Silicon Mould of a hexagonal design depicting a chimera and an accompanying decorative stem.Nonematcham skipper, mould, jewellery, chimera, decorative design

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown cup with handle, no saucer. Glazed and decorated with abstract design.art, artwork, cup, ceramic

Various playing cards with large print numbers and suit types. Playing cards with red and white design with numbers and suit in large print. recreation equipment, games

Used in the office of the Port Fairy Butter Factory which was located on Gipps Street facing the end of Bank Street.Black cast iron seal with wooden handle. Decorated with gold designPort Fairy Cheese and Butter Factory Company, Port Fairy Limitedport fairy cheese and butter factory company, port fairy dairy farming, butter, factory, gipps street, company seal

Team Red were the original free riders from Falls Creek who focused on freestyle skiing rather than more traditional downhill skiing. They trained to compete in the tough freestyle circuit. Over the years members have included: Eric Hymans, twice Australian Mogul Champion: Lyn Gross, Australian Aerial Champion and World Cup finalist; Kate Stevens twice Australian Mogul Champion; Kent Dowding. Australian Mogul Champion: Steven Lee, Australian Champion and Olympian; and Mark Stevens, Australian Mogul Champion Three-time World Cup competitor and coach to the Australian World Cup team along with many others who took on the challenge of freestyle skiing.This jacket is significant because it is representative of all those who took on the challenge of freestyle skiing at Falls Creek and on the World Circuit.A red ski jacket with a floral design across the middle and black lining.On back and front EST 1980. TEAM RED FALLS CREEKfalls creek ski school, falls creek race club, race club

Production method - Fired.A dark green ceramic pot (jardiniere) with a raised floral design. It has"Jafan" stamped on base.pot, containers

White ceramic shaving mug with painted floral design on both sides."34-22" inscribed on base.shaving mugs, shaving equipment

Used in Methodist Church, Wandin, Victoria, Australia.Brass jug with a handle and decorative floral design around the top half"Germany Halah" stamped on the basejugs

Black 200ml. container with floral design on front, containing talcum powder."Fleurs des Isles Alliesse Talc"

Square, white damask tablecloth, with leaf design and a spoke stiched edge.tableware, table linen, household textiles

Crocheted , cotton table runner with floral design and spiky scalloped edgescotton thread, table runners

Japanese lacquer serviette ring. Black with gold/red lady design.serviette rings, tableware

Worn by late Miss Olive Sebire.Gold brooch in a Dragon Fly design, with red and blue enamel, and a chain.brooches

Purchased by the late Miss Olive Sebire in Melbourne in the 1950's.Silver marcasite brooch in a floral design with long petals, attached to a chain.

This silver and bone fork is part of a collection donated by Mrs. Jean Raper of Wodonga.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A silver cake fork with bone handle and etched design on the fork tines.sillverware, domestic utensils

Donated by Rob Innes- belonged to his mother Miriam Effie Innes nee Drury b1895. Could have belonged to her mother b1856.Sailor shaped lace collar ecru coloured and handmade with taupe design.costume accessories, collar accessories

Clay Vessel (unsigned), made by Anne Sweeney, a local potter, at her Fuller Street, Mitcham home.Bulbous shaped light and dark brown vessel with cream handpainted design.ornaments, mixed media, handcrafts, country crafts

Handbag belonged to Myrtle Grant, grandmother of donorBrown leather clutch handbag. Imitation skin design across frontcostume accessories, female

See NA359Brown glazed corner tile. Raised edge with lighter brown design.ceramics, earthenware

From collection of personal items of Betty JonesCream coloured nylon gloves with punched hole design; gathered at wristcostume accessories, glove accessories

Purchased by Mr. & Mrs. H.N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IOrnamental miniature Chinese cloisonne vase. Has floral patterned design.vases

White China triangular cheese dish with gold, and pink 'flash' design.

Small shaving mug - hand painted with rose design and gold trim.shaving mugs, shaving equipment

Worn by Miss Frances Quayle (later Mrs. W.J. Sebire)Silver fan design locket attached to a thick silver engraved necklace.lockets, necklaces

