Showing 14712 items
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Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Old Woman 1981 - 'Images of Opoul Series' No 5, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.125Signed, dated, edition and numbered -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman at Window 1981 'Images of Opoul Series' No 6, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.127Signed, dated, numbered and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Pruning the Vines 1981 - 'Images of Opoul Series' No 7, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.127Signed, dated edition and numbered -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman Gathering Vine Prunings 1981 - 'Images of Opoul Series' No 8, Noel Counihan
Australia 1013 - 1986Lithograph 5/40 s.128Signed, dated , numbered and editioned -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Sunday Afternoon Rugby 1981 Series of Opoul No 9, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.129Signed, edition, numbered and dated -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - A Very Old Woman 1981 - 'Images of Opoul Series' No 10, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.130Signed and dated, edition and numbered -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Young Catalan Woman 1981 - 'Images of Opoul Series' No 11, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.131Signed, dated, numbered and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Relieving Priest 1981 - ' Images of Opoul Series' No 12, Noel Counihan
Australia 1913 - 1986Lithograph 5/40 s.132Signed ,dated, numbered and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Shadow 1986, Noel Counihan
Australia 1913 - 1986Lithograph 4/20 [Subsequent to published catalogue]Titled. editioned, signed and dated -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Chimneys 1953, David Dallwitz
Australia 1914 - Etching 10/30Signed, dated, title and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Le Studio Grande Chaumiere 1984, Louis Kahan
Australia 1905 - 2002Etching 9/30Signed, dated, title and editioned -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Survivors [mid 1980's], Ferry Korwill
Etching and aquatintSigned, dated, editioned and titled -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Going Home, Vic O'Connor
Linocut/ Edition of 1980 4/9 Stage 111Signed, dated, titled and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tropical Rain Shower - [ BODFORD Terrace Folio], John Olsen
Lithograph 150/300Signed, title, edition and date -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Start to Finish Comic 1970, Bruce Petty
Lithograph. Number 21 edition of 25Signed, dated, titled and edition -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Plume Hunter 1951, Eric Thake
Australia 1904 - 1982Linocut 34/40Signed, editioned, titled and dated -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Locus Amoenus, Banks Peninsula, Unknown
2010Aquatint 12/5Signed, dated, title and edition -
Melbourne Legacy
Document - Menu card, Dinner to honour Legatee Stan Savige, 1939
The dinner on Saturday 4 November 1939 was held to celebrate Brigadier Savige's appointment to Command the 17th Infantry Brigade, 6th Division, 2nd AIF. The menu is included and the order of service with speeches by Sir John Gellibrand and a response by Stan Savige. A copy of both are also in the archive. There are five quotes through menu that sum up common sentiments of Stan Savige. Including 'Leave it to me and my little playmate'; 'This is the tamest fight I've seen - let's liven it up'; 'The only "experience" is trust in God then trial and error.' Savige's subsequent exploits in WWII are detailed in Chapter 4 of 'There goes a man' by W.B. Russell, which chronicles not only battles fought but also the politics which blighted his command until the end of the war. An important link to Legatee Stan Savige, the founder of Legacy as well as the famous soldier, at a watershed moment in his life.Cream card with red medal ribbon insert, brown print of a menu and programme to farewell Stan Savige in 1939.Signed in pencil by Stan Savige.stan savige, legatee function, dinner -
Melbourne Legacy
Letter, Pat Hanna, 'Digger', 1972
A letter from Pat Hanna to Frank (presumably L/- Frank Doolan) about his request for information for Legacy's archive project. He mentions some of the outstanding events in the early days of Legacy were the wonderful holidays the children had at Somers Camp and outings for widows and their children to Luna Park. Pat posed for the iconic image of a digger taken by photographer Jack Cato in 1932. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing (see 01400). This letter and another copy of the photo was stored with other items - see items 01400 to 01403. Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed in many towns in Australia post-war and was adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Letter on Pat Hanna's letterhead in June 1972.Signed 'Pat' in black ink.hanna, solider -
Heidelberg Golf Club
Booklet - Annual Report, Heidelberg Golf Club, Lower Plenty: 57th Annual Report, Year ended January 31st, 1986
Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1986Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.12 page booklet. Typed text. 2 copies Copy1: "signed copy for file"annual reports, financial reports -
Melbourne Legacy
Letter - Document, letter
A letter dated 8th February 1943 from F H Adams of Factory Road Yarragon, to apply for the position of housemaster of the Legacy Hostel. He served for 12 years in the regular army and attained the rank of Captain. Serving part time in the V.D.C. as Battalion Commander. He mentions recent work on his brother-in-law's dairy farm while he was serving in the A.I.F. but now returned with injuries meaning the farm would be sold. His wife served as a nurse in WWI and is capable of teaching cooking, dressmaking and piano playing. They have one son currently 11 years old. A second letter dated 18 February 1943, from F.H. Adams thanking Legacy for the interview. Holmbush was the first children's home established by Melbourne Legacy. It was later renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter from Mr Adams applying for a position at Holmbush on white quarto notepaper, lined, black ink handwriting two hole punched.Signed F. H. Adamsresidences, holmbush, holmbush administration -
Pyrenees Shire Council
painting, Ercildoune from Mt Calendar by Heather Featherson, 2007
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or cultureFarmstead scene with hills in background oil painting.signed: HDF (lower right) -
Pyrenees Shire Council
Painting, Anne Broidy, Beaufort Railway Station by Anne Briody
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture view of Beaufort Railway Station in watercoloursigned: A Briody (lower right) -
Pyrenees Shire Council
painting, Philip Adams, Rosella and Vines by Philip Adams, 2000
rosella, Phillip Adams significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of vineyardsigned: ADAMS (lower left) -
Pyrenees Shire Council
painting, The Morning After the Storm by Maude Glover Fleay, 1930
Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay -
Pyrenees Shire Council
painting, Ernie Collins, Beaufort Bush from Dolly's Car by Ernie Collins, 2013
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a street scene as seen from a car signed: ERNIE (lower right) -
Pyrenees Shire Council
painting, Heather Featherson, Hay Bales and view of the Grampians by Heather Featherson, 2005
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right) -
Pyrenees Shire Council
painting, Sue Jarvis, Old Farm Chute Victoria (near Beaufort) by Sue Jarvis, 1997
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a country scenesigned: JARVIS (lower right) -
Pyrenees Shire Council
painting, Marbles in Shadow by Philip Adams, 2001
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left) -
Pyrenees Shire Council
painting, Philip Adams, Kata Tjuta in Morning Light by Philip Adams, 2001
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of Kata TjutaSigned: Adams (lower left)