Showing 3779 items
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Malmsbury Historical Society
Photograph (Item), B/W Photo Of Threshing Team Blackwells Farm C1930, Malmsbury c1930
Associated with - Mhs Buildings - Threshing Machine People - Blackwell Family -
Whitehorse Historical Society Inc.
Document, Hugo Wertheim Receipt, 26/07/1898
A copy of a sewing machine receiptnon-fictionA copy of a sewing machine receiptsewing machines -
Mont De Lancey
Functional object - Scales, Salter
19th C weighing machine used in kitchens for food preparation.An antique footed ornate black cast metal Salter brand kitchen scale from the Victorian era. This item is rare.The cream coloured metal face is quite decorative with Household Scale No 49, British Made To weigh 0 - 20 lbs. It has an adjustment winder on the back to set the scales to 0. The top of the scale has a metal claw shape to support the black metal dish which the food is placed on to weigh.Household Scale No 49, British Made, To weigh 0 - 20 lbs. A knotted rope design and Salter is printed at the bottom of the face.kitchen equipment, kitchenware, cooking, scales -
Federation University Historical Collection
Object, Brown and Sharpe Manufacturing Co, Universal Surface Gauge
Used to lay out Machine work, or to set up pieces on a planer, radial drill, milling machine or boring machine. To set the Scriber the spindle swivels down or up into any position where it is clamped by the knurled nut. There is a fine screw adjustment for the Scriber point (note: this is not original Scriber supplied with this instrument). The base on this Surface Gauge can be set on cylindrical work, using the ‘V’ groove in the base, or by pushing down the two gauge pins. It can be brought square with an edge or T slot. Metal gauge toolgauge, tool, trade, brown and sharp manufacturing company -
Flagstaff Hill Maritime Museum and Village
Machine - Fusee Clock Mechanism, early 20th Century
The origin of the fusee is not known. Many sources credit clockmaker Jacob Zech of Prague with inventing it around 1525. The earliest dated fusee clock was made by Zech in 1525, but the fusee appeared earlier, with the first spring-driven clocks in the 15th century. The idea probably did not originate with clockmakers, since the earliest known example is in a crossbow windlass shown in a 1405 military manuscript. Drawings from the 15th century by Filippo Brunelleschi and Leonardo da Vinci also show fusee mechanisms. The earliest existing clock with a fusee, also the earliest spring-powered clock, is the Burgunderuhr (Burgundy clock), a chamber clock whose iconography suggests that it was made for Phillipe the Good, Duke of Burgundy about 1430. Springs were first employed to power clocks in the 15th century, to make them smaller and portable.[1][5] These early spring-driven clocks were much less accurate than weight-driven clocks. Unlike a weight on a cord, which exerts a constant force to turn the clock's wheels, the force a spring exerts diminishes as the spring unwinds. The primitive verge and foliot timekeeping mechanism, used in all early clocks, was sensitive to changes in drive force. So early spring-driven clocks slowed down over their running period as the mainspring unwound. This problem is called lack of isochronism. Two solutions to this problem appeared with the first spring-driven clocks; the stack freed and the fusee. The stack freed, a crude cam compensator, added a lot of friction and was abandoned after less than a century. The fusee was a much more lasting idea. As the movement ran, the tapering shape of the fusee pulley continuously changed the mechanical advantage of the pull from the mainspring, compensating for the diminishing spring force. Clockmakers empirically discovered the correct shape for the fusee, which is not a simple cone but a hyperboloid. The first fusees were long and slender, but later ones have a squatter compact shape. Fusees became the standard method of getting constant force from a mainspring, used in most spring-wound clocks, and watches when they appeared in the 17th century. Around 1726 John Harrison added the maintaining power spring to the fusee to keep marine chronometers running during winding, and this was generally adopted. The fusee was a good mainspring compensator, but it was also expensive, difficult to adjust, and had other disadvantages: It was bulky and tall and made pocket watches unfashionably thick. If the mainspring broke and had to be replaced, a frequent occurrence with early mainsprings, the fusee had to be readjusted to the new spring. If the fusee chain broke, the force of the mainspring sent the end whipping about the inside of the clock, causing damage. The invention of the pendulum and the balance spring in the mid-17th century made clocks and watches much more isochronous, by making the timekeeping element a harmonic oscillator, with a natural "beat" resistant to change. The pendulum clock with an anchor escapement, invented in 1670, was sufficiently independent of drive force so that only a few had fusees. In pocketwatches, the verge escapement, which required a fusee, was gradually replaced by escapements which were less sensitive to changes in mainspring force: the cylinder and later the lever escapement. In 1760, Jean-Antoine Lépine dispensed with the fusee, inventing a going barrel to power the watch gear train directly. This contained a