John Cross B.A. (1862 - 1924) Born at Brown Hill in 1862. B.A. University of Melbourne. Worked for 43 years in the Education Department, first as a teacher, and later as an inspector of schools. Involved with the Brown Hill and Graham St. Methodist Churches. A generous philanthropist who gave large donations to the Graham St. Kindergarten, Queen's College and other Methodist causes.Sepia toned cabinet card head and shoulders studio portrait of Mr John Cross B.A. john cross, brown hill, graham st. methodist, school teacher, school inspector, philanthropist, queen's college

Rev. William P. Wells (1826 - 1895) Born Marton, Lincolnshire 1826. Probationer of the English Methodist Conference 1850. Appointed to a mission circuit in Newfoundland. Returned to England in 1852. Sent to Melbourne in 1854. President of the South Australian Conference and later President of the Victorian Conference. President of Prince Alfred College, South Australia. Started the Methodist Building and Loans Fund. Codified Methodist laws and regulations. Served as minister in Castlemaine, Melbourne West, Melbourne East, Geelong, St. Kilda, Sandhurst, Hawthorn. Died 21 December 1895.Sepia toned head and shoulders oval inset studio portrait of the Rev. William P Wells.rev. william p. wells, president of conference, prince alfred college, methodist, minister, building and loans fund

Rev. David Skinner Maxwell. Born 1830 at Monomail, Scotland. Ordained into the Established Church of Scotland. Arrived in Victoria in 1875. First minister of Kew Presbyterian Church 1975. Returned to Scotland in 1877. Returned to Victoria and served at Kilmore 1878, South Yarra 1879. Resigned due to ill health 1890. Returned to Kew in his retirement and was elected to the Session of the Kew church in 1899. Served as a member of Session until his death in May 1914.B & W head and shoulders photograph of the Rev. David Skinner Maxwell, mounted on buff card.Rev. D.S. Maxwell 1875 - 1876david skinner maxwell, presbyterian, minister, kew

William Edward Watkins was born at Carlton, Victoria on 18 June 1887. He entered the Theological Hall, Ormond College, in 1922 and completed his course in 1924. He was ordained and inducted at Collingwood in 1924. In 1925 he was assistant to the Rev. John Barnaby in the Group Mission, which included the churches of Fitzroy and Collingwood. He was called to St. John's Ballarat in 1927, South Melbourne in 1930, St. David's Geelong in 1936, Kew Presbyterian in 1942 and Wallan in 1950. He died on March 23 1955.B & W head and shoulders photograph of the Rev. William Edward Watkins, printed on buff card.Rev. W.E. Watkins 1942 - 1949william edward watkins, presbyterian, minister, ormond college, group mission, kew

David Macknight Jones was born on 31 January 1910, the son of the Rev. David Samuel Jones. He attended University High School, then Ormond college, where, after graduating in Arts, he studied Theology. He obtained his Bachelor of Divinity in 1936, and was ordained in St. Stephen's Church Toowoomba, where his father was the minister. He married Elizabeth Ann McLellan in 1938, and in the same year was inducted as the first Minister in the Western patrol (Timboon), Presbytery of Mortlake, Victoria. He was called to Scots Church Shepparton in 1941, to St. Andrew's Launceston in 1947, to Kew Presbyterian Church in 1950 and to Pascoe Vale in 1965. From 1971 he was Special Areas Officer, Home Missions. Died in 1990B & W head and shoulders photograph of the Rev. David Macknight Jones, printed on buff card.Rev.D. Macknight Jones, B.A., B.D. 1950 - 1965david macknight jones, david samuel jones, ormond college, presbyterian, minister, kew

Methodist minister. Born 1840 England, ministry in Victoria commenced 1862, died 1906 Melbourne. Minister of Paterson Street Methodist Church, Launceston, from 1889 to 1892. Chairman of Wesleyan Methodist District Synod (Victoria) in 1894.Sepia toned carte de visite. Head and shoulders studio portrait of the Rev. Francis NealeRev F. Nealerev francis neale, methodist, minister, launceston, wesleyan, paterson street methodist church

