Eight pages typewritten document on the history of the Long Gully Methodist Church by Andrew Ward, architectural historian. Published 14/05/2016.church, history, methodist

History of Kew written by members of the Kew Historical Society and published in 1960 on the occasion of the City's Centenary. This booklet was donated by John Rogers in 2016non-fictionLocal History produced by Kew Historical Societykew - history, kew historical society - publications

History of Kew written by members of the Kew Historical Society and published in 1960 on the occasion of the City's Centenary. This booklet was donated by John Rogers in 2016non-fictionLocal History produced by Kew Historical Societykew - history, kew historical society - publications

This book recorded the ships on which seafarers came to Melbourne.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne in 2004-2005. Yellow note on the cover with the words: "Melbourne Visitors Log 06/08/04 - 21/03/05sailors, seafarers, seamen, ship, nationality, mission to seafarers, seamen mission, flinders street

In 2000, three silver trophy spoons were donated to the Kew Historical Society by the national Trust (Victoria). At the time, the spoons were believed to have been awarded to J.S. Penrose for victories in events held by the Boroondara R.C. [Rifle Club] in 1905 and 1906. The Boroondara Rifle Club was a separate entity to the Kew and Hawthorn Rifle Clubs. The first reference to the Club on Trove is on 11 April 1900, when the Club was established and the committee elected. It is recorded that: “the adjourned meeting in connection with the Boroondara Rifle Club was held in the shire hall on Monday evening; Mr. A. J. Smith, J.P., in the chair. It was decided that the name of the club should be the Boroondara Rifle Club, and that it should embrace the whole shire, with butts at some convenient and accessible spot. A number of additional members were sworn in, making the total enrolled to date about 70. The following gentlemen were elected as office bearers: — President, Sir Frederick Sargood. M.L.C.: vice-presidents, Messrs. Wm. Knox, M.L.C.; F. Madden, M.L.A., and A. J. Smith (president of the shire); hon. captain, Mr. John Mc Whae (chairman of the Stock Exchange) ; committee. Messrs. T. W. Gaggin, J. B. Gilfillan, Cr. Lewis. Cr. Rooks and Cr. Beckett; hon. treasurer. Mr. G. A. Darling; hon. secretary, Mr. A. J. .Macarthur”. The last recorded meeting of the Rifle Club was in 1916, at “Adam’s Hall, upper Hawthorn” when a new committee was elected. Silver trophy awarded to J.S Penrose by the Boroondara Rifle Club for a victory in the Spoon Competition of 1906Boroondara R.C. / Spoon Competition / 500, 600 yds / Won by J.S. Penrose / 4-8-06sports trophies, boroondara rifle club, j s penrose

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

8/7 RVR is a Victorian Army Reserve Unit (Citizen Military Forces).This is a B & W portrait of C.M.F. soldiers. It is in a simple brown wooden frame. The portrait shows 4 rows of soldiers on a stand. In front of them, seated, is an instructor holding a cane and a Lieutenant. They are wearing GP boots, jungle green pattern shirts and trousers. Head dress is a variety of slouch hats and berets.On the back is :- 75/06 P.16 1981 1981 Recruit Course 'Puka' featuring Cpl Johnson.photograph, recruit course, cmf training, 8/7 rvr

BHS CollectionThe Bendigo Advertiser Newspapers invoice to H.A. & S.R. Wilkinson dated 07/06/1956. The invoice has three entries ''sale account Swift'' for a total of 8 pounds 5 shillings 1 penny. A receipt n. 18442 dated 08/06/1956 is stapled to the invoice recording the cash payment. A 2 penny stamp duty is attached to the receipt. The receipt is in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 595.

26 Byron Avenue Lower Plenty. 4 bedroom house. Sold 27/06/2018 for $1,290,000. Previous sales: June 2006 for $336,000, February 1994 for $145,000 and January 1989 for $160,000. Built 1969.Real Estate advertising leaflet,1 sheet folded into 4 pages, printed in colour both sides. 2 copies.byron avenue lower plenty

Grave of Annie E. Lines (died 13/06/1929) and Charles C. Lines (died 17/04/1942) in Plot#F11/F12 Greensborough Cemetery. The name plaque is now missing from this grave.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone. (Plaque missing)annie e lines, charles c lines, greensborough cemetery

The Grave of F. W. MacLean (Australian Army) (died 06/09/1968), Mary MacLean (died 28/10/1994), and Christina Mary MacLean (died 12/03/1973); St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, maclean family

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2002. This is a 5 month report, with reporting period being changed from a calendar year to a financial year.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.28 page booklet, colour cover with logo and photograph of clubhouse, internal text black and red. 2 copies. annual reports, financial reports

Magazine or Newsletter - folded single sheet - titled "Catherine's Contact", published by Catherine King, MP, Federal Member for Ballarat, Spring 2016 issue. Published following the July Federal election, features grants received by local groups, supporting volunteers and a piece of the Museum' function tram - Cuthberts 939.trams, tramways, cuthberts 939, btm

Share certificate for 50 shares in the Don Gold Mining Company, no liability, Bendigo issued to M. H. Ashton of Melbourne. Date on the certificate 06 April, 1905business, mining, the don gold mining company

In 2013, Gary Partington generously donated farm implements to Greensborough Historical Society. These implements had been used at the family property "Willis Vale" up to the 1960s. From June 2013 until December 2016 these implements were sited in the front garden at the GHS Resource Centre. Unfortunately, the plough, shoe last and kitchen kettle were stolen in December 2016. Digital copy of colour photograph.greensborough historical society, partington family

32 Crana Grove Greensborough, 3 bedroom house, sold December 2016 for $635,500. Previous sales: June 2000 $184,000.Real Estate advertising leaflet,1 sheet folded into 4 pages, printed in colour both sides.crana grove greensborough

Timber house, Greensborough, January 2016. The house is located at 14 Poulter Avenue, former residence of the Leaford Family in the 1930/1940s.Digital copy of colour photographhouses in greensborough

Yarra Plenty Regional Library's family history librarian Liz Pidgeon discusses activities for Family History Month August 2016.News clipping, black text and colour imageyarra plenty regional library, family history, liz pidgeon

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough