Utas textile exhibition was showing in the Art Space at the Information CentreColour photograph of Uta Wohl with local MP Craig Ingram outside LE Visitors Information Centre Lakes Entrance Victoriaarts, businesses

Marie Fish at Art workshop exhibition at RSL Hall Lakes Entrance VictoriaColour photograph of Marie Fish at Art workshop exhibition at RSL Hall Lakes Entrance Victoriaarts, exhibition

Leah Elsum at the Art exhibition at the RSL Hall Lakes Entrance VictoriaColour photograph of Leah Elsum at the Art exhibition at the RSL Hall Lakes Entrance Victoriaarts, exhibition

Renata Griebe at art exhibition held at the RSL Hall Lakes Entrance Victoria . Also a colour photograph of artwork by Meika Koning at the art exhibition held at RSL Hall Lakes Entrance 1980 number 04082.4Colour photograph of Renata Griebe at art exhibition held at the RSL Hall Lakes Entrance Victoriaarts, exhibition, people

Photograph of Narmbool taken during a visit by Buninyong Art Gallery in November 1997.Buildings. Gardens and plants.Colour photograph of Narmbool house, Elaine, showing front of house and garden.historic house., garden and plants., statuary and garden ornaments.

Colour print of W2 class tram 336, in Transporting Art livery, painted by Mike Brown, photographed by Norm Cross in March 1978, in Gisborne St during its first week of running. Has the destination of Northcote via St Georges Road and showing route 9.Yields information about the Mike Brown Transporting Art tram of 1978.Colour photograph with remnants of adhesive tape.trams, w2 class, tram 336, transporting art, mike brown

Belonged to David Andrew No 400247 RAAF, KIA 5.4.43. Refer 2048, 2085, 2088. Brooch, diamond shaped, Perspex coated, blue colour. Encased in the Perspex is a gold coloured RAAF badge, under is a small badge, bird with outstretched wings gold colour. A small metal ring attached at the top. trench art, military

Items in the collection re J.C.W. LEDEUX, refer Cat No 2378 for his service details. These items are classed as Trench Art WW2..1) Perspex map of Australia with Australian coat of arms in metal in centre. Has shape of colour patch in centre. Australian Armoured Division. .2) Perspex bar with Rising Sun badge suspended beneath on chain. .3) Mother of pearl Rising Sun with metal Rising Sun badge in brass in centre. costume accessories - jewellery, military history - souvenirs, numismatics, trench art

Items are classed as WW 2 trench art..1) Perspex brooch, half round in shape, green colour. Inlaid is a rising sun lapel badge with is gold coloured. the writing on the badge "Australian Commonwealth Military Forces" has been coated in red. 2 pins have been attached. .2) Perspex brooch, oval shape, clear from the rear a crown and wings has been pressed into to giving a clear shape from the front. trench art, brooches

1996 Calendar" containing cull colour photographs of Sydney, Adelaide, Bendigo, Ballarat, Melbourne, Fremantle 29 and Victor Harbor. All photos by D Ellerton. Produced by Topmill Pty Ltd and distributed by Gordon & Gotch Pty Ltd. Features July - Ballarat tram 17 crossing Sturt St from Lydiard St North, 5-3-1963. Tram has the destination of Bell St. November - Bendigo 16, at Charing Cross, 11-3-1960, Eaglehawk, with the motorman selling a ticket to a passenger. Rear cover - Bendigo 17 at Eaglehawk, 11-3-1960 at the end of the double track.Demonstrates a Topmill Calendar for 1996 featuring Australian trams.Wall Calendar - heavy card covers, 12 gloss art pages inside, titled "Australian Trams - 1996 Calendar" containing full colour photos. Has a punched hole along the top edge to enable wall use. Provides dates for holidays, school holidays and Pension payment days and phases of the moon.trams, tramways, ballarat, bendigo, calendar, tram 17, tram 16

In the early 1900s, Mary Sweeney commissioned artist Charles Bertie to paint the main house at Culla Hill. He charged her 5 shillings for the picture and 18 pence for the frame She took this painting with her when she married Michael Carrucan in 1910 and it hung in the Dalton Street farmhouse for many years. At a later time (1960s), the Burstons (the then owners of Culla Hill) had a card printed from the painting. The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council strongroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 Original colour sketch artwork 4 x 5 inch black and white negative of original colour sketchculla hill, art, charles bertie, drawing, mary carrucan (nee sweeney), sketches, sweeney's cottage

Item relates to H.V.Rooke VX47141, refer Cat No 4906.2 for service details. “Gwen” short for Gwendoline listed as his NOKTrench art style bracelet made of small squares covered in plastic, each piece has a symbol or lettering in colour. The lettering makes a sentenceThe sentence, “To Gwen from Vic always”bracelets, memorabilia, ternch art

This is one of an original pair.Trench Art. Brass shell casing, made into a vase. The top has been flared out, near the top has 3 rolled folds around the diameter. On each side are ornamental handles. Inside is a plastic cylinder to hold water. The surface has been given a roughened appearance going from a bronze colour to black.military history - souvenirs, arms - ordnance, metalcraft- brassware

