Studio photo taken of Jack Lees, brother of Lena Green (nee Lees). Photograph taken by W. Mason & Co. of 144 Bridge Road Richmond, Melbourne.Photograph framed in thick cardboard.Handwritten on back in black pen: Lena Green's Brother Jack Lees Older writing in pencil: My sisters son E.C. Doreyjack lees, lena green, e. c. dorey

Studio photograph of Mary Dorey (1883-1918). The photograph, mounted on thick cardboard was taken by Stewart & Co. 284 - 286 Bourke Street, Melbourne.Handwritten on back: Mary Dorey

Photograph of Frank Gill in WW1 uniform. Postcard from "Kitchener Studio" Broadmeadows Camp. "Ainar Studio" Auburn.Handwritten on back: Frank Gill Mary's Boyfriend?frank gill

Peter Johnston was the boyfriend of Iris Dorey, a daughter of the pioneering Dorey family. Iris ran the Quamby Cafe (now Cuckoo Restaurant) and later in life married Ted Woolrich from Woolrich Nursery. Peter was killed on active service during WW1 on May 15th 1918. Alice Dorey was the sister of Iris.Black and white studio photograph of Peter Johnston. Photograph is in postcard format made by R Yeoman 116 Bourke Street Melbourne.Handwritten on back: To Alice with love From Peter 18/3/14peter johnston, ww1, iris dorey, iris woolrich, woolrich nursery, alice dorey

Studio portrait of well dressed young lady with parasol. Inscription on back indicates it is Netty Grossman. Photograph is in postcard format. Probably early 1900s.Written on back in pen: Netty Grossmannetty grossman

Studio photograph of Harry Booth. A young man wearing a dark, three piece suit, collar and tie. Included in the Dorey/Woolrich collection.Black and white photograph of young Harry Booth taken in a formal studio setting. Harry Booth was the son of Jack Booth, who owned Lots 37 and 38 in the Village Settlement and had access to creek water for successful berry crops. Harry was a local market agent and travelled to Victoria Market carrying produce from local settlers.Harry carried a variety of produce by horse and cart, apparently a twenty-four hour round trip, until the business was sold in the early 1920's. Harry Booth Eden Studios Post Cardharry booth

Formal photograph of the wedding of Daisy Rowse and Hubert Jeeves 1926.Sepia studio portrait of wedding couple standing. Bride carrying large bunch of flowers and groom carrying white gloves. hubert jeeves, daisy rowse, wedding

Photograph of studio portrait taken of Jeanie Richardson, wife of John William (Willie) Richardson, who was the son of Jabez Richardson an early pioneer of the area. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Jeanie Richardson nee Green. Born 1871. Died 1916. Mother of Reuben, William, Jean. Copy of photo held by Reuben Richardson of Roma. richardson, jeanie richardson, reuben richardson, jabez richardson

Photograph of Olinda Debutantes from Mendelssohn Studio c1948 labelled 'Proof Only'. 10 girls featured in posed photograph. The debutantes were presented to Sir George Knox. Back Row - Left to Right Joan Ebbels, Meilma Green (Biddy), Natalie Marks. Centre Row - Left to Right Norma Babidge, Joan Ryan, Alison Earney, Jessie Thompson, Margery Brann, Mavis Trevena, Merion Ebbels. Flower Girls - Left to Right Helen Ryan, Roberta Ebbels (Pidge). olinda, debutante, joan ebbels, natalie marks, norma babidge, joan ryan, alison earney, jessie thompson, mavis trevena, helen ryan, roberta ebbels, meilma green, margery brann, merion ebbels

B&W studio portrait of Percy and Minnie Agnes (Cissy) Johns, children of Edwin Johns of Selby. Percy is about 10 years old. He is wearing what appears to be a sailor suit comprising a dark, double-breasted jacket with a deep, pale collar which is squared off at the back, a dark waistcoat buttoned to the neck, with a pale bow and collar showing, and dark knee-length pants over dark stockings and ankle boots. The jacket is undone. Cissy looks to be about 3 or 4. She is wearing a dark, knee-length dress with a yoke, long sleeves, and a light, wide lace collar. She has dark stockings and calf-length buttoned boots. She has a bow in her hair. The children are standing in front of an ornate wicker chair with one arm resting on the arm of the chair. The name 'Melba' is written on the cardboard frame around the photo, and 'Melba [illegible but presumably '& Co.'] Melbourne' is embossed on the bottom right corner of the photo. The original photo is badly foxed. Dated c.1905.

