Personal Diary Unknown Author located in the Mediterranean Sea aboard the SS. Orion 28/03/1938. Prior to WWII yet not long after the Second Italian-Abyssinian (Ethiopian) War. Tour of Suez, Egypt, Port Said.communication, postal, diary pre wwii tour of egypt, donated in harcourt granite quarries j. blight & co proprietors envelope

Grave of Hugh Rennie Duncan (died 31/12/1913) in Plot# Q11 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.hugh rennie duncan, greensborough cemetery

Grave of Hugh Rennie Duncan (died 31/12/1913) in Plot# Q11 Greensborough CemeteryGreensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.hugh rennie duncan, greensborough cemetery

View of Greensborough Cemetery 08/03/2012. Photograph taken by Jasmin Burge.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of cemetery.greensborough cemetery

The Grave of Jemima Fielding (died 24/03/1926), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph st helena cemetery

The Grave of Christina Taylor (died 08/03/1914), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, christina taylor, taylor family

The painting explores the mental health issues often faced by those who work at sea as a result of loneliness, isolation and illness, amongst other things. This seafarer’s face is made up of thousands of SOS Morse code symbols: dot,dot,dot dash,dash,dash dot,dot,dot. Morse code was used to signal to land that a ship or crew was in trouble. This seafarer is in trouble- his face says it all and speaks volumes. Mental health issues are often hidden when we look from afar but when we take the time to look closer and listen, the signs are often there.Lisa Carman entered this painting to the Maritime Art Prize 2019 and donated the artwork after the exhibition.Naive, Marine artLisa Carman, MTSV Collection Squared shape painting depicting a portrait in blue and dark tones of a sailor with a beard wearing a beanie. His face is made of dots using the SOS Morse code.sos, seafarers welfare, maritime art prize, 2019, lisa carman, morse code, seafarers, sailors, beanie, blue

The Light horse Heritage Troop of the 8th/13th Victorian Mounted Rifles provided mounted escort to the Royal couple, HRH Prince Charles and HRH Princess Diana.In 1985, the portion of Puckapunyal Army Camp housing the Armoured School and Corps Museum underwent a major rebuild. The new facility named Hopkins Barracks was officially opened by HRH Prince Charles on 31 October 1985. Prince Charles, who was accompanied by his wife HRH Princess Diana, is Colonel in Chief of the Royal Australian Armoured Corps (RAAC). The Barracks is named to honour Major General R N L Hopkins who was instrumental in the development of the RAAC and is affectionally known as the ‘father of the Corps’.Complements another group of photographs in the collection of this rare event on the Australian military calendar, It is taken from a different location by another photographer.Black and white photograph of men of the 8/13 Victorian Mounted Rifles Heritage Troop escorting HRH Prince Charles and HRH Princess Diana at Puckapunyal 31 October 1985. Photograph is glued to fluted plastic backing card.military, royal visit, charles, diana, puckapunyal, hopkins, light horse

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Venetian prince set against eastern buildings, seas, gondolas and ships with eastern architecture, symbols and camels. A dragon and elephant in prince's diadem and hair. Library details surrounding sun and moon either side of main figure all in bi-coloured inks.Inscribed beneath image, "The Secrets of the Silk Road" Ex Libris Biblioteca Bodio Lambnago - Etching Natalija 2019

Rifle Company Butterworth 124, Nov 2018- Mar 2019, plaque contains all the members of RCB 124

Set of two copies of newspaper clippings from The Courier, Ballarat, regarding the reconstruction of the track between Depot Junction and Carlton St. .1 - Print of the on-line article - "Historic Lake Wendouree tram track to be relaid", 20 August 2019, detailing the project and costs, with comments by Peter Waugh, including photographs of ESCo 15, a damaged track joint, a Ballarat tram map and a horse tram. Notes the success of Pick My Project. Project cost given as $792,418.95. Article by Jolyon Attwooll. .2 - photocopy of a letter in The Courier, 24/8/2019 applauding the decision written by Stephen Downey of Golden Point.wendouree parade, trackwork, reconstruction, city of ballarat, grants, esco

Document. KELLY & ALLSOP COLLECTION. Three copies of Schedule B of Land Tax Act of Victoria 1910. 'Return of Land and Monies Owing on Mortgage of Land.' Each form partly filled out by Arthur Allsop in pencil, ie 'Particulars of Land' section. He owns two houses in Wills St and a vacant block of land at Pyke/Brodie Streets. Instructions to taxpayers 'Every owner of land must furnish a return before 1st March 1911 of all lands owned on 31 Dec 1910.'Taxation Office of Victoriabusiness, stockbroker, kelly & allsop, kelly & allsop collection, victoria land tax act 1910, schedule b

Copy of newspaper article: "Big crowd sees Eltham P.O.Opening "The News" dated January 31, 19581 page A4 photocopyHG Booklet 37burgoyne, eltham post office, harry gilham collection, main road, eltham

Yields information about the trams used by the AETA for a Ballarat tour to celebrate the Golden Jubilee of electric trams.Digital image from the Wal Jack Ballarat Album of the AETA Ballarat Golden Jubilee tour of 20/8/1955, of Specials 21 and 38, preceded by tram 31, crossing No. 12 at Grey St Loop, Sebastopol. Photograph by Keith Kings. See image i2 for rear of photograph.On rear of photograph in ink "Ballarat Golden Jubilee of electric trams, Specials 21 & 38, preceded by passenger car 31, crossing 12 at Grey St loop on Sebastopol. . 20/8/1955" and Keith Kings stamp in top right hand corner with number "P(c)(5)" written in.trams, tramways, aeta, tours, golden jubilee of trams, grey st loop, sebastopol, tram 21, tram 38, tram 31, tram 12

This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt

Soft cover book of 31 pages with spiral wire spine.Cover depicts each residence number with corresponding owners name.

Photocopies of 31 xA4 sheets explaining the story of Agent Orangeagent orange, chemicals