newspaper article later mentioned that one of the things Alice made space for in her basket was her Bible. (It is unclear whether Alice took any possessions with her onto the SS Queen, but a note accompanying the donation of the Bible and basket states that the items were “left on deck and salvaged as Schomberg went down”.) Another steamer was despatched from Melbourne to retrieve the passengers’ luggage from the Schomberg and Alice was reunited with all of her boxes of belongings. Other steamers helped unload the cargo until the change in weather made it too difficult. Although the Schomberg was wrecked there were no lives lost. At that time David was 23 years old (born in Wales, 1832) and his new bride Alice was 26 (born in Dublin, 1829). They had been given letters of introduction to people in Tasmania so they travelled there from Melbourne. However the couple only stayed on that island for about a year before they returned to the Western District of Victoria. David worked for Mr Neil Black as a gardener for a while then, when the land in the area was made available by the Victorian government, David and Alice claimed a selection of land on Noorat Road in the Terang district. They settled there for the remainder of their lives, expanding their property “Allambah” as opportunities arose. A document accompanying the donation lists the names of six children; William, Grace (c. 1859-1946), Thomas (c. 1866 – 1939), David (c. 1962 – 1953), James and Victor. David died on 13th April 1911, aged 79, at their property. Alice passed away the following year, November 1912, aged 83. Alice’s obituary described her as “a very homely, kindly-natured woman, who was highly esteemed by a large circle of friends; and she was also a firm adherent of the Presbyterian Church”. At the time of Alice’s death she left behind three sons and one daughter. Her daughter Grace Ellis was also a very active member of the Terang Presbyterian Church and a member of the PWMU (Presbyterian Women’s Missionary Union). She was also involved in the Red Cross and other charities. Grace passed away in 1946, aged 87. David and Alice Ellis were amongst the very earlies pioneers of the Terang district of Western Victoria. Their donated possessions are a sample of the personal effects of emigrants to Australia. The donated items are a sample of the personal goods carried aboard a significant migrant ship in 1855. They are also significant for their association with the Schomberg. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Purse, leather, rectangular shape with metal frame and catch. Purse was amongst the possessions of David and Alice Ellis, passengers on the Schomberg when wrecked in 1855.schomberg, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, warrnambool, shipwreck, purse, leather purse, personal effects, 1855 shipwreck, peterborough shipwreck, ss queen, david ellis, alice ellis, allambah terang, dublin emigrants, terang presbyterian church, western district victoria

MAXWELL LENNOX MATHESON 418447 Flight Lieutenant RAAF 1942 - 1948, refer Cat No 1959 for service history.RAAF Kit Bag, blue canvas, sausage shape. The top has 12 brass eyelets for a card strap. White stencil writing on side.“RAAF 418447”containers - military, military - equipment - air force

Badge issued to all Military Personnel who have returned from Active Service.Small black badge on mounting plinth. Rough diamond shape. Crown on top of Rising Sun Emblem with anchor and chain below it. Engraving at bottom.Inscribed with "Returned from Active Service".badge, returned from active service, ww2

This fret saw, with its unconventional up-side-down blade, was used in the making of intricate shapes for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This saw is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This saw was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Fret saw or coping saw. The fine-toothed, thin metal blade is held in place on the adjustable U shape frame by a swivelling spigot or clip at each end. The handle is turned wood, dark in colour. In this particular saw the blade is set into it upside down, and was used in this way for a specific purpose. This fret saw is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, fret saw, coping saw, wood cutting tool, carpenter's saw, carpentry, sovereign of the sea, ship model, hobby, ship model tool

