The M.S. Sibajak may well have the most varied service of all the post-WWII Dutch immigrant ships. She had ties with the Dutch East Indies before and after the declaration of independence; she served the Allies as a troop transport ship while under the management of the widely-known British shipping company P. & O. As an immigrant ship plying the Atlantic, the Sibajak had as docking points Rotterdam, Quebec and New York. She rounded out her service back in Indonesia before being scrapped in Hong Kong.Mrs B SmythA framed oil painting of the Dutch migrant ship MS SibajakSibajakms sibajak, emigration, dutch migrants

SS New Australia was a UK-built turbo-electric passenger steamship that had a varied career from 1931 to 1966. She was built as the ocean liner Monarch of Bermuda, was a troop ship in the Second World War and was damaged by fire in 1947. She was then refitted to carry emigrants to Australia and renamed New Australia. In 1958 she was refitted again, renamed Arkadia and served as both a transatlantic liner and a cruise ship.The ship originally had three funnels. Thornycroft rebuilt her with a single funnel, plus an unusual bipod structure aft of her bridge that served as both a funnel and a mainmast. The MoT renamed her New Australia, contracted Shaw, Savill & Albion Line to manage her and put her into service carrying UK emigrants to Australia. She plied this trade from 1950 until 1957. In September 1958 New Australia was serving as a troop ship again when she suffered slight damage in a collision with a tanker in the Torres Strait.a framed oil painting of the migrant ship MV New AustraliaNew Australiamv new australia, migrant ships

Oval shaped Painting by Judith Meyer of Central Park Grandstand.stawell, artwork

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Black abstract painting blue, yellow and red curvie lines.art, artwork, peter storey, abstract, business school collection

Painted by Robert Hoffman, a refugee who came to Australia prior to World War II. He was known to Mavis McCarty, the Lauriston art teacher. He went to the USA after the war and died soon after. Size 1100mm x 840mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Miss Elizabeth Kirkhope Headmistress 1931-1956Miss Elizabeth Kirkhope Headmistress 1931-1956

A copy of the painting of 39 BN on the Kokoda on 19 July 1942

Mary Leunig painting of two women with hands gripped and bandaged.

This is a portrait of Dr. Richard Willis, formally ANZCA President [2002-2004]. ANZCA commissioned the portrait which was unveiled to Dr. Willis on 23 February 2007. Oil painting on canvas of former ANZCA President Dr. Richard Willis seated face on with hands crossed on his lap. He is wearing surgical scrubs with the College gown on a plain hanger behind him and the President's medal hanging off the back of the chair. Plain light blue background mounted in a plain brown frame.[Lower Left Hand Side] V SERELIS SEPT 2006painting, president, willis, richard, serelis, vytas

PaintingNot signed. Not dated.sea, land, seascape

I am lucky enough to have Christos Tsiolkas, writer of 'The Slap' as my friend and neighbour. It was a barbecue in my backyard early in 2009, that we decided I should paint his portrait.Painting

A brown hardcover landscape format book with a red dust jacket which has a large coloured painting of a country cottage set amongst gum trees, by the author and artist Frank Mutsaers. It has 42 coloured plates with many accompanying black and white sketches. The title page is signed by Frank in blue biro.non-fictionFrank's love for Australia is reflected in his paintings which capture the moods of the Australian landscape.art books, australian landscape, australian art, australian heritage

