Gold Locket in a horse-shoe shape, with engravings, on a long chain. Blue on reverse of locket.lockets

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.Rounded trapezoidal shape, metal, letters stamped out. Hole bottom RH corner."A PAT / KINGSTON"

Early design ornamental earthenware jug from home of Late Mr. John Burgi.Brown earthenware jug (horn of cornucopia shape). Handle has a stylised bird's head.jugs

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, these earrings have local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned Drop Shape Clip on Earrings from the Sarah Coventry Jewellery Range "SARAH COV" on base of earring clipsarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, earring, earrings, clip on earrings

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The hallmark on this item identifies it as being produced by James Dixon and Sons of Sheffield, England. Their first corporate mark of the trumpet (bugle) and banner was granted in 1879, and the second with the name was added in 1890 and used until 1920, therefore helping to establish provenance of this set. The mark JD&S was used from c. 1920. The abbreviation EPBM in the hallmark denotes "electroplated Britannia metal". Britannia metal was generally used as an alternative to electroplated nickel silver.This item comes from a collection used by a prominent citizen of Wodonga. It is also an excellent example of Britannia ware of the early 20th century.A pair of Britannia metal chamber sticks with a base representing the shape of a thistle and its leaves. Underneath each stick, Beneath the symbol of a bugle and banner, surrounded by shields "J D & S"/E P B M/ 8207"domestic items, britannia metal

The document is a record of Legatee Crosbie and his visits to widows and families under the care of Melbourne Legacy. Legatee Crosbie gave over 40 years service to Melbourne Legacy (Footscray/Sunshine branch). Total widows and families visited 166. Between 1959 and 1999 it is estimated Legatee Crosbie visited each widow 4-5 times per year between 1959-1999. Legatee Crosbie demostrated outstanding service in the care and interest taken by him in his service to Legacy and those that needed help. An outstanding example of a Legatees' devotion to those under the care of Melbourne Legacy.Handwritten in blue biro, white blue lined paper, rectangular shape on cardboard backing.legatee, branch

Decorative architectural feature with a semi-circular shape. Yellow oxidisation is viable across the surface historic building, former royal mint

Dept of Defence badge issued to service personnel on return from active service.Badges such as this one were issued to soldiers by the Department of Defence to indicate they had returned from active service. It showed they had helped the war effort by serving their country. Sometimes returned soldiers were wrongfully accused of showing disloyalty to their country because they were not seen wearing a military uniform so wearing the badge helped avoid thisGold coloured metal badge round in shape with rising sun in centre and crown on topIssued by Dept of Defence Returned from Active Service AIF C11796 - stamped on rearactive service, badge, aif

Allied military badges collected during the Great War 1914 to 1918 by Private (Shoeing Smith) John BLAIKIE 2341 who was born at Wangaratta. He was a Blacksmith and at the age of 42 enlisted on May 28 1915. He embarked on August 10 1915 and served with the 14th Battalion. He returned to Australia in January 1918 and discharged as medically unfit on April 10 1918. Inset photograph is of John BLAIKIELarge collection of allied military badges collected during the campaigns in France, Belgium and Egypt in 1916-17 by John BLAIKIE 2341. A Blacksmith who at the age of 42 years enlisted in the Army and served during the first world war. On his return to Australia he was discharged medically unfit due to rheumatism and senility. He was a stalwart of Wangaratta RSL and his collection was present to the Sub Branch as a souvenir of the first world war.Brown timber frame in the shape of Australia containing a large collection of badges and small photograph Souvenir of the Worlds Great War 1914 to 1918 Military Badges Collected by J BLAIKIE 14th Batt 4th Div AIF In Belgium France & Egypt 1916-1917military badges, ww1

