CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46

CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a seascape with water and trees (she-oaks) in the foreground. The background illustrates a calm ocean meeting a cloudy sky. Only two colours have been used within the print, a light blue and a dark green.Front: 8/20 (lower left) She-oak (lower centre) Signature (lower right) (pencil) Back: 6

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

CEMA Art collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of seascape with pink flowers and ferns in the foreground. The centre of the image illustrates the ocean in shades of blue, pink, grey and black. In the background of the image is a large pink cloud.Front: 10/11(lower left) "Pink Hibisky" (lower centre) Signature (lower right) Back: 7

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984. Work used as cover for A Community View Catalogue.Laminated screenprint of Portland Bay focusing on Portland Baths. The image depicts the beach, several piers and the Bath House. The image is predominately red, orange, blue and grey.Front: 3/12 (lower left) Umbrellas at the Beach (lower centre left) Angela Gee '84 (lower left) (pencil) Back: 13

Conservation work of sills - see notes in object file.Two windows, composed of three panels each, arranged vertically. The top and bottom panels of each window are composed of six square glass sections depicting line drawings and figurative depictions in a range of different styles. The centre panels have eight square sections, with similar styles and motifs. A double border of shades of blue in small rectangles surrounds the central sections, which are in shades of yellow, with central rectangular glass in green. Clear glass panels are set on either side of windows.

Visitors group seated in site office. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough swimming pool, rosalie bray

Rosie Bray and Cr Steve Briffa. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.rosalie bray, steve briffa, watermarc, greensborough swimming pool

Outside view of worksite. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walk through prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough pool, swimming pools, rosalie bray

Sections of Waterslide. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, greensborough pool, rosalie bray, swimming pools

Visitor group outside Watermarc. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, rosalie bray, greensborough pool, swimming pools

View of building exterior [worksite]. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, rosalie bray, greensborough swimming pool, swimming pools

View of trusses and beams. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, rosalie bray, greensborough swimming pool, swimming pools

View of windows with reflection of waterslide. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, rosalie bray, greensborough swimming pool, swimming pools

Interior views of Watermarc pool [group of 7 photographs]. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photographs.watermarc, rosalie bray, greensborough swimming pool, swimming pools

Interior of Watermarc, worksite with skip. The redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of photographs from the collection of Rosie Bray. These photographs taken on a ‘Community Consultative Committee’ walkthrough prior to completion of Watermarc, May 18 2012.Digital copy of colour photograph.watermarc, rosalie bray, greensborough swimming pool, swimming pools