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Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Silk Picture
Serbo-Bulgarian War Cross. (W.D. & H.O.Wills cigarette card)ephemera, 1913, army -
Kew Historical Society Inc
Photograph - Kew Red Cross, 1969
Group photograph, taken in 1969, of members of the Kew Red Cross.At ceremony at Government House Oct 6 1969 "Bar to long service medal" 30 years service / L-R Mrs Davidson, Mrs Martin, Mrs Knight, Miss Ewington, Mrs Smith, Mrs Sims / To Yvonne a happy Christmas from Dorothy Smithkew red cross -
Tennis Australia
Brooch, Circa 1920
Brooch in shape of two crossed racquets and hat. Materials: Metaltennis -
Tennis Australia
Pin, Circa 1915
Gold pin in shape of crossed racquets. Materials: Gold/Metaltennis -
Stawell Historical Society Inc
Memorabilia - Badge
Australian Red Cross Badge Blood Donor. Jean Hughesstawell -
Stawell Historical Society Inc
Memorabilia - Badge
Red & Blue Enamelled Red Cross Blood Donors Badge stawell -
Stawell Historical Society Inc
Memorabilia - Realia
Bamboo and Wood Cross shaped Hanger with pegs for Laundry Smallsstawell -
National Wool Museum
Ephemera - Paper Square with Red Crosses, 1950s - 1970s
Square of paper with hand written red crosses in small squares.charts, paper -
Mont De Lancey
Memorabilia - Medals, ca. 1915
Patriotic Medal presented to T.W. Gaudion.Gold coloured medal with Crossed rifles flanked Emu & Kangaroo."Presented to T.W. Gaudion by residents of Wandin for Valour 1.3.15."patriotic medal., medals, t.w. gaudion -
Port Melbourne Historical & Preservation Society
Booklet, Pat Grainger, Railway Rockeries -Tales of the Melbourne & Hobsons Bay Railway Reserves, Port Melbourne, 2003
Launched in August 2003 at the Hotel Albion overlooking the Reserves, this project was assisted by the City of Port Phillip Cultural Programs Board through its cultural Development fund, and by the City of Port Phillip Community Grants Scheme'Railway Rockeries -Tales of the Melbourne & Hobsons Bay Railway Reserves, Port Melbourne', a 16 page booklet produced as the first of an A5 series on Port Melbourne's public placestransport - railways, melbourne & hobsons bay railway company -
Unions Ballarat
Under Minerva's gaze : 150 years at the Ballaarat Mechanics' Insititute, Blee, Jill, 2010
BMI history up to the present. Coverage of other cultural institutions and the cultural community of Ballarat. The book includes essays from various contributors and treats the history of the building, functions of the Institute and people involved over time.Relevant to the Ballarat district, it's cultural life, social customs, people and architecture.Paper; book. Front cover: blue sky background; photograph of the Ballarat Mechanics' Institute Building; white and black lettering.Cover: editors' names and titlebtlc, ballarat trades hall, ballarat trades and labour council, culture - ballarat, social customs, mechanics' institute, architecture, women in history, history, ballaarat mechanics' institute, libraries -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Bendigonian, Feb. 2001
Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of steam trams at Charing Cross, Fountain, during a procession for the death of Queen Victoria. Dated Feb. 1901. Copied by Keith Kings from The Bendigonian 5/2/1901. Photo caption notes different types of six wheel trailers.On rear in ink " S-A773, Bendigo, Steam Tram Motor and two different types of 6 window trailers at Charing Cross (Procession re death of Queen Victoria). Copied by Keith Kings ex "The Bendigonian" 5/2/1901. "trams, tramways, bendigo, steam trams, charing cross -
Chiltern Athenaeum Trust
Aid All Pre WW2 British First Aid Outfit Tin - White Cross, pre WW2 1940
Associated with issue to personnel leading up to and including WW2 in Britain . Circa pre 1940's. Associated with issue during WW2. Small cream coloured tin with white cross centrally placed on the lid. Tin opens with hinges and has wording on the lid "Aid A;; First Aid Outfit Tin made in England". There is a faded description of the contents. Within the tin is a smaller cream and red coloured circular tin containing boric ointment. The first aid outfit tin is 130mm x 75 and the small circular tin with boric ointment is 35mm x 35mm. The lid of the tin says : Aid All First Aid, a white cross emblem and underneath the emblem the wording OUTFIT TIN. There is a description of the items and then the annotation that the tin is made in England. Both tins are cream in colour with red edgings. aid all first aid outfit tin pre 1940's, white cross first aid outfit tin, pre ww2 and ww2 issue -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Kings, 8/01/1961 12:00:00 AM