Always wanting to paint the bushfire. Seen heaps of things with burning of heath land for Alcoa and went running through it like we were in the fire. It was beautiful but we were crying as we didn’t want them to do it. We were right in the middle of it as it was all glowing everywhere. Always fascinated by that fire when I think about it as we tried to stop it but they bought the police out and we couldn’t get in there as they had security and we were surrounded. We camped out there for four years we had the camp and would come and go from the house in town. Zac Martin and heaps of people in and out and good times with Uncle Banjo and newspaper journalists. 30 years ago this was, late 70’s and took 6 years to get them to court. Flew a guy out from America (the equaliser) who interviewed us about why we were doing it. They burnt right along the cliff whilst we were camped there and we had seen the seasons and got into the spirit of the land with native blossom and it was beautiful – and they burnt it all, all the little animals, it was incredible as the heathland was absolutely beautiful, it was magic and they could not see that. They pegged it out to do it all and we would sneak out and move the pegs and we tried to fight them every which way. Amy was there with all her kids in a massive striped tent but she moved them out when the police came to move us out. They had us surrounded, police from everywhere. We had no water and people would bring us water and food. Another time a big bushfire came through and we had to get in the dam at Lake Condah Mission. I was aged around 10 or 11.” June 2014 As recorded by Anna Louise Sheba for the entry in the Victorian Indigenous Arts Award Ballarat. Ms. Christina Isabel Saunders Traditional Landowner Elder Gundij Mara Tribe (South Western Victoria, Australia) Descendant of Kilcarer – Cape Bridgewater Clan and Gilgar - Lake Condah Mission Clan A depiction of bushfire. Red, yellow, orange and black paint. Swirls and shapes to represent the flames.Tina Saunders (bottom right in orange paint)aboriginal art, first nations, bushfire, bush, landscape

Used in agriculture ca 1910We believe it was imported by HOLDEN and FROST for agricultural use ca 1910Metal open ended bell shape,belt loop on top,wooden clanger within.agriculture, c1910

Issued to Norman Charles Stevens VX123648 2nd AIF. Initially enlisted as V59636. Enlisted 9.3.43 age 26 years. At discharge from the AIF on 28.6.46 he was a Pte in the Australian Army Catering Corps. Kit bag, khaki colour, sausage shape with brass eyelets at top for pull rope.“Stevens N.C VX123648”military-equipment, kit bags

Shape of Australia handmade in timber with kangaroo and emu either side RSL Crest stickerRSL Australia

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with rising sun and two flags above attached cutout in the shape of a gum leaf.To My Dear Daddie at the Front A Gum Leaf from Australiaalbum, photo album, newspaper clippings, postcard, wwi, gumleaf, gum leaf

Square shaped solid timber block cheese mould. Mold is a half sphere shape.cheese mould, kitchen utensil

Square shaped solid timber block cheese mould. Mold is a half sphere shape.cheese mould, kitchen utensil

White ceramic laundry dampener in shape of an iron with green handle and lady design on base.laundry equipment

This altar cloth represents ecclesiastical linen used in the early to mid-20th century. It is used on the altar in the Chapel of St Nicholas Seamen's Church at Flagstaff Hill Maritime Museum and Village. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley, who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today, there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth represents ecclesiastical linen used in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. Altar cloth: simple white linen cloth, long rectangle shape with wide hems.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen

Item issued to Peter BALL 3796117. Refer Cat No 4704Insect repellent bottle, plastic, oval shape, green colour with screw top lid.[up arrow] Insect Repellent Personal Contents 3 Fl Oz DSN 6840-66-023-2942, Y23-690repellant, insects, personal

Item in the collection re Edwin James Jones No 3511 AIF. Refer 1367.5 for his service history.Cloth colour patch, oval shaped. Black background with green diamond shape in centre.uniforms-army-insignia, colour patch, jones

All Returned badges are individually numbered on the back and can be traced.Badge, brass, Returned from Active Service WW1, round shape with crown on top.Around edge: “Returned from Active Service & Issued by Dept of Defence” In centre: “AIF” Imprinted on back: “No 237619”badge, active service, military history

Part of the HEWSTON collection WW1 & WW2.Brass shell casings in shape of aeroplane on brass stand/base. The rear section is missing.military history - souvenirs - air force, trench art