These renovations were first discussed by the Bendigo RSL in 1962 - 1963. This Document is headed, “Specifications of Workmanship and Materials required for Painting and Renovations etc, at R.S.S.A.I.L.A Hall, Pall Mall, Bendigo” There are 3 parts to the documents. First section has 22 parts, everything from “Tender - Insurance - Materials - Liability - Condition of Contract to the use of Sanitary conveniences. Second section has sections re “Carpenter and Joiner - Brick work - Plastering - Electrician - Painter and Glazier”. Each has sections under re their work to be done. Third section is a technical drawing of the Soldiers Memorial Institute minus the Main Hall, it shows scopes of work. The main works covered a new false ceiling in the Office, a new front door entrance to the Foyer in a different position, exhaust fan in the Billiard room, removal of a gate at the Stairwell entrance, fire place repairs, adding chair rails to walls to foyer, Committee room. These works were carried out. There was a false ceiling in the Meeting room but there was no mention re this in the above plans. This ceiling was removed during the 2016 - 2018 major renovations to the SMI. The false ceiling in the Office was removed in a major renovation to the room in 2011 - 2012 and taken back to original.Folder brown card covers with six typed in black pages and one map all black print, pages stapled in with 2 binder holes in.On front cover in black pen. "Specifications - Painting & Renovations R.S.L. Premises Pall Mall, Bendigo"brsl, renovations, smirsl

This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd

Not signed (artist's name appears in painting, c.l. black oil, "STUART/ARTIST". Not dated

Framed portrait of Tilly Aston who began the Association for the Advancement of the Blind, a forerunner to the Association for the Blind. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Tilly sits with one hand resting against a table, and the other in her lap. She is wearing a black collared dress with a white lace neck ruff held with an opal pin. Two medals (the Jubilee medal and Coronation medal) are pinned to the chest, each consisting of a red and white bowtie with a brass medallion. Tilly Aston was born in Carisbrook, Victoria, in 1873. When she was very young her parents noticed she was having problems with her vision. They took her to a doctor who diagnosed her with no sight in her right eye and the prognosis of loss of vision in the left eye. As a result of this she was totally blind by the age of 7. Despite this her parents endeavoured to give Tilly as many of life’s advantages that their limited means could supply. From an early age she was taught singing, music, poetry, arithmetic, encouraged to read and observe the natural world around her and be independent. At the age of 8 she was sent to the Asylum and School for the Blind (later called the Royal Victorian Institute for the Blind). She excelled in a wide range of subjects and matriculated in 1889. With the help of a public fund was able to attend Melbourne University, being the first blind Australian to do so. Unfortunately the lack of Braille text books made it impossible for Tilly to continue her studies and she left in second year. Tilly was determined that other blind people would not have the same negative experience she had had. In 1894 she organised a meeting to form the Victorian Association of Braille Writers with the aim of producing and supplying Braille to blind Victorians. Braille was produced by trained volunteers with ? recruited in the first six month. Other rights and services for blind people remained very limited. In 1895 Tilly organised a meeting, which formed the Association for the Advancement of the Blind (now Vision Australia). The Association was instrumental in obtaining many benefits for blind people including a blind pension, voting rights and transport concessions. It also established the first nursing homes for blind people, at a time when many blind people were homeless and destitute. Tilly went on to be Australia’s first blind teacher. She was also a very talented musician, author of seven books and was very gifted at arts and crafts. She knew Esperanto and corresponded with people all around the world including Helen Keller. Tilly passed away on November 1st 1947. Her legacy continues through the work Vision Australia which provides services for thousands of blind Australians. A memorial bell dedicated to her is also situated in the King Domain Gardens. 1 art original in gold frameThe plaque at the base of the painting reads 'Miss Matilda (Tilly) A. Aston / President 1904, 1910, 1943 to 1947/ Association for Advancement of the Blind'. association for the advancement of the blind, association for the blind, tilly aston

An article about Ivanhoe Grammar School students who were involved in the school's 'activities week' where the student undertook community service. Legacy found six houses in need of painting and 66 boys were given the task. The Legacy widow, Mrs Drowley of Fairfield appreciated their work and provided tea and scones. Otherwise it was at no cost to her. Pictured were Neil Gaule, Matt Campbell, Con Markidis, Neil Jordan, Peter Augustes and Bruce Permezel. The article was cut from the newspaper and pasted into a scrapbook. For many years Legacy kept scrapbooks of press clippings that related to their work and publicity. Not all pages have been listed individually but some are listed from 02164 to 02176.A record of the types of services that Legacy helped arrange for the widows and which were published in the press in 1977.Newspaper article in the 'Heidelberger' newspaper about boys painting a Legacy widow's house in 1977 pasted to brown page of a scrapbook.Stamped '24 Aug 1977' in purple ink.widows, painters, ivanhoe grammar