Bendigo, Charing Cross, 8-1-1961. Trams 30 (large white bumper) and 19 (top and bottom safety stripes, but no lighting) on Eaglehawk/Quarry Hill run, and trams 29, 28 on North Bendigo/Golden Square. Both Birneys have had bumpers painted white. Large white painted traffic island on North side. Ezywalkin, Beehive buildings and Mobilgas sign. By front door of tram 30 is a 'Safety Zone' sign. Tram 19, has a 'Briquette' ad on front panel. Photo by Keith Kings.Stamped 'K.S.Kings etc' and in blue ink, 'K(r)(335)m, Bendigo, 1/250. f4.5, 8/1/61, 29, 28, 19 and 30 at Charing Cross'tramways, trams, bendigo, birney, charing cross, tram 19, tram 29, tram 28, tram 30 -
Flagstaff Hill Maritime Museum and Village
Container
Container metal with lid labelled "Robur Cross Stitch Caddy" from the Robur Tea Co Ltd, printed in crosses and circles, painted yellow. Lid corroded and "R" imprinted in centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Ringwood RSL Sub-Branch
Badge-Italian, circa 1940
Thought to of been taken from Italian prisoner in Middle East in WW2.01301A- Cloth and bullion badge, Italian. Medical Corps, snake and Red Cross, Officers issue. 01301B- Cloth and khaki badge, Italian infantry with numeral 10 in circle and crossed rifles. -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, How to End Our Isolation
Boyd argues that the Australian Cultural Cringe is due to our geographical isolation from the 'Atlantic bloc'. He encourages cultural, intellectual, and artistic exchanges with the Pacific region and the West Coast of the U.S. and provides recent successful examples.Typewritten (c copy) + 1 handwritten, quarto, 6 (+1 handwritten) pagescultural cringe, japan, san francisco, overseas exposure, robin boyd, manuscript -
Clunes Museum
Document - NEWSPAPER, Hepburn Advocate, THE ADVOCATE 16/4/1997
CLUNES HAS A UNIQUE CULTURAL AND MUSICAL HERITAGETHE ADVOCATE 16/4/1997, PAGE 5. 'CLUNES MUSEUM SHOWS ITS CULTURE', ADVERTISING AN EXHIBITION AS PART OF VICTORIAN HERITAGE WEEK. THEME 'CULTURE DOWN UNDER'. PHOTOGRAPH INCLUDED OF PAT COOK AND CHARLES FENTON.culture down under, exhibition, victorian heritage week 1997, clunes museum, pat cook, charles fenton -
Ringwood and District Historical Society
Pamphlet, Ringwood 1924-1974 50 Years of Service to the Community, 1974
Community information brochure issued in 1974 by Ringwood Council outlining local services, sporting, and cultural facilities. Includes names of Ward Councillors, Council's revenue and expenditure charts, and two City of Ringwood Free Tipping Vouchers valid until the end of 1975."Frontpiece: Council's Immunisation Programme." "Message from your Mayor, Councillor Stan Morris, J.P. (photo). In this, Ringwood's 50th Year as an independent Municipality another milestone is recorded. It is our hope that the City will continue to develop soundly so as to improve our quality of life. The past achievements have been accomplished by Council/Citizen co-operation and we have no doubt that this co-operation will continue during the next 50 years".rinx -
Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 25, Noel Simons, 26/02/1972 12:00:00 AM
Set of 25 transparencies taken on 26/2/1972 on Kodak mounts. 1204.1 - Bendigo No. 5 - just arrived at Manchester Loop near Havilah Road, Long Gully. Photo taken after tram has passed photographer. 1204.2 - No. 26 in Backhaus St. Long Gully passing William St, en route to Quarry Hill. Photo taken after tram has passed photographer. 1204.3 - No. 5 climbing the High St. Hill Eaglehawk, heading for Quarry Hill with the buildings on the West side of High St. in the background, including the Eaglehawk Town Hall. 1204.4 - as for 1204.3, but tram close up. 1204.5 - as for 1204.3, but after tram has passed photographer. 1204.6 - No. 5 at intersection of Mt Korong Road Ironbark and Calder Highway, with the AMPOL service 'station in the background. Photo taken after tram has passed photographer. 1204.7 - No. 26 en route to Quarry Hill shortly after leaving Needle Loop, passing William St., Long Gully. 1204.8 - No. 5 at California Gully Loop, picking up a passenger, with the shops at Long Gully in the background. Photo taken after tram has passed photographer. 