Rev John Edward Smith: b.1900; 1932 ordained Kergunyah; 1935 Port Campbell; 1937 Wycheproof; 1940 Werribee; 1947 Bendigo, St. John's; 1952 Albury; 1955 Essendon; 1967 Apollo Bay united; 1969 retired; 1971 emeritus, Presbytery of Melbourne West; 1986 died.B & W head and shoulders studio portrait of the Rev. John Edward Smith in clerical dress.presbyterian, minister, st. john's essendon, rev john edward smith

Reverend Alexander McCallum DD was born in 1866 and served at Shepparton, Melbourne Brunswick, Oakleigh, Ararat, Geelong Yarra Street, Geelong West, Melbourne Brunswick, New Town, Warrnambool, Wangaratta, Melbourne Central Mission. He was Secretary-General 1917-1920 and President-General 1920-1923, Secretary of Conference 1910 and President of Conference 1911. He died in 1933B & W head and shoulders studio portrait of the Rev. Alexander McCallum, mounted on grey card.rev alexander mccallum, methodist, minister, president of conference

Rev. W. A. Quick (1820-1915) was a significant figure in Victorian Methodism. President of the Queen's College Council 1888-1908. Chairman of the Tasmanian District 1861-71. President of the Australian Conference, 1866.Black and white print on buff paper. Head & shoulders portrait of the Rev. William Abraham Quick."REV W.A.QUICK EX-PRESIDENT WESLEYAN CONFERENCE, VICTORIA, AUSTRALIA"methodist, wesleyan, rev w a quick, wesleyan conference, president of the wesleyan conference

No information available - one Methodist and several Presbyterian ministers named Cameron of the era, but it is unclear whether this Cameron was a laymay or a minister.Sepia oval photograph of an elderly white-bearded man, head and shoulders, wearing checked coat."Mr Cameron" - scrawled on back.

Rev. W. F. McKenzie (Billie) spent at least 25 years as a missionary on the Arukum Aboriginal Missionary Station in far North Queensland. He also served as State Moderator of the Presbyterian Church.Matt, black and white, head and shoulders studio portrait of Rev. W. F. McKenzie, on card.With best wishes from Bill, 28-iii-49mckenzie, w. f., presbyterian, arukum aborginal missionary station, state moderator

Rev. W. F. McKenzie (Billie) spent at least 25 years as a missionary on the Arukum Aboriginal Missionary Station in far North Queensland. He also served as State Moderator of the Presbyterian Church.Matt, sepia, head and shoulders studio portrait of W. F. McKenzie on card folder presentation.Best wishes from Billiemckenzie, w. f., presbyterian, arukum aboriginal missionary station, state moderator

Rev. Hugh Price Hughes (1847-1902) was born in Wales and educated in London. He founded the Methodist Times and was Superintendent of the West London Methodist Mission. He was the leader of the "Forward Movement".Semi-gloss, sepia, head and shoulders studio portrait of Rev. Hugh Price Hughes on card.H. Price Hugheselliott & fry, hughes, p. h., forward movement

Rev. Dr. Joseph Dare (1831-1880) was editor of The Spectator.Semi-gloss, black and white, head and shoulders, studio portrait of Rev. Dr. Joseph Dare.methodist, dare, j.

Rev. Edmund Sorrell Bickford (1816-1895) was President of the Wesleyan Methodist Conference in 1896 and in 1903 was elected the Second President after union.Semi-gloss, sepia, head and shoulders studio portrait image of Rev. Edmund Sorrell Bickfordmethodist, president, bickford, e. s., union

Rev. Desmond Tarran (1916 - 1992). Born at Werribee. Converted at age 15. Entered the Home Missionary Training College in 1936. Spent 29 years in many appointments including 3 years 1950 - 1952 in Inland Mission in the Murchison area, Western Australia. Enlisted as an army medical orderly in 1940. Served in the medical service in Palestine and was transferred to a forward casualty station, then taken prisoner by the Japanese in 1942. On the Death Railway in Thailand worked closely with Dr E. (Weary) Dunlop and Dr Albert Coates in caring for starving and maltreated prisoners. Returned to home mission service in 1947. In 1966 was selected for special ordination as a Methodist minister. Served 11 years in country and city churches before retiring in 1978.Satin, black and white, head and shoulders, studio portrait of Rev. Desmond Tarran, as a post card.desmond tarran, home missionary, methodist minister, prisoner of war

