Showing 7417 items matching "marks-chapman"
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Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "25 Years Ago", January 1936
Item from The Courier, 25 years ago, about the change of destination of "Orphanage" to "Victoria Street" and a note regarding the introduction of more "modern" second hand trams into Ballarat.Yields information about the change in the name of the Victoria St terminus.Newspaper clipping from The Courier, Ballarat January 1936, about Ballarat trams - titled "25 years ago" Two red arrows mark the item of interest.letters, tramways, public transport, victoria street, orphanage, destinations, new trams -
Ballarat Tramway Museum
Document - Table Cards, Ballarat Tramway Preservation Society(BTPS) and P. Winspur(BTPS) and G. Young, 1979 Australia Day cavalcade, Jan. 1979
Yields information about the arrangements for the Australia Day Cavalcades and the way crews were arranged.Eleven heavy cards printed as M&MTB table cards for drivers, but used by the BTPS as run tables for 1979 Australia Day cavalcade for both drivers and conductors - separate cards for each. Prepared in black and green ink with notes. Each card has its own table number. Item Card No. For 325.1 801 Driver ex Preston 325.2 802 Driver 325.3 804 Driver 325.4 805 Driver to Preston 325.5 806 Conductor ex Preston 325.6 807 Conductor 325.7 808 Conductor 325.8 809 Assistant Conductor 325.9 810 Assistant Conductor 325.10 811 Assistant Conductor 325.11 812 Conductor to Preston No. 803 was retained by Bob Prentice on the day. Image of items added 2/11/13.325.7 has pen marks in top area.trams, tramways, mmtb, btps, melbourne, australia day -
National Wool Museum
Clothing - Men's Tie, The Woolmark Company, c.1980s
Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Mustard coloured neck tie with rams and woolmark logo repeated.back: [label] Wool Mark / since 1964stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, clothing -
Mont De Lancey
Knife Cleaner, Circa 1910
'Vono No. 2' hand-cranked, cast iron rotary disc knife cleaner, with a wooden knob on the handle."The Vono No. 2 Knife Cleaner" "Trade Mark"knife cleaners -
Mont De Lancey
Knife Cleaner, Circa 1910
Hand-cranked, cast iron rotary disc knife cleaner with a wooden knob on the handle.'The Vono No. 2 Knife Cleaner' 'Trade Mark'knife cleaners -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Link Chain Necklace from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned link chain necklace from the Sarah Coventry range, c.1970s-1980s On diamond shaped makers mark tag: "SC"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Chain Necklace from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned Chain Necklace from the Sarah Coventry Jewellery Range c. 1970s-1980sOn diamond shaped makers mark tag: "SG".sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Flagstaff Hill Maritime Museum and Village
Equipment - Port Navigation Lamp, Genton & Kessler Ltd, 1900 -1920
Alfred Frederick Samuel Genton was born in Switzerland around1869 and arrived in England date unclear. By 1901 the Kelly’s Directory of Birmingham had listed the Genton & Kessler company as manufactures of all kinds of ship & railway lamps, fog horns and general ship fittings with their factory listed as the Bingley Works King Edward Place Birmingham UK that is listed in 1896 as being was owned and run by J E & H Player. Then in February 1905 it appears the partnership of Alfred F S Genton & Julius Rudolf Kessler was dissolved and Alfred F S Genton continued to carry on the business on his own. The company continued on managed by family members until 1961 when it ceased trading.A marine lamp made by a significant maker in Birmingham England in the early part of the 20th century. This item is now regarded as a collectors item. Brass lamp with 'Port' marking with 2 small chain hook locking mechanisms, and hinged lid. Clear glass with red lens filter. Fuel tank and wick burner removed. Stamped Seahorse GB trade mark No 54987flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Coal Creek Community Park & Museum
Decorative object - Statue, Triaca & Picchi
Painted plaster statue of boy with bag on his green jacket, red shirt, dark face and pants. Mark rear of base: 13 Triaca & Picchi -
Melbourne Tram Museum
Poster, Melbourne & Metropolitan Tramways Board (MMTB), "Minimum Fare sixpence", c1950
Set of two posters or notices - possibly drafts - to advise potential passengers of the minimum fare that was to be charged of 6d. One has a decorative border and the other uses drop caps.Demonstrates two different poster layouts for a minimum fare poster.Poster or notice printed on ochre paper in black type.Pencil marks in bottom right hand corner.Largertramways, notices, fares, posters -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Donovan, Mark, Ticket to Remington, A 'Link' Murlee Story by Mark Donovan, 1953
