Showing 181823 items
matching nellie-street
-
Hawthorn Historical Society
Drawing - Property Illustration, 8 Kembla Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.8 KEMBLA STREET, HAWTHORN Margaret Picken ~98 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Kembla Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 KEMBLA STREET, HAWTHORN Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Kildare Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.9 KILDARE STREET, HAWTHORN Margaret Picken ~91 WOODARDS - C'WELLartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Kildare Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.9 KILDARE STREET, HAWTHORN Margaret Picken ~91 WOODARDS - C'WELLartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 6 Launder Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film6 LAUNDER STREET, HAWTHORN Margaret Picken ~91 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 2A Lavidge Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film 2A LAVIDGE STREET, HAWTHORN Margaret Picken ~89 WOODARDS - HAWartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 13 Lawes Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film13 LAWES STREET, HAW Margaret Picken ~98 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 4 Lennox Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film4 LENNOX STREET, HAWTHORN Margaret Picken ~95 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 7 Lennox Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film7 LENNOX STREET, HAWTHORN Margaret Picken ~96 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 23 Lennox Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film23 LENNOX STREET, HAWTHORN Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 30 Lennox Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film30 LENNOX STREET, HAWTHORN Margaret Picken ~99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Leslie Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film3 LESLIE STREET, HAW Margaret Picken ~96 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Leslie Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film9 LESLIE STREET, HAWTHORN Margaret Picken ~91 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 10 Leslie Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film10 LESLIE STREET, HAW Margaret Picken ~96 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Flanagah's Store, 1989 copy
Copy of original photograph of crowds gathering to see Queen Elizabeth drive through Hogan Street. Flags decorating Flanagan's store. Other shops, banks, hotel in background.Black and white copy photograph of early 1950's cars in front of Flanagan's Store, Hogan Street, Tatura.on back: Flanagan's Store, Hogan Street, Tatura. -
Stawell Historical Society Inc
Photograph, St. Matthew’s Presbyterian Church from across Scanlan Street
View of St. Matthew’s Church taken from across Scallan Street. From the angle it would seem to have been taken from Cope Car Park. This cyclone fence that can be seen out the front of the church was donated by Mitchell Family members and was mentioned page 46 in Centenary Book.View of St Matthew's Church taken at a slight angle from the front of the church. Photograph looks to be taken from across the street in another front yard with a wooden picket fence. A cyclone fence can be seen on the church just behind the picket fence on opposite front garden. stawell religion -
Stawell Historical Society Inc
Photograph, View of Stawell from Big Hill April 1874 showing mines centered on north end of Main Street -- 2 Photos
From left Shire Hall Pleasant Creek in distance, Mathers & Franklin, Stawell Coach Factory, Coffee Palace, Christ Church of England Church Hill, Mechanics Institute, Temperance Hotel, Matherson Cross Reef Hotel.Black and White Holtermann photograph of Stawell from Big Hill with mining in foreground. 1874 Site of fire in Main and Street Patrick Street 22 April 1874 visible in centre of photograph.mining, panorama, streetscape -
Whitehorse Historical Society Inc.