In 1902 a badge was urgently sought for the Australian contingents raised after Federation for Service in South Africa during Boer War. Probably the most widely-accepted version of the origin of this badge is that which attributes the selection of its design to a British Officer, Major General Sir Edward Hutton, KCB, KCMG, the newly appointed commander-in-chief of the Australian Forces. He had earlier recieved as a gift from Brigadier General Joseph Gordon, a military acquaintance of long standing, a "Trophy of Arms" comprising mounted cut and thrust swords and triangular Martini Henri bayonets arranged in a semicircle around a brass crown. To Major General Hutton the shield was symbolic of the co-ordination of the Naval and Military Forces of the Commonwealth. The rising sun badge has been worn by Australian soldiers since 1902. Thus it is a symbol that links soldiers across several generations, and across many conflicts and peace-keeping missions. Its symbolism is at once warlike and hopeful, as it incorporates an array of bayonets to create the form of the rising sun. At the centre sits a crown, symbol of a soldier's allegiance to the Australian nation and the British monarch. Small bronze coloured rising sun badge from a slouch hat. Military badge, general service 'Rising Sun' hat badge, Australian Imperial Force, Stamped oxidised copper alloy sun design in semi-circle around a crown, with the words 'AUSTRALIAN COMMONWEALTH MILITARY FORCES' below. The back has two hooks for attaching the badge to a hat. This is the simple design of 1902 that incorporates an array of stylised bayonets to form a representation of the rising sun. Australian Commonwealth Military Forcesbadge military numismatics rising-sun

This Japanese ceramic vase was recovered from the wreck of the S.S. Casino (1882 – 1932) between the late 1960s to early 1970s. It is one of the shipwreck artefacts in the John Chance Collection. The design is an example of vintage basket weave pottery. The base of the vase is stamped ‘MADE IN JAPAN’ , which dates its probable manufacture to circa 1921-1932. The vase has side seams indicating that it was made by joining two moulded sides of the vase together, then adding the round base. The coastal trader SS Casino (1882–1932) had a run of almost 50 years along the coast of Western Victoria. She traded goods and food as well as carrying passengers from port to port on her many voyages. This vase may have been included in her cargo or could have been amongst the personal luggage of the people on board. The ceramic vase is an example of ceramic pottery in Victoria the 1930s. The vase is also significant as it was recovered by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The vase is also significant as it is associated with the S.S. Casino, which played an historical role in Western Victoria, providing transport, communication and trade along the coast between Melbourne and Portland in the late 19th and the early 20th century, visiting the ports at Apollo Bay, Warrnambool and Belfast (Port Fairy). The S.S. Casino was the only regular trader with normal passenger accommodation along the West Coast and the only Western District steamship that was in service between 1854 and 1939, and to be represented in the Victorian Heritage Shipwreck register, and to have been wrecked in the Western District, and to have the wreck located, and to be accessible to divers. The wreck of the S.S. Casino, and its associated relics, is considered an important part of Victorian and Australian cultural heritage and is now protected as a Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). Vase, round, cream coloured, unglazed ceramic, basket weave design. Wide mouth, short neck that tapers out to wide shoulders and straight down to round base. Seams on each side, mouth to base. Small handle on each side of vase between mouth and shoulder. Front and back of vase have a plain oval space bordered by a floral design. Inscription stamped onto base. Made in Japan. Stamped onto base in black ink "MADE IN / JAPAN"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, japanese vase, s.s. casino, john chance, vintage pottery, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, west coast trader, apollo bay, captain middleton, basket weave, ceramic

Part of Victorian Railways crockery. 'When the Victorian railways took over management of the Chalet from 1 october 1924, they ran their dining room and cafe in similar fashion to the dining cars on their trains and refreshment rooms on their stations, using the same ceramic hotel-ware and electro plated nickel silverware (EPNS), all made to order items that are clearly idenitified by the distinctive 'VR' monogram. . ..The Chalet Collecton also incudes items of ceramic stoneware... and these too interpret the function and role of the dining room. The ceramic items items were generally manufactured by 'Grindley' or 'Grafton'... Ceramic ware used at the Chalet from the 1920's to the 1950's had a black VR monogram or badge and was the same crockery used in th VR dining and buffet cars. Crockery used in the VR refreshment rooms had a red monogram." (Pg 104. Historica)' Listed in Draft Inventory of Significant Collection items. Appendix A.3.Tableware. (Pg 166 Historica).Small coffee cup with Victorian Railways in scroll design with a crown motif above scroll. White china with black transfer design. Mark and inscription on base. Handle is broken, cup cracked. Cup possibly broken during removal to Bright in 2005. also two teacups of the same design and inscription. Both have handles but both are cracked.-On base,"DURALINE / SUPER /VITRIFIED / GRINDLEY / HOTEL WARE Co / ENGLAND / 3-41 " On front of cup,"VICTORIAN RAILWAYS"

Gold coloured Medal with American Eagle standing over three arrows, and wings outstretched. Green and white stripe ribbon attached with pin on reverse : two bars in green with white stripes All enclosed in blue vinyl/leather hard case On reverse of Medal "Awarded for Military Merit"Box navy with gold embossed design left hand side and United States of America in goldmedal