Western story about a railroad company experiencing issues with a rival company. 192 pages.Hard cover book with a colour image of a horse rearing above a man lying on the ground whilst another man looks on. Western story about a railroad company experiencing issues with a rival company.fictionWestern story about a railroad company experiencing issues with a rival company. 192 pages.westerns, railroads, gun fights, fiction -
Kyneton Fire Brigade
Memorabilia - Trophy
Part of Kyneton Fire Brigade trophy collection. Part of Kyneton Fire Brigade trophy collectionBakerlite base, lower section of base is round, upper section is octagonal. Base is topped with a silver mug, two decorative handles. SOVERIGN PLATE EPNS (other marks not clear)kyneton fire brigade, country fire authority, fire brigade demonstrations, trophy -
Vision Australia
Equipment - Object, Redwing, St Dunstans Mark II, 1920's
The St Dunstans braille writer was modelled on the German Picht model, which enabled the writer to read what was written immediately by place the embossed character upwards of the carriage. Named after the organisation, it used a different finger technique than the Stainsby-Wayne machine that was predominantly available, and was lighter to carry.Black and silver Braille typewriter, with six keys and a large key (space bar) in front. At the back of the keys is a roller arrangement (similar to a typewriter) where paper is placed.St Dunstans Mark II. Ser. No. 575braille equipment, assistive devices -
Melbourne Tram Museum
Photograph - Set of 15 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1950's
Series of 15 black and white photographs of the track works to reconstruct tram lines showing various methods and works during the 1960's. .1 - Jackhammers concrete out around wooden sleepers - the rails have been bolted to them. .2 - Excavated track or temporary track next to newly relaid track - Hawthorn Road by Caulfield Park? .3 - Partly completed work - nearest track relaid, second track still has wood blocks? and then a temporary track. .4 - Excavated previously concreted and bolted track. Appears to be new rail. .5 - Compacting a new track bed with work laying track in the background. .6 - Rail being craned into position onto small concrete blocks - Nicholson St North Fitzroy at Church St - the church is now Melbourne City Mission Palliative care centre. 1955/56 - construction of the replacement track. Note the Hail bus stop sign on the corner. .7 - Thermite welding being set up. .8 - after a Thermite welding joint completed. .9 - track reading for pouting concrete, with a rebuilt track alongside and temporary track on the other side. .10 - ditto .11 - Concrete being poured .12 - ditto - could be Maribyrnong Road bridge replacement. .13 - Screeding off the concrete - possibly Nicholson St North Fitzroy .14 - completed surface - location as above .15 - completed surface with cloth covers to assist the concrete being cured. Has a MMTB hut and two worker amenity buses alongside. - location as above.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, concrete, welding, nicholson st, new tramway, buses -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), Nov. 1959
Black and white photographs of the temporary track being completed during the first stage of the construction of the King St overpass in Flinders St. looking west. shows work being completed. Reg Item 4274 by Keith Kings dates the work to mid Nov. 1959.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, flinders st, king st, kingsway -
Melbourne Tram Museum
Photograph - Set of 3 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1954
Series of 3 black and white photographs of:- .1 - construction of the trackwork for the new Maribyrnong River Bridge, has the temporary track on the left hand side of the photograph. Has the Express Freight Transport building in the background. .2 - as above, appears that the track on the northern side is almost completed. An Inspector is standing watching the work. This work was completed mid 1967. .3 - construction of trackwork possibly the curve from Gordon St to run alongside now River St. This work was undertaken during 1954.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, maribyrnong river bridge, bridges, gordon st, river st, footscray -
Melbourne Tram Museum
Photograph - Set of 2 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), c1973
Series of 2 black and white photographs of the construction of the frame at Preston Workshop for prototype tramcar 1041. Shows the first frame positioned with the main bogie centre beam cross member. See Reg Item 2521 for other photos of the frame under construction.Some photos have pencil marks on rear.trams, tramways, 1041, prototype tramcar, new tramcars, tramcar bodies, preston workshops, tram 1041 -
Melbourne Tram Museum
Functional object - Run Number Plate, Melbourne & Metropolitan Tramways Board (MMTB), Glen Huntly Depot 8, 1940's?