1204.9 - No. 5 in Long Gully, en route to Quarry Hill. Photo taken after tram has passed photographer. 1204.10 - No. 2 at Eaglehawk terminus with the Eaglehawk Town Hall and Post Office in the background. Tram has two SEC roof ads. 1204.11 - No. 2 at Eaglehawk terminus, close up. 1204.12 - as for 1204.11, but through the park gates. 1204.13 - as for 1204.11, but with tram stop shelters in the foreground and buildings on the West side of High St in the background. 1204.14 - No. 2 in Mt. Korong Rd, midway between California Gully Loop and Needle Loop. Photo taken after tram has passed photographer. 1204.15 - No. 5 in Long Gully, en route to Quarry Hill. 1204.16 - as for 1204.15, but with trams departed loop. Has an ESSO service station in the background. 1204.17 - No. 26 leaves Charing Cross up View St.. Photo taken after tram has passed photographer. Has Armstrong Tyre Service, Cohns Drinks ad on a building and the T&G building in the background. Also Firestone ads on the tyre service building. 1204.18 - No. 5 waits at Charing Cross with the Alexandra Fountain in the background. Tram has two SEC roof ads, 'Everything s fine in my all electric kitchen' and 'Electricity Best for Cooking'. Has RACV, Colonial Mutual Life buildings in the background and the planting areas around Charing Cross gardens in the foreground. 1204.19 - No. 21 en route to North Bendigo arrives at Charing Cross, with passengers waiting to board. No. 5 in the background. In the background is the Fountain Gate Plaza building and the City Family Hotel. 1204.20 - as for 1204.19, but with No. 7 en route to Golden Square. 1204.21 - as for 1204.19, but closer up. 1204.22 - as for 1204.18 1204.23 - No. 25 in Nolan St. near the crossing of Bendigo Creek, running a special tram tour. 1204.24 - No. 25 on a special charter, in Weeroona Ave. at Cnr of Caledonia St. passing the Gas works. 1204.25 - Nos. 25 (showing Golden Square), 7 and 26 at Charing Cross. Has fountain in the background.Information written on in blue ink and date stamped on purple ink. 1204.1 - "No. 5 at Manchester Loop, near Havilah Rd. Long Gully." 1204.2 - "No. 26 in Backhaus St. Long Gully passing William St." 1204.3 - "No. 5 in High St. Eaglehawk." 1204.4 - "No. 5 in High St. Eaglehawk." 1204.5 - "No. 5 in High St. Eaglehawk." 1204.6 - "No. 5 in Mt. Korong Rd., Ironbark, passing Calder Highway Junctn." 1204.7 - "No. 26 shortly after leaving Needle Loop, passing William St., Long Gully. No. 5 cresting hill in distance." 1204.8 - "No. 5 at California Gully Loop." 1204.9 - "No. 5 in Long Gully" 1204.10 - "No. 2 at Eaglehawk terminus." 1204.11 - "No. 2 at Eaglehawk terminus." 1204.12 - "No. 2 at Eaglehawk terminus." 1204.13 - "No. 2 at Eaglehawk terminus." 1204.14 - "No. 2 in Mt. Korong Rd, midway between California Gully Loop and Needle Loop. 1204.15 - "Nos. 2 and 26 crossing at Long Gully." 1204.16 - "No. 26 leaves Long Gully loop for Eaglehawk as No. 2 pulls out of the far end towards Bendigo" 1204.17 - "No. 26 beginning the climb up View St. from Charing Cross." 1204.18 - "No. 5 at Charing Cross." 1204.19 - "No 21 arrives at Charing Cross from Golden Square while No. 5 awaits departure time for Eaglehawk." 1204.20 - "Nos. 7, 21, and 2 (behind which is No. 5) at Charing Cross." 1204.21 - "Nos. 7, 21, and 2 at Charing Cross." 1204.22 - "No. 5 at Charing Cross." 1204.23 - "No. 25 in Nolan St. near Bendigo creek crossing" 1204.24 - "No. 25 in Weeroona Ave. at cnr of Caledonia St." 1204.25 - "Nos. 25, 7, 26 and 2 (behind 26) at Charing Cross."tramways, trams, bendigo, eaglehawk, long gully, california gully, charing cross, north bendigo, tram 2, tram 5, tram 7, tram 21, tram 25, tram 26 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Buckland, 23/12/1946 12:00:00 AM
Black and white photograph of Bendigo track cleaner/sprinkler and ESCo No. 9 at the Pall Mall tram stop just to the south of the Fountain at Charing Cross. ESCo 9 has been modified (See Kings Bendigo Tramways p54). Sprinkler car has trolley pole facing Golden Square, as has No. 9. Pole by the trams have signs "ALL CARS STOP HERE" and a "NO ROAD" sign. Photo taken 23/12/1946. 676.1 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 2/7/2013. See The Bendigo Tramways, K.S.Kings On rear typed is "SECV Bendigo Tramways Car 9 and Track Grinder at Charing Cross 23/12/1946" and stamped in but rh corner "Photograph by John Buckland" trams, tramways, bendigo, esco, work trams, tram sprinkler, scrubber, tram 9 -