very long mainspring, of which only a few turns were used to power the watch. Accordingly, only a part of the mainspring's 'torque curve' was used, where the torque was approximately constant. In the 1780s, pursuing thinner watches, French watchmakers adopted the going barrel with the cylinder escapement. By 1850, the Swiss and American watchmaking industries employed the going barrel exclusively, aided by new methods of adjusting the balance spring so that it was isochronous. England continued to make the bulkier full plate fusee watches until about 1900. They were inexpensive models sold to the lower classes and were derisively called "turnips". After this, the only remaining use for the fusee was in marine chronometers, where the highest precision was needed, and bulk was less of a disadvantage until they became obsolete in the 1970s. Item is an example of clock mechanisms used until 1910 for many different styles of clocks and went out of fashion in the 1970s due to improvements in clock and watch making.Brass fusse clock movement, It has very heavy brass plates and wheels, high-count machined pinions, and a fusee. The mounting of the pendulum is missing and It has a recoil escapement. A fusee is a conical pulley driven through a chain by the spring barrel. As the spring runs down, the chain acts at a larger and larger radius on the conical pulley, equalising the driving torque. This keeps the rate of the clock more even over the whole run. It has motion work to drive an hour hand as well as a minute hand and the centre arbor is extended behind the back plate to drive some other mechanism.Inscription scratched on back"AM 40" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock mechanism, fusee mechanism, horology -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH OF DEVONSHIRE SANDS DUMP
Black and white photograph on board. Image shows machine with conveyor belt emptying sand into a trailer harnessed to a draft horse. Machine has plate on side 'Pat No. 3281' A man is standing holding the draft horse bridle with other hand on shaft of trailer. Man standing (LH side) observing the proceedings is wearing a suit and hat. Man standing with back to camera in bottom RH corner. In background, layered sand. Written on back in pencil 'Devonshire Sands'gold mines, mining equipment, devonshire sand dump -
Bendigo Historical Society Inc.
Textile - TABLECLOTH WITH EMBROIDERED NAMES
Textiles. Machine made rectangular cream coloured linen tablecloth. 3.5cm turned over hem with decorative stitching around top of hem. 2.5cm diameter machine embroidered wreath in centre of blue flowers and brown and yellow leaves. 326 names (blue) hand embroidered around the edge at right angles to the hem and 44 names scattered in central area. (several colours)., tag in one corner ''SEMCO''. Old box 75,yellow label 183.textiles, domestic, tablecloth with embroidered names -
Flagstaff Hill Maritime Museum and Village
Equipment - Printing Press, Harrild and Sons, 1866
This Albion printing press was manufactured by Harrild & Sons of London and exported in 1868 from London to the colonial Western Victoria town of Coleraine, population of 700 at that time. It was installed in the Colerain Albion printing office. It was used to print the first edition of the Coleraine Albion newspaper in 1868 and continued until publication ceased in 1974. The Albion Press is still being used today by a volunteer printer in the “Examiners Office” in the village at Flagstaff Hill. Amongst the items produced are printed paper bags for the Tea Rooms and posters for visitors. ALBION PRINTING PRESS The Albion press was invented and manufactured in London by Richard Whittaker Cope around 1820 and was still being produced in the 1930s. The Albion was manufactured under licence by several companies from the 1850s onwards, one of which was Harrild & Sons of Fleet Works, London. Harrild & Sons describes its business as “printing materials manufacturer”. The business was established in 1807 by Robert Harrild and named R. Harrild & Co. In 1813 he showed that rollers could be used to ink a printing plate instead of inking balls, the method in use at the time. He then established a company to make the rollers. Eventually his company would make other printing materials and equipment. Robert’s sons joined him in the 1830s, when the company was renamed Harrild & Sons, and they continued to run the company after his death in 1853 and up until the mid-1900s. COLERAINE ALBION PRINTING OFFICE The Coleraine Albion Printing Office was established by W.L. Ambler. The first issue of the Coleraine Albion was dated 4th January 1868. Arrangements had been made to receive news from Melbourne, nearby provinces, other colonies and England. The second issue on 18 January 1868 printed articles from many agencies, including the Melbourne Age and the Warrnambool Examiner. The Albion office was sold to William Hatherleigh, formerly of Portland, in October 1868. Thereafter the Albion office had many owners. The last was L. A. & E. Oliver, who took over in January 1972 and was the last to be stated as printers and publishers of the Coleraine Albion. The office was wound up in 1974. The Albion Press and other equipment was distributed to Star printing in Terang. Star Printing donated the Albion press to Flagstaff Hill Maritime Village around 1980 and Stan Philp, owner of Philprint in Warrnambool, transported