The Studio Portrait shows a older woman looking to the left of camera. She is wearing a cardigan over a pale top with a cameo brooch pinned to it. Her grey hair is tied back. She is wearing wire-framed glasses. Message on the back of postcard says “Grey Hair. Blue Eyes. Bust (crossed out). If possible to be done without glasses. Please let me know in letter when it will be delivered. Address (obscured) Madigan c/- Mrs H. Currie, 11 Princess St, Seddon.” The woman is Margaret Madigan, nee Brady, wife of Patrick Madigan The couple lived at Menzies Creek.

Photo shows a newspaper clipping photo of the Breen house in Menzies Creek, with 'Vote/O'Connor 1' painted on the roof. The caption reads 'Below: this sign appeared on the roof of a Menzies Creek home during the East Rising election. Belgrave Studios photos.' And in ink '23-3-58' and 'Leo O'Connor defeated Com. Hore-Lacy'.

This photograph is taken in the bedroom of the man's home in the suburbs of Melbourne. It depicts one of the types of nursing care given by Melbourne District Nursing Society (MDNS) Sisters in the community. The Sister is visiting the man's home and is administering an injection which has been ordered by a doctor. Glass syringes were used by the Society until the mid 1960s and were re sterilized for future use. After this time plastic disposable syringes were used.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing and to people of many cultures throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care provided was: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. RDNS provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.On the left of this black and white photograph, is a Melbourne District Nursing Society Sister who is standing side-on and leaning slightly forward as she administers an injection into the right upper arm of a gentleman to her right who is sitting up in bed resting against two white covered pillows. The male patient has short dark hair; is wearing glasses, and is looking up at the Sister. He is wearing a thick grey cardigan over a pale colour pyjama top which has dark piping; the lower part of his body is covered by a dark and light coloured check bed cover. The bed has a solid wooden headrest with a bed lamp attached to its upper right. The Sister who is wearing her uniform grey brimmed hat over her dark short hair, is wearing a white gown over her grey uniform, the collar of which is seen. Three fingers of her left hand are holding back the pushed up sleeve of the man's cardigan and she is holding a white swab between her thumb and first finger. She has a glass syringe resting in her right hand with her thumb and forefinger resting against the lower glass and metal section of the syringe; part of the metal needle is seen, the rest is inserted in the mans upper arm. On the far left of the photograph part of a dressing table mirror can be seen.' Rough Proof' Latrobe Studios Ref No. 59134-8melbourne district nursing service, mdns, royal district nursing service, rdns, rdns - injection

Unused invoice from Bendigo Stained Glass Studio, Mitchell Street. Dr. to Owen W. Williams (Late Foreman Brooks, Robinson & Co., Melbourne). Printed in brown and pink.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - owen w williams, bendigo stained glass studio, brooks robinson & co

Two Northern Dance Centres Studio Competitions small banners. One is white with gold printing. It has Northern Dance Centres Studio Competitions First Place May 1977 printed on it in a gold colour. The fringe at the bottom is painted on. It is hung by a small dowel and gold braid with dark gold ends at the top. The second is dark pink with yellow printing and painted on fringe. Printed on it is: Northern Dance Centres Studio Competitions Combined First November 1978. It has a couple dancing in the centre. It is hung by a small dowel with a gold cord and dark gold ends.ephemera, mementoes, northern dance centres studio compe, peter ellis collection, northern dance centres

Red and white covered booklet titled 'Naming Bendigo evolution of a city's identity 1836 - 1891. It has a sketch map of Bendigo and Golden Square in 1851. It has a number of photos of early paintings, postcards and objects. The Foreword is written by Cr Rod Campbell, Mayor of the City of Greater Bendigo and the Introduction is written by Karen Quinlan, Director. The chapters are titled: Naming Bendigo evolution of a city's identity 1836 - 1891; The Gibson brothers soon renamed the run a popular choice in the 19th century; and to direct that the said place shall be called and known as Sandhurst; endeavoured to ascertain from what source, and at what time, the name of Bendigo arose: "The diggers...at Bendigo are recherché as to names;" and the Exhibition Checklist.event, exhibition, naming bendigo, naming bendigo - evolution of a city's identity 1836-1891, post office gallery, bendigo art galery, studio round, bambra, sandra bruce, karen quinlan, ian hill, national library of australia, city of greater bendigo, elaine harrington, vic lane, reg and judy macdonald, dennis o'hoy, sandhurst trustees, phil wilkins, darren wright, eaglehawk, eppalock, epsom, flora hill, golden square, kangaroo flat, strathfieldsaye, mount alexander run (north, or no 2 - ravenswood run