The newsletters were all printed in Tobruk during the seige in 1941, the information as per the newsletter is from the daily summary of BBC broadcasts as well as cartoons and drawings. Edited by L/Sgt W Williams VX27459. Refer Dean collection 4575P Four single sheet Newspapers printed in Tobruk. .1) Vol 2 No 67, rectangular shape, off white colour, all print in black, dated. .2( .3) Vol 2 No 91, 2 pages, rectangular shape, blue colour, all print in black, dated. .4) Vol 2 No 96, rectangular shape, off white colour, all print in black, dated..1) “Thursday 31st July 1941”. .2).3) Sunday 24th August 1941” .4) Friday 29th August 1941”tobruk truth, dinkum oil, tobruk 1941

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print no. 12/07 Neg. No 241/Date taken 1.4.54/ SUBJECT/ 120 Ton Lighter/ No. 2 (purple ink stamp and typing, centre) dred023 (pencil, upper left)port of portland archives, harbour facilities, construction

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print no. 12/15 Neg. No 265/Date taken 9.8.54/ SUBJECT/ 120 ton lighter no. 2 (purple ink stamp and typing, centre) dred023 (pencil, upper left)port of portland archives, harbour facilities

Refer to Cat 5825.This is a slouch hat made of khaki fur felt. It has the left side raised and clipped up. It has a puggaree in a lighter khaki. On the raised edge is a copper coloured Royal Australian Infantry badge. Inside the hat is a leather liner. It is dried and cracking up.Written in ink on the leather liner is the name "Patterson".slouch hat, vietnam war, infantry

Spelling Book Grade III to Form II with dark pink and lighter pink cover. Stamp on the front cover and inside State School 4777 George St. Hamilton. Printed by C. H. Rixon, Government Printer, Melbourne for the Education Department of Victoria.Education Department Victoria, C.H. Rixon, Government Printer, Melbourne.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - spelling book grade iii to form ii, education department of victoria, c h rixon

A tall wooden pedestal with a square top, a column with a vertical lined pattern, mounted on a two tiered base. Two types of wood are used, lighter on the top and base with darker wood for the column. It would have been used to display a figure, a bust or an urn.pedestals, display equipment, furniture

These desert spoons are from the wreck of the Loch Ard, that sailed from Gravesend, London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware and cutlery items. These spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. Some of the pieces display their makers’ mark of William Page & Co Birmingham UK. Within the Flagstaff Hills cutlery collection donated from the Loch Ard, maker’s marks are often obscured by sedimentary accretion or verdigris after a century of submersion in the ocean. However sufficient detail has survived to indicate that the collection of samples of electroplated cutlery probably originated from the same cargo consignment from the Loch Ard and was made by William Page & Co. William Page was born in 1811 and died in 1885. He was active as a manufacturer of cutlery from 1829 with premises at 74 Belmont Rd, Dales End as a "close plater" (someone who works sheet metal), and he began electroplating in 1855. William Page & Co was also active from 1880 at Cranemore St, Cattle’s Grove also 55 Albion St, Birmingham, in 1936 the firm became Ltd. The firm used the trademarks "Asrista, Bolivian Silver, Silverite, Roman Silver, Roumanian Silver and Trevor Plate. In 1938 William Page was a supplier to the British Government, marking its products with the broad arrow symbol and was also present at Sheffield. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Large conglomerated group of nickel silver plated dessert spoons with fiddle-back design handle, narrow stem with flared collar and elongated bowl (there are 8-10 spoons in the group). Inscriptions on the spoons. Made by William Page & Co, of Birmingham. The spoons were recovered from the wreck of the Loch Ard.Stamped “W” & “P” within a raised diamond outline, which is in turn contained within a sunken crown (The shape identifies the manufacturer as William Page & Co of Birmingham.)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dessert spoon, petrified timber, conglomerated cutlery, silverware, dining utensil

An original photograph donated to the Kew Historical Society by the City's Engineering Department preceding the amalgamation of Kew into the City of Boroondara. The photograph can be dated to the period 1961-1994 when the Victorian Totalisator Agency Board (TAB) began operations as a state enterprise. The latter was privatised in 1994.Public works. An ironic sign in a workplace requesting donations for a hamper. Inscription on reverse: "THE BILL DAWSON APPEAL / PLEASE GIVE (CIGARETTE BUTTS OLD TAB TICKETS) / R. GOULD (SEC) P. HUGGINS (TREASURER) / A HAMPER FOR BILL"workplace humour, city of kew