Photograph, First House - Cottage Street Blackburn
Black and white photo of one of the first houses in Cottage Street, Blackburn. Made from bricks from the brick kilns in Alfred street. Was Mrs. Hommerson's childhood home 1909 - 1910.cottage street, blackburn, alfred street, pioneer's house, hammerson, mrs. -
Stawell Historical Society Inc
Photograph, Wakeham Street and Seaby Street Stawell formerly the Provincial Hotel 1997
Street Scene - Wakeham Street and Seaby Street (Provincial Hotel) 1997stawell -
Stawell Historical Society Inc
Photograph, Wakeham Street and Seaby Street Stawell formerly the Provincial Hotel 1997
Street Scene - Wakeham Street and Seaby Street (Provincial Hotel) 1997stawell -
Stawell Historical Society Inc
Photograph, Wakeham Street and Seaby Street Stawell formerly the Provincial Hotel 1997
Street Scene - Wakeham Street and Seaby Street (Provincial Hotel) 1997stawell -
Glen Eira Historical Society
Album - Album page, Glenferrie Street, 4, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melboume's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement. Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/4442 What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 61 of Photograph Album with one exterior photograph (portrait) of Anselm.Hand written: 61 [bottom left] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, brick house, attics -
City of Kingston
Pamphlet - Colour, Stillwell and Co, The Hill Estate Highett Great Subdivisional Auction Sale, 1917
Sales plan for land in the suburb of Highett, bounded by Point Nepean Road and incorporating Sandford Street, Turner Road, Alfred Street, Peace Street and Tennyson Street. .The developing urban area of Highett within the City of Kingston. This land sale pamphlet illustrates the subdivision of land within the municipality and the changing demographic of the district as new houses are constructed.Colour pamphlet advertising subdivisional auction sale of the Hill Estate Highett. Incorporates a map of the estate bordered by Point Nepean Road and encompassing Sandford Street, Turner Road, Alfred Street, Peace Street and Tennyson St. Handwritten in grey pencil on reverse: Hill Street / Jamieson Handwritten in blue pencil on reverse: The Hill Estate Handwritten in blue pencil on subdivision map: [tick] [on majority of properties marked on map]highett, land sales, estate -
Wodonga & District Historical Society Inc
Negative - Haeusler Glass Negatives Collection - Nellie Haeusler, c1910
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. Nellie is probably the nickname of Eleonora Lydia Haeusler, born 14 October 1883 and died 25 November 1979, daughter of Johann Heinrich Ferdinand Haeusler and Ernestine Wilhelmine nee Rogasch.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Nellie Haeusler standing in front of a flowering tree. She is wearing a long-sleeved white blouse and long, dark coloured skirt. wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families, nellie haeusler -
Warrnambool and District Historical Society Inc.
Label, Struth, Early 20th century
H.J. Struth was a Warrnambool butcher with a business in Timor Street. The Struth family commenced a butcher's shop in WarrnamboolWarrnambool in 1914 and H.J. Struth was the proprietor of the shop until 1956.. It is presumed he is a descendant of Alexander Struth,the Woodford miller and also of Anthony Struth who came to the district in 1843 and also related to Anthony Struth who had a chemist shop in Liebig Street in partnership with Ian Soulsby in the 1980s and the 1990s.This label is of of interest as a memento of the Struth family butchers in the early 20th century.Cream coloured paper label with dark blue text and a decorative border. There is a circular hole on one side.The reverse indicates it has been adhered to another substance.H.J. STRUTH . 232 Timor Street, Warrnambool h.j. struth, warrnambool -
Bacchus Marsh & District Historical Society
Photograph, Harvest Home Hotel Main Street Bacchus Marsh 1883