it to Warrnambool, brought it up to good working order and organised the supply of appropriate printer’s type. The Albion hand operated printing press is significant for producing the first newspaper in Coleraine, Western Victoria and continuing production for over 100 years. The Albion is technologically significant as a working example of a hand operated printer from the mid-19th century. The use of the printer is demonstrated by volunteers at Flagstaff Hill, printing items such as lolly and treat bays for use in the Village. The Albion is socially significant for its role in the isolated provincial colony, providing communication with the outside world, both in Australia and overseas. Newspaper printers were often amongst the first businesses of a small town. Printing press; hand operated Albion Press, Patent 2105. The machine has an upright iron frame at the back that supports the upper press that has a wooden handled metal bar is attached. The frame and legs support a thick metal flatbed. A metal leg supports the front of the press bed. The iron work is painted black with gold highlights. The decorative legs are finished with the golden feet of an animal. The frame above the metal bed includes a crown shaped finial symbol above the maker’s emblem. The maker’s details and the name of the printer are embossed on the upright frame. A plaque with the patent number is below a Lion and Unicorn emblem.Embossed maker’s emblem [A red cross - above a double ring – square inside ring – three banners below ring]. - Inside the double rings “PRINTING MATERIALS MANUFACTURE” - Inside the square, intertwined text “H & S” [representing Harrild & Sons] - Inside the three banners ““FLEET” “WORKS.” “LONDON.E.C.” Embossed across the shoulders “ALBION PRESS / HARRILD & SONS, / MAKERS LONDON.” Emblem above plaque [Lion and Unicorn] Embossed on the plaque “PATENT / 2105” Stamped into upright machine part above the printing bed “2105 / 1866” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, albion press, printing press, 1866 printing press, printing equipment, communications, coleraine albion printing office, coleraine newspaper, albion newspaper, south west victoria newspapers, harrild and sons london, richard whittaker cope, star printing terang, philprint, coleraine albion, hand operated press -
National Wool Museum
Bobbin Holder
A wooden bobbin holder associated with the "Beehive" manual sock knitting machineA wooden bobbin holder, circular base with a hollow round pole attached at centre of the base and narrowing at the top.knitting textile machinery machine knitting, hosiery, knitting, textile machinery, machine knitting -
National Wool Museum
Notebook
Notebook, containing handwritten notes associated with the "Beehive Sock Knitting Machine."Australian Exercise Book.knitting textile machinery machine knitting, hosiery, knitting, textile machinery, machine knitting -
National Wool Museum
Manual, List of Accessories
List of accessories available from the Swiss knitting machine company, Dubied.226965 2 Pinces 1 Clef de 22 mmmachine knitting, sartori, mrs genitilia -
National Wool Museum
Pamphlet, Instructions for Installation
Instructions for installation of knitting machine, which also forms part of the collection.machine knitting, sartori, mrs genitilia -
The Ed Muirhead Physics Museum
BEROLINA Mechanical
1910? M p 131 “one of the oldest pin wheel machines”Keys: 9 x 7 x 12 -
Parks Victoria - Maldon State Battery
Box
Currently used to store machine parts. Probably used for storage in the past .Green storage box with compartments and hinged lid, made from wood. Leather and chains attaches lid to the box. It has large wooden handles on either side. -
Parks Victoria - Maldon State Battery
Stamps, battery
Used as stampers on crushing machine, possibly discarded because of wear or damage.Three circular objects. Very heavy weights with protruding cylinder shafts, one is bigger than other 2. With inscription..2- "br22, .3- br22", .1- "indecipherable" -
Blacksmith's Cottage and Forge
Pinafore, 1900 (estimated)
This handmade pinafore was worn by the donor, Ellen Brown, at her christening in 1905. It was made by Ellen's grandmother, Mrs Beeching, for the first daughter born in the Fagg family. The pinafore was a treasured family heirloom, and was not worn again. It is a rare example of a modest, homemade christening costume. Most costumes were gowns, but this humble pinafore still shows loving attention to detail.The connection between milestone moments and the wearing of a particular garment carries great significance. The christening gown represents the rites of passage: great importance is placed on the clothing, as well as the ceremony.This is a white cotton infant's christening pinafore, round neck with a flounce, sleeveless with a sash attached at the front and tied at the back. There are lace inserts and lace at the hemline. Tucks are machined as embellishments and a tie at the back of the neck.lace, celebrations, handmade, white, brown, ceremony, textile, cotton, bacchus marsh, brown family, 1905, mrs beeching, fagg family, pinafore, infants clothes, rituals, fagg, costumes, family heirloom, christening, ellen brown -
The Cyril Kett Optometry Museum
Round gold rimmed quizzer, 19th Century