Used on trams that ran out of Glen Huntly Dep;ot to indicate to traffic staff, the tram run or service number.Demonstrates the MMTB method of indicating to traffic staff, the trams run number.Circular steel plate, with the numerals "8" and letter "GH" cut into the plate with two slotted holes on the top . Has numerous pencil marks on one side.trams, tramways, mmtb, timetables, glen huntly depot -
Melbourne Tram Museum
Photograph - Set of 3 - Temporary track St Kilda Road, Melbourne & Metropolitan Tramways Board (MMTB), 1950's
Photographs showing setting up temporary track in St Kilda Road using a mobile crane. One photo shows the temporary connection in the Alexandra Gardens area, late 1950s?Yields information about setting up temporary track in St Kilda Road for major tramway reconstruction.Series of 3 black and white photographs.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, st kilda road -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe kit (empty), Chas F Thackray Ltd
Steel box holding syringe parts. There are four hollow metal rods resting in metal clasps attached to a baseboard inside the tin. Some of the rods appear to have metal wire threaded through (purpose unknown). There are a number of clasps attached to the baseboard and top-plate which indicate syringes would have been housed there.Maker's mark stamped into tin: THACKRAY / LEEDShospital, medicine, anaesthesia -
Bendigo Military Museum
Memorabilia - TRENCH ART, BRASS VASES, Post 1942
Trench art. Pair of metal vases made from 2 inch ammunition shells with .303 cartridges and bullets for handles. Silver-plated.Faint scratched marks on base, incl "1942".trench art, metalcraft, ornaments, containers, souvenirs -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, William Page & Co, circa 1878
Context: This dessert spoon is from the wreck of the Loch Ard, which sailed from Gravesend, London 1878. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware & cutlery items. The spoon is representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. Some of the pieces display their makers’ mark of William Page & Co Birmingham UK. Within the Flagstaff Hills cutlery collection donated from the Loch Ard, maker’s marks are often obscured by sedimentary accretion or verdigris after a century of submersion in the ocean. However sufficient detail has survived to indicate that the collection of samples of electroplated cutlery probably originated from the same cargo consignment from the Loch Ard and were made by William Page & Co. Of Birmingham England. William Page was born in 1811 and died in 1885. He was active as a manufacturer of cutlery from 1829 with premiss at 74 Belmont Rd, Dales End as a "close plater" (someone who works sheet metal), and he began electroplating in 1855. William Page & Co was also active from 1880 at Cranemore St, Cattle’s Grove also 55 Albion St, Birmingham, and in 1936 the firm became an Ltd company. The firm used the trademarks "Asrista, Bolivian Silver, Silverite, Roman Silver, Roumanian Silver, and Trevor Plate. In 1938 William Page was a supplier to the British Government, marking its products with the broad arrow symbol and was also present at Sheffield. (See additional notes note section this document for more information on Electro Plating and its makers marks.) History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle, and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artifacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artifact s from Loch Ard and its collection is significant for being one of the largest accumulation of artifact s from this notable Victorian shipwreck. The collection's object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Fiddle back electroplated tea spoon with thin stem or shank, flared collar, and elongated bowl. William Page maker marks W P within a recessed sunken crown lozenge flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Greensborough Historical Society
Photograph - Digital image, Jane Stock Finn 1970s, 1970s
Jane Finn (nee Stock) taken circa 1970s. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of colour photograph.peter blackbourn, jane stock finn -
Greensborough Historical Society
Photograph - Digital image, Mrs Jane Stock Finn, 1950c
Mrs Jane Finn (nee Stock), born Greensborough. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn. Digital copy of black and white studio photograph.peter blackbourn, jane stock finn -
Greensborough Historical Society
Photograph - Digital image, John Finn 1909, 1909_
John Finn (in pram) with one of his aunts 1909. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, john finn -
Greensborough Historical Society
Photograph - Digital image, Joseph (Joe) Stock born 1906, 1910_
Joseph (Joe) Stock (born 1906) as young boy. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white studio photograph.peter blackbourn, joseph stock, joe stock -
Greensborough Historical Society
Photograph - Digital image, Ethyl and Jack Stock, 1914c
Studio portrait of Ethyl and Jack Stock circa 1910. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white studio photograph.peter blackbourn, ethyl stock, jack stock -
Greensborough Historical Society
Photograph - Digital image, Lower Plenty State School circa 1936-38 LP1295, 1936-1938
Lower Plenty Primary School circa 1936-1938. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, lower plenty primary school -
Greensborough Historical Society
Photograph - Digital image, Main Road Lower Plenty Garage 1962, 1962_
Caltex garage, Main Road Lower Plenty in 1962. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.Date (1962) written on front of photograph.peter blackbourn, main road lower plenty, caltex garage lower plenty 1962 -
Greensborough Historical Society
Photograph - Digital image, Captain Robert Stock, 1918c
Captain Robert Stock; cousin to Florence Emma Stock. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white studio photograph.peter blackbourn, florence emma stock, robert stock