These cigarette lighters were called Zippo Lighters. .2) Yea though I walk through the valley of the shadow of death I will fear no evil for I am the evilist son of a bitch in the valley. .3) The Red Figure 1 the 1st Infantry Division US. They were known as The Big Red One. Items souvenired by Peter James Dodd No 217842 while serving in South Vietnam. refer 2436.2P for his service details..1) Cigarette lighter, metal, silver colour with hinged lid for use. Engraving on both sides, 1 depicts a lady with a bird in her palm, the other a poem & date. .2) Cigarette lighter, metal, silver colour with hinged lid for use 1 face has a minature Royal Aust Engineers badge attached. .3) Cigarette lighter, metal, silver colour with hinged lid for use 1 face has a small plaque attached with the figure 1 in red..1) Baria Nui Dat 69-70 (see notes) .2) RAE Vietnam .3) 1st Infantry Division Vietnamcigarette, zippo, accessory

Part of the Collection of WW2 Veteran "Pte David Davies" No. V245464. For details of Service refer Cat No. 9955.Two page folded sheet of cream colour paper outlining the funeral service for David William Ralph Davies. Page 1 has his name, Birth and Death dates. Page 2 Words to song "Amazing Grace", Page 3 Words to "How Great Thou Art", Page 4 Words to "The Lords Prayer".funeral service sheet, david william ralph davies

Photograph shows W2 class tram 336 in Art Tram livery in revenue service, with destination 'Northcote via St Georges Rd, Route 9, Run number P15'. Yields information about Art Tram W2 336.Colour print with no note on the rear. Irregular shaped print.w2 class, art tram, tram 336, revenue service, northcote via st georges rd, route 9

A digital copy of a colour postcard from The Cumberland guest house in Marysville.A digital copy of a colour postcard from The Cumberland guest house in Marysville.The Cumberland Marysville, Victoria Fine foods, a selection of wines, spirits, liqueurs, ales. In winter, warmth; summer, air-conditioning./ An excellent and varied menu is planned to meet the appetites sharpened by the invigorating mountain air. There are lounges to sit back in/ and enjoy the gentle art of doing nothing. Cards? A separate lounge is provided. Table Tennis? Of course. In the basement, billiards./ Outdoors there are tennis courts, bowls, croquet, and an inviting filtered pool./ At night, the soft comfort of deeply sprung beds in the privacy of your own suite; or family rooms if you wish./ Very little has been overlooked for your comfort at The Cumberland. Phone Marysville 3, or book at all leading holiday bureaux. 1428-31marysville, victoria, australia, the cumberland guest house, accommodation, 2009 black saturday bushfires, villa day spa, postcard, souvenir

Photograph shows W2 class tram 567 in Art Tram livery possibly at the Simpson St sidings. Large wording on one side reads "Mother Knows" with a Japanese naval ensign or flag painted between the words, possibly cover a third word. The artist was Peter Corrigan, the work using the Japanese flag created controversy at the time. The second and third photos show the flag covered over. The tram was subsequently repainted during 1978. From the Museum's webpage on Transporting Art: "Peter Corrigan’s cheeky No. 567 created an international incident – the Japanese Embassy lodged a diplomatic protest over his use of their naval ensign with the enigmatic slogan ‘Mother Knows’. The tram was hurriedly withdrawn, and the offending flags were quickly overpainted before No. 567 re-entered traffic. By report, Corrigan was less than impressed by this act of official censorship. Even in its adulterated form, No. 567 did not last, as it was overpainted in 1982". See item 8685.Yields information about Art Tram W2 567.Colour print some with notes on the rear - set of 3.On the smaller prints in pencil "567, Peter Corrigan withdrawn"w2 class, tram 567, art tram, preston workshops, peter corrigan, transporting art

The photo is of tram 567 painted by Paul Mason for the Transport Art trams project, April 1982 following its launch.Yields information about tram 567 painted by Paul Mason as part of the Transporting Art project.Colour print with hand written notes on the rear.In pencil, "567 Paul Mason, in service Sth Melbourne 23/4/1982"tramways, transporting art, tramcars, tram 567

The photo is of tram 439 painted by Stewart Merritt for the Transport Art trams project, 1982 following its launch.Yields information about tram 439 painted by Stewart Merritt as part of the Transporting Art project.Colour print with hand written notes on the rear.In pencil, "439 Stewart Merritt"tramways, transporting art, tramcars, tram 439

Glen Jones was born in Bendigo on September 10, 1934. He graduated from Bendigo High School in 1951 and then attended Bendigo Teachers' College. He began his teaching career as an Art, Craft and Woodwork teacher in Rochester in 1955. Biographical notes provided by Glen's family are attached as a media file.Photo album with red fabric cover containing water colour paintings created by Glen Jones depicting buildings of Bendigo. Each water colour painting is mounted on coloured card with descriptive labels attached. The folio of paintings was produced as a project for Glen's Matriculation Certificate in 1951.bendigo buildings, matriculation, watercolour paintings, architectural paintings, glen jones