See also 2606, 2607, 2608.3. .1) Medals awarded to ARTHUR EBDON. .2) Photograph of a painting of ARTHUR EBDON who enlisted in the AIF in July 1915. He was a Lance Corporal Signaller in 57th Battalion, 5th Division before transferring to 15th Field Company of Engineers, 5th Division. Portrait was painted by Mary Wheeler and entered in the Archibald Prize..1) Photograph attached to maroon card displaying 3 medals. French Legion of Honour, British War Medal, Victory Medal. .2) Photograph of a painting of a seated man who is the recipient of the medals.photography-photographs, military history - army, passchendaele barracks trust

FALLS of HALLADALE - History The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She had a sturdy construction, built to carry maximum cargo and maintain full sail in heavy gales. She was one of the last of the ‘windjammers’ that sailed the Trade Route and one of the first vessels to include fore and aft lifting bridges, which kept the crew safe and dry in as they moved around the decks in stormy conditions. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles, 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items (a list of items held at Flagstaff Hill Maritime Village is included below). The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not to technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire.The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Watercolour painting behind glass, framed in the Art Deco style - stippled cream painted wood. There are some age marks under the glass. The painting depicts the Falls of Halladale with its stern under water. The back of the painting contains facts about the shipwreck handwritten in a similar style to the artist’s signature. The artist’s signature is not clear enough to identify. Inscription on the back: Pasted on typed text: Peterborough Handwriting: Falls of Halladale 2085 tons 4 masted iron barque wrecked Saturday November 14th 1908 Captain Thomson crew of 28 !st mate F Pearson 2nd mate T Griffinflagstaff hill, warrnambool, flagstaff hill maritime museum & village, maritime museum, maritime village, shipwreck coast, 1908 shipwreck, falls of halladale, peterborough, peterborough shipwreck, great ocean road, captain thomson, 1880s sailing ship, cargo vessel, 1st mate f pearson, 2nd mate t griffin, watercolour painting

Wooden frame with glass front, coloured painting depicting the Battle of Kapyong.Battle of Kapyong, 3 Batt RAR Korea 23 - 25 April 1951 J A Martin 3-400103, 3RARmilitary history - army, kapyong, korea

On a drizzly day, viewed from from the beach at Port Melbourne, the Spirit of Tasmania sits waiting for her cargo at Station Pier.Maritime ArtLarge black and white painting depicting the Spirit of Tasmania in Port Melbourne"Greyer than ..."anl maritime art prize, lara bardlsey, 2013, larisa bardsley, spirit of tasmania, port melbourne, station pier, artwork-paintings

Lt-Col Upjohn was Commanding Officer of the 4/19 Prince of Wales's Light Horse Regiment from 2004 - 2006One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col I W D Upjohnportrait, upjohn

Lt-Col Couche was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1962 to 1964One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col R V Couche MBEportrait, couche

Major Rees-Jones was Administrative Commander of 4/19 Prince of Wales's Light Horse Regiment from May to December 1977One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Major G Rees-Jones RFD EDportrait, rees-jones

Lt-Col Reeder was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1970 to 1975One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col L E Reeder EDportrait, reeder

Lt Col Hoskin was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1979 to 1981 One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col J W Hoskin EDportrait, hoskin

Lt Col Boyce was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1986 to 1988One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col J F Boyce RFDportrait, boyce

Lt Col Smith was Commanding Officer of 4/19 Prince of Wales's Light Horse from 1993-1996One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col G L Smith RFDportrait, smith

Lt-Col Grigsby was Commanding Officer of 4/9 Prince of Wales's Light Horse Regiment from 1997 to 1999One of a collection of portraits of Commanding Officers of the RegimentFramed oil painting of Lt-Col C F Grigsby RFDportrait, grigsby