This barnacled bottle is typical of those used for storing and transporting liquor. It was probably made from 1840s-1870s. The marine barnacles on the bottle support the fact that it was recovered from sea. The bottle was found at the site of an unidentified shipwreck along the coast of Victoria around 100 years from when it was made. It is part of the John Chance Collection. Black glass is one of the oldest bottle colours and was in use in the early 17th century. In the 1840s to late 1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glassblower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, leaving a slightly flared out heel. The dip mould gives the body a slightly textured and sometimes rippled surface, with the free blown shoulders and neck being smoother and shinier. The mouth of this bottle appears to have been left unfinished, with the glass cut off from the glassblower’s pipe. There is a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of liquor bottles imported for use in Colonial Victoria in the mid-1800s to late 1800s and discovered in the State’s coastal waters. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; black glass, handmade. Applied square band around cut mouth. Bulbous neck, vague mould line around shoulder. Body surface has horizontal ripples, shape tapers inward to base. Shallow pushed-up base with outward flared heel. Cream and white barnacles on sides, base and in mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, liquor bottle, ale bottle, 19th century bottle, collectable, black glass, buldge neck, bulbous neck, barnacles

This is a needle case produced in a novelty form. Sewing kits and needle cases were essential items for women to have in their houses, to take with them when travelling and to carry in their handbags for emergency repairs. Today needle cases are still used but less frequently as in past times, depending on the craft skills of the person and the hobbies pursued.This item has no known local significance but it is an interesting example of an early 20th century needle case and is retained for display purposes.This is a needle case in a wooden container made in a rectangular shape with a pointed top. The shape is in the form of a church with an affixed metal or paint shape of a church on the front of the container. The front of the container has been polished. The two sides of the container are affixed with two metal hinges and there is a metal clasp on one side. Part of the metal clasp is missing. Inside the container is padded with white/grey cotton material. On one side are two paper grey and black folders which once contained needles and on the other side there is a middle band to hold other needles or pins. This side has one rusty pin.‘Sharps 5/9 6, 7, Wartd. By Morris & Yeomans’household accessories, history of warrnambool

Clothing. Fine cream silk in a 8 pointed star shape, in the centre of the handkerchief - 15 cm diameter. Fine silk lace, 10 cm deep, surrounds this centrepiece. Adjoining the star shape is a one cm wide border, surrounded by 1.5 cm flowers, identical to those in the matching collar(11414.26). A Maltese Cross design in each corner brings the piece to a square shape. This joins fine lace in a flower and leaf design, with the Maltese Cross design in each corner, and at centre of each side. Fan-shaped edging surrounds the handkerchief, and a repeat of the needle - woven flowers as in 11414.26.costume accessories, female, silk handkerchief

"PoopCee Brand" feeding bottle. Used for feeding babies, with the addition of teats and corks. This bottle is a 'banana' shape.Babies' glass feeding bottle "Banana style""Poop Cee" brand moulded in clear glassbaby feeding bottle, poopcee

Photograph shows cable tunnel yoke, tunnel shape, cable and supporting pulley. K McCarthy collection.Yields information about cable tram tunnel componentsBlack and white photograph with note on rearIn ink "27" and "K McC"cable trams, yoke, cable, rope, pulley

This is a framed photograph of a panoramic section of the Warrnambool township taken in 1887 to commemorate the Jubilee of the reign of Queen Victoria (1837-1887). The photograph is taken from Booval Hill (Liebig Street north) and shows the fencing in that area with groups of people in the foreground posing for the photograph. The panorama covers Liebig Street and Raglan Parade and includes private houses, a windmill and three tanks, St. John's Church, St. Joseph's Church, Tattersalls Hotel and the Saleyards.This photograph provides us with historical information on a section of the Warrnambool township in 1887 and is a valuable resource for researchers.This is a black and white photograph in a brown wooden frame and enclosed in glass. The photograph has a gilt metal edging outlined with ornate kite-shaped pieces on the corners and depicts a section of a town from an elevated position. At the top of the photograph is a crest in a shield shape and at the bottom is another shield shape containing the title of the photograph. The left centre section of the photograph is splotched or water-stained.Warrnambool Queen's Jubilee 1887warrnambool 1887, queen victoria's jubilee