Sepia photograph of three young men and three young women sitting at the base of a tree. Names have been written on the photo but they are illegible. Photo mounted on white paper then greyish matt board. Written on the back - Picnic at Kyneton. Stuck to the back is typed information- Reference: Magnifying glass, Family History, Jean Jones. BACK Thomas George Rowland Lowe born 13.5.1887 left, right Samuel Charlesworth. FRONTL. To R. John Kerr (Jean's father) Clarise May 9.3.1890 - 29.4.1916. Jennie or Annie Wright. Lila Gertrude born 7.8.1892 (Mrs McCawley). Photo - Jean Jones. McIvor Rd., Bendigo.? Studio, Kynetonperson, group, men and women, john jones collection - male/female portrait, jean jones, thomas george rowland lowe, samual charlesworth, john kerr, clarise may, jennie or annie wright, lila gertrude, mrs mccawley, ? studio kyneton

Photocopy of a newspaper article titled Oldtime Dance Band featuring the Wedderburn Old Timers. Mentioned is some of the history of the Old Timers and members of the band and some of the places they performed. Members mentioned are: Grummy Ross, Lindsay Holt (button accordion), Elma Ross (piano), Daisy Sutton (fiddle), Lional Collison (violin), Don Topley (whistle), Adrian Verrinder (guitar and banjo), Teddy Stephenson (MC) and Jack Condon (strohviol). They also played on the television program - The Penthurst Club hosted by Bill Collins and Mary Hardy.entertainment, music, wedderburn oldtimers, peter ellis collection, grummy ross, wedderbrn oldtimers, coral & lindsay holt, goldseeker motel, mechanics institute hall, elma ross, daisy sutton, lional collison, don topley, adrian verrinder, teddy stephenson, jack condon, dulcie stephenson, old leura hotel - camperdown, bill pollock, channel nine studios, henry hargreaves, collison orchestra, mary hardy, penthouse club, bill collins, don lane, bert newton

Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. The Studio, building constructed from small logs with tile blue roof. ? Carrol's Studio, Eaglehawk Road.Kodachromebuildings, residential, studio, bendigo 1950s. bendigo the studio, building constructed from small logs with tile blue roof. ? carrol's studio, eaglehawk road

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

The recording was made in the studio of 3BO Bendigo. The record tells the of the Cohn brothers life in Bendigo. It was commissioned by Jack Magnus Cohn, the grandson of Julius Cohn about 1950s-1960s. A "12-inch L.P." black record in a brown paper cover. The cover has the records manufactures name and address printed on it. The record is single sided, the middle has a cream coloured label. "HOUSE OF COHN" Recorded in the studio of 3BO Bendigo. Produced by E. Pattison. Participating in "The House of Cohn" were Des Nicholson, Alex Cohn and Rus Pilley, recorded in the studio of 3BC Bendigo by, Bill Morell and Dug Richards produced by E. Pattison.house of cohn, 3bo bendigo, e. pattison, cohn brothers

Frederick de Kock first advertised as a teacher of French situated in Mr N Caire's photographic Studio, View Place. In 1882 he began teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait rooms. In December 1887 Mrs De Kock sold all her goods prior to a move to Sydney. In 1888 Frederick advertised as a representative of the Enlargement Company who was visiting Bendigo to take orders. This information suggests that this photograph was taken between 1883 and 1887.Sepia family photograph of three girls and one boy, date and family name unknown. Siblings dressed for the photograph, youngest child the son carries a walking stick. Photograph by F. de Kock & Co., photographic artists located at corner of Mitchell and King Streets.siblings, family group

Cohns Brewery Advertising - 45rpm recordRecord 45rpm blue label - CALL FOR Cohns - Recorded at Armstrongs Studios - GROOVIN AROUND on A side "TALKIN' TURKEY" on B side. Grey record cover with Epic printed in middle at the top. Yellow Coles price tag $1.68 on front. Epic and Made in Australia by CBS Records Australia Limited and Epic are trade marks CBS Inc. U.S.Abruce rowland, grooving around, talkin' turkey, epic records, cbs records, cohns brewery

A black and white photograph by Alan Doney of a photographer's studio in Williamson Street in Bendigo showing the detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron

LP Record. Olive Bice 'Hillbilly girl with the blues'. Sepia photo on cover of Olive Bice playing the guitar. Fourteen songs recorded on the album. Recorded at R&H Studios Geelong. A4 sheet inside the album cover with a biography of Olive Bice printed from the Country Music Hall of Fame website.

Prominent Wesleyan Buninyong familky.B/W photographic copy of original, studio family portrait, Trewhalla family 1903. Clarice, daughter standing left, Annie(mother, nee Pask) seated holding son Edgar, son Roy standing centre, Father Theo seated, daughter Doris standing right, leaning on father.Trewhalla family of Buninyong 1903. Left to Right Clarice, Annie (nee Pask) holding Edgar, Roy, Theo and Doris. Roy later presented the gates of the Buninyong School.buninyong, family, trewhalla