Uniting Church Archives - Synod of Victoria
Document - Methodist Order of Knights, The Knight's Motto and The Esquire's Law
The Knight's Motto: Live pure, speak true, right wrong, follow the Christ the King - Else wherefore born? The Esquire's Law: 1. An Esquire believes in Jesus Christ as his Leader and Friend, and regularly attends a Christian Sunday School and Church. 2. An Esquire strives to attain full manhood in body, and mind, heart and spirit. 3. An Esquire is loyal 4. An Esquire is faithful and honest at all times. 5. An Esquire endeavours to be a good citizen. 6. An Esquire is kind and polite to all people. 7. An Esquire is clean in thought, word and deed. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple shield. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.14.1 and E3112.14.2: White card with red and blue text and an image of Jesus, a knight on one knee and a boy standing in front a cross and tree.methodist order of knights -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, GRINTON COLLECTION, FRAMED, 2008 - 2009
Frame 4. Photo 1. Curlu, Hem, Vaux area which can be seen written faintly at the bottom of the photo. These are 3 small villages near where Bert Grinton won his DCM. The villages are along the Somme River. The nearest towns of note are Mont St Quentin and Perrone. Photo 2. Four graves, left to right. 1. Lance Corporal George Grimshaw, No 887 38th Batt, KIA 28/8/1918 aged 24 years. He embarked with C Coy on the Runic and the embarkation rolls state that he was a farm labourer from Gasquil East Victoria. His final resting place is the Hem Farm Military cemetery, Hem Monacu. 2. Corporal Vincent Thomas Stanley Wyniat, No 709, 38th Batt, KIA 28/8/1918 aged 28 years. h embarked with D Coy on the Runic and the embarkation rolls state that he was a labourer of Edenhope, Vic. His final resting place is also Hem Farm. 3. Two graves left to right. Private W McEwan, No 7067, 38th Batt, KIA 31/8/1918 aged 36 years. He was actually William Lowrie Allison from NSW enlisting under the name McEwan. His final resting place is the Perrone Communal Cemetery Extension. he is buried there under the name "Allison". Private Norman John Warren Hoffmeyer, No 2339, 38th Batt, KIA 31/8/1918 aged 23 years. He embarked with the 4th reinforcements to the 38th per HMAT A17 Port Lincoln on 20/10/1916. The embarkation rolls state that he was a farmer from Bendigo, Victoria. His final resting place is also Perrone. 4. Single grave. Private Cyril Edmund Andrew Dunn, No 3058, 38th Batt, KIA 31/8/1918 aged 22 years. He embarked with the 7th reinforcements to the 38th Batt per the HMAT A70 Ballarat on 19/2/1917. the embarkation rolls state that he was a Bank Clerk of East St Kilda. His final resting place is Hem Farm Military Cemetery, Hem Monacu. From other negatives we have identified some 15 graves. All these soldiers were KIA over the period 26 - 31 August 1918. This was during the time Bert won his DCM. Within a month Jack and Bert's Company was down to 20 men. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records. Photographs - black and white on paper. Four photographs, top to bottom. 1. Scene with a village. 2. 4 graves with crosses. 3. 2 graves with crosses. 4. single grave with cross and rifle. Frame - timber with black colour paint, glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard, handwritten black felt tip pen "4."framed photographs, grinton collection, ww1, 38th -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, William Page & Co, Circa 1853-1878
This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, discoloured to green and red-brown in places. Fiddle design. Bowl has indents and holes. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. The surface has encrustations. Bowl has nicks, indents and holes. Stem is very bent at the shoulder. Discoloured to green and red-brown in places. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, William Page & Co, Circa 1853-1878
This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon -
Federation University Historical Collection
Document - correspondence, Letter to Professor of Zoology from Silas Jouls, 01/04/1913
Letter written on purple paper by Silas Jouls to the Professor of Zoology and envelope.Address on envelope crossed out with try the Zoo written on it. silas jouls, professor of zoology, zoology, envelope, april 1913, purple letter, purple paper