The Harvest Home Hotel was licensed as a beer shop in 1866. Patrick Vallence was the licensee. On his death in 1874 his widow Mrs M. A. Vallence obtained the license. At the time this image was taken George Marshall was leasing the hotel. Following a decrease in the population of Bacchus Marsh by 1911 hotel had lost its license. The Vallence family still owned the building after the loss of the hotel license in 1911and it was used for some years after this as a private residence by some members of the Vallence family. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'.The image depicts the Harvest Home Hotel situated in Main Street Bacchus Marsh. The name of the hotel can be seen above the verandah roof. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. hotels bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district, vallence family bacchus marsh -
Stawell Historical Society Inc
Coin - Realia, R. PARKER IRONMONGER GEELONG MOORABOOL STREET
HEATON & SONS, BIRMINGHAM WERE EMPLOYED TO STRIKE THE EXTENSIVE TOKEN ISSUES. THE IRONMONGERY STORE IN MOORABOOL STREET, GEELONG WAS ESTABLISHED IN 1844 BY RICHARD PARKER. PARKER WENT ON TO ESTABLISH STORE IN CLUNES, BACK CREEK (TALBOT), FIREY CREEK AND ARARAT. HE ISSUED AT LEAST TEN VARIETIES OF TOKENS, ALL WITH THE SAME INSCRIPTION AND FIGURE ON THE FACES, BUT WITH SLIGHT VARIATIONSCOPPER PENNY TOKEN 34MM OR 35 MM DIAMETER OBVERSE: INSCRIBED WITH R PARKER IRONMONGER MOORABOOL STREET GEELONG REVERSE: HAS A FEMALE FIGURE REPRESENTING JUSTICE, HOLDING A BALANCED SET OF SCALES IN HER RIGHT HAND. THE WORD AUSTRALIA IS AROUND THE TOP OF THE TOKEN. ,token coin -
Eltham District Historical Society Inc
Photograph, Main Road south of Brougham Street, Eltham, 1969
Black and white photograph of Main Road, Eltham looking south of Brougham Street towards Dalton Street, 1969. Hand painted sign on a tree trunk says: "Who raped this virgin tree"eltham, main road, dudley street, sign, environmentalism -
Whitehorse Historical Society Inc.
Photograph, Reconstruction of Lane looking North to Harrison Street, Mitcham, 1/06/1997 12:00:00 AM
Coloured photo of Reconstruction of Lane looking North to Harrison Street, Mitcham. Lane built during Depression C. 1930. Repaired by Whitehorse Council and Developer of Dual Occupancy in McDowall Street, Mitcham.harrison street, mitcham, mcdowall street -
Surrey Hills Historical Society Collection
Photograph, 'Glenisla', 18 Chestnut Street, Surrey Hills, c 1920, 1920
Date is approximate. In 1920 this became the home of Mr and Mrs Robert Moore, whose daughter Mabel Annie married Norman Brodley Carter of Mont Albert. The house was named after 'Glenisla', a western District grazing property located between Hamilton and Horsham on the Henty Highway and on the edge of the Grampians National Park. This was established as a super-fine wool stud in 1860 and was passed down the family until it was sold in 1922. The family transferred from this property to Melbourne. Robert is listed as a grazier in the 1924 electoral roll at Chestnut Street. With him are Victor Cecil listed as a carpenter; Isabella, Mabel Annie and Edgar Gilbert listed as an orchardist. In 2003 the house was extant minus the verandas. This photo may have been taken from the rear of the property. Ref: History of original property - Age newspaper article: 'The Best - Glenisla: historic Grampians property', 7 January 1994. Moore family details: Robert Moore born 1857 on Isle of Man; died Surrey Hills 1940 Isabella Bateson born 1869; died Surrey Hills 1938 Married in 1894 in Miram, 10 km north-east of Kaniva in the northern Wimmera. All the children were born in Kaniva. Children: Lena Florence (1895-1980) Victor Cecil (1896-1984) - a builder Edgar Gilbert (1897-1976); died Surrey Hills; married Myrtle Emary, daughter of Henry John Emary of Surrey Hills Ernest Alan (1900-1900) Mabel Annie (1901-1957); died Surrey Hills married Norman Brodley Carter (1899-1984) Clarence Arthur (1904-2004). Norman Carter took many photos in the Surrey Hills and Mont Albert are from the 1920s; many is connection with Church of England events and activities. Robert and Isabella Moore are buried in Box Hill Cemetery. Black and white photo of a Victorian home with a veranda with a corrugated iron roof and lacework on 2 sides. It appears to have a later extension at the rear. It is surrounded by mature gardens with ornamental trees (cypresses) and an area with plants in rows, which may be a vegetable garden. There appears to be significant areas of open space around the house.glenisla, homes, victorian style, gardens, norman carter, robert moore, miss isabella bateson, mrs isabella moore, victor cecil moore, edgar gilbert moore, miss mabel annie moore, box hill cemetery