Letters from Alfred G Ferris No 2156 AIF to his family at Terrick Terrick. Refer cat No 4183.3P for Alf’s service details..1) Letter, “YMCA, With the Australian Imperial Force” letterhead, yellowed, all printing in red & black, ruled lines, hand written in black pencil, dated. .2) letter, rectangular shape, off white colour, hand written in black pencil & ink. .3) Letter, rectangular shape, off white colour, unlined, hand written in black pencil, dated..1) Main points, “France Sun 11th Feb 1917”, “Dear Mother”, “Always your loving son Alf” .2) Main points, “I remain your loving brother & son xxxx Alf (Love to all)” .3 Main points, “France Sun 18th Feb 1917”, “Dear Mother & all”letters, ymca, france

Print number 110 of painting by Geoff Nutkins the "Hunters. The picture shows Major Helmut Wick and others leading Schwarm of 4 planes on a mission over the Isle of Wight during the summer of 1940. The print is accompanied by a certificate of authenticity from the publisher784.1 Picture frame, Rectangular in shape with a timber edge, glass cover and a green border around the picture which shows four German fighter planes on a mission over the Isle of Wight during the summer of 1940 784.2 Picture Frame Rectangular in shape with a timber edge, glass cover and a green border around the picture. Shows Certificate of Authenticity for the Hunters signed by the publisher784.1 The Hunters by Geoff Nutkins. Major Helmut Wick and Oberleutnant Rudi Pflanz lead a Schwarm from the Richthofen Geschwader on a mission over the Isle of Wight during the summer of 1940 784.2 ww2, planes, german air force, lara r.s.l., messerchmitt, prints, world war two, luftwaffe

A yellowed clear plastic rectangular shaped container with embossed inscriptions on the lid. The container contains 5 packets of food rations. The largest packet is rectangular in shape and composed of brown paper. It has inscriptions on the front which detail the ingredients within. The second largest packet is also rectangular in shape and composed of brown cardboard. It also has inscriptions on the front detailing the indredients within.......

.1) Badge, brass, shows crossed cannons with threaded piece on rear. .2) Badge, brass, with letters “U S” and threaded piece on the rear. .3) Badge, brass, central dome shape with map of USA, anchor and Eagle with threaded piece on rear. .4) Badge, brass, pressed metal, central dome shape with flame at top with the word “Australia” under.

Item from 17th Light Horse Regiment collection..1) Leather rectangular pouch, stitched seams, brass stud closer, leather straps at rear to attach to belt, stamped maker's labels. .2) Metal & brass tool, saw toothed teeth, linear shape, 2 brass eyelets on ends to attach brass & timber detachable handles, handles cylindrical shape. .3) Metal file linear, 3 flat sides.Stamped on belt strap: "Jabez Cliff & Co Walshall 1918"trades-tools-saws, containers, military equipment - army, passchendaele barracks trust

Cotton Camisole. Yoke front and back of hand crocheted cotton joined to a cotton lower section in a scalloped shape. Yoke straight across back but dips in a V shape almost to the waist in the front. Provision for ribbon insertion at the sleeve edges and neckline. Bodice gathered onto a fine waistband and peplum. Two small fabric covered metal buttons and one pearl button.Written in pencil and biro nside peplum. 'BHS'costume, female, camisole