Rev. Dr. Thomas Bowman Stephenson (1839-1912) founder of the NCH and Wesley Deaconess Institute in 1890, President of Wesleyan Conference in 1891, and was the author of several hymns.Satin, black and white, head and shoulders, studio portrait of Rev. Dr. Thomas Bowman Stephenson.stephenson tb, wesleyan

Rev. Frederic William MacDonald (1842-1928) was a Methodist minister and President of the Wesleyan Methodist Conference. He was also a writer.Matte, black and white, head and shoulders, studio portrait of Rev. Frederic William MacDonald on card.methodist, macdonald, fw, wesleyan

Mining Scene. In foreground is Scotts Open Cut, on the left is the Great Northern mine, behind that is the Oriental Mine and the two shafts of the North Cross mines. On the upper right is the Magdala Mine. The mines on the horizon could be the Prince Alfred, Prince Patrick, Newington and Pleasant Creek or Little Newington Mine.B/W Scene Man sitting above open cut, looking at buildings and poppet headsstawell, gold mining

Found in 1945 in the Pacific Islands and donated by Bill and Jan Cook. Once owned by Harry Dyson, Chiltern Resident Associated with WW2 American GI's.Manganese metal combat helmet used as head protection against mortar, grenades, bullets and shells.

The Dates we sourced on the flyer were November 15 - 25 with night and matinee shows avaible. This Performnce was in association with AAustralian Drug Foundation, BE YOUR bEST. ,VICHEALTH, Playing Australia ,Arts Victoria ,Australiian Council of the Arts and Punt Hill Spirital Apartments .colored yellow and black flyer in the profile of someone wearing a paper bag on his/her head.back to back theatre, circus oz, freak show, athenaeum theatre two

