Greatcoat WW2 T. P. Baker (buttons/insignia removed) - Motheaten.Destroyed. Buttions etc kept as B359uniform, 1942, army

RN buttons. Kings Crown. Textured field. Gilt. Pre 1952. 1 Large 1 smallbadge/buttons, pre 1952, rn

Pair of long black suede gloves with three buttons at wrist. See Supplementary for card relating to care.Dents 'D' gloves 7 Real Kid|Made in France.costume accessories, glove accessories

Pair black cloth ladies spats. Leather strap to go under shoe. Seven Buttons on each.costume, female

Aqua doll's patterned cardigan with long sleeves and collar also has three pearly gold buttons.doll's cardigan, knitting, toys, wool

Soldiers sewing kit known as a 'Housewife' belonging to D.A. Geake, complete with needles, thread and buttons etc.Soldiers details. Reg. no 3/784037. D.A.Geake. Makers name also stamped on one end.

Knitting was for shows. Part of the Heather & Isobel McNamara collection.- Cream woollen babies' jacket - Four buttons on yoke - Fine pattern on sleeves and around hem and front wool, handknitted, mcnamara collection, baby clothes

Bag of RAAF buttons - 9 large; 3 medium; 2 with shanks for epaulettes. (One medium to U454)badge/buttons, ww2, raaf

Mondessa Tennis Collection tailored safari-style jacket, with tennis motif buttons. Materials: Polyester, Metaltennis

Yellow silk sleeveless tailored dress with two purple buttons on front. Materials: Silk, Thread, Plastictennis

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Black velvet and net woman’s hat with small diamanté buttons. The mushroom shape highlights the wide brim.Nilwomen's clothing -- hats, headwear, australian fashion, mushroom style hats

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was donated to the Fashion Collection by Val Goldsworthy.Brown wool coat with large silver buttons and fur trim to neck and sleeves. Matching brown dress.Label: Merco Davronmerco davron, australian fashion - 1960s, melbourne fashion designers

Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples

One square neck white cotton camisole with lace insertion at neck and sleeves. Has covered buttons.camisoles, underwear

Grey wool 3/4 length coat with grey satin lining, double breasted with brass buttons.clothing, wwii, second world war

Sad irons, also called flat irons or smoothing irons, are shaped pieces of metal that are flat and polished on one side and have a handle attached to the other, created for the purpose of de-wrinkling fabric. “Sad” is an Old English word for “solid,” and the term “sad iron” is often used to distinguish the largest and heaviest of flat irons.This iron is representative of the domestic appliances used throughout Australia up until electricity became widely available for domestic use.A small cast iron flat iron. The triangular shape of the iron made it easier to iron around buttonsdomestic appliances, flat irons, sad irons

Silver button hook with angel head ornamentation on handle. Used for doing up boots or shoes with buttons.clothing accessories, footwear

Jacket issued by Australian Defence DepartmentComplete example of Australian Army WO2 jacketKhaki Australian Army Battle Jacket. Size ?? Red flashes on both shoulders that read "Australian Army Ordinance Corp". Warrant Officer Crowns on each sleeve. Brown buttons. Dark green lining

VSF Uniform - Blazer and tie (non- uniform) Photocopy of photo with uniform being worn. Gift Deed.Blazer and Tie

This blazer was probably worn by trainer, Jim Trewin in the 1960's.Together with a trophy, a uniform, a chaperone's blazer and photos this blazer forms part of the history of the Orbost Marching Girls group.A navy wool blazer worn by the Orbost Marching Girls' Instructor. On the top left pocket is a badge which has a picture of a marching girl, wheat on either side. Orbost Marching Girls Instructor. It fastens with 3 silver buttons with 2 smaller silver buttons on the cuffs.orbost-marching-girls uniform recreation blazer

Trousers - Khaki, wool serge fabric, plastic buttons, five buttons, fly, fob pocket, two side pockets, one back pocket with flap. Lining - cotton and polyester fabric. Cotton manufacturers label, inside on back pocket lining, with black print information.Cotton label information - black ink print. "CONWAY BROS. PTY LTD/ ADELAIDE 1969/^/ CLASS 8405-66-025-6188/ SIZE WAIST 325/ MATCHING JACKET 37-395/ DRY CLEAN ONLY/ RE-PRESS ON ORIGINAL SEAMS/ Creases set by Si-va-set/ mending Patch attached/ NAME/ ARMY NO". NAME - HANDWRITTEN ON LABEL - BLACK INK - ILLEGIBLE.uniform, army, battle dress trousers

Gloves, ladies, white, kid leather with fine stitching around fingers, sides and 3 decorative lines of stitching on top of glove. Underside wrist area has split with 2 buttons. Gloves are as new, as buttons have paper covering. Size 9 1/2. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Gloves, ladies, white, kid leather with fine stitching around fingers, sides and 3 decorative lines of stitching on top of glove. Underside wrist area has split with 2 buttons. Gloves are as new, as buttons have paper covering. Size 9 1/2. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Set of six large gold Coat button and four small cap buttons. Has an eyelet or ring fixed to the back and stamped either "Stokes and Sons Victoria" or "Stokes and Sons Australia" 8 additional buttons added from Ron Scholten 11-6-2022.trams, tramways, buttons, mmtb, uniforms

A white linen full bib apron to be worn over a nurse's uniform.H.D. MURRELL S 485uniform nursing nurse's-uniform

Items issued to John Michael Giffard No 0327699EOD Aust Army Training Team Iraq, rotation 8Pair of black uniform dress shoes, patent leather complete with laces.

Five students of the Ballarat Junior Technical School in baseball team uniform.ballarat junior technical school, baseball, sport, uniform

Fanny Isabella Nicol from Rochester enlisted as a Staff Nurse A.A.N.S reinforcements AIF age 30 years on 11.7.17. Embarked 31.8.17 and disembarked in Alexandria and served there and in Abassia. She served in the 17th, 31st, 71st General Hospitals and the 14th Aust General hospital. She was discharged from the AIF on 13.6.19. Refer 1797.5,1796.9, 2317.6, 2591.B&W copy of a photo re Fanny Isabella Nicol in uniform.on rear of photo is 1/25medicine - nursing, photograph - photography

Item belonged to Harold Bertie Chatfield No 401493 RAAF. Refer Cat No 198P for his service history also 196.2, 197. Hat, peak, blue RAAF uniform. Hat belonged to Harold CHATFIELD.uniforms - army, costume - male headwear, raaf