Sarah ANDERSON (1984- ) Born Ararat, Victoria Sarah Anderson is a ceramic artist currently completing her tertiary education at Federation University, and upon completion intends to study for a post-graduate teaching qualification. Influences on Sarah’s work range greatly, from historical Mexican tilework to delicate pinched porcelain sculpture. Barbara Hepworth, Constantin Brancusi and Jun Kaneko continue to be great sources of inspiration for Sarah’s final year of studies, for their challenging looks at shape, form and colour in their ceramic work. Sarah’s current ceramic practice involves exploring organic shapes in brightly coloured finishes. At once the shapes are earthy and vaguely figurative, an exploration of three dimensional shape and how our minds seek to align them with familiar forms. Her colour treatments are designed to create a dichotomy between shape and colour, inviting the viewer to apply their own meaning to the works. In future, Sarah hopes to combine her love for art history and education with her art practice in a fulfilling career. Sarah Anderson completed a Bachelor Visual Arts (Ceramics) at the Federation University Arts Acadamy in 2017. Three earthernware sculptures with mid-fired underglaze treatment. An airplant is attached to one of the items. This work won the 2017 Federation University 3D Art Acquisition award.On each base 'Sarah Anderson'sarah anderson, ceramics, sculpture, alumni, art acquisition award, available

This is the twenty-fourth issue of the annual magazine of Orbost High School. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2219.1 belonged to Mary Gilbert, a former teacher at the school. 2219.2 belonged to Peter Traill.This magazine is a useful reference tool.Three copies of Croajingolong 1971. The magazine is in landscape format and has a white cover with a free form shape filled with mosaic type patterns in black and white. 2219.2 has Peter Trailll written in blue pen on the front cover.croajingolong orbost-high-school

Items issued to John. D. Gardiner No 2832, refer Cat No 5892.2 for his service details..1) .2) "Australia" shoulder badges brass curved shape with two lugs on rear. .3) Rising sun lapel badge brass, no lugs on rear..3) "Australian Commonwealth Military Forces"badges, rising sun, uniform

Item in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details.Both, Place mats rectangular shape with rounded corners, white background with all text, depictions in brownish red colour, there are Five sketches over in total.Main Text, " 1941 - 50th Anniversary Seige of Tobruk - 1991", Sketches are, "The War memorial at Tobruk cemetery, Cantonera 31 on the Derna Road, Eagle corner, 4th Australian General Hospital".sovenirs, toruk, mats

This item has come from funeral directors Beattie and Phillips who have operated as funeral directors in Warrnambool since 1865 when Christopher Beattie and Henry Phillips commenced their business. They operated as partners until Henry died in 1896. Christopher continued until his death in 1916 when the business passed to his son Christopher who operated the business until 1945 when it was transferred to James J Leahy. The business was next to the Wesleyan church in Koroit St. Early advertisements cite the latest in services, vehicles and horses. This cloth could have been used to drape over coffins or seats. The society also has recently acquired a top hat worn by these funeral directors. An item which is associated with one of Warrnambool’s longest running businesses.Black rectangular lined cloth with ties on corners and diagonal velvet braid sewn in diamond shape in the middle. Same braid provides border around the item.warrnambool, warrnambool funeral directors, beattie and phillips funeral directors, j j leahy,

This trophy is one of several from the 1930s awarded as part of the Warrnambool inter-church indoor sports competitions. One of the sponsors of this competition was Fletcher Jones, the well-known clothing manufacturer. He had his head office and main factory in Warrnambool. This trophy was awarded for rope quoits. The game of quoits consists of competitors throwing four or five rings or hoops on to a raised spike some metres away. The hoops are generally made of plaited rope and the game is said to have been started or popularized by sailors on board ship. The trophy was won by the Congregational Men’s Institute (C.M.I.). A Congregational Church was opened in Liebig Street in Warrnambool in 1864 and was transferred to Henna Street in 1940. This church was sold to the Salvation Army in 1979 when the Congregational Church merged with the Methodist Church to form the Uniting Church. This cup is of interest as it is a 1930s trophy awarded by the now-defunct Inter Church Indoor Sports Association of Warrnambool. This is an electro plated nickel silver cup with two ornate side handles and a stem in a bulbous shape attached to a silver base. The cup is mounted on a Bakelite stand.‘Inter Church Indoor Sports Association Cup Won by C.M.I. Rope Quoit Champions 1934’congregational church warrnambool, inter church indoor sports association warrnambool, history of warrnambool