“Between the devil and the deep blue sea!” is a special work to me for different reasons. It was my first experience ever working with textile, and it was my first major artwork that I made and exhibited in Australia. I moved to Australia in 2011 and lived in Perth for 5 years before I moved to Melbourne in 2016. I didn’t have a chance to make many artworks when I was living in Perth and it was mainly because I needed to work full time in order to afford the living costs. Melbourne was totally different though. I moved to Melbourne after I was awarded Australian Postgraduate Award (APA) to study my PhD at RMIT University. This was a fantastic opportunity for me, not only because it helped me financially, but also because it gave me the opportunity to develop my practice and research experience. Being new in Australia and Melbourne though, I needed to familiarise myself with the art community in Australia and find ways that I can introduce myself and present my art. I knew that exhibiting in Australia will be challenging and I thought I can start with looking for opportunities like group shows and awards. The Wangaratta Contemporary Textile Award was the very first one that I applied for and it was definitely a great starting point for me. It gave me the confidence to look for other opportunities and that my decision for working with the material and methods that I had no previous working experience with, was a right one. Between the devil and the deep blue sea! is about a dilemma. A dilemma where on one side there is all the memories of the past, home, family, and friends. Everything that was once a life and now is only a memory. There is the threat of death, terrorism and violence and there is no hope for a better future. On the other side, there is a better chance for staying alive, but there is nothing clear about the future. Where you go and what you will be called; A terrorist? Or someone that is there to take the jobs and money!? We are watching the news and seeing tragic accidents happening all over the world every day, but what makes us indifferent to the suffering of others was something that I became interested to learn more about it. From the beginning of my project, I was interested in discovering more about the notion of indifference and that came from my own position as an observer. I am an Iranian living in Australia. On the one hand, I am observing wars and conflicts in the Middle-East from a distance and on the other hand, from not much a distance! I am living in Australia with a great distance from the Middle-East in terms of the geographical distance and the differences in socio-political situations. On the other hand, and despite Iran’s current safe situation, there is no guarantee for a stable peace in the future. Being not here nor there, I am an observer who won’t be in peace in peaceful Australia, and can’t feel the depth of the pain for people living in war-torn countries such as Syria and Iraq. The indifference phenomena can be studied from different disciplines, however, there can not be a simple and unique explanation for its cause. Regardless of different explanations for the causes of the indifference, what I am most interested in is to explore the ways I can show the “indifference” itself. For this, I seek to focus on my simple interpretation of the phenomena, which in my mind is “seeing tragedy, not tragic.” In other words, whether the indifference is caused by information overload, or distance from the sufferer for example, people don’t feel the pain and can’t understand the conditions others in pain are experiencing. Based on this explanation, the focus of my artworks is to depict and highlight the contradiction between the pain and the indifference. In my art practice, I often use colourful and attractive materials in combination with a visual language that reference to the aftermath of tragic events of wars, to provide a symbolic representation of indifference in the form of an artwork. This is my artistic approach in explaining the notion of “indifference”, that can illustrate my ideas around “seeing tragedy, not tragic”. to give voice to my own concerns and position as an Iranian artist, I am interested in utilising visual elements from traditional arts of Persia and the Middle-East. In selecting rugs and fabrics that I use in my artworks, the weaving quality is not my concern. Moving beyond this, I am looking for features which express and underpin concepts such as antiquity, resistance, simplicity, and peace which sit in stark contrast to the terrorising and militant image of Middle Eastern people portrayed by the mainstream media. Nowruz (Persian New Year) 21 March marks the Persian New Year and the first day of spring in Iranian calendar. It’s the time of the year when all Iranians and many other Farsi speaking nationalities (Afghans, Tajiks, etc.) celebrate together. My wife and I are planning a trip to Iran for the new year holidays and it would be our first time to celebrate the new year with family and friends in Iran since 2011. It is believed that Nowruz has a long history of around 3,000 years and is rooted in Zoroastrianism, an ancient Persian religion that predates both Christianity and Islam. Every year Iranians celebrate this very special event at different times and it’s because the exact time of the new year depends on the exact calculation of when the length of the day and the night are equal. There are many things about the Persian new year to be excited about and sitting around the Haft-Seen table (7sin) with family is with no doubt the most exciting one. Haft-Seen is a set of seven symbolic elements beginning with ‘S’ in Farsi that Iranians arrange them together to decorate a table that family sit around and celebrate the beginning of the new year. The most common items found in Haft-seen decoration are: Sabzeh: Wheat, barley, mung bean or lentil sprouts growing in a dish, Samanu: Sweet pudding made from wheat germ, Senjed: Dried Persian olive. Seer: Garlic Seeb: Apple Somāq: Sumac Serkeh: Vinegar Sekkeh: Coin that symbolise health, wealth, abundance, etc.Wangaratta Art Gallery Collection, Acquired with the assistance of Robert Salzer Foundation.A used Persian Rug that has had a motif of two heads and an explosion hand-stitched onto it.mohsen meysami, textile, rug

Fire Brigade Memorabilia Display. There are 8 coloured photos in Album 9B of the display all taken 03.09 2003. On display are photos, trophies, equipment and uniforms of the Fire Brigade Members.Coloured photograph of Fire Brigade memorabilia display showing, A Model of a Poppet head and Hose nozzles.stawell

These medals were given to all school children to commemorate the royal visit of 1954Small medal with Queen Elizabeth and Prince Phillip's head in profile on the face and commemorative words on the rearOn the face - Queen Elizabeth ii & Duke of Edinburgh. On the rear - E II R, Royal Visit 1954 Victoriacivic mementoes, royal souvenirs

Black and white photo of senior students of Vermont State School with Mr. Watchhorn, Head Teacherwatchhorn, mr., primary schools, vermont state school, no. 1022

Donated to the Society by Mayor, Cr. Helen Buckingham, on behalf of the City of Whitehorse.Key ring- black background, gold surrounds, gold head of horse. City of Whitehorse logo.civic mementoes, souvenirs, personal effects, keyrings & knives

Associated with Carisbrook.1) Miners standing under a poppet head at Carsibrook. .2) A man stands beside a winch. em22, carisbrook, mining, poppet head

Used by Rural Ambulance Victoria for cardio pulmonary resuscitation (CPR) training. The inscription Swan Hill T.A.E. indicates that object was used at Swan Hill by either Rural Ambulance Victoria or perhaps by another owner at some point.Head and torso mannequin with grey plastic travel case. Mannequin has electronic reader at base.SWAN Hill T.A.E. rural ambulance victoria