The power of the lens, +7.50 DS, suggests this might be a magnifying lens for near work rather than a quizzer for distance vision.Round gold rimmed quizzer with machine engraved lens rim. Turned ornamental stem with a small engraved swivelling ring at its end for a cord or ribbon. The lens is glass of power of +7.50 DS. -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Half Length Evening Slip in Cream Pure Silk. Spoke stitched hem machine stitched. Floral pattern above hem line. Button closed opening at waist. McClure Family Collection.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Cream Cotton Nightgown embroidered with Blue Cream silk edge around neckline and sleeves. Silk Crocheted edge. Tuck waistline for shape. Button at neckline. Machine hem. Neal Family Jallukar.stawell clothing material -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In 1965, 8th/13th Victorian Mounted Rifles held a sustained Recruiting Drive. It was the responsibility of individual CMF units to do their own recruiting and training.Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers.Black and white photograph of soldier in Battledress uniform, black beret and 8/13 VMR hat badge demonstrating a Bren Light Machine Gun to a group of young men as part of a Recruiting Display." Trooper T. Terhaar, later WO 2 . A Bren Gun to a group of youths in Dean Square. XXX later Trooper Jackson -
Orbost & District Historical Society
christening robe, C 1900
Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood -
Orbost & District Historical Society
hat
A fawn-coloured wool felt hat. It has a leather band with machine punched holes sewn onto it. There is a leather band inside the hat and a label. It is pinned up on one side - stockman style.DUSTY on label - 100% wool 60cm Made in Hong Kong hat felt stockman-hat -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1970
Black and white photograph depicting an operating room with five doctors undertaking cardiovascular surgery. Four figures are standing in the background. One doctor is standing on the left of the photograph with a cardiopulmonary bypass machine in the foreground.doctors, cardiovascular surgery, operating theatre, cardiopulmonary bypass machine -
Rutherglen Historical Society
Photograph - Image, F. Foxcroft, 1900 (Approximate)
Mr Blaickie an Uncle of Mr S.W. McDonald, Local ResidentBlack and white photograph, mounted on grey cardboard, of Blackies Traction Engine and Threshing Machines - 16 Men in photo - child sitting on wheel- Bags of chaff in Foreground - Tree covered hill in background.On back of photo: "Blaikies Traction Engine & Thresher. Taken Porepunkah 1900 early. Blaikies were Uncles of Mr [illeg] McDonald. A Mr Blackies on engine"agriculture, threshing, blackie, traction engine, farm equipment -
Harcourt Valley Heritage & Tourist Centre
A set of seven decorative white silk IOR sashes with red embossing
The Independant order of Rechabites "Hope of Australia Tent No. 109" was formed in Harcourt in July 1869 and celebrated its centenary in 1969. With a strong -minded core of Methodists and members of the Church of Christ the group provided moral leadership and social framework to a wide area for a long time. At first they met in a small hall but, the lodge having inflamed partisan passions, the hall was deliberately burnt down in 1877. Undeterred the Lodge rebuilt the hall in the same year and thus provided the only district public hall. The Hall was sold by the lodge in 1937.; The Independent order of Rechabites, a temperance and social organsiation, was particularly strong in the Harcourt, Barkers Creek district, due to the high proportion of Methodists in the population, a demographic phenomenon resulting from the courage, prevalence and influence of Wesleyan lay preachers on the Mount Alexander Goldfields. Ribbon/collar sashes,white, with red longitudinal stripe (Chief Ruler & Deputy Ruler only) and red border, red machine embroidery, angle stitched at lower front to form a fitted collar."CHIEF RULER"," DEPUTY RULER", "TREASURER", "GUARDIAN", "LEVITE" plus IOR triangle - "Truth, Fortitude, Justice" plus three heraldic shields with background foliage, Plus "Independant Order of Rechabites" plus a further decorative sheild surmounting a swage-like motto " Peace & Plenty the reward of Temperance" and "Rechabites Salford Unity" all in red on white background -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Banksia Tree Cloak (water and fire business), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Nan’s Spirit Watching over me (Rita Dalton) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Waa the Crow Totem Cloak (Waa represents our ancestors watching over us), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Kew Historical Society Inc
Clothing - Red Lace Evening Dress, & Matching Red Velvet Jacket, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 1930s dress and jacket is one of a number of items donated to the Fashion Collection by Teresa Mayer.Long burgundy machine-made lace evening dress with a separate red underslip. The dress is currently paired with a red velvet jacket and belt which it is believed was part of the original donation by Teresa Mayer.evening dresses, australian fashion - 1930s, women's clothing, evening wear, evening ensembles -
National Vietnam Veterans Museum (NVVM)
Photograph
16 coloured photos of soldiers relaxing, eating & drinking outdoors. 30 b/w photos of various soldiers, landscape & battle machines. 14 coloured &b/w photos of beach and desert.photograph