Black neoprone stubby holder with gold graphics of Vietnam National Memorial Canberra, holding beer can of the Welcome Home Parade - sydney 3rd October 1987On can - Australian Vietnam Forces Welcome Home Parade '87 Sydney October 3rd 1987. Together then, together again.beer can, australian vietnam forces, welcome home parade

Tinted Black Black handled wood & Cork lid No Label MARCHANT & Co, TRADE MARK SOFT DRINKS REGO AUSTRALIA THE PROPERTY OF MARCHANT & Co ITS USE BY OTHERS IS ILLEGAL

50th anniversary issued for AATTV. Round silver medallion centered with brass alloy badge AATTV. Boxed in black casing and includes certifivate of authenticity. No.00222 of 1000.The Team AATTV Perservere 50th anniversary(on back). B&W photo of Australian and Vietnamese soldier with wordsAATTV 50 Vietnamaattv, medallon, 50th anniversary

This item was collected because it commemorates the war in Vietnam (1962-1972)Trapezoid-shaped wooden plaque with two engraved metal attachments commemorating the opening by Tim Fischer MP of the Melton Vietnam Veterans Memorial on 19 August 1998 Melton & District/ Vietnam Veterans Memorial/ Opened 15th August 1998/ by/ Tim Fischer MP/ Deputy Minister of Australia.vietnam veterans association, melton & district, vietnam 1962-1973, tim fishcher

Flt.Lt.M.D.Frecker qualified as a pilot on B-24 Liberator aircraft from April 1944 until the end of November 1945Rectangular blue linen bound hard cover book. Also lost earlier log book.ROYAL AUSTRALIAN AIR FORCE. FLYING LOG BOOK . FORM A.18.(Revised April 1937) (R.A.F. Form 414.)

William C. Duckworth enllisted in the RAAF 2/1/1943 and was a W/o Gunner on B24 Liberators from19/11/1944 until 11/8/1945Cardboard, Linen & paper bookROYAL AUSTRALIAN AIR FORCE OBSERVER'S AIR GUNNER'S AND W/T OPERATORS FLYING LOG BOOK DUCKWORTH. W.C

Souvenir Queen Elizabeth 2 plate. Transfer printed head of monarch in centre of plate (sepia tone). Royal blue border with gold floral design on top. Some scratch marks - evidence of use.Back: Made Specially / By / Crown Ducal / Made in / England / to / Commemorate / Royal Tour Australia 1954 / Made in / England / A.G.R.queen elizabeth 2, royal tour australia 1954, crown ducal

The bible is signed by the Moderator, Secretary and Moderators from 1979-2001Brown leather covered bible with 1377 gilt edged pages in a green box. The bible has green leather end papers. The spine, which is faded, has gilt embossed text. There is a dedication inside the bible."THE UNITING CHURCH IN AUSTRALIA. This bible was used at the first meeting of the SYNOD OF TASMANIA held in Launceston 28th-30th October, 1977.

Cardboard w/Dust JacketThe State of Architecture in Australia by John Ely Burchard, Architectural Record Aug 1952, 10pp. Handwritten note by Robin Boydwalsh st library

HardcoverPencil drawings of a horse's head and blouse. "Mandie Boyd. 158 Riversdale Road, Camberwell. E.6. Victoria, Australia"walsh st library

Colour slide in a mount. Norwood', Brighton, Victoria, 1892 (now demolished). (Architect: Phillip Treeby.)Made in Australia / Encircled 4 (Handwritten) / A (Handwritten) / Encircled 20 (Handwritten) / IST Choice (Handwritten) / Victoria Mansion (Handwritten)slide, robin boyd

Photograph of Red Cross display boards witha motorcycle ans side car in front."No. V / Australian / (Australilan Red Cross Society insignia) / Red Cross / Society" / "A.I.F. Hospital / Ingres Abbey / Kent "red cross, welfare establishments, hospitals, motorcycles, world war 1, george evans collection

Sepia postcard of a woman and 3 children believed to be the Nelson family.On front (embossed): Johnstone O'Shannessy / Melb. Printed on back: Post Card / Correspondence Address only / stamp - Kodak / Australiajohnstone o'shannessy, photographers, nelson family, george evans collection

Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized checked blanket , mint, peach and cream Pure Wool/Embassy/Made Expressly for the Myer Emporium Ltd./"For Value and Friendly Service"/by Invicta Mills/Made in Australiablanket, wool, blanket fever, invicta mills, myer emporium

Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "Brighten up your bedroom with Wool"A Timely Home Decorator's Hint from the Australian Wool Bureau/Brighten up your bedroom with Wool/There is no substitute for WOOLwool, blanket, blanket fever, advertisement, australian wool bureau, australian women's weekly

"Sheep diseases 2nd ed" - H Marsh, 1958Dr Belschner/ I hope the/references to Australian/ work in this book/ are reasonably accurate./Hadleigh Marsh/ Jan 9, 1959sheep - diseases

Book of blanket samples manufactured at Gold Medal Mill.First entry of blanket sample book."crenella" banket luxury made especially for Carrigans Invicta Gold Medal Mill Made in Australia Pure New Woolwoollen mills, textile mills, invicta mills pty ltd, blankets samples

Used by donors for polishing wooden and lino floor in the 1950s and 1960s in their home at 16 McDowall Street, Mitcham.Three brush 'Electrolux' floor Polisher/ Scrubber with polish container and three scrubber brushes, and a remotely operated polish container. It has a 'tee' shape handle which is adjustable in height to polish under tables etc. There is provision for attaching a polish container to the polisher. Flow of polish ie regulated by a chain attached to handle. Handle also has clips for holding the power cord when stored. Body of polisher is squat triangular- shape finished in red and gunmetal grey. There is a heavy rubber skirt surrounding the area where the brushes rotate.|Model B9 Serial CME 6005498 on plate at back.Electrolux Made in Australia - plate at front|Electrolux insignia on front|Plate at back gives power details and serial number.domestic items, cleaning

FERRET BOX made from old liquor box/ crate. Rectangular shaped box with lid. Lid has been hinged, with leather strap for fastening lid down and has sliding metal piece used as a door to the cage. Stands on four legs.[on 2 sides]: "OAKLEY, ADAMS/ AUSTRALIAN WINE MERCHANTS/ MELBOURNE", [ONE END]: "G MU SHERRY WHITE PORT"

Girl Guide troop shown is probably one led by Florence Iggsten.Black and white photograph of a group of Girl Guides on an excursion next to a river. Some of them are in a boat.On back of photo: a rubber stamp saying "Please acknowledge 'The Argus', Melbourne Australia. Copyright Photograph. Negative No. E149 Reference No. ____"girl guides, camping

Cranbourne RSL 1981 members badge. Member #417.Cranbourne RSL Club 1981. Returned sailors, Soldiers Imperial League Australia. Z 14778 inscribed on rear of medal.

Wooden plaque with Cast Circle attached to front.Cast Circle with -Naval Association Of Australia" Crown on top and Anchor with Chain in centre of circle., "Port Adelaide" underneath circle.

Steel box designed for carrying and storing ammunition. Painted Khaki Green in colour.Australian Government Explosive, Safety class 6. 665 Cart. 9MM BALL MK2Z CTN 4 - 4 - 67vietnam war, ammunition box, australian army

Colour slide in a mount. Image of “featurism”, toilet doors and planterMade in Australia / 11 / MAR 65M / Encircled 8A (Handwritten) / A03456 / 16PC (Handwritten) / B (Handwritten) / G (Handwritten)melbourne, slide

View of Sassafras showing many dead trees c1920s.Sepia coloured Rose Series postcard P. 153 looking down across Sassafras.On reverse REAL PHOTO POST CARD. THE "ROSE' SERIES DELUXE. PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoriasassafras

View down the Main Street of Sassafras looking south with the Mechanics Institute in the centre of the picture. The raspberry patch in the foreground belonged to Woniger Hansen who built Mountain Rest (Rostrevor). The land was subdivided after his death in 1923. The raspberry patch is in the area of the current Mason Grove.Black and white Rose Series postcard P. 4765 looking south down the Main Street of Sassafras with buildings either side and berry patches in the foreground.On reverse POST CARD. THE "ROSE' SERIES DELUXE. A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoria sassafras, rose series, rostrevor, woniger hansen, hansen, mechanics' institute, raspberry, raspberry crop, mountain rest, mason grove

White certificate with a large image of a ribbon tied around a wishbone on the left of and text on the right reading:In Appreciation With Heartfelt Thanks to WANGARATTA HIGH SCHOOL For Helping to Make Wishes Come True Make-A-Wish Foundation AUSTRALIA